Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.
(Revised and Updated Edition) Compiled by Jerry Willard. Guitar solo book (spira...(+)
(Revised and Updated
Edition) Compiled by
Jerry Willard. Guitar
solo book (spiral bound)
for classical guitar
solo. With standard
guitar notation. 256
pages. Published by Music
Sales.
Fingerstyle and Plectrum Pieces for Trinity College London Exams 2020-2023. Cl...(+)
Fingerstyle and Plectrum
Pieces
for Trinity College
London
Exams 2020-2023.
Classical.
Textbook. Trinity College
London #TCL019936.
Published
by Trinity College London
Composed by Miguel Llobet. Edited by Stefano Grondona. This edition: Saddle-wi...(+)
Composed by Miguel
Llobet.
Edited by Stefano
Grondona.
This edition: Saddle-wire
stitching. Sheet music.
1048
pages. MDS (Music
Distribution
Services) #GHE 900.
Published
by MDS (Music
Distribution
Services)
By Benjamin Britten (1913-1976). Edited by Julian Bream. For Guitar. Book; Class...(+)
By Benjamin Britten
(1913-1976). Edited by
Julian Bream. For Guitar.
Book; Classical Guitar
Solo; Masterworks. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
By Johann Sebastian Bach. Arranged by Richard Sayage. Solo. For Classical Guitar...(+)
By Johann Sebastian Bach.
Arranged by Richard
Sayage. Solo. For
Classical Guitar. Savage
Classical Guitar
Virtuouso Editions.
Unaccompanied Cello
Suites for solo classical
guitar. Baroque. Level:
Intermediate. Book.
Standard. 20 pages.
Published by Savage
Classical Guitar
Transcriptions.
Voice and guitar SKU: HL.49015258 Das Liederbuch der jungen Szene....(+)
Voice and guitar
SKU:
HL.49015258
Das
Liederbuch der jungen
Szene. Edited by
Bertold Marohl. This
edition: Plastic cover.
Paperback. Edition
Schott. Classical. Melody
Line (with Chords). 274
pages. Schott Music #ED
7120. Published by Schott
Music (HL.49015258).
ISBN 9783795720629.
4.75x7.25x0.59 inches.
German.
Der neue
Zupfgeigenhansl erscheint
als Folgeband des seit
der Jugendbewegung
allgemein bekannten
Zupfgeigenhansl und
enthalt 121 Lieder, die
auf die Anliegen der
jungen Generation des
ausgehenden 20.
Jahrhunderts eingehen:
Fahrt uber Lander und
Meere - internationale
Folklore und Spirituals -
kritische alte und neue
Lieder zu unseren
Zeitproblemen - das Thema
Liebe - Balladeskes und
Heiteres. Das Buch bietet
Melodien, vollstandige
Texte, Akkorde fur
Gitarrebegleitung, Bilder
und Infos zu den Textern,
Komponisten und
Interpreten.
by Mel Bay. For all guitars. Modern Guitar Method. All styles, solos & duets. Le...(+)
by Mel Bay. For all
guitars. Modern Guitar
Method. All styles, solos
& duets. Level: Multiple
Levels. Book. Method.
Size 8.75x11.75. 320
pages. Published by Mel
Bay Pub., Inc.
Advanced Studies, Op.
6 & 29. Composed by
Fernando Sor. Edited by
Erik Stenstadvold.
Collection. Theodore
Presser Company #GHE0801.
Published by Theodore
Presser Company
(PR.GHE0801).
Guitar - very easy to easy SKU: M7.MF-3705 Der schnelle & leichte Eins...(+)
Guitar - very easy to
easy
SKU:
M7.MF-3705
Der
schnelle & leichte
Einstieg für
Alle!. This edition:
Saddle-wire stitching.
Sheet music with CD.
Music Factory. 48 pages.
Music Factory #MF 3705.
Published by Music
Factory (M7.MF-3705).
ISBN 9783795789541.
German.
