Composed by Jared Walker. This edition: Paperback. Instructional. Method. Book. ...(+)
Composed by Jared Walker.
This edition: Paperback.
Instructional. Method.
Book. With Text Language:
Spanish. 96 pages.
Published by Santorella
Publications (SP.69491).
Guitar SKU: GI.G-10539G Arranged by Tony Alonso S.J. This edition: Guitar...(+)
Guitar
SKU:
GI.G-10539G
Arranged
by Tony Alonso S.J. This
edition: Guitar edition.
Tune Name: Aleluya
Popular. Sacred. Guitar
part. With guitar chord
names. 12 pages. GIA
Publications #10539G.
Published by GIA
Publications
(GI.G-10539G).
English, Latin,
Spanish. Text Source:
The Roman Missal /
Misal Romano,
traditional Spanish text
/ Letra tradicional, Eng.
tr. / Tr. al ing. Tony
Alonso; Translation: Tony
Alonso.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Guitar SKU: GI.G-10515G Music of the Paschal Triduum / Música del T...(+)
Guitar
SKU:
GI.G-10515G
Music
of the Paschal Triduum /
Música del Triduo
Pascual. Composed by
Tony Alonso S.J. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 168
pages. GIA Publications
#10515G. Published by GIA
Publications
(GI.G-10515G).
Guitar SKU: GI.G-7675G Arranged by Ray East. This edition: Guitar edition...(+)
Guitar
SKU:
GI.G-7675G
Arranged
by Ray East. This
edition: Guitar edition.
Easter Vigil. Sacred.
Guitar part. With guitar
chord names. GIA
Publications #7675G.
Published by GIA
Publications
(GI.G-7675G).
English.
Text Source: Renunciation
of Sin / Renewal of
Baptismal
Promises.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Guitar (flatpick/plectrum) - Intermediate SKU: MB.95696 Composed by David...(+)
Guitar
(flatpick/plectrum) -
Intermediate
SKU:
MB.95696
Composed by
David Grisman. Squareback
saddle stitch. Acoustic
Disc Records. Bluegrass
and Country. Book. 88
pages. Mel Bay
Publications, Inc #95696.
Published by Mel Bay
Publications, Inc
(MB.95696).
ISBN
9780786616572. UPC:
796279028691. 8.75 x
11.75 inches. By David
Grisman and Tony Rice,
transcribed by John
Carlini.
In 1994,
Acoustic Disc issued a
landmark CD by David
Grisman and Tony Rice.
The central idea behind
the album called for the
artists to play a
different vintage
mandolin or guitar on
each cut. On this
remarkable recording,
David and Tony perform 17
original compositions on
a wide range of vintage
instruments. Mel Bay
Publications, Inc., is
proud to present this
guitar edition and a
separate mandolin edition
of Tone Poems, both
transcribed by noted
guitarist/arranger John
Carlini. All 17 solos in
each book are written in
notation and
tablature.
Guitar SKU: GI.G-7263G Composed by Ronald Krisman. This edition: Guitar e...(+)
Guitar
SKU:
GI.G-7263G
Composed
by Ronald Krisman. This
edition: Guitar edition.
Advent. Sacred. Guitar
part. With guitar chord
names. 8 pages. GIA
Publications #7263G.
Published by GIA
Publications
(GI.G-7263G).
English,
Spanish. Text Source:
Spanish vv.: F. Malgosa,
ref. and English tr.:
Ronald F. Krisman;
Translation: Ronald
Krisman. Text by F.
Malgosa.
Guitar SKU: FG.55011-324-4 Composed by Kai Nieminen. Fennica Gehrman #550...(+)
Guitar
SKU:
FG.55011-324-4
Composed by Kai Nieminen.
Fennica Gehrman
#55011-324-4. Published
by Fennica Gehrman
(FG.55011-324-4).
ISBN
9790550113244.
Quad
ri Morandi (2014) ties
together two essential
themes of Kai Niminen's
(b. 1953) compositional
style: guitar and a
subject inspired by
Italy. The strong
presence of the guitar in
his works is natural
since he is in an
actively performing
guitarist himself, and
guitar works indeed play
a significant role in his
oeuvre. Moreover, he has
written plenty of
orchestral music; for
instance two symphonies,
numerous concertos, and
chamber music. In the
field of Finnish music he
is a composer who can be
characterized as free
from any specific school
or style. In his musical
language, free tonal in
essence, one can detect
traces of Impressionism,
Neoromanticism and even
Expressionism at times,
but he is also willing to
employ more recent
20th-century stylistic
devices. Nieminen has
mentioned that he finds
himself very similar to
Japanese Toru Takemitsu
both musically and in
thought.
Mediterannean culture and
Italy especially have
been close to Nieminen's
heart ever since he first
visited the country and
appeared in the jury of
the international
Fernando Sor guitar
competition in 1981. He
has composed a great
number of works which
refer to Italian
landscapes or artists.
The work Quadri Morandi
(Morandi's pictures) is
written in four
movements. It has at its
centre the painter
Giorgio Morandi
(1890-1964), who is known
as a master of still
lifes and landscapes
painted in a plain manner
and is subdued colours.
Their atmosphere
typically reflects a calm
spirit. This is the third
guitar work that nieminen
has written for Kleemola.
It is easy to
find a counterpart for
the encaptivating realm
of Morandi's art in
Nieminen's clear and pure
expression. The titles
and expression markings
also include several
references to Morandi.
