(fur Gitarre). By Sylvius Leopold Weiss (1686-1750). Edited by Olaf Van Gonnissen. For Guitar. New Karl Scheit Guitar Edition. 9 pages. Published by Universal Edition

Guitar

SKU: HL.49010767

For 2, 3 or 4 Guitars. Composed by Various. Edited by Franz Julius Giesbert. Arranged by Franz Julius Giesbert. This edition: Saddle stitching. Sheet music. Gitarren-Archiv (Guitar Archive). Classical, Renaissance. Playing score. 48 pages. Schott Music #GA227. Published by Schott Music (HL.49010767).

ISBN 9790001096249. UPC: 884088098469. 9.0x12.0x0.192 inches.

By Barry Galbraith. Published by Jamey Aebersold Jazz. (BG4DS) Play along with Barry! Contains 15 2-part inventions that demonstrate the rich, melodic genius of Bach in his most economical form. Contains position markings, where applicable, to smooth out difficult passages. The recording has Barry playing both parts with total stereo separation so you can turn off either channel and fill in the missing part! Works great as a listening CD too!

Guitar

SKU: FG.55011-716-7

Composed by Kai Nieminen. Score. Fennica Gehrman #55011-716-7. Published by Fennica Gehrman (FG.55011-716-7).

ISBN 9790550117167.

Kai Nieminen's Le Tombeau de Darius Milhaud (2021) for guitar draws inspiration from Milhaud's short guitar composition Segoviana (1957) and Joan Miro's series of paintings called The Dutch Interiors (1928). The work consists of three linked sections or movements and is characterized by its carefully-graded orchestral colours.

(London Manuscript No. 26). By Silvius Leopold Weiss. Edited by Ansgar Krause. For Guitar. Schott. Softcover. 16 pages. Schott Music #GA556. Published by Schott Music

Erstausgabe. Composed by Manuel Maria Ponce. This edition: Saddle stitching. Sheet music. Guitar Archive. Baroque, Classical. Softcover. 8 pages. Duration 3'. Schott Music #GA 576. Published by Schott Music

Composed by Sylvius Leopold Weiss (1686-1750). Chanterelle #ZECH 119. Published by Chanterelle

By Sylvius Leopold Weiss (1686-1750). Edited by Olaf Van Gonnissen. For guitar. New Karl Scheit Guitar Edition. Published by Universal Edition

(London Manuscript No. 23 Guitar). By Silvius Leopold Weiss. Edited by Ansgar Krause. For Guitar. Schott. Softcover. 16 pages. Schott Music #GA555. Published by Schott Music

Guitar

SKU: BT.SINF002

Book Only. 32 pages. Sinfonica #SINF002. Published by Sinfonica (BT.SINF002).

Raccolta di musiche per chitarra a cura di Bruno Giuffredi Musiche di: Jesús Eduardo Alvarez, Elena Casella, Bruno Giuffredi, Dario Toffolon e Vittorio Vinay.

Learn to channel improvisational impulses into great solos with this amazing book and CD by outstanding jazz performer and educator, Mark Dziuba. Topics are thoroughly explained and organized into three main categories: instruction in the harmonic and melodic structures of jazz, discussions of practical application, and conceptual issues. Complex subjects are taught with an engaging and friendly style, so topics such as melodic and rhythmic motifs, phrasing, development, guide tones, chromaticism and functional harmony are easy and enjoyable to learn. This is a must-have book for all jazz guitarists that will be used for years to come.

Guitar - Level 1

SKU: LM.26750

Composed by Jose Barrense-Dias. Classical. Score. Editions Henry Lemoine #26750. Published by Editions Henry Lemoine (LM.26750).

ISBN 9790230967501.

Kati uscha (Russie) - Mon ane (France) - Vent d'automne (Suede) - Soir et matin (Pays tcheque et slovaque) - Trempe ton pain (Suisse romande) - Chanson (Israel) - Chanson (Suisse) - Caballero (Argentine) - Ay si, ay no (Chili) - Air (Perou) - St. James Blues (Amerique) - Merry Christmas (Angleterre) - Sambinha (Bresil) - Faz hoje un Ano (Bresil) - Magana (Bresil) - O Jogador (Bresil) - Cravo Cheiroso (Bresil) - Cantiga de Irabalho (Bresil) - Desconfiado (Bresil) - Cururu (Bresil) - Jaruma (Bresil) - Moreninha (Bresil).

Guitar/Bass Guitar

SKU: PE.GT102CLR

Accessories. Gorilla Tips. Accessories. Edition Peters #98-GT102CLR. Published by Edition Peters (PE.GT102CLR).

UPC: 038081439068. English.

Gorilla Tips are the ultimate solution for sore fingers, experienced when learning to play a fretted instrument such as guitar, banjo, mandolin, or 'ukulele. The patent-pending design is engineered to have thicker material at the tip, which diminishes to a thin, stretchable perimeter for comfortable, flexible fit. A precision-molded transitional tool, each set comes with four washable, reusable, durable fingertip protectors that the player places over the tips of the fingers that touch the fretboard, allowing for hours of pain-free playing!

This clear set of protectors allows for the most discreet comfort. The medium size generally fits teenage players and is measured by utilizing the sizing ring on the packaging or based on the width of your finger, closest knuckle to the fingernail, being 1.7cm.

CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.

Guitar - intermediate

SKU: HL.50600705

Guitar. Classical. Softcover. Composed 2016. Ricordi #HMGB19. Published by Ricordi (HL.50600705).

GTRSO inches. Italian. Author: Rick Peckham.

Impara gli accordi piu usati nel jazz!

