Rock Strings Guitare - Facile De Haske Publications
Guitar - early intermediate SKU: BT.DHP-1043559-401 18 rock songs for ...(+)
Guitar - early
intermediate
SKU:
BT.DHP-1043559-401
18 rock songs for
acoustic guitar.
Composed by JNM van den
Langenberg. Educational
Tool. Book Only. Composed
2004. 44 pages. De Haske
Publications #DHP
1043559-401. Published by
De Haske Publications
(BT.DHP-1043559-401).
ISBN 9789043120005.
International.
A
range of styles based on
rock ‘n’
roll are to be found in
this book, from high
school ballads and pop
rock to country rock and
hard rock. Thanks to this
diversity of styles
there’s bound to
be something that
everyone will enjoy -
including those who
can’t read music.
They can start rocking
with the tablature
version, which depicts
the strings in visual
form so would-be rock
stars can see immediately
where to put their
fingers.
Rock
Strings bevat nummers
waarin authentieke
rockmotieven op een
toegankelijke manier zijn
verwerkt - voor de
akoestische gitaar met
nylon of stalen snaren.
De nummers lopen op in
moeilijkheidsgraad en van
elk stuk is steedseen
tabulatuurversie gegeven.
Afwisseling en
stijlzuiverheid zijn de
belangrijkste factoren in
dit boek. Met Rock
Strings kunnen
akoestisch spelende
gitaristen aan de slag
met rockmuziek in diverse
stijlen. De
akkoordsymbolenmaken ook
samenspel met anderen
mogelijk.
Rock
Strings enthält
Stücke, die
authentische Rockstile in
einer leicht
zugänglichen Weise
vorstellen - für
akustische Gitarren mit
Nylonsaiten oder
Stahlsaiten. Die
Stücke sind in
ansteigendem
Schwierigkeitsgrad
geordnet. Daneben gibt es
auch jeweils eine
Tabulatur-Version. Dank
der Akkordsymbole
können die Stücke
auch in Gruppen gespielt
werden. Vielfältigkeit
und Stilreinheit sind die
wichtigsten Aspekte
dieses Buchs. Mit Rock
Strings kann nun
jeder alle Arten von
Rockmusik
spielen!
Rock
Strings propone brani
scritti in autentico
stile rock, presentati in
modo facile ed
accessibile. Adattati
alla chitarra acustica
con corde di nylon e di
metallo, i brani sono
proposti in ordine di
difficolt . Troverete
anche una tavola con gli
accordi. Con Rock
Strings, il rock e gli
stili affini sono alla
portata di tutti i
chitarristi acustici. E
con la tavola degli
accordi potrete suonare
in ensemble.
Guitar - intermediate SKU: HL.49016263 24 Super-Grooves in Style Blues...(+)
Guitar - intermediate
SKU: HL.49016263
24 Super-Grooves in
Style Blues, Rock and
Funk. Composed by
Christopher Heise. This
edition: Paperback/Soft
Cover. Sheet music with
CD. Schott Pro Line. Das
Buch zeigt
Groove-Techniken wie
Choke, Slapped Strings,
Ghost Strings oder
ungewohnliche
Plektrumtechniken.
Ausserdem erklart es die
Bedeutung von Timing,
Mikrotiming, Second Line
Beat usw. Groove Guitar
ist eine Mischung aus
Rhythmusgitarre und
Energ. Classical. Edition
with CD. 76 pages. Schott
Music #SPL 1002.
Published by Schott Music
(HL.49016263).
ISBN
9783795750589.
8.25x11.75x0.33 inches.
German.
Grove,
Groove, Groove... uberall
groovt es. Groove hat
eine packende und
mitreissende Wirkung.
Aber was ist Groove?
Wodurch entsteht er? Wie
spiele ich grooviger? Das
alles erklart dir dieses
Buch. Es zeigt
Groove-Techniken wie
Choke, Slapped Strings,
Ghost Strings oder
ungewohnliche
Plektrumtechniken.
