Electric guitar - Intermediate

SKU: MB.30522M

Celtic Rock Solos. Composed by Philip John Berthoud. British, Saddle-stitched, World. Rock and Blues. Book and online audio. 52 pages. Mel Bay Publications, Inc #30522M. Published by Mel Bay Publications, Inc (MB.30522M).

ISBN 9781513464237. 8.75 x 11.75 inches.

Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the authorâ??s companion recording.

< span style=font-family: Arial;> The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little â??dirtâ? thrown into the mix. Skillful bodhrán and djembe playing on many of the tracks adds to the dynamic nature of the recording.

< span style=font-family: Arial;> Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you donâ??t read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader.

Written in standard notation and guitar tablature. Includes access to online audio.

Jazz Ensemble (Guitar)

SKU: HL.7013626

Volume 2. Arranged by John Berry, Michael Sweeney, Paul Murtha, and Rick Stitzel. Discovery Jazz. Jazz, Pop. Softcover. 32 pages. Published by Hal Leonard (HL.7013626).

UPC: 840126915235. 9.0x12.0x0.124 inches.

Here is an economical collection of 15 complete arrangements in a variety of styles. Perfect for quickly building a library of great sounding charts. Includes: Ain't No Mountain High Enough; Baby, It's Cold Outside; Blue 'n' Moody; Blue Train; Come Fly with Me; Final Countdown; Green Onions; Hawaii Five-O Theme; Livin' on a Prayer; Puttin' on the Ritz; Sesame Street Theme; Sway (Quien Sera); 25 or 6 to 4; What'd I Say; and You've Got a Friend in Me.

Guitar

SKU: M7.VOGG-425

Sheet music with CD. 100 pages. Voggenreiter #VOGG 425. Published by Voggenreiter (M7.VOGG-425).

ISBN 9783802404252. English.

... the only songbook available worldwide! Wenn man sich für groovigen Blues-Rock und eine erstklassig bearbeitete Blues-Gitarre interressiert, führt an Johnny Guitar Watson kein Weg vorbei. Eine Legende, der verdientermaßen Einlass in die 'Rhythm'n'Blues-Hall of Fame' gewährt wurde. Dieses Buch, eine sensationelle Sammlung, kam in enger Zusammenarbeit mit seiner Tochter zustande. Es bietet einen einmaligen Einblick in das Leben und Werk von Johnny Guitar Watson mit vielen Photos und Texten. Hinzu kommen Noten, Texte und Gitarren-Akkorde von 32 Songs, darunter Top Hits wie 'Mother in law', 'Superman Lover' und 'Gangster in love'. Außerdem sind 15 Original-Songs auf der beiliegenden CD enthalten.

(Learn to Play in the Styles of John Lennon, Jimmy Page, Don Felder, Bob Dylan, Pete Townshend, Ian Anderson, and Much More!). For Guitar. DVD; Guitar DVD; Method/Instruction. Guitar World. Folk; Pop; Pop/Rock; Rock. Intermediate. Published by Alfred Music Publishing

Guitar

SKU: GI.G-10897

Composed by John Nieto & Scott Rush. Habits. Music Education. 40 pages. GIA Publications #10897. Published by GIA Publications (GI.G-10897).

ISBN 9781622777556.

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

Chamber Music Guitar SKU: PR.ECH2725 Composed by Various. Edited by Pedro Gómez-Lorente. Arranged by José Tomás. Collection. Chanterelle #ECH2725. Published by Chanterelle

Guitar

SKU: GI.G-017094

The Wedding Collection. Composed by Various. Lent 5 Year B, OT 33 Year B, easter 3 Year A. Sacred. Collection and CD. With guitar chord names. GIA Publications #017094. Published by GIA Publications (GI.G-017094).

English, Spanish, english or Spanish Bilingual.

WLP†™s wedding collection offers music of all styles—contemporar y songs, traditional pieces, or a combination of the two! Choose from 27 different songs found on this CD and in the accompanying songbook for vocals, guitar, and piano. Many of the pieces can also be found in the C instrument book for flute and violin. Includes songs from many popular musicians and composers such as Ed Bolduc, John Angotti, Danielle Rose, Michael John Poirier, Paul Tate, bilingual pieces from Pedro Rubalcava, and Peter Kolar, and more.  Elige entre 27 piezas diferentes que se encuentran en este libro de música (voz, guitarra y piano) y en el CD complementario. La colección incluye canciones en inglés y canciones bilingües de compositores conocidos como Pedro Rubalcava, Ed Bolduc, Danielle Rose, Peter Kolar y muchos otros. Muchas de las canciones también tienen partes para instrumentos en do, como flauta o violín, contenidas en una edición separada. .

Voice and guitar

SKU: HL.49015258

Das Liederbuch der jungen Szene. Edited by Bertold Marohl. This edition: Plastic cover. Paperback. Edition Schott. Classical. Melody Line (with Chords). 274 pages. Schott Music #ED 7120. Published by Schott Music (HL.49015258).

ISBN 9783795720629. 4.75x7.25x0.59 inches. German.

Der neue Zupfgeigenhansl erscheint als Folgeband des seit der Jugendbewegung allgemein bekannten Zupfgeigenhansl und enthalt 121 Lieder, die auf die Anliegen der jungen Generation des ausgehenden 20. Jahrhunderts eingehen: Fahrt uber Lander und Meere - internationale Folklore und Spirituals - kritische alte und neue Lieder zu unseren Zeitproblemen - das Thema Liebe - Balladeskes und Heiteres. Das Buch bietet Melodien, vollstandige Texte, Akkorde fur Gitarrebegleitung, Bilder und Infos zu den Textern, Komponisten und Interpreten.

