Guitar solo - Advanced

SKU: DZ.DZ-4308

Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308).

ISBN 9782898522253.

Foll owing a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.

FRANCE SCO BIRAGHI

Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprèt e et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.

FRANCESCO BIRAGHI.

DVD. DVD (Digital Video Disk). Size 5.3x7.5 inches. Published by Hal Leonard. Enter the realm of darkness with a metal master as he reveals the deepest secrets of playing serious metal rhythms. Nick exposes all the essential elements, including: power chords * riffs * evil intervals * muting and picking techniques * the heavy chord * and more. Truly an inspiring DVD for enthusiasts of all metal styles from Black Sabbath to Metallica to Pantera. 56 minutes.

Guitar solo

SKU: DZ.DZ-4292

Composed by Michel Dalle Ave. Score. Les Productions d'OZ #DZ 4292. Published by Les Productions d'OZ (DZ.DZ-4292).

ISBN 9782898522093.

« Boulevard Pey Arnaud » est une composition soliste pour guitare inspirée par le lieu où se trouve ma maison, dans un environnement protégé, entourée de forêts de pins et traversée par un petit ruisseau nommé « l’eau bourde ». Depuis quatre décennies, ce cadre enchanteur a nourri mon inspiration, m’offrant un refuge de sérénité. Chaque note de cette courte balade est imprégnée des souvenirs heureux de mes enfants grandissant sur ce boulevard, leurs rires et jeux résonnant parmi les arbres. « Boulevard Pey Arnaud » est une ode à la nature, à la famille et aux moments de paix trouvés dans ce quartier.

Boulevar d Pey Arnaud is a solo composition for guitar inspired by the place where my house is located, in a protected environment, surrounded by pine forests and crossed by a small stream called l’eau bourde. For four decades, this enchanting setting has nourished my inspiration, offering me a refuge of serenity. Every note of this short stroll is imbued with the happy memories of my children growing up on this boulevard, their laughter and games echoing among the trees. Boulevard Pey Arnaud is an ode to nature, family and the moments of peace found in this neighborhood.

Guitar solo - Intermediate

SKU: DZ.DZ-4316

Composed by Mehmet Refik Kaya. Arranged by Celil Refik Kaya. Score. Les Productions d'OZ #DZ 4316. Published by Les Productions d'OZ (DZ.DZ-4316).

ISBN 9782898522338.

Ada (Island) is a captivating composition that was originally written in 2011 for the Turkish lute. This piece draws its inspiration from the tranquil and picturesque atmosphere of Büyükada, one of the charming islands in the Sea of Marmara. Büyükada, with its serene landscapes, historical architecture, and tranquil shores, serves as a perfect muse for the evocative melodies and intricate harmonies that characterize Ada (Island).

Ada (Island) was later arranged for classical guitar. This adaptation allows the composition to reach a broader audience while retaining its original charm and depth. The classical guitar arrangement highlights the versatility of the piece, maintaining its delicate nuances and evocative melodies, while offering a new perspective through the guitar's distinctive tonal qualities.

Whether performed on the Turkish lute or the classical guitar, Ada (Island) remains a poignant tribute to the enchanting beauty of Büyükada, capturing the island's essence and transporting listeners to its serene shores.

«Ad a (Island)» est une composition captivante écrite à l'origine en 2011 pour le luth turc. Cette pièce s'inspire de l'atmosphère tranquille et pittoresque de Büyükada, l'une des charmantes îles de la mer de Marmara. Büyükada, avec ses paysages sereins, son architecture historique et ses rivages tranquilles, constitue une muse parfaite pour les mélodies évocatrices et les harmonies complexes qui caractérisent « Ada (l'île) ».

Ada (Island) a ensuite été arrangé pour guitare classique. Cette adaptation permet à la composition de toucher un public plus large tout en conservant son charme et sa profondeur d'origine. L'arrangement de guitare classique met en valeur la polyvalence du morceau, en conservant ses nuances délicates et ses mélodies évocatrices, tout en offrant une nouvelle perspective à travers les qualités tonales distinctives de la guitare.

Qu'il soit interprété au luth turc ou à la guitare classique, Ada (Île) reste un hommage poignant à la beauté enchanteresse de Büyükada, capturant l'essence de l'île et transportant les auditeurs vers ses rivages sereins.

Revised edition, 2020. Composed by Chen Yi (1953-). Sws. Duration 6:30. Theodore Presser Company #114-42214. Published by Theodore Presser Company

(Sulle ali di un accordo). By Giorgio Signorile. 24 pages. Published by Ut Orpheus

Guitar - Advanced

SKU: DY.DO-1527

Composed by Dusan Bogdanovic. Score. Les Editions Doberman-Yppan #DO 1527. Published by Les Editions Doberman-Yppan (DY.DO-1527).

