Guitar

SKU: LM.VV230

Composed by Pascal Bournet. Guitare, Jazz, Blues. Pop, jazz. Score. Editions Van de Velde #VV230. Published by Editions Van de Velde (LM.VV230).

ISBN 9790560052304.

Litt le rag - Marilou - Ungaresrag - On the blue notes - Funny Fanny - Let's go - Rag for two and two for rag - Ethnoblues - Folk song - Quiet blue - Round dance - Walk in blue - Raggy Rag - Hello, Scott! - Boogie blues.

Arranged by Philip Groeber, David Hoge. For guitar. Everybody's Guitar Series. Christmas. Book. Published by The FJH Music Company Inc.

Guitar

SKU: HL.146362

Book Only. Guitar Tab Method. Instruction. Softcover. Published by Hal Leonard (HL.146362).

ISBN 9781495023354. UPC: 888680070212. 9.0x12.0x0.11 inches.

“The ultimate learning tool to go from zero to guitar hero in no time!” –Guitar World magazine Designed for electric or acoustic guitar. Get started quickly and easily – with songs you want to play! This method introduces notes with riffs like “Crazy Train” and “Smoke on the Water,” power chords with classics by AC/DC and the Who, chord-strumming with songs from Neil Young and Nirvana, and much more. The method's unique, well-paced, and logical teaching sequence will get students playing more easily than ever before, and music from popular artists like the Beatles, Jimi Hendrix, and Led Zeppelin will keep them playing and having fun. Book 1 includes: parts of the guitar, easy-to-follow guitar tablature, notes & riffs starting on the low E string, tempo & time signatures, understanding notes and rests, palm muting, vibrato, power chords, open chords, strumming, slides and slurs, hammer-ons and pull-offs, many music styles, nearly 100 riffs and songs, and more!

Lyrics/Chords Guitar

SKU: HL.242081

By The Beatles. The Little Black Songbook. Pop. 384 pages. Hal Leonard #HL00242081. Published by Hal Leonard (HL.242081).

ISBN 9781785588617. UPC: 888680704407. 4.75x7.75x0.956 inches.

A pocket-sized collection of 195 Beatles hits presented in chord songbook format. Includes complete lyrics, chord names & a handy chord box reference sheet. Including classic hits such as: All You Need Is Love • Can't Buy Me Love • Day Tripper • Do You Want to Know a Secret • Eleanor Rigby • From Me to You • Get Back • Help! • Hey Jude • I Want to Hold Your Hand • Let It Be • Magical Mystery Tour • Ob-La-Di Ob-La-Da • Please Please Me • Ticket to Ride • Twist and Shout • and more.

By William Bay and Mike Christiansen. For Guitar (All). Methods. Mastering Guitar. All Styles. Level: Beginning. Book. Size 9x11.75. 144 pages. Published by Mel Bay Publications, Inc.

44 Easy Guitar Pieces from 5 Centuries. Edited by Peter Ansorge and Bruno Szordikowski. This edition: Saddle stitching. Sheet music with CD. Guitar. Die Auswahl der uberwiegend originalen Werke ist nach Epochen gegliedert und bietet so auch ein kleines Panorama der Geschichte der Gitarren- und Lautenmusik von John Dowland uber Gaspar Sanz bis zu Leo Brouwer. Edition with CD. 32 pages. Schott Music #ED 20601. Published by Schott Music

Written by Mel Bay. Instructional book for guitar. With instructional text, standard guitar notation and chord names. 48 pages. Published by Mel Bay Publications, Inc.

Guitar - Intermediate

SKU: MB.WBM58M

Traditional, Wire bound, Celtic. Folk. Book and online audio. 216 pages. Mel Bay Publications, Inc #WBM58M. Published by Mel Bay Publications, Inc (MB.WBM58M).

ISBN 9781736363058. 8.75x11.75 inches.

A comprehensive collection of 172 guitar solos for the flatpick or plectrum guitarist. All solos are written in standard notation with accompanying online recordings by the author. The solos include beautiful American, British and Celtic airs and ballads, Celtic dance tunes, lute and early music, popular classical repertoire and contemporary etudes. Includes access to online audio.

(Light Classics Arrangements for Guitar). For Guitar. Book; Classical Guitar Folio; Masterworks. Alfred Classical Guitar Masterworks. Form: Transcription. Acoustic; Masterwork Arrangement. Intermediate. 32 pages. Published by Alfred Music

Spanish Edition Guitar

SKU: HL.114930

Metodo De Tab Para Guitarra. Guitar Tab Method. Instruction, Method, Spanish Edition. Softcover with CD. With guitar tablature. 32 pages. Published by Hal Leonard (HL.114930).

ISBN 9781480312579. UPC: 884088876326. 9.0x12.0x0.17 inches.

The revolutionary Hal Leonard Guitar Tab Method (HL00697411) is now available in a Spanish edition.

Guitar - Level 1

SKU: LM.26219

Composed by Gilles Ballet. Delia Estrada. Classical. Score. Editions Henry Lemoine #26219. Published by Editions Henry Lemoine (LM.26219).

ISBN 9790230962193.

Pour commencer - Pour les doubles notes - Tout Duke - Cotton repons - Jamais d'accord - Independance - Pour les lies - Autumn files - Hors tempo, en tempo - Now's G Tune - Ballad - De temps en temps - Improvisation - Two for Two - Untitled 1 - Untitled 2 - Effet de mode - Vers l'improvisation.

