Guitar - easy to intermediate SKU: M7.GHE-914 Faksimile of Llobet's em...(+)
Guitar - easy to
intermediate
SKU:
M7.GHE-914
Faksimile of Llobet's
emendet copy of the
Rowies Edition, Paris
1914. Composed by
Matteo Carcassi. Edited
by Stefano Grondona. This
edition: Saddle-wire
stitching. Sheet music.
Op. 60. 36 pages. MDS
(Music Distribution
Services) #GHE 914.
Published by MDS (Music
Distribution Services)
(M7.GHE-914).
ISBN
9783890449142.
English.
The
fingering on nearly all
'modern' editions of the
Carcassi studies Op. 60,
to a very large extent if
not almost completely,
derives originally from
Llobet, who in his
Rowies, Paris 1914
edition was the very
first to publish RH
fingering for them. Many
modern editors just put
their own names on what
was Llobet's fingering,
thus silently claiming it
as their own. A process
being continued even to
this day. We are pleased
to present a carefully
restored facsimile of
this edition from
Llobet's library with all
his fingering and
emendations intact.
Piano/Vocal/Guitar SKU: HL.233440 By The Chainsmokers. Piano Vocal. Pop. ...(+)
Piano/Vocal/Guitar
SKU: HL.233440
By
The Chainsmokers. Piano
Vocal. Pop. Softcover. 8
pages. Published by Hal
Leonard (HL.233440).
ISBN 9781495093531.
UPC: 888680681838.
9.0x12.0x0.041 inches.
The
Chainsmokers.
This
sheet music features an
arrangement for piano and
voice with guitar chord
frames, with the melody
presented in the right
hand of the piano part as
well as in the vocal
line.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Guitar SKU: FZ.5878 Serie I - France 1600-1800. Edited by Caroline...(+)
Guitar
SKU:
FZ.5878
Serie I -
France 1600-1800.
Edited by Caroline
Delume. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.5878).
ISBN
9790230658782. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
Francesco ALBERTI -
Anonyme - Encyclopedie
methodique -
Guillaume-Pierre-Antoine
GATAYES - L. GUICHARD -
Jean-Benjamin de LABORDE
- Antoine Marcel LEMOINE
- Philippe MACQUER -
Joseph-Bernard MERCHI (2)
-
Charles-Francois-Alexandr
e POLLET. Table of
contents: Macquer
Philippe: Dictionnaire
raisonne - 1773. Pollet
Charles-Francois-Alexandr
e: Methode pour apprendre
- 1775. Merchi
Joseph-Bernard: Traite
des agrements de la
guitare - 1777. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Alberti Francesco:
Nouvelle methode - 1786.
Encyclopedie:
Encyclopedie methodique -
1788. Guichard L. : La
guitare rendue facile -
c. 1795. Lemoine
Antoine-Marcel: Nouvelle
methode de guitare - c.
1800. Gatayes
Guillaume-Pierre-Antoine:
Methode pour la guitare -
1800. Anonyme: Methode
pour jouer de la guitare
- s. d. n. l. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - Municipal
Library of Grenoble
(France). - Nederlands
Muziek Instituut of The
Hague (Netherlands). Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the guitar.
Guitar SKU: FZ.5877 Serie I - France 1600-1800. Edited by Caroline...(+)
Guitar
SKU:
FZ.5877
Serie I -
France 1600-1800.
Edited by Caroline
Delume. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.5877).
ISBN
9790230658775. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
ANCELET - Abbe Joseph
CARPENTIER (1-2) -
Francisque CORBETTA -
Michel CORRETTE - Robert
DE VISEE - Nicolas
DEROSIERS - DON*** -
Encyclopedie -
Francois-Alexandre-Pierre
de GARSAULT - Francois
LECOCQ - Joseph-Bernard
MERCHI (1) - Marin
MERSENNE - Pierre
TRICHET. Table of
contents: Mersenne Marin:
Harmonie Universelle -
1636. Trichet Pierre:
Traite des instruments -
c. 1640. Corbetta
Francisque: La guitarre
royale - 1671. De Visee
Robert: Livre de guitarre
- 1682. Derosiers
Nicolas: Les principes de
guitarre - c. 1690. Le
Cocq Francois: Recueil
des pieces de guitare -
1729. Encyclopedie:
Encyclopedie ou
Dictionnaire raisonne des
sciences - 1751/1772.
Ancelet: Observations sur
la musique - 1757.
Don***: Methode pour
apprendre a jouer - 1760.
Garsault
Francois-Alexandre-Pierre
de: Notionnaire ou
memorial raisonne - 1761.
Merchi Joseph-Bernard: Le
guide des ecoliers - c.
1761. Corrette Michel:
Les dons d'Apollon -
1762. Carpentier Joseph:
Methode pour apprendre,
1e partie - 1771.