For example, in the
opening movement Prelude
the words la Natura morta
(still life) appear as an
additional note on the
chord sequence following
the freely flowing
opening section. At the
end of the movement one
can hear rhythmic motif
coloured with flageolets
that repeats the
syllables of the
painter's name: Gior-gio
Moran-di. A similar motif
can be heard at the end
of the second movement
Quasi cadenza. The
tranquilly breathing
third movement Paesaggio
(landscape) creates an
illusion of landscape by
imitating the echo of
monastery bells (come
campane del monastero)
and at the same time
refers to il monaco (the
monk), the name by which
Morandi was often called.
The final movement
Ritratto (Portrait) is
the most extensive of all
the movements and can be
seen, with its recurring
motifs, as a reflection
of the stable yet subtly
varying elements of
Morandi's art. The work
ends with the rhythmic
motif that once more
echoes Morandi's name,
like signature.
Light Classics Arrangements for Guitar. Composed by Scott Joplin (1868-19...(+)
Light Classics
Arrangements for
Guitar. Composed by
Scott Joplin (1868-1917).
Book; Classical Guitar
Folio; Masterworks.
Alfred Classical Guitar
Masterworks. Form:
Transcription. Acoustic;
Masterwork Arrangement;
Romantic. 32 pages.
Published by Alfred Music
(AP.43654).
Composed by Miguel Llobet. Edited by Stefano Grondona. This edition: Saddle-wi...(+)
Composed by Miguel
Llobet.
Edited by Stefano
Grondona.
This edition: Saddle-wire
stitching. Sheet music.
1048
pages. MDS (Music
Distribution
Services) #GHE 900.
Published
by MDS (Music
Distribution
Services)
130 Easy Concert Pieces from 6 Centuries for Guitar. Composed by Various. Ed...(+)
130 Easy Concert Pieces
from
6 Centuries for Guitar.
Composed by Various.
Edited
by Martin Hegel. Guitar.
Softcover. 124 pages.
Schott
Music #ED22626. Published
by
Schott Music
Composed
by Francesca
Perissinotto. Guitare.
Instrumental music.
Editions Robert Martin
#PERI04310. Published by
Editions Robert Martin
(RM.PERI04310).
Aphorismes (4) Guitare [Conducteur] - Facile Lemoine, Henry
Guitar - Level 2 SKU: LM.27917 Composed by Bruno Giner. Guitare avenir de...(+)
Guitar - Level 2
SKU:
LM.27917
Composed by
Bruno Giner. Guitare
avenir de Patrick
Guillem. Classical: 20th
Century (Contemporary).
Score. Editions Henry
Lemoine #27917. Published
by Editions Henry Lemoine
(LM.27917).
ISBN
9790230979177.
Reso
nances - Tamboriles y
Campanillas - Mi-mi-mi -
Petit duo mecanique.
45 Pieces for Guitar. Edited by Peter Ansorge and Bruno Szordikowski. This e...(+)
45 Pieces for Guitar.
Edited
by Peter Ansorge and
Bruno
Szordikowski. This
edition:
Saddle stitching. Sheet
music. Guitar. 45 pieces
for
guitar. Classical.
Softcover. 88 pages.
Schott
Music #ED 23212.
Published
by Schott Music
(You Can Play the Guitar Now! Acoustic Guitar Vol. 2). Taught by Rogelio Maya. F...(+)
(You Can Play the Guitar
Now! Acoustic Guitar Vol.
2). Taught by Rogelio
Maya. For Guitar (All).
method. Acoustic Music.
Level: Beginning. DVD.
Size 5.38x7.50. 60 pages.
Published by Mayas Music.
Guitar SKU: BT.MUSMS0301 Tuition. Book with CD. Composed 2018. Play Music...(+)
Guitar
SKU:
BT.MUSMS0301
Tuition.
Book with CD. Composed
2018. Play Music Spain
#MUSMS0301. Published by
Play Music Spain
(BT.MUSMS0301).
Spanish.
¿CÃ
³mo tocar
acompañamientos y
solos de guitarra en el
estilo Slow Blues? Con
nuestro libro por
supuesto... Con unas r
tmicas, mayores o
menores, esencialmente en
12/8, pero no sólo, a
tocar con púa o con
los dedos y que evocan
los grandes estándares
de este estilo as como el
Blues
“rootsâ€, el
de las ra ces. Y con unos
maravillosos solos
elaborados en aire lento,
a partir de las
principales progresiones
armónicas t picas del
estilo, que abren las
puertas del virtuosismo
dominado y del feeling a
ultranza. Y todo eso a la
manera de B.B. King,
Stevie Ray Vaughan, Eric
Clapton, ZZ Top, Buddy
Guy, Eric Rogers, Popa
Chubby, Lightnin’
Hopkins... y otros muchos
adeptos de este
estilo.Para cada
acompañamiento y solo
tenemos 5 grabaciones
diferentes en el CD MP3
adjunto, repartidos de la
manera siguiente: la
guitarra sola, en aire
normal, y luego más
lento, la misma parte de
guitarra tocada ahora en
su playback, y por
último el playback
solo, en aire normal y
luego más lento...
para que cada uno pueda
aprender a tocar a su
ritmo, según su nivel
y sus capacidades. ¡O
sea 4 horas de música
en total!
Guitar SKU: GI.G-8604G Composed by Miguel Bertolino. Arranged by Ronald K...(+)
Guitar
SKU:
GI.G-8604G
Composed
by Miguel Bertolino.
Arranged by Ronald
Krisman. This edition:
Guitar edition.
Eastertide, Easter
Sunday. Tune Name:
Bertolino. Sacred. Guitar
part. With guitar chord
names. 4 pages. GIA
Publications #8604G.
Published by GIA
Publications
(GI.G-8604G).
English,
Spanish. Text Source:
Spanish by Osvaldo
Catena; Translation:
Ronald Krisman. Text by
Osvaldo
Catena.