Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
58
Easy Pieces for
Guitar. Arranged by
Martin Hegel. This
edition: Saddle
stitching. Sheet music
with CD. Guitar. Dieses
Heft enthalt alles, was
man fur den
Gitarrenunterricht
braucht: 58 leichte
originale Gitarrenstucke
von Aguado, Mertz,
Diabelli, Carulli, Sor
oder Carcassi, aber auch
leicht spielbare
Bearbeitungen der
klassischen Musik aus den
Bereichen Orchesterm.
Softcover with CD. 46
pages. Schott Music
#ED21305. Published by
Schott Music
(HL.49019327).
ISBN
9783795747558. UPC:
841886018204.
9.0x12.0x0.2
inches.
This volume
contains everything
needed for guitar
lessons: 58 easy original
guitar pieces by Aguado,
Mertz, Diabelli, Carulli,
Sor or Carcassi, but also
easy-to-play arrangements
of classical music from
the fields of orchestral
music, chamber music or
opera. Among them are
themes from Vivaldi's
Four Seasons, from
Handel's Music for the
Royal Fireworks, Mozart's
Magic Flute, Beethoven's
Symphony No. 9 or Verdi's
Chorus of the Hebrew
Slaves. It is this
volume's concern to make
classical masterpieces of
concert literature
accessible to children by
means of such rather easy
arrangements and make
them enjoy classical
music. All pieces are
recorded on the
accompanying CD to make
it easier for the pupils
to study and master the
works.
Composed by Miguel Llobet. Edited by Stefano Grondona. This edition: Saddle-wi...(+)
Composed by Miguel
Llobet.
Edited by Stefano
Grondona.
This edition: Saddle-wire
stitching. Sheet music.
1048
pages. MDS (Music
Distribution
Services) #GHE 900.
Published
by MDS (Music
Distribution
Services)
Guitar; Methods and Music for Children SKU: UT.DM-56 Composed by Adriana ...(+)
Guitar; Methods and Music
for Children
SKU:
UT.DM-56
Composed by
Adriana Tessier.
Paperback (Soft Cover).
Ciao Chitarra!!!
Classical. Ut Orpheus #DM
56. Published by Ut
Orpheus (UT.DM-56).
ISBN 9790215315891. 9
x 12 inches.
Questo
secondo volume della
collana Ciao
Chitarra!!! si
articola secondo la
stessa struttura del
primo sviluppandone gli
intenti fondamentali:
predisporre lâ??allievo
a un atteggiamento
attivo, di ricerca e di
scoperta nei confronti
della chitarra e
favorire, insieme allo
sviluppo graduale della
tecnica e
allÃÂampliamento della
conoscenza diretta del
repertorio, la
progressiva evoluzione
della sensibilitÃÂ
musicale. La
â??sfidaâ?? è
rendere piacevole e
interessante non solo il
momento in cui si suona
ma anche quello in cui si
studia, facilitando una
vivace e dinamica
interazione tra allievo,
maestro e libro. Le
musiche scelte, che
spaziano dal Rinascimento
ai nostri giorni, si
presentano in forma di
brani solistici, duetti
ed esercizi di tecnica
che attraverso piccoli
cambi di posizione della
mano sinistra, note
tenute, arpeggi, legati e
scale di unâ??ottava,
conducono lâ??allievo
verso la conoscenza delle
prime due posizioni sulla
tastiera e lo avvicinano
alle tecniche
chitarristiche di
base. La diteggiatura
della mano destra è
stata volutamente omessa
al fine di assecondare la
spontanea articolazione
delle dita che producono
direttamente il suono.
Tale articolazione,
insieme al sincronismo,
al coordinamento e alla
ricerca della qualitÃÂ
sonora, andràcomunque
sviluppata correttamente
attraverso gli arpeggi e
le piccole scale presenti
nelle ultime pagine del
volume. Una grafica
particolarmente accurata
e le numerose
illustrazioni da colorare
a piacimento veicolano
con incisivitÃÂ
informazioni di carattere
musicale e storico
insieme a indicazioni di
carattere pratico - quali
lâ??accordatura e il
cambio delle corde -
spesso trascurate ma
invece utili a sviluppare
lâ??autonomia
dellâ??allievo e a
rendere ancora più
diretta la sua
interazione con la
chitarra. Sito Web:
www.ciao
chitarra.it
In
September of 2018,
guitarist, Toby
McWilliams commissioned
Cruz to write a
three-movement guitar
solo after hearing his
Five Pieces in C on the
internationally
syndicated radio show,
Classical Guitar Alive.
