Guitar - easy SKU: BT.RSK200043 Exam Material. Book with Online Audio. Co...(+)
Guitar - easy
SKU:
BT.RSK200043
Exam
Material. Book with
Online Audio. Composed
2018. Rockschool
#RSK200043. Published by
Rockschool
(BT.RSK200043).
ISBN
9781912352524.
English.
Learn
to play rock and pop with
Rockschool. These
specially written
arrangements develop the
skills and techniques you
need to help you achieve
your musical
goals.
For
Rockschool's 2018-2024
Guitar series, Rockschool
have commissioned
arrangements of titles
reflecting popular
music's rich heritage in
all its forms and have
tailored each piece to
make it exactly right for
the grade. You can also
use titles from
Rockschool's Classics
series as part of the
syllabus.
The
arrangements have been
written and performed by
top session musicians who
have worked with some of
the biggest names in
rock, metal and pop. The
tracks were recorded at
Real World's acclaimed
recordingstudios and
feature live instruments
and first rate
performances for an
unrivalled level of feel,
authenticity and
musicianship.
Featu
ring:
Green
Day - Basket
Case
Stereophonic
s - Dakota
Booker
T & The MGs - Green
Onions
The
Temptations - My
Girl
The Script -
The Man Who Can't Be
Moved
Adele -
Rolling In The
Deep
6 Rockschool
Originals
Plu
s:
Band and
artist fact files with
recommended
listening
DVD, Method.
Fingerpicking. DVD. 112
pages. Mel Bay
Publications, Inc
#GW1074. Published by Mel
Bay Publications, Inc
(MB.GW1074).
5.75X4
inches.
This lesson
is intended for players
who are seeking a greater
understanding of how to
get beyond basic open
chords, or first
position, use the full
fretboard. We will do so
by understanding the
concept of a movable
shape. The tunes selected
will slowly introduce you
to a variety of shapes
commonly used by the
old-time masters to
unlock the neck. In
addition to learning
these examples, I?ll talk
about the logic that
makes movable shapes
work, empowering you to
create your own uses for
them. You will learn
tunes that have become
standards in the
fingerstyle repertoire by
Sam McGee, Big Bill
Broonzy and Maybelle
Carter. As well, I teach
two arrangements I have
put together of an
old-time fiddle tune and
a Jelly Roll Morton piano
blues. Titles include:
Angeline the Baker,
Franklin Blues, Railroad
Blues, Saturday Night
Rub, Amos Johnson Rag,
Victory Rag and Buddy
Bolden?s Blues Detailed
tab/music PDF file on the
DVD. 112 minutes. DVD is
region 0, playable
worldwide.
(Windows / Macintosh). For Guitar. My Guitar is the perfect way to introduce...(+)
(Windows / Macintosh).
For
Guitar. My Guitar is the
perfect way to introduce
children to playing
guitar!
Gary the Guitar leads
kids
through the basics, like
tuning your guitar and
learning chords, and
moves
on to reading music and
playing songs. An
animated
fretboard, games, MIDI
tracks an. CD-ROM.
Published
by eMedia Music
13 Fun Arrangements That Make Learning Even Easier!. Composed by Ron Manus and L...(+)
13 Fun Arrangements That
Make Learning Even
Easier!. Composed by Ron
Manus and L.C.
Harnsberger. Guitar
Method or Supplement;
Homeschool Resources;
Method/Instruction;
Resources; iParenting
Media Award. Kid's Guitar
Course. Children; Movie;
TV. Book and CD. 24
pages. Alfred Music
#00-33888. Published by
Alfred Music
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
(The Most Popular Series for Learning How to Play). By Ron Manus, L. C. Harnsber...(+)
(The Most Popular Series
for Learning How to
Play). By Ron Manus, L.
C. Harnsberger, and
Nathaniel Gunod. For
Guitar. Book; CD; Guitar
Method or Supplement;
Method/Instruction.
Alfred's Basic Guitar
Library. Rock. 64 pages.
Published by Alfred Music
(AP.4
Guitar SKU: PE.EP6470A Arranged for Guitar. Composed by Alan Hovha...(+)
Guitar
SKU:
PE.EP6470A
Arranged for
Guitar. Composed by
Alan Hovhaness. Arranged
by Aaron Larget-Caplan.
Guitar Solo; Solo.
Edition Peters.
Contemporary. 8 pages.
Edition Peters
#98-EP6470A. Published by
Edition Peters
(PE.EP6470A).
ISBN
9790300763903.
A
sweet miniature composed
for solo piano in 1937,
Mystic Flute consists of
two voices: a simple
melody in the harmonic
minor scale balanced by
an ostinato accompaniment
in 7/8 meter that gives
the work a hypnotic and
ceremonial spirit. The
melodic line begins in
the top voice, before
moving to the bass voice,
and returning to the top
voice with small
ornamentation. No notes
were removed from the
piano score in this
guitar arrangement by
Aaron Larget-Caplan, and
all dynamic and phrase
markings follow the
original score as well.
