Guitar SKU: BT.MUSAM996996 Arranged by Russ Shipton. The Complete Guitar ...(+)
Guitar
SKU:
BT.MUSAM996996
Arranged by Russ Shipton.
The Complete Guitar
Player. Pop & Rock. Book
with CD. Wise
Publications
#MUSAM996996. Published
by Wise Publications
(BT.MUSAM996996).
ISBN
9781849380140.
English.
Th
e Complete Guitar
Player series
has taught hundreds of
thousands how to play and
the accompanying
songbooks have featured
hits by Paul Simon, Elvis
Presley, The Beatles,
John Denver and many
othertopartists.
N
ow these songbooks are
available in super value
omnibus editions like
this one. The songs are
still graded by ease of
playing and everything is
there... standard
notation, Guitar chord
boxes, full lyrics
andevenstrumming
patterns!
Over 180
great songs! Perfect for
all players and
singers!
The bonus
CD contains backing
tracks to 16 of the songs
in the book.
By Steve Kaufman. For Guitar (Flatpicking/Plectrum). method. You Can Teach Yours...(+)
By Steve Kaufman. For
Guitar
(Flatpicking/Plectrum).
method. You Can Teach
Yourself. Bluegrass and
Country. Level:
Beginning. Book DVD. Size
8.75x11.75. 84 pages.
Published by Mel Bay
Publications, Inc.
by Steve Kaufman. For Guitar (Flatpicking/Plectrum). method. You Can Teach Yours...(+)
by Steve Kaufman. For
Guitar
(Flatpicking/Plectrum).
method. You Can Teach
Yourself. Bluegrass and
country. Level:
Beginning. Book. Size
8.75x11.75. 84 pages.
Published by Mel Bay
Publications, Inc.
Guitar; Methods and Music for Children SKU: UT.CH-157 Composed by Giorgio...(+)
Guitar; Methods and Music
for Children
SKU:
UT.CH-157
Composed by
Giorgio Signorile. Saddle
stitching. Classical.
Score and Parts. 40
pages. Ut Orpheus #CH
157. Published by Ut
Orpheus (UT.CH-157).
ISBN 9790215320369. 9
x 12
inches.
Vals
d'la Masca; Il racconto
della Montagna; Sequenze
sotterranee
Th
e Alpinia Suite
was commissioned and
composed for the festival
<>
and is dedicated to my
friend and colleague Elio
Galvagno. It was
performed for the first
time on August 30, 2011,
in the Church of San
Giovanni in Saluzzo, by
an ensemble of
professional and student
guitarists from all over
Europe. This piece was
written to commemorate
the first ascent of mount
Monviso, by William
Mathews, Frederick
Jacomb, Jean Baptiste
Croz and Michel Croz,
exactly 150 years before,
on August 30,
1861. The first
movement is a small
Waltz. I imagined a
Masca (a sort of
alpine pixie, a teasing
sprite), dancing all
around the house and
playing tricks, mostly
harmless and funny. The
Masca is a
legendary and very
important character in
the folklore of my
valleys, and all
rationally inexplicable
events of everyday life
are ascribed to her -
such as objects that
cannot be found anymore,
holes in flour sacks,
salt in sugar
bowls... The next two
movements are a homage to
the Mountains. The Tale
is a sort of journal, a
bright and peaceful
chronicle of a hike
uphill, in which the
beauty of the place is
highlighted by an easy
harmony and a sweet
melody. After this,
Underground
sequences evokes that
same world in a darker
and nocturnal way; the
faster pace and the
choice of repeated and
varying patterns are
meant to show the
transformation of the
former environment into
something more complex
and tormented. Here
mountains are a metaphor
of human life, warts and
all: their sundrenched
slopes and their green
pasture grasslands, but
also their icy and
dangerous northern sides,
which demand calm,
training and
caution. (G.
Signorile).
Compiled by Russ Shipton. Fake book for voice and guitar. With vocal melody, lyr...(+)
Compiled by Russ Shipton.
Fake book for voice and
guitar. With vocal
melody, lyrics, chord
names and guitar chord
diagrams. 167 pages.
Published by Music Sales.
Guitar SKU: BT.MUSAM976118 Easy Guitar. Pop & Rock. Book Only. Music Sale...(+)
Guitar
SKU:
BT.MUSAM976118
Easy
Guitar. Pop & Rock. Book
Only. Music Sales
#MUSAM976118. Published
by Music Sales
(BT.MUSAM976118).
ISBN
9780711997769.
