Guitare Guitare classique [CD Sheet Music] Subito Music
CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals...(+)
CD Sheet Music (Version
2.0) titles allow you to
own a music library that
rivals the great
collections of the world!
Version 2.0 improves upon
the earlier edition in a
number of important ways,
including an invaluable
searchable table of
contents, biographical
excerpts, and faster
loading. CD Sheet Music
(Version 2.0) titles work
on PC and Mac systems.
Each page of music is
viewable and printable
using Adobe Acrobat. 1600
pages. Published by
Subito Music.
Arranged for Plectrum-Style Guitar. Classical, Saddle- stitched. Flatpicking GU...(+)
Arranged for
Plectrum-Style
Guitar. Classical,
Saddle-
stitched. Flatpicking
GUitar.
Book. Mel Bay
Publications,
Inc #30978. Published by
Mel
Bay Publications, Inc
Electric guitar - Intermediate SKU: MB.30522M Celtic Rock Solos. C...(+)
Electric guitar -
Intermediate
SKU:
MB.30522M
Celtic
Rock Solos. Composed
by Philip John Berthoud.
British, Saddle-stitched,
World. Rock and Blues.
Book and online audio. 52
pages. Mel Bay
Publications, Inc
#30522M. Published by Mel
Bay Publications, Inc
(MB.30522M).
ISBN
9781513464237. 8.75 x
11.75
inches.
Ideal for the
intermediate-level
guitarist, these 17
traditional tunes from
the UK plus one from
France are arranged to be
played with your electric
guitar plugged-in. The
transformation that
occurs in switching from
acoustic to electric
instruments adds an
unmistakable Celtic rock
element to the
authorâ??s companion
recording.
<
span style=font-family:
Arial;> The tunes are all
played twice through on
the recording and
transcribed note-for-note
in the book. The
recording features backup
from both electric bass
and a second electric
guitar, often played with
a slide and a little
â??dirtâ? thrown into
the mix. Skillful
bodhrán and djembe
playing on many of the
tracks adds to the
dynamic nature of the
recording.
<
span style=font-family:
Arial;> Many of these
tunes can be played in
lower positions but a few
venture as high as the
14th fret. Playing one
note at a time within a
narrow range, if you
donâ??t read
particularly well now,
working through these
tunes will help you
improve and gain
confidence as a sight
reader.
Written in
standard notation and
guitar tablature.
Includes access to online
audio.
by Anthony Glise. For classic guitar. Anthony Glise Urtext. Classic. Level: Mult...(+)
by Anthony Glise. For
classic guitar. Anthony
Glise Urtext. Classic.
Level: Multiple Levels.
Book. Reference. Size
8.75x11.75. 282 pages.
Published by Mel Bay
Pub., Inc.
By Johann Sebastian Bach. Arranged by Richard Sayage. Solo. For Classical Guitar...(+)
By Johann Sebastian Bach.
Arranged by Richard
Sayage. Solo. For
Classical Guitar. Savage
Classical Guitar
Virtuouso Editions.
Unaccompanied Cello
Suites for solo classical
guitar. Baroque. Level:
Intermediate. Book.
Standard. 20 pages.
Published by Savage
Classical Guitar
Transcriptions.
A Classical Guitarist's Technique Handbook. Composed by Scott Tennant. This ...(+)
A Classical Guitarist's
Technique Handbook.
Composed
by Scott Tennant. This
edition: 2nd. Book;
Classical Guitar Method
or
Supplement; DVD; Digital
Download;
Method/Instruction;
Software. Pumping Nylon
Series. 144 pages.
Published
by Alfred Music
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Lyrics/Chords Guitar SKU: HL.242081 By The Beatles. The Little Black Song...(+)
Lyrics/Chords Guitar
SKU: HL.242081
By
The Beatles. The Little
Black Songbook. Pop. 384
pages. Hal Leonard
#HL00242081. Published by
Hal Leonard (HL.242081).
ISBN 9781785588617.
UPC: 888680704407.
4.75x7.75x0.956
inches.
A
pocket-sized collection
of 195 Beatles hits
presented in chord
songbook format. Includes
complete lyrics, chord
names & a handy chord
box reference sheet.
Including classic hits
such as: All You Need Is
Love • Can't Buy Me
Love • Day Tripper
• Do You Want to
Know a Secret •
Eleanor Rigby •
From Me to You •
Get Back • Help!
