The many faces of the guitar, Volume 1. By Various. Arranged by Collectif. For g...(+)
The many faces of the
guitar, Volume 1. By
Various. Arranged by
Collectif. For guitar
solo. Level: 1. 28 pages.
Published by Les
Productions d'OZ. (DZ
1041)
The many faces of the guitar, Volume 1. By Various. Arranged by Collectif. For g...(+)
The many faces of the
guitar, Volume 1. By
Various. Arranged by
Collectif. For guitar
solo. Level: 1. 28 pages.
Published by Les
Productions d'OZ. (DZ
1041CD)
The many faces of the guitar, Volume 2. By Various. Arranged by Collectif. For g...(+)
The many faces of the
guitar, Volume 2. By
Various. Arranged by
Collectif. For guitar
solo. Level: 1.5. 32
pages. Published by Les
Productions d'OZ. (DZ
1042CD)
Composed by
Mordy Ferber. Solos,
Style, Contemporary,
Perfect binding. Bill's
Music Shelf. Jazz. Book.
84 pages. Mel Bay
Publications, Inc #22154.
Published by Mel Bay
Publications, Inc
(MB.22154).
ISBN
9780786682560. UPC:
796279111102. 8.5 X 11
inches.
This book
is an attempt to capture
the highlights of
twenty-eight years of
composing. Each of these
32 compositions is an
expression, and as such
-- an exposure, of a
genuine part of myself
which I present within
the framework of jazz; my
beloved art form. When I
listen to this music I
hear shades of my early
classical and rock
influences. It also
brings to my mind my
birth place, a small
neighborhood outside of
Haifa, Israel. I really
hope that you will listen
to these pieces come
alive on my CDs All The
Way To Sendai.
Guitar - Intermediate SKU: OT.26114 Composed by Ariel Lazarus. A short su...(+)
Guitar - Intermediate
SKU: OT.26114
Composed by Ariel
Lazarus. A short suite
for classical guitar
based on themes from the
Spanish and Portuguese
tradition. Classical.
Score. OR-TAV Music
Publications #26114.
Published by OR-TAV Music
Publications (OT.26114).
ISBN 9789655051049.
8.27 x 11.69
inches.
Ariel
Lazarus Guitarra
Liturgia Two pieces
based on music from the
Spanish and Portuguese
tradition.
Contents: Jerusalem
de Sefarad - Suite for
Guitar Contrapunto
Sefardi The composer
writes: For many
years I wanted to compose
a piece for guitar which
would inspire interested
students to expand their
repertoire in the
direction of Jewish
music. The most natural
thing for me was to write
a suite based on themes
from the synagogue in
which I grew up –
the Spanish and
Portuguese synagogue of
Gibraltar. My beloved
grandfather served all
his life as hazzan
(cantor) of this
synagogue, and I always
felt as a composer and
educator that I had a
special obligation to
continue his tradition
and pass it on to a new
generation. In this
composition, I let the
guitar echo the piyyutim
(semi-liturgical poems)
that were part of my
childhood: Adon Olam,
Sh'charchoret, Achot
K'tana, Yigdal, Borei ad
Ana, all of which are
sung in the Spanish and
Portuguese tradition from
Gibraltar to London, and
from New York to
Jerusalem. I let myself
dream the piyyutim, take
them apart and
reconstruct them as a
short suite for guitar,
the results of which you
are invited to hear here.
As a conceptual idea for
the suite, I choose to
suggest about the
cultural continuation
between the Diaspora and
the land of Israel by way
of referencing the
well-known melody of
Naomi Shemer, which is
also popular among the
hazzanim. Dr. Ariel
Lazarus is a unique voice
among Israeli
composer-performers
today. Brought up in a
family with Jewish
musical roots both in
Gibraltar and Westphalia,
he began composing and
playing the guitar in his
teens, and has been
committed to developing
his own compositional
language ever since,
always maintaining an
open dialogue with his
traditions. Lazarus
received his BMus and
MMus degrees from
Oklahoma City University
in classical guitar
performance and
composition where he
studied with American
composer Dr. Edward
Knight. He earned his PhD
from Bar Ilan University,
studying composition with
Prof. Betty Olivero and
Prof. Gideon Lewensohn
and conducting research
under the supervision of
Prof. Edwin Seroussi from
the Hebrew University.
