Composed by Aaron Shearer; Thomas Kikta. This edition: 3rd. Classical Guitar Met...(+)
Composed by Aaron
Shearer; Thomas Kikta.
This edition: 3rd.
Classical Guitar Method
or Supplement;
Method/Instruction;
Technique Musicianship.
Shearer Series. Book;
Digital Download. 120
pages. Alfred Music
#00-45293. Published by
Alfred Music (AP.45293).
By Ron Manus, Link Harnsberger, and Nathaniel Gunod. For Guitar. Book; CD; Guita...(+)
By Ron Manus, Link
Harnsberger, and
Nathaniel Gunod. For
Guitar. Book; CD; Guitar
Method or Supplement;
Method/Instruction.
Children. 96 pages.
Published by Alfred Music
Publishing
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Guitar Solo SKU: IS.G6763EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6763EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6763EM.
Published by Metropolis
Music Publishers
(IS.G6763EM).
Guitar - Advanced SKU: MB.98053M Composed by Jon Finn. Squareback saddle ...(+)
Guitar - Advanced
SKU:
MB.98053M
Composed by
Jon Finn. Squareback
saddle stitch,
Improvising/Licks, Rock.
Style. Book and online
audio/video. 128 pages.
Mel Bay Publications, Inc
#98053M. Published by Mel
Bay Publications, Inc
(MB.98053M).
ISBN
9780786690732. 8.75 x
11.75
inches.
Renowned
Berklee College of Music
faculty guitarist Jon
Finn, combines his
experience, education,
and stylistic versatility
in this eclectic series
of lessons for aspiring
rock guitarists. Jons
innovative approach is
unique, fun, and
challenging. The
book/audio set and video
both offer a well
researched original take
on the use of pentatonic
scales in rock
improvisation. Using his
Warp Refraction Principle
which takes into account
the major third tuning
interval between the
second and third strings,
Jon presents a series of
five vertical patterns
applied in two-string
increments throughout the
fretboard. The philosophy
behind this project is to
present concepts and
techniques as a thought
process rather than
simply providing a
reference manual.
Includes access to online
audio and video.
Guitar SKU: FG.55011-324-4 Composed by Kai Nieminen. Fennica Gehrman #550...(+)
Guitar
SKU:
FG.55011-324-4
Composed by Kai Nieminen.
Fennica Gehrman
#55011-324-4. Published
by Fennica Gehrman
(FG.55011-324-4).
ISBN
9790550113244.
Quad
ri Morandi (2014) ties
together two essential
themes of Kai Niminen's
(b. 1953) compositional
style: guitar and a
subject inspired by
Italy. The strong
presence of the guitar in
his works is natural
since he is in an
actively performing
guitarist himself, and
guitar works indeed play
a significant role in his
oeuvre. Moreover, he has
written plenty of
orchestral music; for
instance two symphonies,
numerous concertos, and
chamber music. In the
field of Finnish music he
is a composer who can be
characterized as free
from any specific school
or style. In his musical
language, free tonal in
essence, one can detect
traces of Impressionism,
Neoromanticism and even
Expressionism at times,
but he is also willing to
employ more recent
20th-century stylistic
devices. Nieminen has
mentioned that he finds
himself very similar to
Japanese Toru Takemitsu
both musically and in
thought.
Mediterannean culture and
Italy especially have
been close to Nieminen's
heart ever since he first
visited the country and
appeared in the jury of
the international
Fernando Sor guitar
competition in 1981. He
has composed a great
number of works which
refer to Italian
landscapes or artists.
The work Quadri Morandi
(Morandi's pictures) is
written in four
movements. It has at its
centre the painter
Giorgio Morandi
(1890-1964), who is known
as a master of still
lifes and landscapes
painted in a plain manner
and is subdued colours.
Their atmosphere
typically reflects a calm
spirit. This is the third
guitar work that nieminen
has written for Kleemola.
It is easy to
find a counterpart for
the encaptivating realm
of Morandi's art in
Nieminen's clear and pure
expression. The titles
and expression markings
also include several
references to Morandi.