This arrangement was
premiered on July 29,
2018 at the Coaster
Theater in Cannon Beach,
Oregon.
(A Workbook for Beginning, Intermediate or Advanced Students). Composed by M...(+)
(A Workbook for
Beginning,
Intermediate or Advanced
Students). Composed by
Miles
Okazaki. For guitar.
Spiral-
bound. Guitar Methods,
Scales, Arpeggios,
Technique, Theory,
Harmony.
Book. 166 pages.
Published
by Mel Bay Publications,
Inc
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
by Anthony Glise. For classic guitar. Anthony Glise Urtext. Classic. Level: Mult...(+)
by Anthony Glise. For
classic guitar. Anthony
Glise Urtext. Classic.
Level: Multiple Levels.
Book. Reference. Size
8.75x11.75. 282 pages.
Published by Mel Bay
Pub., Inc.
Composed by David Becker. Guitar: Jazz and Contemporary,Improvising, Lines...(+)
Composed by David Becker.
Guitar: Jazz and
Contemporary,Improvising,
Lines & Phrases. Book
and
Online Audio. 64 pages.
Published by Mel Bay
Publications, Inc
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Chamber Music Guitar SKU: PR.114410840 A Sleepless Nocturne for Guitar...(+)
Chamber Music Guitar
SKU: PR.114410840
A Sleepless Nocturne
for Guitar. Composed
by Michael Karmon. Solo
part. With Standard
notation. Composed 1998.
Duration 15 minutes.
Theodore Presser Company
#114-41084. Published by
Theodore Presser Company
(PR.114410840).
UPC:
680160015689.
See
the biography of Michael
Karmon on the back
cover. WHEN THE SHEEP
WON'T COME:Â A
SLEEPLESS NOCTURNE FOR
GUITAR was composed for
Joseph Hagedorn, winner
of the 1990 GFA solo
competition, and
premiered by him in
November 1999. My
original idea was to
write a serene and moody
nocturne in several
movements. However,
as I began researching
and listening to new
guitar pieces, I came
across Toru Takemitsu's
All in Twilight, and it
immediately made a
profound impression.Â
At the time I found it
beautiful, moving, and
inspiring, but I also
felt I didn't have
anything to add to what
Takemitsu already did,
and that I needed to find
a new concept for my
piece. So, I decided
to view night as a
potentially restless
time, rather than a
serene time, and portray
states of mind one might
go through during a
sleepless night. The
names of the movements
evoke, at least in my
mind, the moods I am to
depict, and the piece
becomes progressively
more convoluted as it
goes on. By the end,
the music is a surreal
and weary shadow of the
opening.
Guitar Solo SKU: IS.G7353EM Composed by Arthur Bosmans. Plucked - Guitar....(+)
Guitar Solo
SKU:
IS.G7353EM
Composed
by Arthur Bosmans.
Plucked - Guitar.
Metropolis Music
Publishers #G7353EM.
Published by Metropolis
Music Publishers
(IS.G7353EM).
ISBN
9790365073535.
Alth
ough Belgian composer
Arthur Bosmans (1908 -
1991) was born in
Brussels, he lived most
of his life in Brazil,
having gained Brazilian
citizenship in 1953. He
first moved to Rio de
Janeiro in 1940 in order
to conduct the Brazilian
Symphonic Orchestra.
Later, he became the
chair of composition and
conducting at the Music
School of the University
of Minas Gerais State in
Belo Horizonte. He
composed two works for
solo guitar, the most
famous of which is this
suite entitled
Brasileiras, consisting
of five movements:
Ponteio, Modinha,
Batukada, Toada and
Sorongo.
By Steve Kahn (Transcriber). For guitar. 26 guitar solos with chord progressions...(+)
By Steve Kahn
(Transcriber). For
guitar. 26 guitar solos
with chord progressions
and guitar voicings.
Level: intermediate,
advanced. Book. Published
by Jamey Aebersold Jazz.
Felix Schell. For all guitars. All styles, chord rhythm and improvisation. Level...(+)
Felix Schell. For all
guitars. All styles,
chord rhythm and
improvisation. Level:
Beginning. Book. Chord
book. Size 8.75x11.75. 48
pages. Published by Mel
Bay Pub., Inc.
Guitar SKU: UT.CH-387 Composed by Ferdinando Carulli. Edited by Romolo Ca...(+)
Guitar
SKU:
UT.CH-387
Composed by
Ferdinando Carulli.
Edited by Romolo
Calandruccio. Classical.
Score. Ut Orpheus #CH
387. Published by Ut
Orpheus (UT.CH-387).