Ausserdem erklart es die
Bedeutung von Timing,
Mikrotiming, Second Line
Beat usw. Dadurch lernst
du, auf der Gitarre mit
mehr Energie zu spielen,
denn Groove Guitar ist
eine Mischung aus
Rhythmusgitarre und
Energie. Unplugged &
Plugged. Fur Wester- und
E-Gitarre. Fur Anfanger
und Fortgeschrittene.Und
weil Groove in erster
Linie eine Sache des
Gefuhls ist, liegt diesem
Buch eine CD mit
Groove-Playbacks/Play-Alo
ng-Songs bei, in die Du
Dich zum Mitgrooven
einklinken kannst. Die CD
ist satte 76 Minuten lang
und enthalt alle
Gitarren-Grooves auch in
einer besonders langsam
eingespielten
Solo-Version.
Fur
akustische Gitarre.
Composed by Ed Wennink.
De Haske Play-Along Book.
Book with CD. Composed
2007. 28 pages. De Haske
Publications #1074256400.
Published by De Haske
Publications
(HL.44007159).
ISBN
9789043127486. UPC:
884088194017. 8.75x11.75
inches.
English-German-French-Dut
ch.
Strings of
Colour contains pieces
for the somewhat advanced
acoustic guitar player,
in which, among other
things, the frequent use
of loose strings in
position (campanella
effect) provides a rich,
colourful sound, as you
can hear on the demo CD!
Strings of
Colour bevat goed
speelbare stukken voor de
enigszins gevorderde
gitarist waarin - onder
meer - het veelvuldige
gebruik van open snaren
in positie (het
campanella-effect) zorgt
voor een volle,
kleurrijke sound, zoalsop
de bijgevoegde demo-cd te
horenis!
String
s of Colour umfasst
zwolf Stucke fur den
massig fortgeschrittenen
Gitarristen, die unter
anderem Techniken und
Effekte wie z.B.
Hammer-on, Pull-off und
Flageoletttone enthalten.
Das haufige Mitklingen
lassen von offenen Saiten
im Lagenspiel (der so
genannte
Campanella-Effekt)
verleiht dem
Gitarrenspiel Tiefe und
einen besonderen Reiz,
der auf der beiliegenden
Demo-CD gut zur Geltung
kommt.
Strings
of Colour e una
raccolta di brani per la
chitarra acustica. I
pezzi permettono di
esercitare varie tecniche
della chitarra e
l'esecuzione in posizioni
aperte (effetto
campanella),
ideale per dare piu
profondita alle vostre
dinamiche.
15
Easy Solos. Composed
by Leslie Searle. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 20 pages.
Schott Music #ED7861.
Published by Schott Music
(HL.49007586).
ISBN
9790001081498. UPC:
073999255140.
9.0x12.0x0.093
inches.
Midnight in
London * The Hungry Ghost
* Thumb Sing * Swinging
Strings * Music Corner *
Just as it happened *
Castle Road * Copy Right
* Minuet from the Past *
A Handfull * Spanish Ice
* If I Should Give You My
Love * Blues Espanol * A
Minor Romance * Step
Down.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
By Ron Manus, Link Harnsberger, and Nathaniel Gunod. For Guitar. Book; CD; Guita...(+)
By Ron Manus, Link
Harnsberger, and
Nathaniel Gunod. For
Guitar. Book; CD; Guitar
Method or Supplement;
Method/Instruction.
Children. 96 pages.
Published by Alfred Music
Publishing
A Step-by-Step Beginner's Guide for Acoustic or Electric Guitar. Guitar E...(+)
A Step-by-Step
Beginner's Guide for
Acoustic or Electric
Guitar. Guitar
Educational. Softcover
Video Online. 64 pages.
Published by Hal Leonard
(HL.154902).
Guitar SKU: BT.XYZ1376 Composed by H. Boxtart. Book with CD. 24 pages. XY...(+)
Guitar
SKU:
BT.XYZ1376
Composed
by H. Boxtart. Book with
CD. 24 pages. XYZ
#XYZ1376. Published by
XYZ (BT.XYZ1376).
With 'Get A
Grip' you can pay
attention to an important
part of the left hand
technique: playing chords
where the fingers have to
press the strings longer
than the note value.
Using chord diagrams
above the bar, you can
see whichstring (or
strings) you have to keep
pressing at that
particuar moment. The
dotted lines next to the
diagrams show exactly how
long you have to keep
your fingers on the
strings.
Guitar SKU: UT.CH-387 Composed by Ferdinando Carulli. Edited by Romolo Ca...(+)
Guitar
SKU:
UT.CH-387
Composed by
Ferdinando Carulli.