Jeder kann
gute Musik machen! Dieser
neue Grundkurs ist der
optimale (Wieder-)
Einstieg in das Spielen
Ihres
Lieblingsinstrumentes
Gitarre. Alle wichtigen
Techniken werden anhand
bekannter Melodien und
Songs Schritt für
Schritt erklärt, so
dass Sie schon nach
kurzer Zeit erste
Stücke spielen
können. Auf der
beiliegenden CD sind alle
Titel in einem gut
spielbaren Tempo
aufgenommen. Musik machen
ist einfach und macht
Spaß - probieren Sie
es aus!
Guitar SKU: BT.MUSAM996996 Arranged by Russ Shipton. The Complete Guitar ...(+)
Guitar
SKU:
BT.MUSAM996996
Arranged by Russ Shipton.
The Complete Guitar
Player. Pop & Rock. Book
with CD. Wise
Publications
#MUSAM996996. Published
by Wise Publications
(BT.MUSAM996996).
ISBN
9781849380140.
English.
Th
e Complete Guitar
Player series
has taught hundreds of
thousands how to play and
the accompanying
songbooks have featured
hits by Paul Simon, Elvis
Presley, The Beatles,
John Denver and many
othertopartists.
N
ow these songbooks are
available in super value
omnibus editions like
this one. The songs are
still graded by ease of
playing and everything is
there... standard
notation, Guitar chord
boxes, full lyrics
andevenstrumming
patterns!
Over 180
great songs! Perfect for
all players and
singers!
The bonus
CD contains backing
tracks to 16 of the songs
in the book.
Arranged for Plectrum-Style Guitar. Classical, Saddle- stitched. Flatpicking GU...(+)
Arranged for
Plectrum-Style
Guitar. Classical,
Saddle-
stitched. Flatpicking
GUitar.
Book. Mel Bay
Publications,
Inc #30978. Published by
Mel
Bay Publications, Inc
Guitar - Intermediate SKU: MB.WBM75M Saddle-stitched. Folk. Book and onli...(+)
Guitar - Intermediate
SKU: MB.WBM75M
Saddle-stitched. Folk.
Book and online audio.
Mel Bay Publications, Inc
#WBM75M. Published by Mel
Bay Publications, Inc
(MB.WBM75M).
ISBN
9781737795353. 8.75X11.75
inches.
This is a
collection of 86 guitar
solos in notation only
from William Bayâ??s
books, Solo Guitar in
Worship,
Communion,
Psalms,
Timeless Gospel
Melodies and
Spirituals. The
solos work well as
preludes, offertories,
communion hymns,
recessionals or they can
be played for
enjoyment. All 86
solos have been recorded
and are available as
online downloads with
this book.
Composed by Nicolo Paganini (1782-1840). Edited by Frederic Zigante. Edition...(+)
Composed by Nicolo
Paganini
(1782-1840). Edited by
Frederic Zigante.
Editions
Durand. Softcover. 92
pages.
Editions Max Eschig
#DF16375. Published by
Editions Max Eschig
(fur Gitarre). By Mauro G. Giuliani. Edited by Thomas Muller-Pering. For Guitar....(+)
(fur Gitarre). By Mauro
G. Giuliani. Edited by
Thomas Muller-Pering. For
Guitar. New Karl Scheit
Guitar Edition. 20 pages.
Published by Universal
Edition
Fingerstyle and Plectrum Pieces for Trinity College London Exams 2020-2023. Cl...(+)
Fingerstyle and Plectrum
Pieces
for Trinity College
London
Exams 2020-2023.
Classical.
Textbook. Trinity College
London #TCL019943.
Published
by Trinity College London
Suite Guitare Guitare classique [Conducteur] Universal Edition
Composed by Santiago de Murcia (1685-1732). Edited by Olaf Van Gonnissen / Johan...(+)
Composed by Santiago de
Murcia (1685-1732).
Edited by Olaf Van
Gonnissen / Johannes
Monno / Thomas
Muller-Pering. Neue Karl
Scheit Gitarren Edition.
