Guitar - Grade 6, Grade 7, Grade 8

SKU: BT.RSK200074

(2018). Rockschool Classics. Exam Material. Book with Online Audio. Composed 2018. Rockschool #RSK200074. Published by Rockschool (BT.RSK200074).

ISBN 9781789360103. English.

Learn to play rock and pop with Rockschool. These specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. Rockschool Classics Guitar Grade 6-8 contains eight of thebiggest rock tracks from the past five decades arranged for you to play in your exam for Grades 6-8. You can choose two pieces from Rockschool Classics to play in your Grade Exam or three to play in your PeformanceCertificate.

Featuring:

• Iron Maiden - 2 Minutes To Midnight
• Metallica - Holier Than Thou
• Foo Fighters - Rope
• AC/DC - You Shook Me All Night Long
• King's X - We Were Born ToBeLoved
• Queens of the Stone Age - No One Knows

Plus:

• Band and artist fact files with recommended listening
• In-depth walkthroughs of every track
• Easy-access downloadableaudio
• Example tests and exercises
• Amp settings and tone advice for each track

Guitar & Folk, Methods. The Guitarist's Introduction to Jazz. Spiral Bound. Sher Music Company #9780997661743. Published by Sher Music Company

By Steve Kaufman. For guitar. Beginning. Book and CD. 36 pages. Published by Mel Bay Publications, Inc

Guitar

SKU: M7.DUX-825

Solo Arrangements Noten TAB Leadsheet. Edited by Beat Scherler. Sheet music. Performance book. 68 pages. Edition Dux Verlag #DUX 825. Published by Edition Dux Verlag (M7.DUX-825).

ISBN 9783868493184.

Die neue Serie ist die leichte Vorstufe zur Erfolgsreihe »Best of Pop and Rock for Classical Guitar«. Alle acht Songs sind für Gitarre solo in Notenschrift und Tabulatur arrangiert. Zusätzlich gibt es zu jedem Stück ein Leadsheet mit Strumming- und Picking-Vorschläge n.

Guitar - Beginning-Intermediate

SKU: MB.30115M

Composed by Dix Bruce. Saddle-stitched, Tunebook, Bluegrass, Tunebooks. Parking Lot Pickers. Style. Book and online audio. 52 pages. Mel Bay Publications, Inc #30115M. Published by Mel Bay Publications, Inc (MB.30115M).

ISBN 9780786698929. 8.75 x 11.75 inches.

The best way to learn a musical instrument is to play it as much as possible, and the most enjoyable way is with other musicians in a band setting. Trading songs, interacting with other instrumentalists, and building an ensemble sound help you learn much faster than approaching a new instrument on your own. This play- along series of books and companion audio promotes a fun way of learning by providing you with a band to play along with. You can practice chords and rhythm, singing and lyrics, melodies, solos, licks, and back-up playing along with a real band. The companion audio includes Dix Bruce on the guitar, mandolin and vocals, Bill Evans on the banjo and vocals, Julie Cline on vocals, and Cindy Browne on the string bass. The songs are recorded just as they would be played at a jam session or performance, with introductions kickoffs , vocals and solos. By playing back-up/melody and singing along, you will have a lot of fun while you learn. Open solo spaces in the recordings allow you to play the chords and solos from the book, create your own improvised solos, or sing the lyrics while the band provides accompaniment. The book includes fifteen of the most popular bluegrass, old-time and gospel songs, recorded at slow and regular tempos in the audio. No matter what your ability level is on the guitar, you can enjoy playing along with the band. Includes access to online audio.

Guitar - Advanced

SKU: MB.21370M

Composed by Dix Bruce. Squareback saddle stitch, Country, Bluegrass, Solos. Style. Book and online audio. 96 pages. Mel Bay Publications, Inc #21370M. Published by Mel Bay Publications, Inc (MB.21370M).

ISBN 9780786692187. 8.75 x 11.75 inches.