His symphonic works have
been premiered by the
Raanana Symphonette
Orchestra, and his
chamber works have been
performed by various
ensembles in the United
States, Central Europe,
Portugal, Gibraltar,
Scandinavia and Israel.
Lazarus performs
regularly as Art
Ambassador on behalf of
the Israeli Ministry of
Diaspora affairs Amiel
BaKehila program. His
solo album A Hebrew
Capriccio was released by
the German boutique label
SmoothFactor and was
awarded critical acclaim,
among others, in Haaretz,
and Neue Westfalishe.
Dr. Lazarus is the
musical director and
co-founder of the Israeli
Ladino Orchestra. His
work with the orchestra
has been recognized by
the official Carta de
España. He teaches at
the Academic College for
Education Givat
Washington, and the Rimon
School of Music.
Lazarus’s work has
been awarded by the
Israeli Pais Art council
and ACUM.
After
being some time away from
classical composition I
decided to challenge
myself and write one
short guitar piece daily.
I did it for a month and
ended up with around 20
Sketches. The original
idea was to make short
pieces for children.
Some turned out to be
too difficult for
students, so they might
become longer pieces in
the future. Some others I
just didn't like that
much. In the end I
selected the 10 Sketches
that I liked the most.
These 10 pieces
are intended for
intermediate level
players and each of them
focuses on a technical or
musical aspect.
Guitar solo - intermediate SKU: DZ.DZ-3841 Composed by Francois Rioux. 44...(+)
Guitar solo -
intermediate
SKU:
DZ.DZ-3841
Composed
by Francois Rioux. 44
pages. Les Productions
d'OZ #DZ 3841. Published
by Les Productions d'OZ
(DZ.DZ-3841).
ISBN
9782897957582.
List
ening to and
familiarizing myself with
the recordings of several
jazz musicians from the
New York scene of the
early 2000s, I noticed
that the contrapuntal
aspect manifests itself
more and more frequently
at the level of
composition and
improvisation. Although
we find the manifestation
of this concept at
different times, notably
in the playing of Fred
Hersch or guitarist Ted
Greene, its spontaneous,
systematic and
parameterized use seems
to become characteristic
of contemporary jazz,
particularly in the
playing of pianist Brad
Mehldau. and guitarists
such as Gilad Hekselman
or Pasquale Grasso. I
developed a deep interest
in this concept and my
efforts to assimilate it
materialized in a
doctoral thesis in
interpretation, in an
album, then in this
method. We can hear the
application of this
concept throughout the
album, released in the
fall of 2021 on the Arte
Boreal label: Sens
unique.
This
collection exposes the
methodological approach
developed in order to
conceive, analyze, and
ultimately appropriate
the contrapuntal aspect
of two voices. The
various educational tools
and strategies presented
in this method will allow
the guitarist to quickly
identify and then
assimilate the many
aspects relating to this
subject.
Guitar SKU: HL.50605198 For Guitar Solo. Composed by Martin Klasch...(+)
Guitar
SKU:
HL.50605198
For
Guitar Solo. Composed
by Martin Klaschka.
Guitar. Classical.
Softcover. 12 pages.
Ricordi #SY7014.
Published by Ricordi
(HL.50605198).
ISBN
9781705164938. UPC:
196288068594.
My
Piece Tema con Variazoni
is inspired by Italian
Baroque Music and is
based on a hymn theme
that I composed myself.
It's not at all difficult
but sounds yet full
(Martin Klaschka). Martin
Klaschka (*1963) studied
music at Staatliche
Hochschule fur Musik und
Darstellende Kunst
Stuttgart. Much of his
energy is devoted to
writing easy to
intermediate pieces for
different instruments and
ensembles.
