Piano/Vocal/Guitar

SKU: HL.380355

By Various. Piano/Vocal/Guitar Songbook. Pop. Softcover. 176 pages. Published by Hal Leonard (HL.380355).

ISBN 9781705152065. UPC: 196288018988. 9.0x12.0x0.414 inches.

Need to bring more good vibes into your day? This collection features 30 feel-good favorites from yesterday and today arranged for piano/vocal/guitar, including: Best Day of My Life (American Authors) • Cover Me in Sunshine (P!nk & Willow Sage Hart) • Don't Stop Me Now (Queen) • Good Day Sunshine (The Beatles) • Good Vibrations (The Beach Boys) • Happy (Pharrell Williams) • Lovely Day (Bill Withers) • Rise Up (Andra Day) • This Is Me (from The Greatest Showman) • Walking on Sunshine (Katrina & the Waves) • What a Wonderful World (Louis Armstrong) • and more.

Guitar

SKU: GI.G-9452G

Composed by Robert Williams. Arranged by Tony Alonso S.J. This edition: Guitar edition. 1) Eastertide, 1) Easter Day, 2. Ascension. Tune Name: Llanfair. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #9452G. Published by GIA Publications (GI.G-9452G).

UPC: 785147945277. English. Text Source: Charles Wesley, 1707–1788, alt., st. 5 of Hail the Day That Sees Him Rise from The New Century Hymnal Text by Charles Wesley.

Guitar

SKU: GI.G-9859G

Composed by Marty Haugen. This edition: Guitar edition. Tune Name: Rise. Sacred. Guitar part. With guitar chord names. GIA Publications #9859G. Published by GIA Publications (GI.G-9859G).

UPC: 785147985977. English. Text Source: Adam M. L. Tice, alt. Text by Adam M. L. Tice.

Performed by Bill Frisell. DVD. DVD . Size 5.2x7.5 inches. Published by Rittor Music.

Guitar solo - Advanced

SKU: DZ.DZ-4300

Composed by Celil Refik Kaya. Score. Les Productions d'OZ #DZ 4300. Published by Les Productions d'OZ (DZ.DZ-4300).

ISBN 9782898522178.

Sona ta No. 2, commissioned by Bokyung Byun and composed in 2024, represents the most extensive solo guitar sonata I have created to date, comprising four movements. This sonata is characterized by its flashy, mysterious, dark, and highly virtuosic nature, making it an ideal piece for both competitions and concert performances. While the Scherzo and Finale can be performed independently, or the first, third, and fourth movements can be paired for time-constrained concerts, it is advisable to perform all movements together due to their interconnectedness.
«La Sonate n°2, commandée par Bokyung Byun et composée en 2024, représente la plus vaste sonate pour guitare solo que j'ai créée à ce jour, comprenant quatre mouvements. Cette sonate se caractérise par sa nature flashy, mystérieuse, sombre et hautement virtuose, ce qui la rend c'est une pièce idéale pour les concours et les concerts. Bien que le Scherzo et le Finale puissent être interprétés indépendamment, ou que les premier, troisième et quatrième mouvements puissent être associés pour des concerts limités dans le temps, il est conseillé d'exécuter tous les mouvements ensemble en raison de leur caractère. interconnectivité. ».

Guitar

SKU: HL.14045047

Debutant. Composed by Denis Roux and Michel Ghuzel. CARISCH - MUSIC SALES. Tuition. General Merchandise. Editions Coup de Pouce #MF910. Published by Editions Coup de Pouce (HL.14045047).

ISBN 9790707006009. UPC: 9790707006009. French.