Carpentier Joseph:
Methode pour apprendre,
2e partie - 1773.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - Sainte
Genevieve Library of
Paris (France). - British
Library of London
(England). - Nederlands
Muziek Instituut of the
Hague(Netherlands). -
Royal Conservatory
Library of Brussels
(Belgium). - Library of
Congress of Washington
(USA). - Bayerische
Staatsbibliothek of
Munich (Germany). - In
Private collection. Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the guitar.
Guitar SKU: GI.G-006425-B2 Sacred. Guitar part. GIA Publications #006425-...(+)
Guitar
SKU:
GI.G-006425-B2
Sacred. Guitar part. GIA
Publications #006425-B2.
Published by GIA
Publications
(GI.G-006425-B2).
We Celebrate is
a flexible resource that
combines a large-size,
always up-to-date missal
with a complete,
beautifully softbound
hymnal. We Celebrate
provides parishes with
the finest in texts and
music—in a format
that offers the right
combination of stability
and flexibility for
quality parish worship.
This is the worship
program for the parish
with the highest
standards. The We
Celebrate Missal contains
all of the readings and
prayers for Sundays and
Holy Days. Each issue
provides catechetical
tools to help worshipers
participate more
fruitfully in the liturgy
and to draw connections
between liturgy and life:
insightful introductions
to the Sunday scriptures,
weekly questions for
individual or group
reflection, and an
article introducing the
liturgical season. The
generous 6 X 9 size is
easy to hold and easy to
read. Scriptures are
printed in an even larger
type. Weekdays are an
important part of the We
Celebrate missal.
Lectionary citations are
provided, as well as
Entrance and Communion
antiphons, complete
responsorial psalms, and
gospel acclamations with
verses. Also included are
orders of service for
rites and devotions,
Morning and Evening
Prayer, Communal
Reconciliation, and
seasonal celebrations.
Misalito Parroquial, a
Spanish-language section
of Lectionary readings,
prayers, and hymnody is
available as an insert to
the We Celebrate Missal.
We Celebrate Hymnal
includes Peter
Kolar's acclaimed
bilingual Mass setting,
Misa Luna, and Kathleen
Demny's‚
best-selling Mass for
children, Mass of Joy.
The We Celebrate Hymnal
is published every three
years and contains more
than 850 musical pieces,
including hymns, songs,
psalms, and ritual music.
The Hymnal provides a
body of repertory
available throughout the
year, while the Missal
provides the best of new
music. Although designed
to coordinate with the We
Celebrate Missal, the
Hymnal can serve as a
complete resource itself
or as a companion to any
missal, including
Seasonal Missalette®
and Celebremos!/Let Us
Celebrate!. For more
information contact our
Sales and CRM Manager,
Suzanne Orland at
(missalsandhymnals@giamus
ic.com) for pricing.
Click on this link to
view music index pages
from the We Celebrate
Hymnal. .
Guitar SKU: GI.G-006425-P2 Sacred. Guitar part. GIA Publications #006425-...(+)
Guitar
SKU:
GI.G-006425-P2
Sacred. Guitar part. GIA
Publications #006425-P2.
Published by GIA
Publications
(GI.G-006425-P2).
We Celebrate is
a flexible resource that
combines a large-size,
always up-to-date
quarterly missal with a
complete, beautifully
softbound hymnal. We
Celebrate provides
parishes with the finest
in texts and
music—in a format
that offers the right
combination of stability
and flexibility for
quality parish worship.
This is the worship
program for the parish
with the highest
standards. The We
Celebrate Quarterly
Missal contains all of
the readings and prayers
for Sundays and Holy
Days. Each issue provides
catechetical tools to
help worshipers
participate more
fruitfully in the liturgy
and to draw connections
between liturgy and life:
insightful introductions
to the Sunday scriptures,
weekly questions for
individual or group
reflection, and an
article introducing the
liturgical season. The
generous 6 X 9 size is
easy to hold and easy to
read. Scriptures are
printed in an even larger
type. Weekdays are an
important part of the We
Celebrate missal.
Lectionary citations are
provided, as well as
Entrance and Communion
antiphons, complete
responsorial psalms, and
gospel acclamations with
verses. Also included are
orders of service for
rites and devotions,
Morning and Evening
Prayer, Communal
Reconciliation, and
seasonal celebrations.
Misalito Parroquial, a
Spanish-language section
of Lectionary readings,
prayers, and hymnody is
available as an insert to
the We Celebrate
Quarterly Missal. We
Celebrate Hymnal
includes Peter
Kolar's acclaimed
bilingual Mass setting,
Misa Luna, and Kathleen
Demny's‚
best-selling Mass for
children, Mass of Joy.