McWilliams requested the
first movement to be in
sonata-allegro form
followed by two other
pieces that reflect the
tempo choices of a
typical three-movement
sonatina. As is the case
with most of Cruz’s
music, this Sonatina was
completed as music
written for music’s
sake. However, in his
quest to find titles
other than tempo
markings, Cruz plucked
three words from the
correspondence between
himself and McWilliams
that together, add a
personal touch to the
collection while
suggesting a progression
of an imaginary
day’s
events.
A point of
interest in the first
movement, A theme: Cruz
begins on the IV chord
and intentionally avoids
using a proper I chord
throughout. While the B
section does begin in the
dominant key, it moves
quickly towards a D major
tonal
center.
Festival
(3rd movement) uses a
bitonal opening theme: E
major in the top voice
while the bass line uses
E minor.
Composed by
Gilles Ballet. Delia
Estrada. Classical.
Score. Editions Henry
Lemoine #26219. Published
by Editions Henry Lemoine
(LM.26219).
ISBN
9790230962193.
Pour
commencer - Pour les
doubles notes - Tout Duke
- Cotton repons - Jamais
d'accord - Independance -
Pour les lies - Autumn
files - Hors tempo, en
tempo - Now's G Tune -
Ballad - De temps en
temps - Improvisation -
Two for Two - Untitled 1
- Untitled 2 - Effet de
mode - Vers
l'improvisation.
Guitar - very easy to easy SKU: M7.MF-3705 Der schnelle & leichte Eins...(+)
Guitar - very easy to
easy
SKU:
M7.MF-3705
Der
schnelle & leichte
Einstieg für
Alle!. This edition:
Saddle-wire stitching.
Sheet music with CD.
Music Factory. 48 pages.
Music Factory #MF 3705.
Published by Music
Factory (M7.MF-3705).
ISBN 9783795789541.
German.
Jeder kann
gute Musik machen! Dieser
neue Grundkurs ist der
optimale (Wieder-)
Einstieg in das Spielen
Ihres
Lieblingsinstrumentes
Gitarre. Alle wichtigen
Techniken werden anhand
bekannter Melodien und
Songs Schritt für
Schritt erklärt, so
dass Sie schon nach
kurzer Zeit erste
Stücke spielen
können. Auf der
beiliegenden CD sind alle
Titel in einem gut
spielbaren Tempo
aufgenommen. Musik machen
ist einfach und macht
Spaß - probieren Sie
es aus!
(32 Transcriptions for Guitar). Composed by Wolfgang Amadeus Mozart (1756-17...(+)
(32 Transcriptions for
Guitar). Composed by
Wolfgang
Amadeus Mozart
(1756-1791).
Arranged by Martin Hegel.
For
Guitar (Guitar). Guitar.
Softcover. Schott Music
#ED21856. Published by
Schott
Music
(The Easiest Guitar Method Ever!). By Ron Manus and L. C. Harnsberger. For Guita...(+)
(The Easiest Guitar
Method Ever!). By Ron
Manus and L. C.
Harnsberger. For Guitar.
This edition: Books, CDs
and DVD. Book; DVD;
Enhanced CD; Guitar
Method or Supplement;
Method/Instruction. Kid's
Guitar Course. Children.
Beginner. Published by
Alfred Music
Composed by Pascal Bournet (1950-). Mes Premiers Pas de T. Masson et P. Guillem....(+)
Composed by Pascal
Bournet (1950-). Mes
Premiers Pas de T. Masson
et P. Guillem. Classical.
Score. 10 pages. Editions
Henry Lemoine #27802.
Published by Editions
Henry Lemoine (LM.27802).
Guitar - intermediate to advanced SKU: M7.GHE-901 Catalan Folksongs(+)
Guitar - intermediate to
advanced
SKU:
M7.GHE-901
Catalan
Folksongs. Composed
by Miguel Llobet. Edited
by Stefano Grondona. This
edition: Saddle-wire
stitching. Sheet music.
72 pages. MDS (Music
Distribution Services)
#GHE 901. Published by
MDS (Music Distribution
Services) (M7.GHE-901).
ISBN 9783890449012.
English.
This
edition of the Catalan
folk songs is more
complete and contains
more works than in any
other edition. It is
particularly generously
documented. There is also
an illustrated 12 page
chronology of Llobet's
life with 61 rare
photographs and
documents. As in all our
editions both a detailed
documented critical
commentary and copious
notes are included.
Catalan song also
connects Llobet to the
cultural restlessness of
the epoch in which he was
born and grew up, to the
movement relating to the
birth and definition of a
Catalan cultural
identity, which, when
properly understood, was
to reveal all the more
fully Llobet's
intellectual and above
all his musical stature,
before we came to
consider him a great poet
of the guitar as
well.
