Guitar solo - Advanced

SKU: DZ.DZ-4308

Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308).

ISBN 9782898522253.

Foll owing a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.

FRANCE SCO BIRAGHI

Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprèt e et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.

FRANCESCO BIRAGHI.

(A Comprehensive Guide to Guitars, Amps, and Effects for the Dedicated Guitarist). By Tobias Hurwitz. For Guitar. Book; CD; Guitar Reference; Reference Textbooks. The Serious Guitarist. 128 pages. Published by Alfred Music

(A Workbook for Beginning, Intermediate or Advanced Students). Composed by Miles Okazaki. For guitar. Spiral- bound. Guitar Methods, Scales, Arpeggios, Technique, Theory, Harmony. Book. 166 pages. Published by Mel Bay Publications, Inc

Guitar - Level 4

SKU: LM.C06199

Composed by Jean-Maurice Mourat. Classical. Score. Editions Combre #C06199. Published by Editions Combre (LM.C06199).

ISBN 9790230361996.

ALBE NIZ Isaac : Pavana-capricho - AGUIRRE Julian : Air creole - ALBENIZ Isaac : Prelude n. 1 - BACH Johann Sebastian : Prelude - BRESCIANELLO Guiseppe Antonio : Sonate - ALBENIZ Mateo : Sonate - TARREGA Francisco : Capricho arabe - ALBENIZ Isaac : Tango - ALBENIZ Isaac : Rumores de la Caleta - GRANADOS Enrique : Danse espagnole n. 5 - MALATS Joaquin : Serenata espanola - ALBENIZ Isaac : Mallorca - ALBENIZ Isaac : Zambra granadina - BORGUES Raul : Valse venezuelienne - ALBENIZ Isaac : Cadiz - GRANADOS Enrique : La Maja de Goya - ALBENIZ Isaac : Torre Bermeja.

By David Pritchard. For Guitar (Classical). Solos. Bill's Music Shelf. Classic. Intermediate. Book. 24 pages. Published by Mel Bay Publications, Inc

Piano/Vocal/Guitar

SKU: HL.256650

Composed by Various. Piano/Vocal/Guitar Songbook. Children, Disney, Movies. Softcover. 288 pages. Published by Hal Leonard (HL.256650).

ISBN 9781540015303. UPC: 888680723699. 9.0x12.0x0.78 inches.

This updated 7th edition coffee table collection is a Disney lover's dream come true! It is a guided tour through the many legendary years of Disney music. The book begins with an extensive musical history of Disney, followed by beautiful piano/vocal arrangements of 70 Disney classics. Printed on deluxe stock with more than 100 stunning full-color illustrations accompanying the text and music, this book is a keepsake to treasure for years to come! Songs include: Bibbidi-Bobbidi-Boo (from Cinderella) * Circle of Life (from The Lion King) * Evermore (from Beauty and the Beast) * How Far I'll Go (from Moana) * I See the Light (from Tangled) * Let It Go (from Frozen) * Under the Sea (from The Little Mermaid) * When You Wish Upon a Star (from Pinocchio) * You've Got a Friend in Me (from Toy Story) * and more.

By Various Composers. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 112 pages. Published by Hal Leonard.

Guitar - Intermediate

SKU: YM.GPL01096230

Guitar/Bass/Drum. Disney. Sheet music. Yamaha Music Media #GPL01096230. Published by Yamaha Music Media (YM.GPL01096230).

ISBN 9784636962307.

13 Arrangements with TAB and technical suggestions.
Fu You TABPu He Dan Zou Tie Shi De 13Shou Bian Pei Ge Qu .

1. Someday My Prince Will Come; 2. A Dream Is a Wish Your Heart Makes; 3. Bibbidi-Bobbidi-Boo; 4. The Second Star to the Right; 5. La La Lu; 6. Chim Chim Cher-ee; 7. Part of Your World; 8. A Whole New World; 9. Someday; 10. If I Didn't Have You; 11. Aloha, E Komo Mai; 12. He's a Pirate; 13. It's a Small World
1. Zong You Yi Tian Wang Zi Hui Chu Xian ; 2. Meng Jiu Shi Ni Xin Zhong De Yuan Wang ; 3. Mo Fa Zhi Ge ; 4. You Bian De Di Er Ke Xing ; 5. La La Lu; 6. Yan Cong Zhi Ge ; 7. Yu Ni Wei Ban ; 8.Zhan Xin De Shi Jie ; 9. Zong You Yi Tian ; 10. Ru Guo Mei You Ni ; 11. Aloha, E Komo Mai; 12. Ta Shi Hai Dao ; 13. Xiao Xiao Shi Jie.

By Various. For Guitar. Guitar Chord Songbook. Softcover. 168 pages. Published by Hal Leonard

Composed by Paolo Ugoletti Andrea Vezzoli. Edited by Piero Bonaguri and Raffaello Ravasio. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 254. Published by Ut Orpheus

Guitar

SKU: BT.ALB10655

Composed by Cees Hartog. Tuition. Book with CD. 64 pages. Alsbach #ALB10655. Published by Alsbach (BT.ALB10655).

ISBN 9789043145305. Dutch.