Edited by Romolo
Calandruccio. Classical.
Score. Ut Orpheus #CH
387. Published by Ut
Orpheus (UT.CH-387).
ISBN 9790215328235. 9
x 12 inches.
Opus
114 is certainly one of
Carulliâ??s most
important didactic works,
so much so that the
author himself made a
point of writing in the
second edition of his
famous Method op. 27
(1819): The student, when
moving on to the second
part, must continue to
practise on the easy
pieces which are to be
found in opus nos. 50,
15, 35, 36, 93, 7 and
above all in opus 114. He
maintained this
indication also in later
editions of the Method
itself, unlike what he
did with other
collections of studies
which were no longer
recommended. The
purpose of op. 114, in
particular of the
preludes, is clearly
explained by the author
himself in the preface of
op. 265: I have already
offered preludes in my
opus nos. 71 and 114 to
people, but they serve to
study and learn to play
all sorts of difficult
passages, to practise
modulating, and learn to
improvise on the guitar.
Carulli seems to want to
provide his students with
a large handbook of
formulas typical of his
musical writing and he
does so by making use of
the keys which, in his
opinion, are most
congenial to the guitar.
In his Method he points
out: Each instrument has
its favourite keys: the
guitar can be played in
all keys, but the best
ones are: A major and
minor, D major and minor,
E major and minor, C, G,
F. The others are
difficult; [â?¦].
However, some of the
difficult ones are
included but only in the
fourth part. Of course,
the easiness of a key
essentially depends on
the possibility of
extensive use of the open
strings, especially in
the low notes, ensuring
the accompaniment on the
main degrees. This
edition has some unique
features. First of all,
it is the first complete
modern edition of
Carulliâ??s op. 114; it
presents an important
critical apparatus in
which the Carullian
technique is presented
and analysed; finally,
Carulli's original
fingering is indicated in
the score (including that
of the thumb of the left
hand) and the missing one
was obtained from the
comparison of his other
fingerings present in
other works. All this
allows an easy and
complete reading both for
those who perform the
pieces following the
nineteenth-century
performance practice with
a historical instrument,
and for those who play a
modern instrument.
Teach Yourself Fingerpicking Guitar with CD arranged by Jared Walker. For guitar...(+)
Teach Yourself
Fingerpicking Guitar with
CD arranged by Jared
Walker. For guitar. This
edition: Paperback.
Instructional. Method.
Book and CD. Text
Language: English. 96
pages. Published by
Santorella Publications
by Bret Willmott. For all guitars. Complete. All styles. Level: Intermediate-Adv...(+)
by Bret Willmott. For all
guitars. Complete. All
styles. Level:
Intermediate-Advanced.
Book. Theory and harmony.
Size 8.75x11.75. 248
pages. Published by Mel
Bay Pub., Inc.
9th Grade and Higher Edition. By William Bay and Mike Christiansen. For Guitar (...(+)
9th Grade and Higher
Edition. By William Bay
and Mike Christiansen.
For Guitar (All).
Methods. Mastering
Guitar. All Styles.
Level: Beginning. Book.
Size 8.75x11.75. 136
pages. Published by Mel
Bay Publications, Inc.
(A Comprehensive Guide to Guitars, Amps, and Effects for the Dedicated Guitarist...(+)
(A Comprehensive Guide to
Guitars, Amps, and
Effects for the Dedicated
Guitarist). By Tobias
Hurwitz. For Guitar.
Book; CD; Guitar
Reference; Reference
Textbooks. The Serious
Guitarist. 128 pages.
Published by Alfred Music
By William Bay; performed by Ben Bolt. For Guitar (Classical). method. You Can T...(+)
By William Bay; performed
by Ben Bolt. For Guitar
(Classical). method. You
Can Teach Yourself.
Classic. Level:
Beginning. Book CD DVD.
Size 8.75x11.75. 112
pages. Published by Mel
Bay Publications, Inc.
Composed by Nicolo Paganini (1782-1840). Edited by Frederic Zigante. Edition...(+)
Composed by Nicolo
Paganini
(1782-1840). Edited by
Frederic Zigante.
Editions
Durand. Softcover. 92
pages.
Editions Max Eschig
#DF16375. Published by
Editions Max Eschig