The We Celebrate Hymnal
is published every three
years and contains more
than 850 musical pieces,
including hymns, songs,
psalms, and ritual music.
The Hymnal provides a
body of repertory
available throughout the
year, while the Missal
provides the best of new
music. Although designed
to coordinate with the We
Celebrate Missal, the
Hymnal can serve as a
complete resource itself
or as a companion to any
missal, including
Seasonal Missalette and
Celebremos!/Let Us
Celebrate!. For more
information contact our
Sales and CRM Manager,
Suzanne Orland at
708-613-8981 or email
(suzanneo@giamusic.com
for pricing. Click on
this link to view music
index pages from the We
Celebrate Hymnal. We
Celebrate Hymnal and
Missal (missal
published four times a
year, hymnal published
every three years) 25
copies or more $4.20 per
subscription, per year
plus shipping.
Guitar SKU: GI.G-006425 Sacred. Guitar part. GIA Publications #006425. Pu...(+)
Guitar
SKU:
GI.G-006425
Sacred.
Guitar part. GIA
Publications #006425.
Published by GIA
Publications
(GI.G-006425).
We Celebrate is
a flexible resource that
combines a large-size,
always up-to-date missal
with a complete,
beautifully softbound
hymnal. We Celebrate
provides parishes with
the finest in texts and
music—in a format
that offers the right
combination of stability
and flexibility for
quality parish worship.
This is the worship
program for the parish
with the highest
standards. The We
Celebrate Missal contains
all of the readings and
prayers for Sundays and
Holy Days. Each issue
provides catechetical
tools to help worshipers
participate more
fruitfully in the liturgy
and to draw connections
between liturgy and life:
insightful introductions
to the Sunday scriptures,
weekly questions for
individual or group
reflection, and an
article introducing the
liturgical season. The
generous 6 X 9 size is
easy to hold and easy to
read. Scriptures are
printed in an even larger
type. Weekdays are an
important part of the We
Celebrate missal.
Lectionary citations are
provided, as well as
Entrance and Communion
antiphons, complete
responsorial psalms, and
gospel acclamations with
verses. Also included are
orders of service for
rites and devotions,
Morning and Evening
Prayer, Communal
Reconciliation, and
seasonal celebrations.
Misalito Parroquial, a
Spanish-language section
of Lectionary readings,
prayers, and hymnody is
available as an insert to
the We Celebrate Missal.
We Celebrate Hymnal
includes Peter
Kolar's acclaimed
bilingual Mass setting,
Misa Luna, and Kathleen
Demny's‚
best-selling Mass for
children, Mass of Joy.
The We Celebrate Hymnal
is published every three
years and contains more
than 850 musical pieces,
including hymns, songs,
psalms, and ritual music.
The Hymnal provides a
body of repertory
available throughout the
year, while the Missal
provides the best of new
music. Although designed
to coordinate with the We
Celebrate Missal, the
Hymnal can serve as a
complete resource itself
or as a companion to any
missal, including
Seasonal Missalette®
and Celebremos!/Let Us
Celebrate! For more
information contact our
Sales and CRM Manager,
Suzanne Orland at
(missalsandhymnals@giamus
ic.com) for pricing.
Guitar SKU: GI.G-006425-B1 Sacred. Guitar part. GIA Publications #006425-...(+)
Guitar
SKU:
GI.G-006425-B1
Sacred. Guitar part. GIA
Publications #006425-B1.
Published by GIA
Publications
(GI.G-006425-B1).
We Celebrate is
a flexible resource that
combines a large-size,
always up-to-date missal
with a complete,
beautifully softbound
hymnal. We Celebrate
provides parishes with
the finest in texts and
music—in a format
that offers the right
combination of stability
and flexibility for
quality parish worship.
This is the worship
program for the parish
with the highest
standards. The We
Celebrate Missal contains
all of the readings and
prayers for Sundays and
Holy Days. Each issue
provides catechetical
tools to help worshipers
participate more
fruitfully in the liturgy
and to draw connections
between liturgy and life:
insightful introductions
to the Sunday scriptures,
weekly questions for
individual or group
reflection, and an
article introducing the
liturgical season. The
generous 6 X 9 size is
easy to hold and easy to
read. Scriptures are
printed in an even larger
type. Weekdays are an
important part of the We
Celebrate missal.
Lectionary citations are
provided, as well as
Entrance and Communion
antiphons, complete
responsorial psalms, and
gospel acclamations with
verses. Also included are
orders of service for
rites and devotions,
Morning and Evening
Prayer, Communal
Reconciliation, and
seasonal celebrations.
Misalito Parroquial, a
Spanish-language section
of Lectionary readings,
prayers, and hymnody is
available as an insert to
the We Celebrate Missal.
