Old Time, Wire bound. Vocal. Book and online audio. 248 pages. Mel Bay Publications, Inc #31104M. Published by Mel Bay Publications, Inc

Guitar - Level 2

SKU: LM.25360

Composed by Frederic Vitiello. Classical. Score. 39 pages. Editions Henry Lemoine #25360. Published by Editions Henry Lemoine (LM.25360).

ISBN 9790230953603.

ARRO S (d') : Le Voilier - Le Phare - BAUDOUIN : Divertissement - Compere qu'as-tu vu (adaptation) - Valse lente - BAUMANN : Rouge vif - BERNAUD : Hexacorda - BILLET Jean-Pierre : Lima-Hong - Trois petits lapins dans la lune - BOISGARD : L'Ami harmonique - BRUN : Dans les couleurs de l'Arc-en-ciel - Dans le bleu du ciel - Dans la nuit etoilee - CASTAIN : Paresse valse - CASTEREDE : Simple valse - En ecoutant tomber la pluie - COUASNON : Chanson retro - Pour faire sonner la guitare - COURTIN : Histoire ancienne - CROUSIER : Le Pinson et le loup - La Marche des pingouins - DAMASE : Chanson - DEMILLAC Y : Promenade - Jeux - DEMILLAC F.P. : La Plaintive - DUMOND : 13 syllabes, 3 mots, 4 phrases et 1 impro - FABIANI : Le Cheval de bois - Histoire a ecouter - FOURCHOTTE : Cancion primera para ninos - FRANCE : Au-dela de l'ile - Glissades - Dabo-Abac - FRANCERIES : Tristesse - GRIVEL : Deux histoires courtes - HUBERT : Deux petites pieces pour une guitare presque neuve - KLEYNJANS : Le Petit Soldat de plomb - LAJARRIGE : Impression - LANCEN : Aux debutants (piece n. 1) - Aux debutants (piece n. 2) - LARC'HANTEC : La Valse du kangourou - Barcarolle - LARGE : Blues mineur - MALDONADO : Laetitia - Indiana - MARCHAL : Ballade d'octobre - MORANCON : Deux petites arabesques - NARVAEZ : Petit poisson - Berceuse de la mere qui a perdu son enfant - PIRIS : La Chanson paresseuse - RENAULT : M'en allant promener - Le Vieux Manoir - Petite valse - VITIELLO : Danse primitive.

Guitar

SKU: FZ.5878

Serie I - France 1600-1800. Edited by Caroline Delume. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5878).

ISBN 9790230658782. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in two books. Francesco ALBERTI - Anonyme - Encyclopedie methodique - Guillaume-Pierre-Antoine GATAYES - L. GUICHARD - Jean-Benjamin de LABORDE - Antoine Marcel LEMOINE - Philippe MACQUER - Joseph-Bernard MERCHI (2) - Charles-Francois-Alexandr e POLLET. Table of contents: Macquer Philippe: Dictionnaire raisonne - 1773. Pollet Charles-Francois-Alexandr e: Methode pour apprendre - 1775. Merchi Joseph-Bernard: Traite des agrements de la guitare - 1777. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Alberti Francesco: Nouvelle methode - 1786. Encyclopedie: Encyclopedie methodique - 1788. Guichard L. : La guitare rendue facile - c. 1795. Lemoine Antoine-Marcel: Nouvelle methode de guitare - c. 1800. Gatayes Guillaume-Pierre-Antoine: Methode pour la guitare - 1800. Anonyme: Methode pour jouer de la guitare - s. d. n. l. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - Municipal Library of Grenoble (France). - Nederlands Muziek Instituut of The Hague (Netherlands). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the guitar.

Electric guitar - Intermediate

SKU: MB.30522M

Celtic Rock Solos. Composed by Philip John Berthoud. British, Saddle-stitched, World. Rock and Blues. Book and online audio. 52 pages. Mel Bay Publications, Inc #30522M. Published by Mel Bay Publications, Inc (MB.30522M).

ISBN 9781513464237. 8.75 x 11.75 inches.

Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the authorâ??s companion recording.

< span style=font-family: Arial;> The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little â??dirtâ? thrown into the mix. Skillful bodhrán and djembe playing on many of the tracks adds to the dynamic nature of the recording.

< span style=font-family: Arial;> Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you donâ??t read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader.

Written in standard notation and guitar tablature. Includes access to online audio.

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

by William Bay and Mike Christiansen. For all guitars. Mastering Guitar. All styles, solos and exercises. Level: Beginning-Intermediate. Book/CD Set. Method. Size 8.75x11.75. 144 pages. Published by Mel Bay Pub., Inc.