ISBN 9790215328235. 9
x 12 inches.
Opus
114 is certainly one of
Carulliâ??s most
important didactic works,
so much so that the
author himself made a
point of writing in the
second edition of his
famous Method op. 27
(1819): The student, when
moving on to the second
part, must continue to
practise on the easy
pieces which are to be
found in opus nos. 50,
15, 35, 36, 93, 7 and
above all in opus 114. He
maintained this
indication also in later
editions of the Method
itself, unlike what he
did with other
collections of studies
which were no longer
recommended. The
purpose of op. 114, in
particular of the
preludes, is clearly
explained by the author
himself in the preface of
op. 265: I have already
offered preludes in my
opus nos. 71 and 114 to
people, but they serve to
study and learn to play
all sorts of difficult
passages, to practise
modulating, and learn to
improvise on the guitar.
Carulli seems to want to
provide his students with
a large handbook of
formulas typical of his
musical writing and he
does so by making use of
the keys which, in his
opinion, are most
congenial to the guitar.
In his Method he points
out: Each instrument has
its favourite keys: the
guitar can be played in
all keys, but the best
ones are: A major and
minor, D major and minor,
E major and minor, C, G,
F. The others are
difficult; [â?¦].
However, some of the
difficult ones are
included but only in the
fourth part. Of course,
the easiness of a key
essentially depends on
the possibility of
extensive use of the open
strings, especially in
the low notes, ensuring
the accompaniment on the
main degrees. This
edition has some unique
features. First of all,
it is the first complete
modern edition of
Carulliâ??s op. 114; it
presents an important
critical apparatus in
which the Carullian
technique is presented
and analysed; finally,
Carulli's original
fingering is indicated in
the score (including that
of the thumb of the left
hand) and the missing one
was obtained from the
comparison of his other
fingerings present in
other works. All this
allows an easy and
complete reading both for
those who perform the
pieces following the
nineteenth-century
performance practice with
a historical instrument,
and for those who play a
modern instrument.
Composed by Lily Afshar.
Squareback saddle stitch.
Classical. Book. 116
pages.
Mel Bay Publications, Inc
#30832. Published by Mel
Bay
Publications, Inc
Guitar SKU: HL.50600660 For Guitar Solo. Composed by Krzysztof Mey...(+)
Guitar
SKU:
HL.50600660
For
Guitar Solo. Composed
by Krzysztof Meyer.
Guitar. Classical.
Softcover. 16 pages.
Duration 900 seconds.
Sikorski #SIK1457.
Published by Sikorski
(HL.50600660).
8.25x12.0x0.05
inches.
â??I
already wrote the
Concerto for Guitar,
Tympani and Strings for
the outstanding Polish
guitarist Lukasz
Kuropaczewski. The
'Triptych' for guitar
solo is my second work
for this interpreter. The
individual titles of the
'Triptych' movements â??
Fantasia, Aria and
Impromptu furioso â??
refer to the characters
of the individual
movements. I completed
'Triptych' for guitar
solo in December 2014.
The piece is permeated by
double contrasts: in
terms of harmony, the
guitar's own mood and
sound world are
contrasted with my
harmonic thinking. In
terms of technique, on
the other hand,
performance gestures of
the Flamenco tradition
are contrasted with those
of the practice of
classical guitar playing.
The dialogue between
different harmonic and
historical levels can
thus be discovered
through a complex,
clearly demarcated
discourse. The
performance duration of
the work is about 15
minutes.â? (Krzysztof
Meyer).
Special Import
titles are specialty
titles that are not
generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a special
import title, it will be
shipped from our overseas
warehouse. The shipment
time will be slower than
items shipped directly
from our US warehouse and
may be subject to
delays.
Guitar SKU: BT.VOLMB248 Composed by Lou Manzi. Book with CD. Volonte e Co...(+)
Guitar
SKU:
BT.VOLMB248
Composed
by Lou Manzi. Book with
CD. Volonte e Co
#VOLMB248. Published by
Volonte e Co
(BT.VOLMB248).
ISBN
9788863882421.
French.
Ideal
for acoustic guitarists
who have the basics in
blues and are wanting to
take a step forward. The
book opens with a
revision of basic
concepts, techniques,
musical notes, music
theory and Tab. To
follow, the
BluesGuitare
Acoustique Pour
Debutant method
quickly approaches topics
such as blues in 12, 16
and 9 measures, and moves
on to explore scales and
arpeggios which are the
basics of soloing
blues.
Also
included is how touse use
thirds, sixth, seconds
and triads in pieces of
composition, enrichment
chords, jazz blues and
open-tuning. The book
finishes with some pieces
of music employing finger
picking in the style of
major blues artists.
Ifyoulike acoustic blues
and want to gain an
advantage, this book is
essential.