Le best seller pour apprendre la guitare acoustique!
La methode Coup de pouce guitare volume 1 est incontournable pour apprendre et progresser rapidement. Elle a fait ses preuves depuis 30 ans.
1 livre + fichiersaudio + 32 videos de cours.
Avec plus d'1 million d'exemplaires vendus, notre methode coup de pouce guitare volume 1 a prouve son efficacite. Alors, a vous de jouer !
Profitez de cours de qualite et maitrisezl'accompagnement de morceaux connus: The Police, Bob Marley, James Blunt, Moriarty, Oasis, Telephone, De Palmas, Bob Dylan, Brassens, Tracy Chapman, Henri Salvador, Renaud, Cabrel, Souchon.Des pistes audio sur lesquelles sontenregistrees les exercices et morceaux tres melodiques et dans des styles de musique varies: blues, folk, bossa nova, classique, rock...C'est ideal pour faciliter le dechiffrage, jouer juste et soigner la mise en place desmorceaux.
Que vous soyez autodidacte ou joueur debutant, la methode coup de pouce guitare volume 1 a ete pensee pour vous.76 pages de cours avec de nombreux conseils pour tenir et accorder sa guitare, changer ses cordesmais aussi lire une tablature, jouer des accords, des arpeges et maitriser les techniques de l'accompagnement.La mise en page est soignee et les explications sont claires grace aux dessins representants le manche de la guitareet le placement des doigts.Les partitions des exercices et morceaux sont ecrites en solfege et tablatures pour vous permettre d'etre accompagne par des amis musiciens.
Les principales notions de solfege, les differents signes et effets utilises a la guitare sont expliques simplement.A la fin de la methode, le mini dictionnaire reprenant les accords essentiels joues a la guitare sera une aide precieuse.
Les 3 supports que nous proposons sont complementaires et vous permettent d'apprendre la guitare dans les meilleures conditions.
Avec plus d'1 million d'exemplaires vendus, notre methode coup de pouce guitare volume 1 a prouve son efficacite. Alors, a vous de jouer !

120 Songs for Easy Guitar. By Various. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 111 pages. Published by Hal Leonard.

Edited by Guillermo Diego and William Bay. Collection. 192 pages. Published by Mel Bay Publications, Inc

Arranged by Jerry Silverman. For Guitar. This edition: Easy Guitar. Guitar Mixed Folio. Level: Easy. Book. 96 pages. Published by Alfred Publishing.

Guitar solo - Advanced

SKU: DZ.DZ-4308

Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308).

ISBN 9782898522253.

Foll owing a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.

FRANCE SCO BIRAGHI

Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprèt e et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.

FRANCESCO BIRAGHI.

Old Time, Wire bound. Sacred. Book and online audio. 184 pages. Mel Bay Publications, Inc #WBM67M. Published by Mel Bay Publications, Inc

Guitar

SKU: GI.G-8167G

Composed by Ian Callanan. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #8167G. Published by GIA Publications (GI.G-8167G).

English. Text Source: Based on Psalm 141. Text by Ian Callanan. Scripture: Psalm 141.

by William Bay. For Guitar (Flatpicking/Plectrum). songbook. Easiest. Folk. Level: Beginning. Book. Size 8.75x11.75. 24 pages. Published by Mel Bay Publications, Inc.

Guitar

SKU: GI.G-2983G

Concertato on RESURRECTION. Composed by Jeremy Young. This edition: Guitar edition. Tune Name: Resurrection. Sacred. Guitar part. With guitar chord names. 12 pages. GIA Publications #2983G. Published by GIA Publications (GI.G-2983G).

English.

By Glenn Riley. For Guitar. Guitar Method or Supplement. 0. Rock. Book & CD. 96 pages. Published by Alfred Publishing.

Guitar - intermediate

SKU: BT.0518-99-400-DHI

Arranged by Peter Linx. Educational Tool. Book with CD. Composed 1999. 24 pages. De Haske International #0518-99-400 DHI. Published by De Haske International (BT.0518-99-400-DHI).

ISBN 9789043103404. English-German-French-Dut ch.

The recent rise in popularity of Latin music has prompted us to bring you this exciting play-along book. It contains ten well-known melodies all with the characteristic Spanish and South American feel. This book comes with a backing CD to ensure truly exotic performances.

Amor, Besame Mucho, La Playa en Quando, Quando, Quando. Naast deze bekende titels bevat Romantic Latin zes andere romantische melodieën in easy listening latin-stijl. De cd bevat van alle stukken een voorbeeldversieen een begeleidingstrack.

Die bekannten zehn Titel in Romantic Latin gehen leicht ins Ohr und eignen sich für Aufführungen wie auch für den Unterricht. Auf die vollständige Demo-Aufnahme folgt ein Play-Along-Track, auf dem nur die Begleitung zu hören ist.

Romantic Latin contient dix pièces, mélodieuses et faciles, aux rythmes balancés. Historia de un Amor, Solamente una Vez, Besame Mucho, La Playa et tous les autres morceaux de ce recueil vous sont présentés deux fois : dans leur instrumentation complète et en version avec accompagnement seul pour vous permettre de jouer en solo !