Aimed at beginning and intermediate guitarists, this book is packed with songs, solos, and techniques that every guitar player should know. The material includes melodies, tablature, chords, and all the solos are recorded at both slow and regular speeds on the accompanying audio. Solos include easy open string solos, closed position moveable and transposable solos, double stops, solos with a bluesy sound, crosspicking solos, and backup guitar parts. Includes access to online audio.

(A Workbook for Beginning, Intermediate or Advanced Students). Composed by Miles Okazaki. For guitar. Spiral- bound. Guitar Methods, Scales, Arpeggios, Technique, Theory, Harmony. Book. 166 pages. Published by Mel Bay Publications, Inc

Composed by John Kiefer. Collection. 136 pages. Published by Mel Bay Publications, Inc

Rhythm composed by Phil Black. For guitar. This edition: Paperback. Reference. Educational. Color poster. Text Language: English. 1 pages. Published by Santorella Publications

Composed by Paolo Ugoletti Andrea Vezzoli. Edited by Piero Bonaguri and Raffaello Ravasio. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 254. Published by Ut Orpheus

Guitar

SKU: UT.CH-387

Composed by Ferdinando Carulli. Edited by Romolo Calandruccio. Classical. Score. Ut Orpheus #CH 387. Published by Ut Orpheus (UT.CH-387).

ISBN 9790215328235. 9 x 12 inches.

Opus 114 is certainly one of Carulliâ??s most important didactic works, so much so that the author himself made a point of writing in the second edition of his famous Method op. 27 (1819): The student, when moving on to the second part, must continue to practise on the easy pieces which are to be found in opus nos. 50, 15, 35, 36, 93, 7 and above all in opus 114. He maintained this indication also in later editions of the Method itself, unlike what he did with other collections of studies which were no longer recommended.
The purpose of op. 114, in particular of the preludes, is clearly explained by the author himself in the preface of op. 265: I have already offered preludes in my opus nos. 71 and 114 to people, but they serve to study and learn to play all sorts of difficult passages, to practise modulating, and learn to improvise on the guitar. Carulli seems to want to provide his students with a large handbook of formulas typical of his musical writing and he does so by making use of the keys which, in his opinion, are most congenial to the guitar. In his Method he points out: Each instrument has its favourite keys: the guitar can be played in all keys, but the best ones are: A major and minor, D major and minor, E major and minor, C, G, F. The others are difficult; [â?¦]. However, some of the difficult ones are included but only in the fourth part. Of course, the easiness of a key essentially depends on the possibility of extensive use of the open strings, especially in the low notes, ensuring the accompaniment on the main degrees.
This edition has some unique features. First of all, it is the first complete modern edition of Carulliâ??s op. 114; it presents an important critical apparatus in which the Carullian technique is presented and analysed; finally, Carulli's original fingering is indicated in the score (including that of the thumb of the left hand) and the missing one was obtained from the comparison of his other fingerings present in other works. All this allows an easy and complete reading both for those who perform the pieces following the nineteenth-century performance practice with a historical instrument, and for those who play a modern instrument.

By Matteo Carcassi (1792-1853). Edited by Philppe Bertaud. For Classical Guitar. Published by Carl Fischer

Classical. Textbook. Trinity College London #TCL019332. Published by Trinity College London

Composed by William Bay and Mike Christiansen. Wire bound. Mastering the Guitar. Book and online audio/video. Published by Mel Bay Publications, Inc (MB.96620M).

