Guitare Guitare classique [CD Sheet Music] Subito Music
CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals...(+)
CD Sheet Music (Version
2.0) titles allow you to
own a music library that
rivals the great
collections of the world!
Version 2.0 improves upon
the earlier edition in a
number of important ways,
including an invaluable
searchable table of
contents, biographical
excerpts, and faster
loading. CD Sheet Music
(Version 2.0) titles work
on PC and Mac systems.
Each page of music is
viewable and printable
using Adobe Acrobat. 1600
pages. Published by
Subito Music.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Guitar - late intermediate SKU: BT.DHP-0991836-401 Composed by Annette Kr...(+)
Guitar - late
intermediate
SKU:
BT.DHP-0991836-401
Composed by Annette
Kruisbrink. Annette
Kruisbrink Library.
Educational Tool. Book
Only. Composed 1999. 12
pages. De Haske
Publications #DHP
0991836-401. Published by
De Haske Publications
(BT.DHP-0991836-401).
ISBN 9789043107129.
English-German-French-Dut
ch.
An attractive
modern suite for
intermediate level
guitarists.
Die
Ausgaben der ANNETTE
KRUISBRINK LIBRARY sind
die Empfehlung für
alle, die stets auf der
Suche nach guter,
abwechslungsreicher
Spiel- und
Übungsliteratur für
Konzertgitarre im
mittleren bis gehobenen
Schwierigkeitsgrad sind.
In dieser speziellen
Reihe gibt die studierte
(und mehrfach
preisgekrönte)
Gitarristin, Komponistin
und Dozentin Annette
Kruisbrink ihre
Erfahrungen und ihr
Können in eigenen
Kompositionen an andere
Gitarristen
weiter.Don't Give
Up und Prelude &
Fughetta sind die
beiden Kompositionen in
dieser Ausgabe von
Annette Kruisbrink
überschrieben.
El
DVD v deo permite o r y
visualizar el conjunto de
los 50solos
pormenorizados, a
velocidad normal y luego
lenta, brindándole as
la posibilidad de elegir
los buenos ademanes las
buenas digitaciones y
tocar r tmicamente «a
compás». El CD mp3
por su parte, abarca el
mismo número
deplaybacks que de solos.
O sea 50 playbacks
tocados en dos aires
diferentes: el aire
deseado (velocidad real)
y el aire de trabajo
(lento). Son de larga
duración (4 o 5
minutos cada uno, o sea
¡más de 7 horas de
música en total!)para
darle el tiempo de
trabajar en las mejores
condiciones
posibles.
Guitar - late intermediate SKU: BT.DHP-0991835-401 Studies for guitar<...(+)
Guitar - late
intermediate
SKU:
BT.DHP-0991835-401
Studies for
guitar. Composed by
Annette Kruisbrink.
Annette Kruisbrink
Library. Educational
Tool. Book Only. Composed
1999. 12 pages. De Haske
Publications #DHP
0991835-401. Published by
De Haske Publications
(BT.DHP-0991835-401).
ISBN 9789043107112.
International.
Die
Ausgaben der ANNETTE
KRUISBRINK LIBRARY sind
die Empfehlung für
alle, die stets auf der
Suche nach guter,
abwechslungsreicher
Spiel- und
Übungsliteratur für
Konzertgitarre im
mittleren bis gehobenen
Schwierigkeitsgrad sind.
In dieser speziellen
Reihe gibt die studierte
(und mehrfach
preisgekrönte)
Gitarristin, Komponistin
und Dozentin Annette
Kruisbrink ihre
Erfahrungen und ihr
Können in eigenen
Kompositionen an andere
Gitarristen weiter.Two
on Three ist der
erste Titel in diesem
Heft, da in dieser
Etüde der zweite
Finger stets auf der
dritten Saite
bleibt.Multido,
der Titel der zweiten
Etüde, ist ebenfalls
wörtlich zu nehmen:
multi do, viele Cs,
spielenhier die
Hauptrolle.
Dropshots Guitare - Intermédiaire De Haske Publications
Guitar - late intermediate SKU: BT.DHP-0991839-401 8 Etudes for guitar...(+)
Guitar - late
intermediate
SKU:
BT.DHP-0991839-401
8 Etudes for
guitar. Composed by
Annette Kruisbrink.
Annette Kruisbrink
Library. Educational
Tool. Book Only. Composed
1999. 12 pages. De Haske
Publications #DHP
0991839-401. Published by
De Haske Publications
(BT.DHP-0991839-401).
ISBN 9789043107174.
International.
This
volume contains 8 melodic
studies designed to
improve the intermediate
guitarists technical
ability.
Die
Ausgaben der ANNETTE
KRUISBRINK LIBRARY sind
die Empfehlung für
alle, die stets auf der
Suche nach guter,
abwechslungsreicher
Spiel- und
Übungsliteratur für
Konzertgitarre im
mittleren bis gehobenen
Schwierigkeitsgrad sind.
In dieser speziellen
Reihe gibt die studierte
(und mehrfach
preisgekrönte)
Gitarristin, Komponistin
und Dozentin Annette
Kruisbrink ihre
Erfahrungen und ihr
Können in eigenen
Kompositionen an andere
Gitarristen
weiter.Dropshots ist ein
Begriff aus der
Tenniswelt und bedeutet
Stoppbälle - Bälle,
die kurz und präzise
hinter dem Netz
aufkommen. In diesem Fall
handelt es sich um acht
kurze, prägnante
Etüden für
Gitarre.