Guitar

SKU: BT.MS0348

Play Music España. Book, CD and DVD. Composed 2018. Play Music Spain #MS0348. Published by Play Music Spain (BT.MS0348).

Spanish.

Con no menos de 50 r tmicas Funk a la manera de los mayores artistas de ayer y de hoy (James Brown, Jamiroquai, Parliament, The Headhunters, Commodores, The Meters, The Brothers Johnson, Ohio Players, Graham Central Station, B.T. Express, Sly & The Family Stone, etc... ), este método va a entretenerle agradablemente durante un buen rato. Pero no sólo... Además del placer que Ud experimentará al tocarlas, dichas r tmicas le permitirán descubrir y trabajar todas las técnicas que contribuyen a conformar unos buenos acompañamientos tremendamente funky: notas muertas, tr adas, inversiones, staccatos, palm mute, r tmicas sincopadas... un cap tulo preliminar le preparará a los ritmos,los acordes y a otras técnicas propias del estilo. El DVD v deo permite o r y sobre todo visualizar los 50 acompañamientos, a velocidad real y también más lenta brindándole as la posibilidad de elegir los buenos ademanes, las digitaciones adecuadas y tocar a compás. El CD mp3 abarca el mismo número de playbacks que de acompañamientos. O sea 50 playbacks tocados en dos aires diferentes: el aire deseado (velocidad real) y el aire de trabajo (lento). Unos playbacks de larga duración (3 a 4 minutos cada uno, o sea más de 7 h de música en total) para darle tiempo a trabajar en las mejores condiciones posibles.

Guitar - very easy to easy

SKU: M7.VOGG-283

Composed by John Ganapes. Sheet music with CD. 96 pages. Voggenreiter #VOGG 283. Published by Voggenreiter (M7.VOGG-283).

ISBN 9783802402838. German.

Der Blues-Bestseller aus den USA! Die deutsche �bersetzung einer der erfolgreichsten Blues-Schulen Amerikas! John Ganapes vermittelt die fundamentalen Grundkenntnisse der Blues-Gitarre leicht und verständlich. Mit vielen Rhythmus- und Solospiel-Techniken, Blues-Riffs, Akkorden und Technik-�bungen (Bending, etc.). Die beiliegende CD wurde von Spitzenmusikern in Profi-Qualität eingespielt. Hier findest du 21 Song-Beispiele in den verschiedensten Blues-Stilrichtungen wie z. B. Texas-Blues, Delta-Blues, RandB, früher Rock'n'Roll, Gospels und Blues-Rock als Play-Along-Tracks zum Anhören und Mitspielen.

(Light Classics Arrangements for Guitar). For Guitar. Book; Classical Guitar Folio; Masterworks. Alfred Classical Guitar Masterworks. Form: Transcription. Acoustic; Masterwork Arrangement. Intermediate. 32 pages. Published by Alfred Music

Deuxieme edition. Hal Leonard Guitar Method. Method. Book with Audio-Online. Composed 2020. 48 pages. Hal Leonard #DHP 1206210-404. Published by Hal Leonard

Guitar

SKU: GI.G-10516G

Composed by Tony Alonso S.J. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. GIA Publications #10516G. Published by GIA Publications (GI.G-10516G).

Text Source: Ref./Est.: Gal./Gál. 6:14, adapt. TA. Pange lingua gloriosi proelium certaminis, Venantius Fortunatus, ca. 530-609. Eng. tr. vss. / Tr. al ing. est. John M. Neale, 1818-1866, alt., Steven R. Janco. Tr. al esp. anón. / Span. tr. anon.; . Text by Venantius Fortunatus.

By Various. Guitar Chord Songbook. Softcover. 160 pages. Published by Hal Leonard.

Guitar

SKU: GI.G-10535G

Composed by Tony Alonso S.J. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 6 pages. GIA Publications #10535G. Published by GIA Publications (GI.G-10535G).

English, Spanish. Text Source: English ref.: John 6:68c, Lectionary for Mass, English vss.: Psalm 19, The Abbey Psalms and Canticles, Spanish ref.: Juan 6:68c, Spanish vss.: Salmo 19(18), Leccionario Edición Hispanoamericana

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Guitar

SKU: UT.CH-385

Composed by John W. Duarte. Edited by Isabel Siewers. Classical. Score. Ut Orpheus #CH 385. Published by Ut Orpheus (UT.CH-385).

ISBN 9790215328174. 9 x 12 inches.

The Sonatina del Sur (Sonatina of the South) was commissioned by Isabel Siewersâ?? mother as a 34th birthday present for her daughter. Its music pays token, rather than imitative, homage to South American music. Thus the sonata form first movement, whose brief development section accounts for the workâ??s â??diminutiveâ?? title, merely hints at syncopations that are as common in South America as they are in Europe. The Canción de cuna (Cradle Song) is unusual in the fact that it is played entirely in natural harmonics â?? no string touches a fret from start to finish, a compositional challenge I had long planned to face. The third movement was originally titled Milonga, but when the dedicatee said that, although it has a South American air over it, and the rhythm is right, it was not really like a milonga, it was renamed! Perhaps, though, it captures a little of the happy and lightness-of-touch character of its eponym. The Danza negra, another common South American genre, is energetic, with a variety of percussive gestures that demand extreme agility on the part of the performer.

Hal Leonard Guitar Method. Size 9x12 inches. 176 pages. Published by Hal Leonard.

Written by Greg Koch, Will Schmid. Instructional book for guitar. Series: Hal Leonard Guitar Method. 48 pages. Published by Hal Leonard.

Guitar Method. Instruction, Method. Softcover Audio Online. 176 pages. Published by Hal Leonard

Book Only. By Will Schmid and Greg Koch. Guitar Method. Size 9x12 inches. 48 pages. Published by Hal Leonard.