Following on from the material in Gitaar Starter 1, this book/CD set covers even more techniques that are vital for the beginning guitarist to learn. It discusses, amongst other topics, playmaking, legato, positionchanges, harmonics and chords.

In addition to the individual exercises, the techniques are mainly used in the playing materials, which contains pieces in many different styles from all around the world.

When thewhole Gitaar Starter series has been worked through, the student will have mastered the most important basics of Guitar playing.

Guitar

SKU: HL.50564707

Guitar. Composed by Miguel de Fuenllana. Editions Durand. Softcover. Composed 2001. Hal Leonard #ME00726000. Published by Hal Leonard (HL.50564707).

ISBN 9781423406860. UPC: 884088012144.

Inch. ...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.

Guitar

SKU: HL.50564705

Guitar. Composed by Emilio Pujol Vilarrubí. Editions Durand. Score Only. Composed 2001. Hal Leonard #ME0788400. Published by Hal Leonard (HL.50564705).

ISBN 9781423406846. UPC: 884088012113. 9.5x12.5x0.024 inches.

Inch....thi s work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.

Old Time, Wire bound. Vocal. Book and online audio. 248 pages. Mel Bay Publications, Inc #31104M. Published by Mel Bay Publications, Inc

Guitar - Intermediate

SKU: MB.30989

Saddle-stitched, Solos. Sonatinas. Book. 152 pages. Mel Bay Publications, Inc #30989. Published by Mel Bay Publications, Inc (MB.30989).

ISBN 9781513466705. 8.75x11.75 inches.

In this book, guitarist and music historian David Grimes presents 20 â??small sonatasâ? or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava.  While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students. 

In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a restâ?? exposing and overcoming yet another shortcoming in the education of many guitarists.  
Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirateâ?? plus three more composers in a similar veinâ?? promoting confident, enjoyable sight-reading by guitarists of all levels. .

Lead Sheets for 200 Jazz Standards. Composed by Various. Guitar Book. Softcover. 382 pages. Published by Hal Leonard

Guitar

SKU: UT.CH-395

Composed by Giorgio Signorile. Classical. Score. Ut Orpheus #CH 395. Published by Ut Orpheus (UT.CH-395).

ISBN 9790215328587. 9 x 12 inches.

Il grande larice rosso; Piccole vite; Requiem per un bosco

Never before have I felt the urgency within myself to communicate with my instrument something which goes beyond just the notes, a desire to embrace with music parts of the world which I see as being so neglected and abandoned, as if man were no longer able to see beyond the narrow confines of his home and work spaces. The environment which surrounds us, free and pure, seems to bow more and more to the base instincts of abuse which man brings into play... the destruction of centuries-old forests and glaciers, the construction of harmful and disturbing, useless and polluting elements... and I wonder what we can do, what I, as a musician, can do, at least to show my disapproval of these situations. I have no straight answer but I know that writing the music I love to play, often born in natural and wild environments can help to dream of, or imagine a present time which is more on a human scale, thanks to the strong evocative power which music possesses and emanates.
This is the meaning of these compositions, dedicated to a tree, a 700-year-old specimen of the Stura Valley, Lu Merze Gros (The Big Larch), to the small beings which inhabit it, in the bark, among its foliage, in the surrounding soil and to my sense of frustration at seeing a forest of fir trees razed to the ground to allow the construction of a bobsleigh run.
This action of mine has been useless and nostalgic perhaps, but it has given me intense moments of emotion in the writing and moves me enormously during its performance.

Giorg io Signorile.

Guitar; Methods and Music for Children

SKU: UT.CH-157

Composed by Giorgio Signorile. Saddle stitching. Classical. Score and Parts. 40 pages. Ut Orpheus #CH 157. Published by Ut Orpheus (UT.CH-157).

ISBN 9790215320369. 9 x 12 inches.

Vals d'la Masca; Il racconto della Montagna; Sequenze sotterranee

Th e Alpinia Suite was commissioned and composed for the festival <> and is dedicated to my friend and colleague Elio Galvagno. It was performed for the first time on August 30, 2011, in the Church of San Giovanni in Saluzzo, by an ensemble of professional and student guitarists from all over Europe. This piece was written to commemorate the first ascent of mount Monviso, by William Mathews, Frederick Jacomb, Jean Baptiste Croz and Michel Croz, exactly 150 years before, on August 30, 1861.
The first movement is a small Waltz. I imagined a Masca (a sort of alpine pixie, a teasing sprite), dancing all around the house and playing tricks, mostly harmless and funny. The Masca is a legendary and very important character in the folklore of my valleys, and all rationally inexplicable events of everyday life are ascribed to her - such as objects that cannot be found anymore, holes in flour sacks, salt in sugar bowls...
The next two movements are a homage to the Mountains. The Tale is a sort of journal, a bright and peaceful chronicle of a hike uphill, in which the beauty of the place is highlighted by an easy harmony and a sweet melody. After this, Underground sequences evokes that same world in a darker and nocturnal way; the faster pace and the choice of repeated and varying patterns are meant to show the transformation of the former environment into something more complex and tormented. Here mountains are a metaphor of human life, warts and all: their sundrenched slopes and their green pasture grasslands, but also their icy and dangerous northern sides, which demand calm, training and caution.
(G. Signorile).