Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers

600 Years Of Carols, Chorales, Preludes And Pastorales On 2 Guitars. Par NEWMAN MICHAEL. Celebration of the Christmas holiday includes a rich musical tradition. For this score and accompanying CD, the internationally-renowned Newman and Oltman Guitar Duo presents a ravishing collection of sacred music written for Advent, Christmas, and Epiphany. The duo has chosen music from six centuries in a wide variety of musical styles, including familiar Christmas tunes, little-known gems, and interesting variations on familiar themes written by such composers as Bach, Handel, Pachelbel, Mendelssohn, and Brahms. Selections range from beautiful Renaissance tunes suitable for beginning guitarists to concert repertoire for advanced players. / Niveau : Intermédiaire / Christmas - Duets / Recueil / Guitare Classique

Une grande collection de classiques Disney arrangé pour guitare facile, y compris les chansons mars de Mickey Mouse, sous la mer et Zip-A-Dee-Doo-Dah. / Guitare / 114 pages / Partition

From the Classic Hot Licks Video Series. The legendary Hot Licks guitar instruction video series is being made available in book format with online access to all of the classic video footage. This re-transcribed and edited book with online video includes guitar tab and new, accurate transcriptions. It features footage collected from Becker's 1989 guitar clinic at the Atlanta Institute of Music (AIM), a clinic from Japan, his famous yo-yo live guitar solo, rare home video, various television news items and more. Topics covered include: Becker's use of the Japanese scale, pentatonic ideas, arpeggios and sweep picking, his triangle pattern, sections of his original song Serrana and more./ Tablatures / Guitare

Second Edition. Par DUNCAN CHARLES. A Modern Approach to Classical Guitar is an instructional series designed for anyone just learning to play guitar. Written by one of the premier classical guitarists of our time and based on years of teaching students of all ages, this revised edition of Book 3 includes new pieces, new concepts, and new audio recordings! Topics include: Dynamic preparation; Goal-directed movement; Left- and right-hand synchronization; Barre chords and hinge barres; Playing in new keys; Fifth, seventh, and ninth positions; Scale and arpeggio studies; Left-hand technique; Ornamentations and articulations; Damping techniques; and more. This edition also includes 39 high-quality demonstration audio tracks which are accessed online for download or streaming. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2023-06-01/ Méthode / Guitare

Odile Noel (Trans.). Par ODILE NOEL. The Modern Guitar Method Grade 1/Expanded Edition - French Edition provides valuable enhancement to the world's most popular guitar method. This comprehensive volume doubles the amount of studies and solos presented. Every new concept is reinforced by numerous pages of new study material. In addition, every note contained in the original Modern Guitar Method Grade 1 is included and supported by additional playing material. - Expands entire content of Modern Guitar Method Grade 1 - Double the amount of study and solo material - Provides an incredibly solid foundation for any guitar student / Niveau : Débutant / French - Methods / Méthode / Guitare

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Par RODNEY JONES. Filmé au club jazz New York fumée, Rodney Jones nous éclaire avec ses savoureux originaux comme ' Groove os ' et ' Un navet Green, ' alors qu'il nous indulges avec les classiques tels que ' Stella par Starlight, ' et ' Matin du Carnaval. ' Pour vivre à fumée, son premier DVD comme chef de file, Rodney Jones a sélectionné matériel de chaque étape de sa carrière, y compris les airs, qu'il n'a pas été enregistré précédemment. Le résultat est une exquise juxtaposition des oeuvres traditionnelles et progressive, y compris les ballades sensuels, étage-martellement rainures et tout le reste. Un artiste solo doué et un accompagnateur A-liste de Dizzy Gillespie, James Brown, Lena Horne et autres performants, Rodney est également un éducateur spécialisé, servant à la Faculté de la Manhattan School of Music depuis 1988. Mettant en vedette : Brian Charette à l'orgue, Lonnie Plaxico à la basse et Ray Marchica à la batterie. / Jazz - Concert/Documentary / Accessoire / Guitare