Revised edition, 2020. Composed by Chen Yi (1953-). Sws. Duration 6:30. Theodore Presser Company #114-42214. Published by Theodore Presser Company

Book 1 Guitar

SKU: HL.122489

Hal Leonard Guitar Repertoire. Composed by Various. Arranged by John Hill. Guitar Solo. Classical, Folk. Softcover. With guitar tablature. Published by Hal Leonard (HL.122489).

ISBN 9781480355927. UPC: 884088953010. 9.0x12.0x0.138 inches. Compiled and Arranged by John Hill.

Journey Through the Classics is a classical guitar repertoire folio designed to lead students seamlessly from the earliest classics to the intermediate masterworks. The 32 graded pieces are presented in a progressive order and feature a variety of traditional folk songs and classical favorites essential to any guitar student's educational foundation. The pieces are written in standard notation and tab, and include right and left hand fingerings. The authentic repertoire is ideal for auditions and recitals and is a perfect companion to any classical guitar method.

by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Level: Multiple Levels. Book. Method. Size 8.75x11.75. 320 pages. Published by Mel Bay Pub., Inc.

By Various. Edited by Trevor de Clercq. Fake Book. Softcover. 224 pages. Published by Hal Leonard

by William Bay and Mike Christiansen. For all guitars. Mastering Guitar. All styles, solos and exercises. Level: Beginning-Intermediate. Book/CD Set. Method. Size 8.75x11.75. 144 pages. Published by Mel Bay Pub., Inc.

Old Time, Wire bound. Vocal. Book and online audio. 248 pages. Mel Bay Publications, Inc #31104M. Published by Mel Bay Publications, Inc

By Mel Bay. For Guitar (All). Method. Modern Guitar Method. All Styles. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 88 pages. Published by Mel Bay Publications, Inc.

Edited by Doug Boduch. Guitar Educational. Pop, Rock. Softcover. Published by Hal Leonard

Compiled by Russ Shipton. Fake book for voice and guitar. With vocal melody, lyrics, chord names and guitar chord diagrams. 167 pages. Published by Music Sales.

Guitar

SKU: BT.MUSAM996996

Arranged by Russ Shipton. The Complete Guitar Player. Pop & Rock. Book with CD. Wise Publications #MUSAM996996. Published by Wise Publications (BT.MUSAM996996).

ISBN 9781849380140. English.

Th e Complete Guitar Player series has taught hundreds of thousands how to play and the accompanying songbooks have featured hits by Paul Simon, Elvis Presley, The Beatles, John Denver and many othertopartists.

N ow these songbooks are available in super value omnibus editions like this one. The songs are still graded by ease of playing and everything is there... standard notation, Guitar chord boxes, full lyrics andevenstrumming patterns!

Over 180 great songs! Perfect for all players and singers!

The bonus CD contains backing tracks to 16 of the songs in the book.

Guitar

SKU: HF.FH-1010

Das Lagenspiel auf der Gitarre. Composed by Benjamin Doppscher. Sheet music. Friedrich Hofmeister Musikverlag #FH 1010. Published by Friedrich Hofmeister Musikverlag (HF.FH-1010).

ISBN 9790203410102. 9 x 12 inches.

1. Tanz allein (Dance Alone) / 2 Git; 2. Sieben Turme (Seven Towers) / 2 Git; 3. Nachtschwarmer (Night Owl); 4. Vogelsein (To be a Bird); 5. Simba (Simba); 6. Fur Carla (For Carla); Morgenstimmung (Morning Mood) / 2 Git; 8. In die Ferne getraumt (Distant Dreaming) / 2 Git; 9. Schneeganstanz (Snow Goose Dance); 10. Schneeganstanzgesang (Snow Goose Dance Song); 11. Das Geheimnis (The secret); 12. Regenstille, Nacht (Calm Rain, Night); 13. Parade der Glucksritter - Oktavius kehrt zuruck (Parade of Lucky Knights - Octavius is coming back); 14. Letzten Sommer (Last Summer); 15. Unter Sternen (Under the Stars) / 2 Git; 16. Eine Wanderung (A Walk) / 2 Git; 17. Kolibris Traum (Hummingbird's Dream); 18. Weite (Wideness); 19. Fruhjahrswind (Spring Wind); 20. Hoffnungsvoll (Hopeful); 21. Uber den Dachern (Above the Rooftops) / 2 Git; 22. Warme Tage (Warm Days) / 2 Git; 23. Wilder Westen (Wild West); 24. 1959 (1959); 25. Gesprach (Conversation); 26. Fantasie (A Fancy); 27. Quintus traumt (Quintus dreams); 28. Leuchtturmprinzessin (Light Tower's Princess) / 2 Git; 29. Schaukeln (Swing) / 2 Git; 30. Tanzen mocht' sie (She likes to dance) / 2 Git; 31. Zur Nacht (At Night); 32. Anda, Lucian (Hurry up, Lucian); 33. Vertraumt (Dreamy); 34. Geistermond (Ghost Moon).

By William Bay; performed by Ben Bolt. For Guitar (Classic). method. You Can Teach Yourself. Classic. Level: Beginning. Book DVD. Size 8.75x11.75. 112 pages. Published by Mel Bay Publications, Inc.

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

Advanced Flamenco Guitar arranged by Dennis Koster. For guitar. This edition: Paperback. Instructional. AIG Flamenco Series. Method. Book and CD. Text Language: English. 160 pages. Published by Santorella Publications

By Mel Bay and William Bay. For Guitar (All). Methods. Modern Guitar Method. All Styles. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 48 pages. Published by Mel Bay Publications, Inc.