Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Arranged for Plectrum-Style Guitar. Classical, Saddle- stitched. Flatpicking GU...(+)
Arranged for
Plectrum-Style
Guitar. Classical,
Saddle-
stitched. Flatpicking
GUitar.
Book. Mel Bay
Publications,
Inc #30978. Published by
Mel
Bay Publications, Inc
Suite Guitare Guitare classique [Conducteur] Universal Edition
Composed by Robert de Visee (1650-1725). Edited by Olaf Van Gonnissen; Johannes ...(+)
Composed by Robert de
Visee (1650-1725). Edited
by Olaf Van Gonnissen;
Johannes Monno; Thomas
Muller-Pering. Neue Karl
Scheit Gitarren Edition.
Full score (study). With
Standard notation.
Universal Edition
#UE34480. Published by
Universal Edition
(PR.UE034480).
(A Workbook for Beginning, Intermediate or Advanced Students). Composed by M...(+)
(A Workbook for
Beginning,
Intermediate or Advanced
Students). Composed by
Miles
Okazaki. For guitar.
Spiral-
bound. Guitar Methods,
Scales, Arpeggios,
Technique, Theory,
Harmony.
Book. 166 pages.
Published
by Mel Bay Publications,
Inc
by Anthony Glise. For classic guitar. Anthony Glise Urtext. Classic. Level: Mult...(+)
by Anthony Glise. For
classic guitar. Anthony
Glise Urtext. Classic.
Level: Multiple Levels.
Book. Reference. Size
8.75x11.75. 282 pages.
Published by Mel Bay
Pub., Inc.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Composed by Hubert Kappel. Guitar: Classical and Lute, Music Styles & Re...(+)
Composed by Hubert
Kappel.
Guitar: Classical and
Lute,
Music Styles &
Regions,
Classical, Technique,
Theory
and Reference. Book. 248
pages. Published by Mel
Bay
Publications, Inc
Rock Guitar Solos Guitare Guitare électrique [Partition + CD] - Intermédiaire De Haske Publications
Electric Guitar - intermediate SKU: BT.DHP-1084630-400 Including rhyth...(+)
Electric Guitar -
intermediate
SKU:
BT.DHP-1084630-400
Including rhythm
guitar parts.
Composed by Ed Wennink.
Book with CD. Composed
2008. 32 pages. De Haske
Publications #DHP
1084630-400. Published by
De Haske Publications
(BT.DHP-1084630-400).
ISBN 9789043131131.
9x12 inches.
English-German-French-Dut
ch.
Rock Guitar
Solos: een boek met
elf stukken voor
elektrische gitaar die
ook op een akoestische
gitaar gespeeld kunnen
worden. Veelvoorkomende
technieken voor
sologitaar passeren de
revue: hammering, bends,
slides, tappen, enz.De
stukken zijn oplopend in
moeilijkheidsgraad en er
is een afzonderlijke
slaggitaarpartij
meegeleverd. De
akkoorddiagrammen en
tabulatuur maken het de
gitarist gemakkelijk. De
cd bevat van elk stuk een
demo- en een
play-alonversie.
<
I>Rock Guitar Solos
ist die Fortsetzung von
Rock and Blues
Solos. Wie schon der
Vorgänger enthält
dieses Buch rockige, im
Schwierigkeitsgrad
ansteigende Solostücke
für E-Gitarre, die
auch auf der
Akustikgitarre gespielt
werden können. Mit
Akkorddiagrammen,
Tabulatur und einer
zusätzlichen Stimme
für Rhythmusgitarre
steht dem ungetrübten
SpielspaÃ? nichts im
Wege! Die CD enthält
zwei Aufnahmen jedes
Stückes: eine
Demoversion mit Solo und
Begleitung und eine
Begleitversion zum selbst
Mitspielen. Rock
it!
Rock Guitar
Solos propone brani per
chitarra elettrica e
acustica. Potrete
applicare le tecniche
della chitarra solista
come l'hammer-on, i bend,
gli slide ed il tapping.
I brani sono in ordine
crescente di difficolt .
Rock Guitar Solos
contiene le parti della
chitarra ritmica,
nonchè il diagramma
degli accordi e le
intavolature.
Fur Kinder Guitare Guitare classique Universal Edition
Chamber Music guitar SKU: PR.UE037209 Fur zwei Gitarren. Composed ...(+)
Chamber Music guitar
SKU: PR.UE037209
Fur zwei Gitarren.
Composed by Bela Bartok.
Arranged by Siegfried
Steinkogler. Part. With
Standard notation.
Universal Edition
#UE037209. Published by
Universal Edition
(PR.UE037209).
ISBN
9783702475185. UPC:
803452072294.
Barto
k, a self-made expert in
regional folk music, had
composed For Children for
piano and it became a
seminal publication in
piano pedagogy. Arranger
Siegfried Steinkogler was
exposed to a guitar
transcription early in
his own studies, but
thought that its inherent
difficulty removed it
from its intended use as
repertoire for young
students. His arrangement
for two guitars addresses
that issue, and makes For
Children once again
accessible to young
players.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Composed by Lily Afshar.
Squareback saddle stitch.
Classical. Book. 116
pages.
Mel Bay Publications, Inc
#30832. Published by Mel
Bay
Publications, Inc
Composed by Various. Edited by Frederick M. Noad. Music Sales America. Classical...(+)
Composed by Various.
Edited by Frederick M.
Noad. Music Sales
America. Classical,
Renaissance. Softcover
Audio Online. 120 pages.
Music Sales #AM968066.
Published by Music Sales
Guitar - easy SKU: BT.RSK200043 Exam Material. Book with Online Audio. Co...(+)
Guitar - easy
SKU:
BT.RSK200043
Exam
Material. Book with
Online Audio. Composed
2018. Rockschool
#RSK200043. Published by
Rockschool
(BT.RSK200043).