Composed by Francis Goudard. Classical. Score. 23 pages. Editions Henry Lemoine #26056. Published by Editions Henry Lemoine

Guitar

SKU: LM.29469

Composed by BOURNET Pascal and DUPRE Gerard. Classical. Score. Editions Henry Lemoine #29469. Published by Editions Henry Lemoine (LM.29469).

ISBN 9790230994699.

SANZ Gaspar : Zarabanda francesca - Bailete frances - Fuga 2a, al ayre de jiga - SANTA CRUZ Antonio (de) : Jacaras - MURCIA Santiago (de) : Payssanos - La Mathalote - El Putido - Menuet 1 - Menuet 2 - Tarantelas por la E RIBAYAZ Lucas Ruiz (de) : Vacas - Tarantela.

Guitar

SKU: FZ.5877

Serie I - France 1600-1800. Edited by Caroline Delume. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5877).

ISBN 9790230658775. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in two books. ANCELET - Abbe Joseph CARPENTIER (1-2) - Francisque CORBETTA - Michel CORRETTE - Robert DE VISEE - Nicolas DEROSIERS - DON*** - Encyclopedie - Francois-Alexandre-Pierre de GARSAULT - Francois LECOCQ - Joseph-Bernard MERCHI (1) - Marin MERSENNE - Pierre TRICHET. Table of contents: Mersenne Marin: Harmonie Universelle - 1636. Trichet Pierre: Traite des instruments - c. 1640. Corbetta Francisque: La guitarre royale - 1671. De Visee Robert: Livre de guitarre - 1682. Derosiers Nicolas: Les principes de guitarre - c. 1690. Le Cocq Francois: Recueil des pieces de guitare - 1729. Encyclopedie: Encyclopedie ou Dictionnaire raisonne des sciences - 1751/1772. Ancelet: Observations sur la musique - 1757. Don***: Methode pour apprendre a jouer - 1760. Garsault Francois-Alexandre-Pierre de: Notionnaire ou memorial raisonne - 1761. Merchi Joseph-Bernard: Le guide des ecoliers - c. 1761. Corrette Michel: Les dons d'Apollon - 1762. Carpentier Joseph: Methode pour apprendre, 1e partie - 1771. Carpentier Joseph: Methode pour apprendre, 2e partie - 1773. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - Sainte Genevieve Library of Paris (France). - British Library of London (England). - Nederlands Muziek Instituut of the Hague(Netherlands). - Royal Conservatory Library of Brussels (Belgium). - Library of Congress of Washington (USA). - Bayerische Staatsbibliothek of Munich (Germany). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the guitar.

Guitar - Grade 2

SKU: HL.14025762

Volume Two. Composed by Various. Music Sales America. Ballad. Book [Softcover]. 40 pages. Music Sales #OMB81. Published by Music Sales (HL.14025762).

ISBN 9780946005628. 6.0x8.25x0.14 inches. English.

The second book in this Duncle's Collection provides another 50 songs which can be addded to your repertoire. The book contains the words and music for some of Ireland's popular songs and ballads. Illustrated with period photographs from the 1920's and 1930's from the Father Brown collection. Play them all with only six chords!

Guitar - Level 1

SKU: LM.26750

Composed by Jose Barrense-Dias. Classical. Score. Editions Henry Lemoine #26750. Published by Editions Henry Lemoine (LM.26750).

ISBN 9790230967501.

Kati uscha (Russie) - Mon ane (France) - Vent d'automne (Suede) - Soir et matin (Pays tcheque et slovaque) - Trempe ton pain (Suisse romande) - Chanson (Israel) - Chanson (Suisse) - Caballero (Argentine) - Ay si, ay no (Chili) - Air (Perou) - St. James Blues (Amerique) - Merry Christmas (Angleterre) - Sambinha (Bresil) - Faz hoje un Ano (Bresil) - Magana (Bresil) - O Jogador (Bresil) - Cravo Cheiroso (Bresil) - Cantiga de Irabalho (Bresil) - Desconfiado (Bresil) - Cururu (Bresil) - Jaruma (Bresil) - Moreninha (Bresil).

Guitar

SKU: HL.14044742

Composed by Eric Lemaire. CARISCH - MUSIC SALES. Tuition. General Merchandise. Play Music France #MF2325. Published by Play Music France (HL.14044742).

French.