The
Oasis For Easy Guitar
Tab book enables you
to learn the guitar licks
and chords by one of
Britain’s biggest
bands! These simplified
tab arrangements of
melodies from 18 classic
Oasis hits are closer to
theoriginalrecordings
than chord songbooks, yet
allow developing
guitarist to play their
favourite songs.
This revised
edition has been updated
to include The Hindu
Times and Little
By Little as well as
classiclikeCigarettes
and Alcohol, Don’t
Look Back In Anger
and Stand By Me.
All the songs are
arranged here as
easy-to-read guitar
tablature and standard
notation, complete with
guitar chord boxes and
lyrics.
Guitar SKU: FG.55011-071-7 Hommage to Paul Klee. Composed by Kai N...(+)
Guitar
SKU:
FG.55011-071-7
Hommage to Paul
Klee. Composed by Kai
Nieminen. Fennica Gehrman
#55011-071-7. Published
by Fennica Gehrman
(FG.55011-071-7).
ISBN
9790550110717.
Comp
leted in Karstula,
Finland during late July
2010, this carefully
structured, but also
free-ranging work is
drawn from ideas for a
much earlier work in four
movements, Fantasy dating
from the 1980s. Kai
Nieminen has been for a
long time an admirer of
the work of artist Paul
Klee (1879-1940), and the
solo presented in its
final form here is
influenced by the
painting Dances caused by
Fear or as it is often
refered to Dancing from
Fear painted towards the
end of Klee's life in
Bern, 1938. Having
left Germany for
Switzerland in December
1933, Klee's later works
were often full of signs
and lines, very often
represented in black,
depicting human figures
or various objects
against a variety of
coloured backgrounds, in
the case of this painting
of a brownish hue. This
development in his
painting style and
technique is felt by some
to be an effect perhaps
of his long-term illness,
systemic sclerosis, but
in the case of Dances
caused by Fear there is
suggested an atmosphere
of panic and terror, an
attempt to escape from
horrors to come (World
War II), represented in
the violent movement of
the arms and legs of the
figures, and the dark,
indeed brooding nature of
the colours. In Kai
Nieminen's guitar work
Images of Fear, there is
only a very brief passage
of calm at the very
beginning, after which
come three main connected
sections in which a wide
range of musically
unsettling ideas emerge
one by one, making use of
the tritone, minor
seconds, glissandos,
tamboura, campanella,
etc. The third and final
section incorporates the
grouping of 5
sixteenth-notes, to give
an uneasy feeling to the
music, with a short
haunting and pleading
five-note phrase
(Cantando) heard
immediately following
this passage, before the
work ends with further
glissandos, and distant
and diminishing
harmonics. As with
Kai Nieminen's other
guitar works, the use of
'orchestral colour' is
vital to the performance,
and passages suggestive
of for example brass,
strings, woodwind, etc.,
should be taken into
account and played with
suitably considered
contrast of tone.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
Guitar SKU: BT.MUSME0334 Play Music. Book, CD and DVD. Composed 2016. Pla...(+)
Guitar
SKU:
BT.MUSME0334
Play
Music. Book, CD and DVD.
Composed 2016. Play Music
Publishing #MUSME0334.
Published by Play Music
Publishing
(BT.MUSME0334).
English.
With
its 50 Blues rhythms
inspired by the biggest
hits of the greatest
guitarists of all time
(Eric Clapton, Buddy Guy,
Albert King, Muddy
Waters, Stevie Ray
Vaughan, Robert Cray,
Albert Collins, B.B.
King, T-Bone Walker
etc.), this tutorial will
keep you pleasantly busy
for quite a while. But
there’s more to it
than that! Besides
affording pleasure, these
rhythms allow you to
discover and study the
tools required for a good
Blues accompaniment:
triads, double stops,
single notes, bends,
barre chords, slides,
hammer-ons, pull-offs,
rest strokes, binary and
shuffle rhythms, etc. All
this is included in the
guidelines given to you
in the preliminary
chapter –guidelines
regarding the structure,
the rhythm, as well as
the chords employed. The
DVD attached to the
tutorial offers you the
possibility to mindfully
observe all 50 rhythms
– first at actual
playing speed, then at a
slower speed. This again
gives you the opportunity
to closely follow the
movement of the hands, to
choose the right
fingerings and keep a
steady beat(!) For its
part, the MP3 CD is
composed of as many
backing tracks as there
are rhythms in the
tutorial; the 50 backing
tracks are recorded at
two different tempi: the
intended tempo (actual
playing speed) and the
rehearsal tempo (slower
speed). On the backing
track at actual playing
speed the Guitar is only
present during the first
round, then it
disappears, yielding the
floor to you. The backing
tracks provided here are
of an appropriate length
(about 4 to 5 minutes
each, which sums up to
almost 7h of musical
practice). This means
that you have enough time
at your disposal to
practice under the best
conditions.
