By Adrian Ingram. For Guitar (Fingerpicking). Solos. Jazz. Intermediate-Advanced. Book. 48 pages. Published by Mel Bay Publications, Inc

Fingerstyle and Plectrum Pieces for Trinity College London Exams 2020-2023. Classical. Textbook. Trinity College London #TCL019943. Published by Trinity College London

Fingerstyle and Plectrum Pieces for Trinity College London Exams 2020-2023. Classical. Textbook. Trinity College London #TCL019936. Published by Trinity College London

Guitar & Folk, Methods. The Guitarist's Introduction to Jazz. Spiral Bound. Sher Music Company #9780997661743. Published by Sher Music Company

Acoustic Guitar - Grade 6;Grade 7;Grade 8 Fingerstyle and Plectrum Pieces for Trinity College London Exams 2020-2023. Classical. Textbook. Trinity College London #TCL019950. Published by Trinity College London

By Ben Monder. By Ben Monder. For Guitar (All). Solos. Jazz. Level: Intermediate-Advanced. Book. 264 pages. Published by Mel Bay Publications, Inc.

17 Pieces for Solo Jazz Guitar. Composed by Jimmy Wyble. Guitar: Jazz and Contemporary,Style,Jazz,S olos . Book and Online Audio. 48 pages. Published by Mel Bay Publications, In

Guitar - Beginning; Intermediate; Advanced

SKU: MB.31007M

Saddle-stitched. Rock. Book and online audio. 44 pages. Mel Bay Publications, Inc #31007M. Published by Mel Bay Publications, Inc (MB.31007M).

ISBN 9781513472393. 8.75x11.75 inches.

In musical styles ranging from blues to classical, jazz and modern Latin, the 32 original duets in this book are designed to improve sight reading on the guitar at all levels, beginner to advanced. Canadian guitarist and music educator, Michel H?roux suggests playing these short but complete pieces at different tempos, exchanging parts on repeats, playing select passages an octave higher, and analyzing the harmony?all towards becoming a better sight reader.Written in standard notation only, various meters and keys are explored; online recordings of the author double-tracking himself are provided to guarantee your success.

Composed by Keijo Pennanen. Jazz and Contemporary. Achieving Guitar Artistry. Book and Online Audio. 60 pages. Published by Mel Bay Publications, Inc

Composed by Ben Monder. For guitar. Wire bound; Solos/Transcriptions. Jazz and Contemporary. Intermediate-Advanced. Book. Published by Mel Bay Publications, Inc

Composed by William Bay. Squareback saddle-stitched. Achieving Guitar Artistry. Contemporary, Jazz, Method. Book. 104 pages. Published by Mel Bay Publications, Inc

Guitar - Level 2

SKU: LM.28999

Composed by Alain Verite. Classical. Score. 16 pages. Editions Henry Lemoine #28999. Published by Editions Henry Lemoine (LM.28999).

ISBN 9790230989992.

Let my people go (arrangt.), La min. (4e annee) - Major seven' club, Do maj. (4-5e annee) - Allo ! Theophile ? Sol maj. (4-5e annee) - Three to swing (Valse Jazz) Si min. (5e annee) - Charles for ever (Ballade) Do maj. (5-6e annee) - Walkin' to tap-dance, La min. (6-7e annee) - So swing ! Do maj. (6e annee) - Dolly rythm, La maj. (7e annee).

Guitar

SKU: BT.REBAT001

Composed by Daniel Givone. Jazz. Book with CD. Composed 2010. 56 pages. Editions J.J. Rebillard #REBAT001. Published by Editions J.J. Rebillard (BT.REBAT001).

French.

Adult Contemporary, Perfect binding. Jazz. Book and online audio. 92 pages. Mel Bay Publications, Inc #31004M. Published by Mel Bay Publications, Inc

9 pieces for guitar. By Patrick Benham. Ricordi London. Size 9x12 inches. 8 pages. Published by Ricordi.

Guitar

SKU: BT.SINF066

Composed by Eligio Bratus. Book Only. Sinfonica #SINF066. Published by Sinfonica (BT.SINF066).

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

10 Contemporary Classical Guitar Solos. Saddle-stitched, World. Classical Guitar. Book and online audio. Mel Bay Publications, Inc #30979M. Published by Mel Bay Publications, Inc

Guitar

SKU: BT.VOLMB248

Composed by Lou Manzi. Book with CD. Volonte e Co #VOLMB248. Published by Volonte e Co (BT.VOLMB248).

ISBN 9788863882421. French.

Ideal for acoustic guitarists who have the basics in blues and are wanting to take a step forward. The book opens with a revision of basic concepts, techniques, musical notes, music theory and Tab. To follow, the BluesGuitare Acoustique Pour Debutant method quickly approaches topics such as blues in 12, 16 and 9 measures, and moves on to explore scales and arpeggios which are the basics of soloing blues.

Also included is how touse use thirds, sixth, seconds and triads in pieces of composition, enrichment chords, jazz blues and open-tuning. The book finishes with some pieces of music employing finger picking in the style of major blues artists. Ifyoulike acoustic blues and want to gain an advantage, this book is essential.

By Michael Patilla. For solo guitar with CD. Book and CD. Published by Imagine Music

Composed by William Bay and Mike Christiansen. Wire bound. Mastering the Guitar. Book and online audio/video. Published by Mel Bay Publications, Inc (MB.96620M).

Guitar

SKU: BT.BVP1733

Introduction to the Guitar. Composed by Joep Wanders. Latin. Book with CD. 63 pages. Broekmans en Van Poppel #BVP1733. Published by Broekmans en Van Poppel (BT.BVP1733).

ISBN 9789082053272.

< strong>Go For...Basic describes the most common basic Guitar techniques. The beginner is introduced to a wide range of styles: latin, classic, pop, rock, jazz and folk music of different continents (world music).

You can play the pieces with CD accompaniment. The right hand can be played with the classic technique. Choose the plectrum to prepare for the Electric Guitar.

Music Box is a repeated section in which the student isasked to play and notate a short tune.

Chord playing and accompaniment are also covered. The last part of the book examines this aspect more closely. There are chord symbols for most of the pieces, so that there isanaccompaniment without the included CD.

Guitar (all) - Intermediate

SKU: MB.22154

Composed by Mordy Ferber. Solos, Style, Contemporary, Perfect binding. Bill's Music Shelf. Jazz. Book. 84 pages. Mel Bay Publications, Inc #22154. Published by Mel Bay Publications, Inc (MB.22154).

ISBN 9780786682560. UPC: 796279111102. 8.5 X 11 inches.

This book is an attempt to capture the highlights of twenty-eight years of composing. Each of these 32 compositions is an expression, and as such -- an exposure, of a genuine part of myself which I present within the framework of jazz; my beloved art form. When I listen to this music I hear shades of my early classical and rock influences. It also brings to my mind my birth place, a small neighborhood outside of Haifa, Israel. I really hope that you will listen to these pieces come alive on my CDs All The Way To Sendai.