ISBN
9781912352524.
English.
Learn
to play rock and pop with
Rockschool. These
specially written
arrangements develop the
skills and techniques you
need to help you achieve
your musical
goals.
For
Rockschool's 2018-2024
Guitar series, Rockschool
have commissioned
arrangements of titles
reflecting popular
music's rich heritage in
all its forms and have
tailored each piece to
make it exactly right for
the grade. You can also
use titles from
Rockschool's Classics
series as part of the
syllabus.
The
arrangements have been
written and performed by
top session musicians who
have worked with some of
the biggest names in
rock, metal and pop. The
tracks were recorded at
Real World's acclaimed
recordingstudios and
feature live instruments
and first rate
performances for an
unrivalled level of feel,
authenticity and
musicianship.
Featu
ring:
Green
Day - Basket
Case
Stereophonic
s - Dakota
Booker
T & The MGs - Green
Onions
The
Temptations - My
Girl
The Script -
The Man Who Can't Be
Moved
Adele -
Rolling In The
Deep
6 Rockschool
Originals
Plu
s:
Band and
artist fact files with
recommended
listening
Chamber Music guitar SKU: CF.GT222 Composed by Paul Lansky. Set of Score ...(+)
Chamber Music guitar
SKU: CF.GT222
Composed by Paul Lansky.
Set of Score and Parts.
20+8+8 pages. Carl
Fischer Music #GT222.
Published by Carl Fischer
Music (CF.GT222).
ISBN
9781491156797. UPC:
680160915330.
Talki
ng Guitars is a duo for
two classical guitars in
which the players seem to
comment and elaborate on
each other's music. It is
in three movements, 12
minutes, with a slow
middle movement. It is
suitable for advanced
students and
professionals. Written in
2014, it is dedicated to
David and Becky
Starobin.
Solo Guitar SKU: SU.27120180 For Solo Guitar. Composed by Peter Sc...(+)
Solo Guitar
SKU:
SU.27120180
For
Solo Guitar. Composed
by Peter Scott Lewis.
Score. Subito Music
Corporation #27120180.
Published by Subito Music
Corporation
(SU.27120180).
Partita for
Guitar Solo was completed
in Madrid in the spring
of 1974. The first public
performances were in
Amsterdam, Munich, Banff,
and Seattle. The score is
three movements titled
Prelude, Nocturnal, and
Flowing Currents.
—PL Solo Guitar
Duration: 10' Composed:
1974 Published by: Lapis
Island Press.
Guitar Solo SKU: SU.27120160 For Guitar Solo. Composed by Peter Sc...(+)
Guitar Solo
SKU:
SU.27120160
For
Guitar Solo. Composed
by Peter Scott Lewis.
Score. Subito Music
Corporation #27120160.
Published by Subito Music
Corporation
(SU.27120160).
A concert suite
in four movements titled
Prelude, Morning Improv.,
Pastorale, and
Finale.Guitar Solo
Duration: 19' Composed:
2000 Published by: Lapis
Island Press.
Peated Waltzes Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4303 Composed by Luciano Lima. Score. L...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4303
Composed by Luciano Lima.
Score. Les Productions
d'OZ #DZ 4303. Published
by Les Productions d'OZ
(DZ.DZ-4303).
ISBN
9782898522208.
Dedi
cated to world renowned
guitarist David Russell,
Peated Waltzes is a
three-movement piece that
pays homage to the peated
whiskies of Islay, the
southernmost island of
the Inner Hebrides of
Scotland. The opening
movement, Earthy Smoke,
Sea Salt and Iodine,
attempts to portray the
distinctive character of
the single malts of that
region. Based on the
Gaelic folk song The
Praise of Islay (Moladh
na Landaidh), the second
movementâs title
comes from one the
songâs last verses,
O, may long their wild
notes flow. The third
movementâs theme was
extracted from the
letters of Laphroaig, one
of the most iconic Scotch
whiskies, whose
nameâs meaning
inspired the title, By
the Broad Bay. In the
second part, the
traditional Celtic
melody, An Islay Pipe
Reel, is quoted. At the
end, themes of the
previous movements are
recalled and intertwined,
as if trying to emulate
the long and lingering
finish of an Islay
dram.
By Don Latarski. For Guitar. Guitar Method or Supplement. The Ultimate Guitar Ch...(+)
By Don Latarski. For
Guitar. Guitar Method or
Supplement. The Ultimate
Guitar Chord Book Series.
Jazz/Fusion. Book. 52
pages. Published by
Alfred Publishing.
For Guitar. Includes a high-quality printed music score with both primo and seco...(+)
For Guitar. Includes a
high-quality printed
music score with both
primo and secondo guitar
parts; and a compact disc
containing a complete
performance with secondo
guitar on the left
channel, and primo guitar
on the right channel.
Either can be easily
removed for your
performance pleasure.
Published by Music Minus
One.
16
Guitar Solos without Opus
Numbers. Composed by
Fernando Sor. Edited by
Erik Stenstadvold. This
edition: Saddle-wire
stitching. Sheet music.
New Critical Edition. 48
pages. MDS (Music
Distribution Services)
#GHE 810. Published by
MDS (Music Distribution
Services) (M7.GHE-810).
ISBN 9783890448107.
English.
This new
critical edition by
leading guitar researcher
Erik Stenstadvold
contains thematic
indexes, comprehensive
critical commentaries
based on sound and
transparent editorial
practice, copious
historical notes,
publishing history, and
some previously
unpublished repertoire.
It has been thoroughly
researched and is
produced to the highest
standards.