Composed by Nestor Ausqui. Saddle-stitched. Book and online audio. 36 pages. Mel Bay Publications, Inc #30227M. Published by Mel Bay Publications, Inc

Composed by Wissam Abboud. Saddle-stitched, Method. Mastering the Classical Guitar. Style. Book and online audio. 72 pages. Mel Bay Publications, Inc #30683M. Published by Mel Bay Publications, Inc

Acoustic Guitar - Grade 6;Grade 7;Grade 8 Fingerstyle and Plectrum Pieces for Trinity College London Exams 2020-2023. Classical. Textbook. Trinity College London #TCL019950. Published by Trinity College London

Classical. Textbook. Trinity College London #TCL019288. Published by Trinity College London

Electric guitar - Intermediate

SKU: MB.30522M

Celtic Rock Solos. Composed by Philip John Berthoud. British, Saddle-stitched, World. Rock and Blues. Book and online audio. 52 pages. Mel Bay Publications, Inc #30522M. Published by Mel Bay Publications, Inc (MB.30522M).

ISBN 9781513464237. 8.75 x 11.75 inches.

Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the authorâ??s companion recording.

< span style=font-family: Arial;> The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little â??dirtâ? thrown into the mix. Skillful bodhrán and djembe playing on many of the tracks adds to the dynamic nature of the recording.

< span style=font-family: Arial;> Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you donâ??t read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader.

Written in standard notation and guitar tablature. Includes access to online audio.

Classical. Textbook. Trinity College London #TCL019325. Published by Trinity College London

(Christmas Favorites for Two Acoustic Guitars). Composed by William Bay. For acoustic guitar duet. CD. Intermediate-Advanced. Compact Disc. Published by Mel Bay Publications, Inc

By Gohar Vardanyan. For classical guitar and lute. Saddle-stitched. Methods. Book. 20 pages. Published by Mel Bay Publications, Inc

Composed by Ricardo Iznaola (1949-). For guitar (classical). Perfect binding. Book and online audio/video. Published by Mel Bay Publications, Inc

By Rico Stover. For classical guitar and lute. Saddle-stitched. Multiple Levels. Book/CD Set. 40 pages. Published by Mel Bay Publications, Inc

Revised edition, 2020. Composed by Chen Yi (1953-). Sws. Duration 6:30. Theodore Presser Company #114-42214. Published by Theodore Presser Company

Guitar

SKU: UT.CH-227

Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 227. Published by Ut Orpheus (UT.CH-227).

ISBN 9790215324145. 9 x 12 inches.

Emilio Calandin: Piccola sfumatura
Claudia Montero: Lagrimas de Buenos Aires
Marco Reghezza: Como Preludio
Marco Smaili: Preludio
Alessand ro Spazzoli: Preludio in Do maggiore
Roberto Tagliamacco: Prelude sur le nom de Tarrega
Paolo Ugoletti: Prelude sur le nom de Tarrega

Having been invited several times onto the jury of the prestigious Certamen Tarrega in Benicasim, I thought I would involve a few composers in a gift to the father of the modern guitar. So I asked the composers to write a Prelude of the kind that Tarrega wrote and which count among his most significant compositions.
These Preludes for Tarrega, all written between August and November 2015, are very different from each other. The common feature, however, between these and the Preludes by Tarrega is their brevity, an average level of performance difficulty and guaranteed easy listening, even when written in a non-tonal language (like the meditative and melancholy piece by Emilio Calandin and the one by Marco Smaili, with its Impressionistic feel reminding one of Tarrega's most famous pupil, Miguel Llobet).
In some Preludes (the ones by Paolo Ugoletti, Roberto Tagliamacco, Claudia Montero) the reference to Lagrima, one of Tarrega's most famous Preludes, is evident in form, title and some citations. Ugoletti and Tagliamacco work well and expressively on harmony and counterpoint, while the Argentinian Claudia Montero links Tarrega to a heartbreaking Buenos Aires...
In Alessandro Spazzoli there is rather more a connection with Tarrega's sense of melody and deep simplicity, while Marco Reghezza remembers ironically what was brewing in European music when Tarrega was alive: in fact, his Como Preludio goes across the 24 keys - and even a reference to Wagner's Tristan raises its head...
I am delighted for this volume to come out at the time of the fiftieth edition of the Certamen Tarrega.
(Piero Bonaguri).