ISBN 9782897963071.

3 Blue Monologues a été composé pour João Luiz Rezende Lopes. La pièce s'inspire du blues mais s'inspire de diverses influences stylistiques, notamment des techniques contrapuntiques, une tonalité étendue et des harmonies riches en effets coloristiques et en nuances. Une image de E. Munch contribue au côté « un peu bleu » de la musique.

3 Blue Monologues was composed for João Luiz Rezende Lopes. The piece takes blues as its inspiration but goes on to various stylistic influences including contrapuntal techniques, extended tonality and harmonies rich in coloristic effects and shadings. An image by E. Munch contributes to the kind of blue feeling of the music.

(fur Gitarre). By Santiago de Murcia (1685-1732). Edited by Johannes Monno, Thomas Muller-Pering, Olaf Van Gonnissen. For Guitar. New Karl Scheit Guitar Edition. 21 pages. Published by Universal Edition

Guitar

SKU: FG.55011-326-8

Composed by Kai Nieminen. Fennica Gehrman #55011-326-8. Published by Fennica Gehrman (FG.55011-326-8).

ISBN 9790550113268.

I met for the first time the refined Finnish composer Kai Nieminen in Milan (Italy), although we had been in touch for a while before. It was that very trip which provided the inspiration for this composition dedicated to Bruno Munari, one of the most renowned XXI century Italian artists, who lived and worked in Milan. In particular, the work that inspired this composition, displayed at Museo del Novecento in Milan and characterised by swirling lines enveloping torn-out music scores, suggested the mysterious atmosphere of this piece and the subheading Un telegramma dal paese dei sogni (A telegram from dreamland).
The composition can be divided into four sections and displays a wide variety of harmonics, cleverly enhancing the polyphonic resources of the guitar.
The very first bars introduce the main themes of the composition: particularly, at bar 7 it is possible to recognize a Bach quote from Das wohltemperierte Clavier (II book, ndeg24) recurring frequently in the piece and appearing also in the painting.
Meno mosso (bar 51) opens with a ghostly song accompanied by drum-like effects that recall the primitive sound of the shamanic Finnish drum.
Fast sixteenth cascades dotted by harmonic sounds open the fourth and last section at bar 66 (Capriccioso, movendo), alluding to a mysterious telegram sent from another dimension.

Composed by William Bay. For guitar. Guitar: Gospel and Sacred. Intermediate. Book. 104 pages. Published by Mel Bay Publications, Inc

Songs of Inspiration. Strum It (guitar). Size 9x12 inches. 40 pages. Published by Hal Leonard.

Guitar

SKU: HL.50607050

Guitar Solo. Composed by Leo Brouwer. Guitar. Classical, Cuban. Softcover. 12 pages. Editions Max Eschig #DF01682000. Published by Editions Max Eschig (HL.50607050).

UPC: 196288292401. 9.0x12.0x0.073 inches.

Deux Airs populaires cubains (Dos aires populares cubanos) and Deux Thèmes populaires cubains (Dos temas populares cubanos) were written in the 1960s and published by Éditions Max Eschig in 1972 and 1978. These two pieces belong to the genre of arrangements of popular songs for solo instruments that was a widespread presence in the plucked-string repertoire from the sixteenth century on. In these two cycles, Leo Brouwer reworks Cuban popular music with his usual instrumental originality. In the first cycle, Brouwer did not alter any of the melodic or structural elements of the original songs, only embellishing these with introductions, harmony, and some structure. In the second cycle however, the original dance was composed by Brouwer himself, imitating Cuban popular music characterised by both Spanish and African influences. Rather than being based on actual folk repertoire, it draws its inspiration from it and attempts to recreate its sonic ambiance. Zigante interventions, made on the scores published during the 1970s, consist of the correction of a few errors and restoring some of the original repeat signs as conceived by Brouwer. Any fingering indicationswere added by Leo Brouwer himself.

Forty-Four Classic Solos by the Legendary Guitarist with a Complete Analysis. by Stan Ayeroff. Level: Intermediate-Advanced. Book. Size 8.75x11.75. 272 pages. Published by Mel Bay Pub., Inc.

Guitar - easy

SKU: HL.49015535

12 light Guitar pieces. Composed by Steffen Molderings. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 16 pages. Schott Music #ED 8660. Published by Schott Music (HL.49015535).

ISBN 9790001120753. 9.0x12.0x0.112 inches.