Voice and guitar SKU: HL.49015258 Das Liederbuch der jungen Szene....(+)
Voice and guitar
SKU:
HL.49015258
Das
Liederbuch der jungen
Szene. Edited by
Bertold Marohl. This
edition: Plastic cover.
Paperback. Edition
Schott. Classical. Melody
Line (with Chords). 274
pages. Schott Music #ED
7120. Published by Schott
Music (HL.49015258).
ISBN 9783795720629.
4.75x7.25x0.59 inches.
German.
Der neue
Zupfgeigenhansl erscheint
als Folgeband des seit
der Jugendbewegung
allgemein bekannten
Zupfgeigenhansl und
enthalt 121 Lieder, die
auf die Anliegen der
jungen Generation des
ausgehenden 20.
Jahrhunderts eingehen:
Fahrt uber Lander und
Meere - internationale
Folklore und Spirituals -
kritische alte und neue
Lieder zu unseren
Zeitproblemen - das Thema
Liebe - Balladeskes und
Heiteres. Das Buch bietet
Melodien, vollstandige
Texte, Akkorde fur
Gitarrebegleitung, Bilder
und Infos zu den Textern,
Komponisten und
Interpreten.
Guitar SKU: HL.49005534 Werke aus dem 18. und 19. Jahrhundert. Edi...(+)
Guitar
SKU:
HL.49005534
Werke
aus dem 18. und 19.
Jahrhundert. Edited
by Ferenc Brodszky. Sheet
music. Edition Schott.
Classical. 40 pages.
Schott Music #ED 5228.
Published by Schott Music
(HL.49005534).
Guitar SKU: FG.55011-718-1 Composed by Kai Nieminen. Score. Fennica Gehrm...(+)
Guitar
SKU:
FG.55011-718-1
Composed by Kai Nieminen.
Score. Fennica Gehrman
#55011-718-1. Published
by Fennica Gehrman
(FG.55011-718-1).
ISBN
9790550117181.
Kai
Nieminen's Le Tombeau
d'Albert Roussel (2020)
for guitar utilises
themes and harmonies from
Roussel's
ballet-pantomime Le
Festin de l'Araignee (The
Spider's Feast) op.17
written in 1912.
Roussel's work depicts
insect life in a garden
alluding to human
behaviour in a similar
way to George Orwell's
novel, Animal Farm.
Nieminen's Le Tombeau
d'Albert Roussel
integrates themes from
Roussel's Le Festin de
l'Araignee with original
material which together
create a satisfying whole
full of imagery,
contrasts and colour.
Boulevar
d Pey Arnaud is a solo
composition for guitar
inspired by the place
where my house is
located, in a protected
environment, surrounded
by pine forests and
crossed by a small stream
called l’eau bourde.
For four decades, this
enchanting setting has
nourished my inspiration,
offering me a refuge of
serenity. Every note of
this short stroll is
imbued with the happy
memories of my children
growing up on this
boulevard, their laughter
and games echoing among
the trees. Boulevard Pey
Arnaud is an ode to
nature, family and the
moments of peace found in
this neighborhood.
Composed
by Mauro Storti. Studies
& Exercises. Book Only. 8
pages. Volonte e Co
#VOLMB497. Published by
Volonte e Co
(BT.VOLMB497).
ISBN
9788863884913.
Italian.
L’u
tilit di questi esercizi
per la mano sinistra
risiede soprattutto
nell’originalit
del procedimento tecnico
utilizzato per dissociare
la forza di pressione da
quella di estensione
della mano. Per giungere,
senza traumi, alla
coscienze e
razionalemassima
utilizzazione delle
dimensioni della
mano.
Guitar; Christmas Music SKU: UT.CH-160 18 Easy Arrangements for Guitar...(+)
Guitar; Christmas Music
SKU: UT.CH-160
18 Easy Arrangements
for Guitar Solo.
Edited by Fabio Rizza.
Arranged by Fabio Rizza.
Saddle stitching.
Classical. 24 pages. Ut
Orpheus #CH 160.
Published by Ut Orpheus
(UT.CH-160).
ISBN
9790215320406. 9 x 12
inches.
Coventry
Carol; Down in Yon
Forest; Veni, veni
Emmanuel; El cant dels
ocells; The First Nowell;
What Child is This?
(Greensleeves); Entre le
boeuf et l'ane gris; El
noi de la mare; Away in a
Manger (The Cradle Song);
Lulajze Jezuniu; O
Tannenbaum; Les anges
dans nos campagnes;
Stille Nacht, heilige
Nacht; God Rest Ye Merry,
Gentlemen; The Wexford
Carol; Il est ne, le
divin enfant; Quanno
nascette ninno; Hark! The
Herald Angels Sing
(Mendelssohn)