Par SETH F.ORTSAO JOSEL. This book, co-written by guitarist Seth F. Josel and composer Ming Tsao, provides a comprehensive survey of contemporary performance techniques on the classical guitar. It was inspired by a new generation of solo guitarists whose extraordinary technical and virtuosic skills have paved the way for a new understanding of instrumental performance practice. Detailed explanations are given for the instrument's technical potential within the historical context of traditional guitar technique. Composers will be interested in the in-depth analyses of contemporary guitar literature, featuring many examples of chamber and ensemble music. Four main chapters describe: - Techniques of the right and left hands - Special harmonies and percussive techniques - The main instruments of the guitar family and their potential - Possible ways of notating contemporary guitar literature The examples discussed in the book are complemented by an enclosed CD and detailed charts on multiphonics, bitones, and percussion techniques. Seth F. Josel is among the leading figures of his generation in modern guitar performance and has taken part in the premieres of more than 100 works as a soloist and ensemble member. A regular guest at Europe's major contemporary music festivals, he has worked with composers of the stature of Mauricio Kagel, Helmut Lachenmann, Tristan Murail and James Tenney and has played with such leading orchestras and ensembles as the New York Philharmonic, the BBC Symphony Orchestra and the Berlin Staatskapelle. From 1991 to 2000 he was a permanent member of the Ensemble musikFabrik. Today he lives in Berlin. Ming Tsao (b. Berkeley, CA, 1966) is professor of composition at Gothenburg University. His compositions have been performed amongst others by the Arditti Quartet, ensemble recherche and the Stuttgart Opera (premiere of 'Die Geisterinsel” in 2011). He is regularly involved in the Donaueschingen Festival, the Witten Days of New Chamber Music, the Darmstadt Contemporary Music Holiday Courses and Wien Modern. His works are published by C.F. Peters (Frankfurt am Main and Leipzig). He, too, lives in Berlin./ Recueil / Guitare

Réglage de la guitare à corde complète, plutôt que le standard concert tuning, est une tradition qui a ses racines dans la diapositive jouant des country-blues des maîtres du passé. L'approche est capable de créer des arrangements solo sounding gros, riche, avec le minimum d'effort. Dans ce DVD, Stefan Grossman présente et analyse une variété de traditionnelles ajustements ouvertes apportés dans le pays, de blues et de styles de Delta, explorant les options cordale caractéristiques de chaque réglage avec sept chansons de blues fingerstyle passionnant. / Guitare

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Traditional Jewish Melodies Arranged For Solo Fingerstyle Guitar - Tim Sparks (Arranged). Par SPARKS TIM. Des transcriptions de Neshamah, Tim Sparks de l'innovateur d'enregistrement pour Tzadik Records de mélodies juives traditionnelles, arrangés pour guitare solo. Neshamah est un mot hébreu sens 'soul', et dans ces pièces soulful, Sparks explore la musique de la Diaspora juive, originaire du Caucase aux Carpates, de la mer Noire à la Bosnie, de Jérusalem, Istanbul, Sarajevo, à Lower East Side de New York. À l'aide d'un mélange unique de chaîne bluesy virages, harmonie jazz et échelles moyennes-orientales, il jette un éclairage nouveau sur ces airs à travers le prisme de fingerstyle guitar. Neshamah a reçu par la critique large dans de nombreuses publications dans le monde entier, y compris les Fingerstyle Guitar, guitare acoustique, joueur de guitare, Akustik Gitarre, guitare acoustique au Japon, linge sale, The Wall Street Journal, CDNOW, All Music Guide et l'éditeur Amazon.com Top 100 CD de 1999. L'enregistrement complet a été transcrit ici, y compris une annexe avec les solos complètes. Plusieurs des arrangements sont accessibles aux intérimaire... / Niveau : Intermédiaire à Avancé / Jewish - Solos / Recueil / Guitare

Par ARNOLD BRUCE. Chaque été à New York, répond à la New York University Summer guitare Intensive pendant 3 semaines. Avec cours de rupture au sol et des ensembles, les étudiants sont exposés à l'enseignement et de jouer de plus 45 guitaristes internationalement célèbres. Ce maître de guitare Symposium DVD tient un aperçu ces cliniques qui se produisent 3 fois par jour au cours intensif. Bruce Arnold directeur de la New York University Summer guitare Intensive accueille ces interactions éducatifs. Vous y trouverez des conseils, idées comme ainsi que jouant incroyable de ces maîtres de la guitare jazz sur ce DVD. C'est l'éducation jazz d'avant-garde et est un must propre pour n'importe quel étudiant sérieusement la guitare jazz. Conseils, idées et jouant incroyable de ces maîtres de la guitare jazz en fait un must propre pour n'importe quel étudiant de guitare jazz. Brad Shepik, Ben Monder et Steve Cadenas parlent de comment ils pratiquent avec aperçu comment ils ont atteint leur niveau élevé de musicalité. / Niveau : Avancé / Jazz - Concert/Documentary / Accessoire / Guitare