Composed by Michael
Berkeley. 32 pages.
Duration 13'. Oxford
University Press
#9780193555037. Published
by Oxford University
Press (OU.9780193555037).
ISBN 9780193555037. 12
x 8 inches.
For
violin and guitar In this
angry, passionate piece,
there is much contrast
between aggressive,
violent sounds and soft,
wounded ones. It is a
memorial to someone who
died an atrocious death
quite needlessly.
Solo guitar - Moderately Difficult SKU: OU.9780193554917 Composed by Mich...(+)
Solo guitar - Moderately
Difficult
SKU:
OU.9780193554917
Composed by Michael
Berkeley. Guitar/Plucked
Instruments (Solo). 8
pages. Oxford University
Press #9780193554917.
Published by Oxford
University Press
(OU.9780193554917).
ISBN 9780193554917. 12
x 8 inches.
Worry
Beads is an atmospheric
and flowing piece for
solo guitar. After a slow
introductory passage it
launches into virtuosic
semiquavers which
continue throughout much
of the piece, with
fluctuating time
signatures bringing
rhythmic flavour.
Chamber Music Guitar SKU: PR.114410840 A Sleepless Nocturne for Guitar...(+)
Chamber Music Guitar
SKU: PR.114410840
A Sleepless Nocturne
for Guitar. Composed
by Michael Karmon. Solo
part. With Standard
notation. Composed 1998.
Duration 15 minutes.
Theodore Presser Company
#114-41084. Published by
Theodore Presser Company
(PR.114410840).
UPC:
680160015689.
See
the biography of Michael
Karmon on the back
cover. WHEN THE SHEEP
WON'T COME:Â A
SLEEPLESS NOCTURNE FOR
GUITAR was composed for
Joseph Hagedorn, winner
of the 1990 GFA solo
competition, and
premiered by him in
November 1999. My
original idea was to
write a serene and moody
nocturne in several
movements. However,
as I began researching
and listening to new
guitar pieces, I came
across Toru Takemitsu's
All in Twilight, and it
immediately made a
profound impression.Â
At the time I found it
beautiful, moving, and
inspiring, but I also
felt I didn't have
anything to add to what
Takemitsu already did,
and that I needed to find
a new concept for my
piece. So, I decided
to view night as a
potentially restless
time, rather than a
serene time, and portray
states of mind one might
go through during a
sleepless night. The
names of the movements
evoke, at least in my
mind, the moods I am to
depict, and the piece
becomes progressively
more convoluted as it
goes on. By the end,
the music is a surreal
and weary shadow of the
opening.
(Everything You Need to Know About Guitars, Amps, and Effects). By Tobias Hurwit...(+)
(Everything You Need to
Know About Guitars, Amps,
and Effects). By Tobias
Hurwitz, Ethan Fiks, and
Vivian Clement. For
Guitar. Book; CD; Guitar
Reference; Reference
Textbooks. 96 pages.
Published by Alfred Music
Publishing
(A Comprehensive Guide to Guitars, Amps, and Effects for the Dedicated Guitarist...(+)
(A Comprehensive Guide to
Guitars, Amps, and
Effects for the Dedicated
Guitarist). By Tobias
Hurwitz. For Guitar.
Book; CD; Guitar
Reference; Reference
Textbooks. The Serious
Guitarist. 128 pages.
Published by Alfred Music