• Hey Jude •
I Want to Hold Your Hand
• Let It Be •
Magical Mystery Tour
• Ob-La-Di Ob-La-Da
• Please Please Me
• Ticket to Ride
• Twist and Shout
• and more.
Composed by Richard Yates. For guitar (acoustic). Squareback saddle stitch. Inte...(+)
Composed by Richard
Yates. For guitar
(acoustic). Squareback
saddle stitch.
Intermediate. Book and
online audio. Published
by Mel Bay Publications,
Inc
Composed by Allan Alexander. Saddle stitch. World Music/Guitar Instruction. Book...(+)
Composed by Allan
Alexander. Saddle stitch.
World Music/Guitar
Instruction. Book and
Downloadable audio.
Duration 70 minutes.
Published by ADG
Productions
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
With online audio and video. Composed by Stanley Yates. Spiral-bound. Mod...(+)
With online audio and
video. Composed by
Stanley Yates.
Spiral-bound. Modern
Guitar Method. Book and
online audio/video.
Published by Mel Bay
Publications, Inc
(MB.21548M).
(A Workbook for Beginning, Intermediate or Advanced Students). Composed by M...(+)
(A Workbook for
Beginning,
Intermediate or Advanced
Students). Composed by
Miles
Okazaki. For guitar.
Spiral-
bound. Guitar Methods,
Scales, Arpeggios,
Technique, Theory,
Harmony.
Book. 166 pages.
Published
by Mel Bay Publications,
Inc
(Light Classics Arrangements for Guitar). For Guitar. Book; Classical Guitar ...(+)
(Light Classics
Arrangements
for Guitar). For Guitar.
Book; Classical Guitar
Folio; Masterworks.
Alfred
Classical Guitar
Masterworks. Form:
Transcription. Acoustic;
Masterwork Arrangement.
Intermediate. 32 pages.
Published by Alfred Music
Composed by Steve Marsh. Guitar: Classical and Lute,Style,Classical,Tech niq...(+)
Composed by Steve Marsh.
Guitar: Classical and
Lute,Style,Classical,Tech
niqu
e, Theory and Reference.
Book. 104 pages.
Published by
Mel Bay Publications, Inc
by William Bay and Mike Christiansen. For all guitars. Mastering Guitar. All sty...(+)
by William Bay and Mike
Christiansen. For all
guitars. Mastering
Guitar. All styles,
assorted music styles.
Level:
Beginning-Intermediate.
Book/CD Set. Method. Size
8.75x11.75. 184 pages.
Published by Mel Bay
Pub., Inc.
The Most Popular Series for Learning How to Play. Composed by Nathaniel G...(+)
The Most Popular
Series for Learning How
to Play. Composed by
Nathaniel Gunod, L. C.
Harnsberger, and Ron
Manus. Book; Digital
Download; Guitar Method
or Supplement;
Method/Instruction.
Alfred's Basic Guitar
Library. Rock. 64 pages.
Published by Alfred Music
(AP.45052).
The many faces of the guitar, Volume 1. By Various. Arranged by Collectif. For g...(+)
The many faces of the
guitar, Volume 1. By
Various. Arranged by
Collectif. For guitar
solo. Level: 1. 28 pages.
Published by Les
Productions d'OZ. (DZ
1041)
The many faces of the guitar, Volume 1. By Various. Arranged by Collectif. For g...(+)
The many faces of the
guitar, Volume 1. By
Various. Arranged by
Collectif. For guitar
solo. Level: 1. 28 pages.
Published by Les
Productions d'OZ. (DZ
1041CD)
The many faces of the guitar, Volume 2. By Various. Arranged by Collectif. For g...(+)
The many faces of the
guitar, Volume 2. By
Various. Arranged by
Collectif. For guitar
solo. Level: 1.5. 32
pages. Published by Les
Productions d'OZ. (DZ
1042CD)
The Most Popular Series for Learning How to Play. Composed by Nathaniel G...(+)
The Most Popular
Series for Learning How
to Play. Composed by
Nathaniel Gunod, L. C.
Harnsberger, and Ron
Manus. Book; DVD; Digital
Download; Guitar Method
or Supplement;
Method/Instruction;
Software. Alfred's Basic
Guitar Library. Rock. 64
pages. Published by
Alfred Music (AP.45053).