Questo dizionario include oltre cento tipi di accordi jazz, dalle forme base di settima con tutte le tensioni sostitutive e le alterazioni piu comuni, fino agli accordi con i toni guida e alle triadi subasso. Il contenuto e organizzato in modo da evidenziare le relazioni tra i vari tipi di accordi e per aiutarti a imparare i voicing in maniera veloce, esaustiva e facile da ricordare. Potrai quindi migliorare la tua tecnica di accompagnamento equella solistica, impadronendoti della tastiera e arricchendo il tuo linguaggio armonico.

Per ciascun accordo, nel Dizionario troverai:
* notazione tradizionale, diagrammi e tablature;
* oltre 100forme mobili;
* varie versioni con ilbarre e di forme di settima con tensioni sostitutive e alterazioni;
* triadi su basso, rivolti e accordi con i toni guida;
* esercizi diatonici.

By Frederick Noad. For Guitar. Classical. Sheet Music and Audio CD. 144 pages. Published by Music Sales.

(A Comprehensive Guide to Guitars, Amps, and Effects for the Dedicated Guitarist). By Tobias Hurwitz. For Guitar. Book; CD; Guitar Reference; Reference Textbooks. The Serious Guitarist. 128 pages. Published by Alfred Music

Fifty-one Mazurkas Newly Arranged for Solo Guitar. Composed by Stephen Aron. Guitar: Classical and Lute,Style,Classical,Solo s. Book and Online Audio. 256 pages. Published by Mel Bay Publications, Inc

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

Guitar - advanced

SKU: HL.49010773

Guitar Solo. Composed by Robert de Visé and e. Edited by Franz Julius Giesbert. Arranged by Franz Julius Giesbert. This edition: Saddle stitching. Sheet music. Gitarren-Archiv (Guitar Archive). Classical. Composed 1686. 16 pages. Schott Music #GA233. Published by Schott Music (HL.49010773).

ISBN 9790001096287. UPC: 884088072858. 9.0x12.0x0.052 inches.

Guitar - intermediate to advanced

SKU: HL.49010771

Composed by Various. Edited by Franz Julius Giesbert. Arranged by Franz Julius Giesbert. This edition: Saddle stitching. Sheet music. Gitarren-Archiv (Guitar Archive). Classical. 32 pages. Schott Music #GA230. Published by Schott Music (HL.49010771).

ISBN 9790001096263. 9.0x12.0x0.102 inches.

Guitar

SKU: HL.50603687

For Guitar. Composed by Darius Milhaud. Edited by Frederic Zigante. Guitar. Classical. Softcover. 8 pages. Alphonse Leduc #AL30876. Published by Alphonse Leduc (HL.50603687).

ISBN 9781705128282. UPC: 840126953848. 9.0x12.0x0.05 inches.

The vast musical production by Darius Milhaud (Marseille, 4 September 1892-Geneva, 22 June 1974) is made up of more than 450 titles, including theatrical works, ballets, stage and choral music, vocal and instrumental compositions, as well as chamber and piano music. The guitar, on the other hand, occupies only a marginal place, with one short composition, written in 1957, entitled Segoviana. The Andalusian guitarist Andrés Segovia (1893-1987) was not only its dedicatee but its protagonist, seeing that the piece was conceived in his image. The present edition, edited by Frédéric Zigante, differs from the first one of 1959 for a layout that makes reading easier and the addition of fingering indications.

Guitar (Guitar)

SKU: HL.48182393

Composed by Sylvius Leopold Weiss. Leduc. Baroque. Softcover. 6 pages. Alphonse Leduc #AL23584. Published by Alphonse Leduc (HL.48182393).

UPC: 888680830748. 9.5x12.25x0.061 inches.

Sylvius Leopold Weiss: Suite in E minor (coll. Guitare No.20) (Guitar solo).

Solo and Variations On Nel Cor Pi?, Op. 107 for Guitar, the Guit. By Ferdinando Carulli. For Guitar. Published by Editions Orphee.

By John Zaradin. For Guitar. Classical. Sheet Music. 64 pages. Published by Music Sales.

Guitar - Level 3

SKU: LM.C04668

Composed by Jean-Maurice Mourat. Classical. Score. Editions Combre #C04668. Published by Editions Combre (LM.C04668).

ISBN 9790230346689.

MUDA RRA Alonso : Pavane d'Alexandre - TARREGA Francisco : Malaguena facil - JOHNSON Robert : Alman - WEISS Silvius Leopold : Praeludium - PERNAMBUCO Juan : Chorus - REUSNER Esaias : Sarabande - DLUGRAI Adalbert : Villanella - DLUGRAI Adalbert : Finale - REUSNER Esaias : Gigue - NARVAEZ Jose-Luis : Cancion del Emperador - TARREGA Francisco : Tango - BEDARD Jean-Baptiste : Folies d'Espagne - NARVAEZ Jose-Luis : Guardame las Vacas - TARREGA Francisco : Maria (Gavotte) - WEISS Silvius Leopold : Fantaisie - SOR Fernando : Etude - DOWLAND John : Sir John Smith His Almaine - SCARLATTI Domenico : Sonate L.483 - MUDARRA Alonso : Fantasia - WEISS Silvius Leopold : Tombeau (sur la mort de M. Comte de Logy arrivee 1721) - CAMPION Francois : Air - CAMPION Francois : Gigue - SANZ Gaspar : Canarios - RONCALLI Ludovico : Passacaglia - RONCALLI Ludovico : Gigue - BACH Johann Sebastian : Sarabande - FRESCOBALDI Girolamo : La Frescobalda.