Full score (study).
Universal Edition
#UE34481. Published by
Universal Edition
(PR.UE034481).
Asturias Guitare Guitare classique - Facile Schott
55 Classical Masterpieces from 5 Centuries. Edited by Martin Hegel. This edi...(+)
55 Classical Masterpieces
from 5 Centuries. Edited
by
Martin Hegel. This
edition:
Paperback/Soft Cover.
Sheet
music. Guitar. For a long
time, arrangements were
rather looked down on by
music specialists, but
today
attitudes have relaxed
considerably. The
classical
concert repertoire is
extensive and includes
many
wonderful pieces; many
guitarists are naturally
keen
to get to kn. Classical.
Softcover. 104 pages.
Schott
Music #ED 23047.
Published by
Schott Music
Suite Guitare Guitare classique [Conducteur] Universal Edition
Composed by Robert de Visee (1650-1725). Edited by Olaf Van Gonnissen; Johannes ...(+)
Composed by Robert de
Visee (1650-1725). Edited
by Olaf Van Gonnissen;
Johannes Monno; Thomas
Muller-Pering. Neue Karl
Scheit Gitarren Edition.
Full score (study). With
Standard notation.
Universal Edition
#UE34480. Published by
Universal Edition
(PR.UE034480).
Composed by Richard Yates. For guitar (acoustic). Squareback saddle stitch. Inte...(+)
Composed by Richard
Yates. For guitar
(acoustic). Squareback
saddle stitch.
Intermediate. Book and
online audio. Published
by Mel Bay Publications,
Inc
Composed by Fernando Sor (1778-1839). Edited by Frederic Zigante. Editions ...(+)
Composed by Fernando Sor
(1778-1839). Edited by
Frederic Zigante.
Editions
Durand. Classical.
Softcover.
52 pages. Editions Durand
#DF16285. Published by
Editions Durand
Guitar - easy SKU: BT.BWH4493 Revised edition. Arranged by Peter B...(+)
Guitar - easy
SKU:
BT.BWH4493
Revised
edition. Arranged by
Peter Bursch. Pop & Rock.
Book with CD. Composed
2021. 112 pages. Bosworth
& Co. #BWH4493. Published
by Bosworth & Co.
(BT.BWH4493).
ISBN
9783920127163.
German.
Jetzt
wieder erhältlich:
Beatles für
Gitarre“ von
Erfolgsautor Peter
Bursch!
Das
Beatles-Gitarrenbuch, mit
dem wirklich jeder etwas
anfangen kann:
Beatles-Songs locker und
leicht spielen und zwar
von Anfang an. Alle
Griff- und Spieltechniken
erklärt Peter Bursch
so einfach wie möglich
und mit vielen
zusätzlichen
Hinweisen. Auf der
beiliegenden CD sind alle
in dem Buch behandelten
Beatles-Songs mit allen
Spieltechniken zu
hören und laden direkt
zum Mitspielen ein.
Die speziellen
Gitarren-Riffs,
Melodieläufe,
Anschlag- und
Zupftechniken der Beatles
werden ausführlich
erklärt, damit jeder
die charakteristischen
Spieltechniken lernen
kann. Dazu gibt es jede
Menge Infos und Stories
über die Beatles, ihre
Musik sowie die
Entstehungsgeschichten
der Songs.
Peter
Bursch gilt als
Deutschlands
Gitarrenlehrer der Nation
und hat im Laufe seine
Karriere insgesamt
neunzehn Lehrbücher
für verschiedene
Spielniveaus und Stile
veröffentlicht. Sein
erstes Gitarrenbuch wird
seit seiner
Erstveröffentlichung
1975 weiterhin als
wichtigstes Lehrwerk
für den Einstieg ins
Gitarrenspiel betrachtet.
Die Gitarrenbaufirma
Martin stellte für
Peter Bursch ein
Sigma-Signaturemodell
her. Er ist der erste
Deutsche, dem diese Ehre
zuteilwurde. https://www.pete
r-bursch.de/