Romantic Latin contiene 10 pezzi melodici facili, ritmici e ballabili. Historia de un Amor, Solamente una Vez, Besame Mucho, La Playa e tutti gli altri titoli di questa raccolta sono registrati sul CD in due versioni: una prima con l’interpretazione completa, e una seconda col solo accompagnamento che vi permetter di lanciarvi nei vostri solo.

Guitar

SKU: GI.G-6088G

Communion Processional. Arranged by Rob Glover. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #6088G. Published by GIA Publications (GI.G-6088G).

English. Text Source: Rob Glover, based on an African American spiritual. Text by Rob Glover.

Based on African American Spiritual.

By Travis Perry. For Guitar. Chord Buddy. General Merchandise. 120 pages. Published by Hal Leonard

By Jody Fisher. For Guitar. Guitar Method or Supplement. Book and CD. 96 pages. Published by Alfred Publishing.

(Guitar)

SKU: HL.14061613

Composed by Hank Marvin. Guitar. General Merchandise. Duration 240 seconds. Music Sales #AM963325. Published by Music Sales (HL.14061613).

ISBN 9780711980921.

Christmas, Saddle-stitched. Gospel/Sacred. Book and online audio. 92 pages. Mel Bay Publications, Inc #WBM53M. Published by Mel Bay Publications, Inc

Chamber Music Guitar

SKU: PR.114423450

Composed by Máximo Pujol. Full score. 8 pages. Duration 9 minutes. Theodore Presser Company #114-42345. Published by Theodore Presser Company (PR.114423450).

ISBN 9781491135365. UPC: 680160687534.

Imagi nation mixed with local authenticity are among the hallmarks of the legendary Argentinian composer and guitarist Pujol. TRES PIEZAS VIAJERAS is clothed as a travelogue, yet it is also a dance suite bringing together the main musical genres of the Rio de la Plata district of Buenos Aires. The “Bremen” movement (composed in Germany) is a modern tango, “Pesadumbre” is a slow milonga (an older folk dance that gave rise to tango), and the “Ezeiza” movement is an urbanized treatment of the candombe dance, known for its dizzying speed. Each movement may be played separately as well as in the complete setting making this work a versatile and stimulating addition to the repertoire.
TRES PIEZAS VIAJERAS (Three Traveling Pieces) emerged during a trip to Germany in 2021. Its three movements bring together the three musical genres of the Rio de la Plata area: Tango, Milonga, and Candombe. “Bremen” is a characteristic modern tango written on a bass line that “walks” the heaviness of an urban and warm rhythm. “Pesadumbre” (Sorrow) is an air in Milonga Campera style (Milonga from the countryside), in a slow tempo, portraying the lethargy of a melancholy siesta. “Ezeiza” (a town near the international airport in Buenos Aires) is an air in Candombe style: an urban Candombe of great rhythmic vivacity. It presents a rhythm that at times bumps into itself and, at other times, reaches an extremely fast, dizzying, and violent rhythm.Las TRES PIEZAS VIAJERAS surgieron durante un viaje a Alemania en el año 2021. Son tres piezas que reúnen los tres géneros musicales del área del Rio de la Plata: el Tango, la Milonga y el Candombe. “Bremen” es un característico tango de vanguardia escrito sobre una línea del bajo que “camina” la pesadez de un ritmo urbano y caluroso. “Pesadumbre” es un aire de Milonga Campera, de tiempo lento, andante, que nos cuenta el letargo de una melancólica siesta. “Ezeiza” es un aire de Candombe. Un Candombe urbano de gran vivacidad rítmica. Nos propone un ritmo que por momentos se tropieza consigo mismo y, en otros momentos, alcanza un ritmo extremadamente rápido, vertiginoso y violento.

Guitar

SKU: GI.G-8847G

Composed by Marty Haugen. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 8 pages. GIA Publications #8847G. Published by GIA Publications (GI.G-8847G).

UPC: 785147884774. Text by Marty Haugen.

By William Bay and Mike Christiansen. For Guitar (All). Methods. Mastering Guitar. All Styles. Level: Beginning. Book. Size 9x11.75. 144 pages. Published by Mel Bay Publications, Inc.