We Celebrate Hymnal
includes Peter
Kolar's acclaimed
bilingual Mass setting,
Misa Luna, and Kathleen
Demny's‚
best-selling Mass for
children, Mass of Joy.
The We Celebrate Hymnal
is published every three
years and contains more
than 850 musical pieces,
including hymns, songs,
psalms, and ritual music.
The Hymnal provides a
body of repertory
available throughout the
year, while the Missal
provides the best of new
music. Although designed
to coordinate with the We
Celebrate Missal, the
Hymnal can serve as a
complete resource itself
or as a companion to any
missal, including
Seasonal Missalette®
and Celebremos!/Let Us
Celebrate! For more
information contact our
Sales and CRM Manager,
Suzanne Orland at
(missalsandhymnals@giamus
ic.com) for pricing.
Composed by Fernando Sor (1778-1839). Edited by Frederic Zigante. Editions ...(+)
Composed by Fernando Sor
(1778-1839). Edited by
Frederic Zigante.
Editions
Durand. Classical.
Softcover.
52 pages. Editions Durand
#DF16285. Published by
Editions Durand
Chamber Music Guitar SKU: PR.GHE0914 Facsimile of Llobet's emendet cop...(+)
Chamber Music Guitar
SKU: PR.GHE0914
Facsimile of Llobet's
emendet copy of the
Rowies Edition, Paris
1914. Composed by
Matteo Carcassi. Edited
by Stefano Grondona. Full
score. Theodore Presser
Company #GHE0914.
Published by Theodore
Presser Company
(PR.GHE0914).
Guitar or Lute SKU: BT.PWM9106 Composed by Napoleon Coste. Studies & Exer...(+)
Guitar or Lute
SKU:
BT.PWM9106
Composed
by Napoleon Coste.
Studies & Exercises. Book
Only. 68 pages. Polskie
Wydawnictwo Muzyczne
#PWM9106. Published by
Polskie Wydawnictwo
Muzyczne (BT.PWM9106).
Napoleon Coste
was one of the most
distinguished
composer-guitarists of
nineteenth-century French
music. The present
edition is based on the
first edition of the 25
studies, op. 38 published
by S. Richault in Paris
in 1873. The orginal
agogic and dinamic
indications, legati and
other signs are
retained.
Chamber Music guitar SKU: PR.UE034483 Composed by Mauro Guiliani. Neue Sc...(+)
Chamber Music guitar
SKU: PR.UE034483
Composed by Mauro
Guiliani. Neue Scheit
Serie. Full score. With
Standard notation.
Universal Edition
#UE034483. Published by
Universal Edition
(PR.UE034483).
UPC:
803452064541.
19th-
century Italian guitar
composer wrote these
variations on a popular
opera of that time, La
Gloire et l'Amour by
François-Adrien
Boieldieu, which
premiered in Paris in
1816. Giuliani is said to
have been inspired to
compose this variation
after attending the
Viennese premiere of the
opera in 1818. While
appearing simple, the
Romance theme is preceded
by his weighty and almost
dramatic short
introduction in the key
of C minor. For advanced
players.
Guitar - intermediate SKU: M7.GHE-701 Pour la guitare. Composed by...(+)
Guitar - intermediate
SKU: M7.GHE-701
Pour la guitare.
Composed by Antoine de
Lhoyer. Edited by Erik
Stenstadvold. This
edition: Saddle-wire
stitching. Sheet music.
Performing score,
Critical Edition. Op. 27.
20 pages. MDS (Music
Distribution Services)
#GHE 701. Published by
MDS (Music Distribution
Services) (M7.GHE-701).
ISBN 9783890447018.
English.
We proudly
present this new modern
critical edition of
Antoine de Lhoyer's Six
Exercices Op. 27,
originally published in
Paris around 1812. These
exercises, originally
written for 5-string
guitar, are remarkably
advanced for their time
and well worth playing;
the rapid arpeggio
patterns and daring
harmonic shifts in some
of them may bring even
Villa-Lobos to mind. The
Six Exercices Op. 27 were
arranged by Giuliani and
published some 7 years
later under his name as
Six Preludes Op. 83. The
exercises were originally
written for 5-string
guitar. We have added
alternative readings for
using the 6th string, an
often employed publishing
practice of the period.
The music is edited and
fingered by Erik
Stenstadvold, an
authority on the guitar
repertoire of the early
19th century. There is
also an informative
preface, with full
biographical details and
critical notes.
25 Etudes, Op. 38. (Revised Edition). By Napoleon Coste (1806-1883). Gitarren-Ar...(+)
25 Etudes, Op. 38.
(Revised Edition). By
Napoleon Coste
(1806-1883).
Gitarren-Archiv (Guitar
Archive). 63 pages.
Schott Music #GA34.
Published by Schott Music