Les gammes pentatoniques sont a la guitare ce que l'alphabet est a notre langue : une base indispensable, un passage oblige ! Et c'est donc a ce titre que la presente methode constitue en quelque sorte votre passeport pour la six cordes ! Au programme de cet ouvrage : la gamme pentatonique mineure (indispensable), la gamme pentatonique majeure (essentielle), ainsi que d'autres gammes de 5 notes (plus anecdotiques) que nous qualifierons de pentatoniques hybrides. N'allez surtout pas vous imaginer que, sous pretexte que ce livre est dedie aux gammes, il pourrait etre ennuyeux... il y sera evidemment question d'un minimum de theorie et de technique, pour votre plus grand bien, mais aussi et avant tout de pratique, avec de tres nombreux exemples musicaux a la clef, repartis entre riffs et solos. Le CD MP3 joint a la methode vous permettra d'entendre tous les exemples techniques et musicaux (riffs et autres solos), afin de lever le voile sur d'eventuelles difficultes d'interpretation. Il vous donnera egalement la possibilite de jouer sur les tres nombreux playbacks proposes, dans differentes tonalites et a differentes vitesses, sur les grilles de quelques grands tubes de la guitare, librement ou selon les informations fournies. Soit 7 heures de musique en tout !

Guitar - Intermediate

SKU: MB.WBM58M

Traditional, Wire bound, Celtic. Folk. Book and online audio. 216 pages. Mel Bay Publications, Inc #WBM58M. Published by Mel Bay Publications, Inc (MB.WBM58M).

ISBN 9781736363058. 8.75x11.75 inches.

A comprehensive collection of 172 guitar solos for the flatpick or plectrum guitarist. All solos are written in standard notation with accompanying online recordings by the author. The solos include beautiful American, British and Celtic airs and ballads, Celtic dance tunes, lute and early music, popular classical repertoire and contemporary etudes. Includes access to online audio.

By Yvon Rivoal. For guitar. Rivoal Yvon. Classical. Grade 2. Score. 48 pages. Published by Editions Henry Lemoine

By Soler, Francesc De Paula. For Guitarra. Published by Editorial de Musica Boileau (Spanish import).

By Nirvana. Guitar Chord Songbook. Softcover. 88 pages. Published by Hal Leonard.

Guitar

SKU: HL.14044738

Composed by Francis Darizcuren. CARISCH - MUSIC SALES. Tuition. General Merchandise. Play Music France #MF2321. Published by Play Music France (HL.14044738).

French.

Guitar

SKU: HL.14044729

Composed by Bruno Tauzin. CARISCH - MUSIC SALES. Tuition. General Merchandise. Play Music France #MF2311. Published by Play Music France (HL.14044729).

French.

Guitar

SKU: HL.14044279

Composed by Denis Lamboley. CARISCH - MUSIC SALES. Tuition. General Merchandise. Play Music France #MF1159. Published by Play Music France (HL.14044279).

French.

Guitar

SKU: HL.14044265

Etude progressive de la guitare rythmique. Composed by Michel Sigwalt. CARISCH - MUSIC SALES. Tuition. General Merchandise. Play Music France #MF1145. Published by Play Music France (HL.14044265).

French.

Guitar

SKU: HL.14044261

Composed by Rene Lebhar. CARISCH - MUSIC SALES. Tuition. General Merchandise. Play Music France #MF1141. Published by Play Music France (HL.14044261).

French.

Guitar

SKU: HL.14044515

Backing Tracks. CARISCH - MUSIC SALES. General Merchandise. Play Music France #MF2028. Published by Play Music France (HL.14044515).

French.

Guitar

SKU: HL.14044517

Backing Tracks. Composed by Austin C. Lovelace. CARISCH - MUSIC SALES. Jazz. General Merchandise. Play Music France #MF2030. Published by Play Music France (HL.14044517).

French.

Guitar

SKU: HL.14044516

Backing Tracks. CARISCH - MUSIC SALES. Pop & Rock. General Merchandise. Play Music France #MF2029. Published by Play Music France (HL.14044516).

French.

Guitar solo

SKU: FZ.50143

Guitar solo - c.1824-1825. Composed by Fernando Sor. This edition: Facsimile. Collection FacsiMusic. Score. Published by Anne Fuzeau Productions - France (FZ.50143).

ISBN 9790049501439. 21.00 x 29.70 cm inches.

This facsimile of an original by Fernando Sor is part of our Facsimusic collection. Bonn et Cologne, N. Simrock, 2e edition (c. 1824-2825).
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.

Guitar

SKU: HL.14044460

Composed by Sylvestre Planchais. CARISCH - MUSIC SALES. Tuition. General Merchandise. Play Music France #MF1944. Published by Play Music France (HL.14044460).

French.

Guitar

SKU: HL.14044263

Composed by Romane/ Derek Sebastian. CARISCH - MUSIC SALES. Tuition. General Merchandise. Play Music France #MF1143. Published by Play Music France (HL.14044263).

French.

Guitar

SKU: HL.14044274

Composed by Denis Lamboley. CARISCH - MUSIC SALES. Tuition. General Merchandise. Play Music France #MF1154. Published by Play Music France (HL.14044274).

French.