Guitar solo SKU: GH.GE-11464 Composed by Benjamin Staern. Duration 15 min...(+)
Guitar solo
SKU:
GH.GE-11464
Composed
by Benjamin Staern.
Duration 15 minutes.
Gehrmans Musikforlag #GE
11464. Published by
Gehrmans Musikforlag
(GH.GE-11464).
ISBN
979-0-070-11464-6. A4
inches.
Work note
by the composer:
When I received the news
of this commission, I had
no idea what it would
lead to. Writing for
guitar solo is not the
same as composing for
orchestra where you have
forty voices where you
can easily mask an entire
section. Here you are
very naked to the
bone. The starting
point for this work was
from J.S. Bach's Chaconne
in D-minor that Johannes
had performed in concert,
originally written for
violin but there is a
version transcribed for
guitar and piano made by
Ferruccio Busoni. When I
went to Cortona (in
Tuscany, Italy) completed
the southern mentality of
this work. Arpalineais
actually a merged word in
Italian language.
Arpa means
harp, however in a
musical context it's more
or less resembled with
the word arpeggio,
which means broken
chords. Lineameans
line.
The
work is divided in three
parts. I. Arpeggio:
It starts with an opening
chaconne-like sequence
and is marked with a
certain depth in which
the chords starts to
separate from the organum
note in the bass and it
culminates into a section
called with rhythmical
focus. These sections
alternates, variates
which each other. The
middle section has a
playful and childish
atmosphere where the
guitarist knocks on the
body of the guitar
resembling a Spanish folk
instrument cajon. This is
leading to a section
which tends more to a
very aggressive
fusion-like riff that
loses control and reaches
its climax at the
end.
II. Linea:
The static rhytmical
pulse is now
disintegrated and it
forms more or less sort
of a free,
improvisational state in
a rubatolike tempo. The
character is described as
a very hot day with
temperatures rising above
37! C (or 100! F) where
you can hardly do
anything just sitting
dozed off and pespiring
because of the extreme
heat watching a huge fog
coming up in the evening
that spreads around the
Tuscan atmosphere.
III. Finale: It
starts off with fast
one-note ostinati then
more and more notes pop
up like a gradual rain
storm with thunder
strikes! And eventually
it leads to that is a
large flood through the
streets of an medieval
Southern town. The work
ends with a short circuit
slapped strings along
with extremely fast
tremolos that reaches
higher and louder as
possible!
by William Bay. For all guitars. Gospel-old time, strum/sing. Level: Beginning-I...(+)
by William Bay. For all
guitars. Gospel-old time,
strum/sing. Level:
Beginning-Intermediate.
Book. Solos. Size
8.75x11.75. 112 pages.
Published by Mel Bay
Pub., Inc.
Guitar - Intermediate SKU: MB.WBM75M Saddle-stitched. Folk. Book and onli...(+)
Guitar - Intermediate
SKU: MB.WBM75M
Saddle-stitched. Folk.
Book and online audio.
Mel Bay Publications, Inc
#WBM75M. Published by Mel
Bay Publications, Inc
(MB.WBM75M).
ISBN
9781737795353. 8.75X11.75
inches.
This is a
collection of 86 guitar
solos in notation only
from William Bayâ??s
books, Solo Guitar in
Worship,
Communion,
Psalms,
Timeless Gospel
Melodies and
Spirituals. The
solos work well as
preludes, offertories,
communion hymns,
recessionals or they can
be played for
enjoyment. All 86
solos have been recorded
and are available as
online downloads with
this book.
Saddle-stitched. Country.
Book. Mel Bay
Publications, Inc #31088.
Published by Mel Bay
Publications, Inc
(MB.31088).
ISBN
9781513473413. 8.75X11.75
inches.
Whether you
already play old-time
music, or you are just
getting started, this is
the book for you.áDan
LevensonÃ?s Master
Collection of Old-Time
Tunesápresents more
than 300 tunes in
standard notation with
suggested chords for you
to explore and enjoy. All
but a few are traditional
or older tunes and are
easily searched online to
discover their pedigree
as well as several
recorded versions of
them.Some might call this
a complete repertoire in
a book in the following
sense: It is a large
though not encyclopedic
collection of old-time
fiddle tunes played in
todayÃ?s
sessions.Learning the
tunes in this book will
give you a solid old-time
repertoire that would
allow you to join in jams
in the many communities
playing old-time music
today.