Guitar

SKU: GI.G-8666G

Composed by Liam Lawton. Arranged by Chris De Silva. This edition: Guitar edition. Advent, Advent 1 C, Lent 1 B, OT 3 C, OT 26 A, Common Psalm for, Advent. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #8666G. Published by GIA Publications (GI.G-8666G).

UPC: 785147866572. English. Text Source: Based on Psalm 25. Text by Liam Lawton.

Guitar - Beginning-Intermediate

SKU: MB.20875M

Composed by William Bay. This edition: perfect binding. Squareback saddle stitch, Solos, Gospel/Sacred, Tunebook, Christian. Encyclopedia. Style. Book and online audio. 136 pages. Mel Bay Publications, Inc #20875M. Published by Mel Bay Publications, Inc (MB.20875M).

ISBN 9780786691814. 8.75 x 11.75 inches.

A collection of all time Gospel favorites scored for guitar melody. Chords, tablature and lyrics are included along with a companion audio. A Glorious Church; All the Way My Savior Leads Me; Angel Band; Blessed Assurance; Blessed Quietness; Death Has No Terrors; Drifting too Far from the Shore; Every Bridge is Burned Behind Me; Every Day and Every Hour; Glory to His Name; Hallelujah, We Shall Rise; He Abides and many more. Includes access to online audio.

Guitar solo - Intermediate

SKU: DZ.DZ-4316

Composed by Mehmet Refik Kaya. Arranged by Celil Refik Kaya. Score. Les Productions d'OZ #DZ 4316. Published by Les Productions d'OZ (DZ.DZ-4316).

ISBN 9782898522338.

Ada (Island) is a captivating composition that was originally written in 2011 for the Turkish lute. This piece draws its inspiration from the tranquil and picturesque atmosphere of Büyükada, one of the charming islands in the Sea of Marmara. Büyükada, with its serene landscapes, historical architecture, and tranquil shores, serves as a perfect muse for the evocative melodies and intricate harmonies that characterize Ada (Island).

Ada (Island) was later arranged for classical guitar. This adaptation allows the composition to reach a broader audience while retaining its original charm and depth. The classical guitar arrangement highlights the versatility of the piece, maintaining its delicate nuances and evocative melodies, while offering a new perspective through the guitar's distinctive tonal qualities.

Whether performed on the Turkish lute or the classical guitar, Ada (Island) remains a poignant tribute to the enchanting beauty of Büyükada, capturing the island's essence and transporting listeners to its serene shores.

«Ad a (Island)» est une composition captivante écrite à l'origine en 2011 pour le luth turc. Cette pièce s'inspire de l'atmosphère tranquille et pittoresque de Büyükada, l'une des charmantes îles de la mer de Marmara. Büyükada, avec ses paysages sereins, son architecture historique et ses rivages tranquilles, constitue une muse parfaite pour les mélodies évocatrices et les harmonies complexes qui caractérisent « Ada (l'île) ».

Ada (Island) a ensuite été arrangé pour guitare classique. Cette adaptation permet à la composition de toucher un public plus large tout en conservant son charme et sa profondeur d'origine. L'arrangement de guitare classique met en valeur la polyvalence du morceau, en conservant ses nuances délicates et ses mélodies évocatrices, tout en offrant une nouvelle perspective à travers les qualités tonales distinctives de la guitare.

Qu'il soit interprété au luth turc ou à la guitare classique, Ada (Île) reste un hommage poignant à la beauté enchanteresse de Büyükada, capturant l'essence de l'île et transportant les auditeurs vers ses rivages sereins.

(Light Classics Arrangements for Guitar). For Guitar. Book; Classical Guitar Folio; Masterworks. Alfred Classical Guitar Masterworks. Form: Transcription. Acoustic; Masterwork Arrangement. Intermediate. 32 pages. Published by Alfred Music

Guitar - Intermediate

SKU: MB.WBM75M

Saddle-stitched. Folk. Book and online audio. Mel Bay Publications, Inc #WBM75M. Published by Mel Bay Publications, Inc (MB.WBM75M).

ISBN 9781737795353. 8.75X11.75 inches.

This is a collection of 86 guitar solos in notation only from William Bayâ??s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment.  All 86 solos have been recorded and are available as online downloads with this book.