These easy pieces for classical guitar take their inspiration from Spanish guitar music as well as from Swing, Ragtime and Blues.

16 Middle-Grade Solos. Composed by Paul Coles. Contemporary. Full score (study). Universal Edition #UE21671. Published by Universal Edition (PR.UE021671).

Guitar solo

SKU: FV.FUE-10398

Composed by Dorothea Hofmann. Contemporary. Score. Furore Verlag #FUE 10398. Published by Furore Verlag (FV.FUE-10398).

ISBN 9790501826988.

A poem by Rose Ausländer, was the inspiration for the two works Noch … (still), which were created for a concert project by guitarist Stefan Barcsay.

Guitar Solo

SKU: AY.G3196PM

Composed by Pere Soto. Plucked - Guitar. Sheet music. Duration 5'. Periferia Publishing #G3196PM. Published by Periferia Publishing (AY.G3196PM).

ISBN 9790543576032.

La nova Ciutat was written in 1985 in Barcelona in some moments of mystical revelation. My father had just passed away almost in my arms and my only source of inspiration and existential consolation were the Gospels and especially the New City, the New Jerusalem from the book of the apocalypse.

For Guitar. Guitar Educational. Softcover Audio Online. 64 pages. Published by Hal Leonard

By Glenn Riley. For Guitar. Guitar Method or Supplement. 0. Rock. Book & CD. 96 pages. Published by Alfred Publishing.

Guitar

SKU: WD.080689585876

Edited by Ken Barker. Arranged by Billy Payne, Dave Williamson & David Winkler, Mark Cole, and Paul Nelson. Christmas, Eastertide. Guitar (leadsheet). Word Music #080689585876. Published by Word Music (WD.080689585876).

UPC: 080689585876.

More Songs for Praise and Worship 4 is a best-selling selection from the Songs for Praise and Worship series that represents the very best praise and worship songs that the body of Christ is singing throughout much of the world. Awash in the inspiration of the Holy Spirit, the transforming power of modern worship is reaching across traditional boundaries to joyfully proclaim God's glory. More Songs for Praise and Worship 4 delivers a timeless message of faith with a dynamic collection complete with 51 of the latest praise and worship songs selected to energize your worship programming. Congregation-friendly songs are sensibly arranged at the moderately difficult level, and include chords for guitar and piano accompaniment. The Piano/Guitar/Vocal Edition from More Songs for Praise & Worship 4 is ideal to use for Bible study groups, cell groups, and other small group worship settings, enabling the vocalist and instrumentalist to sing the same songs and arrangements used in Sunday services. The heavy-duty 9x 12 spiral-bound book includes all 51 songs with an easy piano arrangement featuring the melody in the right hand with lyrics and guitar chord symbols included.

Guitar Solo

SKU: IS.G6593EM

Composed by Stefaan Baert. Plucked - Guitar. Metropolis Music Publishers #G6593EM. Published by Metropolis Music Publishers (IS.G6593EM).

ISBN 9790365065936.

The nylon string guitar has always been Stefaan's first choice (in fact second after his wife of course, but don't tell his guitar). It's also the main instrument for his compositions. Stefaan teaches guitar for a living at the academy of Oud-Heverlee, Belgium. Inspiration comes from the classical masters, but also from players-composers like Ralph Towner, Egberto Gismonti. But a lot from what he knows know, and the way he plays has been influenced by fellow musicians he had the pleasure to play with.

(Includes Intense Rock 1 and 2) Performed by Paul Gilbert. Instructional video: DVD for electric guitar. Series: Alfred's Artist Series. Published by Alfred Publishing.

(Advancing on the Electric Guitar). For Guitar. Guitar DVD; Method/Instruction. Alfred's Artist Series. Rock. DVD

Edited by Various. For Guitar. Music Sales America. Softcover with CD. 128 pages. Music Sales #AM1001253. Published by Music Sales

Guitar Solo

SKU: AY.G3214PM

Composed by Craig Einhorn. Plucked - Guitar. Sheet music. Duration 3'26. Periferia Publishing #G3214PM. Published by Periferia Publishing (AY.G3214PM).

ISBN 9790543573086.

When I wrote Romanza del Desierto I had been living in Arizona and I would frequently camp in the desert with friends. The setting sun behind the mountains and the beautiful light it created was my inspiration. It made all the saguaro, palo verde trees and cholla cactus take on a whole new look. At the same time I was trying to create an alternative to the famous and anonymous Romanza. Several times when playing it I have seen women shed a tear.

By Greg Brown. For guitar solo. Level: 3. 12 pages. Published by Les Productions d'OZ. (DZ 801)