Guitar Solo. By Nicolo Paganini. Arranged by Manuel Barrueco. Schott. Size 9x12 inches. 8 pages. Published by Schott.

Book 3 - Book Only. By Charles Duncan. Guitar. Soundsheet (for record players). Size 9x12 inches. 80 pages. Published by Hal Leonard.

CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.

CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.

Guitar solo - Advanced

SKU: DZ.DZ-4244

Composed by Konstantin Bliokh. Score. Les Productions d'OZ #DZ 4244. Published by Les Productions d'OZ (DZ.DZ-4244).

ISBN 9782898521614.

La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. � ce moment-là, ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.

Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.

Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.

Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.

Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol# â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.

Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ?? Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.

La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.

Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.

Sona ta No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.
Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.
The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.
The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.
The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ? ?B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.
Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.
The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.
I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.

Composed by Mark Cruz. Squareback saddle stitch. Classical. Book. 136 pages. Mel Bay Publications, Inc #30841. Published by Mel Bay Publications, Inc

Guitar - advanced

SKU: HL.49010936

Guitar Solo. Composed by Juan Antonio Vargas y Guzmá and n. Edited by Miguel Alcazar. Arranged by Manuel Alcá and zar. This edition: Paperback/Soft Cover. Sheet music. Gitarren-Archiv (Guitar Archive). Classical. Composed 1776. 43 pages. Schott Music #GA523. Published by Schott Music (HL.49010936).

ISBN 9790001097703. UPC: 842819115168. 9.0x12.0x0.143 inches.

Guitar

SKU: AP.42082

Volume 3. Guitar Part. By Andrew LaFreniere and Seth Himmelhoch. This edition: International. Guitar (Suzuki); Method/Instruction; Suzuki. Suzuki Guitar School. Book and CD. 20 pages. Alfred Music #00-42082. Published by Alfred Music (AP.42082).

ISBN 9781470635077. UPC: 038081521558. English.

The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Now available as Book & CD kit. Titles: Nonesuch * Greensleeves * Packington's Pound * Ghiribizzo (Paganini) * Waltz from Sonata No. 9 (Paganini) * Andantino (Carulli) * Calliope (Lesson 61) (Sagreras) * Etude (Carulli) * Etude (Coste) * Arietta, Theme & Variations (Küffner) * Celeste y Blanco (Ayala).

About Suzuki Method

The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music.

Guitar - Intermediate

SKU: MB.WBM58M

Traditional, Wire bound, Celtic. Folk. Book and online audio. 216 pages. Mel Bay Publications, Inc #WBM58M. Published by Mel Bay Publications, Inc (MB.WBM58M).

ISBN 9781736363058. 8.75x11.75 inches.

A comprehensive collection of 172 guitar solos for the flatpick or plectrum guitarist. All solos are written in standard notation with accompanying online recordings by the author. The solos include beautiful American, British and Celtic airs and ballads, Celtic dance tunes, lute and early music, popular classical repertoire and contemporary etudes. Includes access to online audio.

Guitar solo book for guitar. With standard notation (no tablature) and fingerings. 95 pages. Published by Music Sales.

Guitar (classical) - Beginning

SKU: MB.20133

Composed by Elias Barreiro. Style, Classical and Lute, Method, Perfect binding. Classic. Book. 168 pages. Mel Bay Publications, Inc #20133. Published by Mel Bay Publications, Inc (MB.20133).

ISBN 9780786666805. UPC: 796279087247. 8.75 x 11.75 inches. By Elias Barreiro.

The result of decades of experience in teaching the classical guitar, this method introduces the student to the earliest stages of learning how to play the classical guitar, from learning how to read music to becoming an accomplished player. This gradually progressing approach covers scales, including scales in thirds, sixths and octaves in all major and minor keys, arpeggios, chords, slurs, harmonics, and more. The technical aspects in this book are supplemented with a vast number of exercises and solos, from easy to more advanced, including repertoire music to make the process of learning to play the guitar a most enjoyable experience. Written in standard notation only.

Composed by Miguel Llobet. Edited by Stefano Grondona. This edition: Saddle-wire stitching. Sheet music. 1048 pages. MDS (Music Distribution Services) #GHE 900. Published by MDS (Music Distribution Services)

Edited by Jerry Willard. For guitar. Format: guitar solo book (spiral bound). With standard notation (no tablature) and fingerings. Renaissance, baroque, classical period and romantic period. 240 pages. 9x12 inches. Published by Music Sales.

(32 Transcriptions for Guitar). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Martin Hegel. For Guitar (Guitar). Guitar. Softcover. Schott Music #ED21856. Published by Schott Music

(Revised and Updated Edition) Compiled by Jerry Willard. Guitar solo book (spiral bound) for classical guitar solo. With standard guitar notation. 256 pages. Published by Music Sales.

The Finest Pieces from His Repertoire. By Andres Segovia, Various. Arranged by Andres Segovia. Schott. Size 9x12 inches. 94 pages. Published by Schott.

Composed by Various. Guitar Solo. Softcover. 136 pages. Published by Hal Leonard

Edited by Frederick Noad. For guitar. Format: guitar solo book. With standard guitar notation (no tablature), fingerings, performance notes and introductory text. Renaissance, baroque and classical period. 151 pages. 9x12 inches. Published by Chester Music.

By Frederick Noad. For Guitar. Classical. Sheet Music and Audio CD. 144 pages. Published by Music Sales.

By Various. Guitar. Hardcover. 256 pages. Hal Leonard #AM999922. Published by Hal Leonard

Composed by Agustin Barrios Mangore, edited by Richard D. Stover. Instrumental solo book for guitar. With standard guitar notation, fingerings, introductory text, biography, black and white photos and illustrations. 63 pages. Published by Belwin.

Composed by Manuel Ponce (1882-1948). Edited by Stefano Grondona. This edition: Saddle-wire stitching. Sheet music with CD. Critical Edition. 36 pages. MDS (Music Distribution Services) #GHE 702-50. Published by MDS (Music Distribution Services)