For example, in the
opening movement Prelude
the words la Natura morta
(still life) appear as an
additional note on the
chord sequence following
the freely flowing
opening section. At the
end of the movement one
can hear rhythmic motif
coloured with flageolets
that repeats the
syllables of the
painter's name: Gior-gio
Moran-di. A similar motif
can be heard at the end
of the second movement
Quasi cadenza. The
tranquilly breathing
third movement Paesaggio
(landscape) creates an
illusion of landscape by
imitating the echo of
monastery bells (come
campane del monastero)
and at the same time
refers to il monaco (the
monk), the name by which
Morandi was often called.
The final movement
Ritratto (Portrait) is
the most extensive of all
the movements and can be
seen, with its recurring
motifs, as a reflection
of the stable yet subtly
varying elements of
Morandi's art. The work
ends with the rhythmic
motif that once more
echoes Morandi's name,
like signature.
The first
movement, Aeolian Chant,
is based on a theme by a
friend of mine, (not a
musician!) and is
developed with some other
ideas in a
semi-improvisatory style
and features only
strings. I combined a
14th Century Italian
melody with an old
English country dance for
the second movement,
Double Dance, which
introduces the wind
instruments. The third
movement, Ballad, is here
revised from its original
version and now includes
the theme on clarinet
with guitar obbligato.
The last movement,
Toccata, is fast, but not
as difficult as it
sounds, which will appeal
to most players!
Guitar SKU: UT.CH-387 Composed by Ferdinando Carulli. Edited by Romolo Ca...(+)
Guitar
SKU:
UT.CH-387
Composed by
Ferdinando Carulli.
Edited by Romolo
Calandruccio. Classical.
Score. Ut Orpheus #CH
387. Published by Ut
Orpheus (UT.CH-387).
ISBN 9790215328235. 9
x 12 inches.
Opus
114 is certainly one of
Carulliâ??s most
important didactic works,
so much so that the
author himself made a
point of writing in the
second edition of his
famous Method op. 27
(1819): The student, when
moving on to the second
part, must continue to
practise on the easy
pieces which are to be
found in opus nos. 50,
15, 35, 36, 93, 7 and
above all in opus 114. He
maintained this
indication also in later
editions of the Method
itself, unlike what he
did with other
collections of studies
which were no longer
recommended. The
purpose of op. 114, in
particular of the
preludes, is clearly
explained by the author
himself in the preface of
op. 265: I have already
offered preludes in my
opus nos. 71 and 114 to
people, but they serve to
study and learn to play
all sorts of difficult
passages, to practise
modulating, and learn to
improvise on the guitar.
Carulli seems to want to
provide his students with
a large handbook of
formulas typical of his
musical writing and he
does so by making use of
the keys which, in his
opinion, are most
congenial to the guitar.
In his Method he points
out: Each instrument has
its favourite keys: the
guitar can be played in
all keys, but the best
ones are: A major and
minor, D major and minor,
E major and minor, C, G,
F. The others are
difficult; [â?¦].
However, some of the
difficult ones are
included but only in the
fourth part. Of course,
the easiness of a key
essentially depends on
the possibility of
extensive use of the open
strings, especially in
the low notes, ensuring
the accompaniment on the
main degrees. This
edition has some unique
features. First of all,
it is the first complete
modern edition of
Carulliâ??s op. 114; it
presents an important
critical apparatus in
which the Carullian
technique is presented
and analysed; finally,
Carulli's original
fingering is indicated in
the score (including that
of the thumb of the left
hand) and the missing one
was obtained from the
comparison of his other
fingerings present in
other works. All this
allows an easy and
complete reading both for
those who perform the
pieces following the
nineteenth-century
performance practice with
a historical instrument,
and for those who play a
modern instrument.
(Extraites Des Operas De Rossini Et Deux Valses Favorites). By Francois de Fossa...(+)
(Extraites Des Operas De
Rossini Et Deux Valses
Favorites). By Francois
de Fossa (1775-1849).
Edited by Jan De Kloe.
For Guitar. FULL SCORE -
STUDY. Op.8. 6 pages.
Published by Editions
Orphee
Performed by Andrew York. For Guitar (Classical). solos. Artist Line. Contempora...(+)
Performed by Andrew York.
For Guitar (Classical).
solos. Artist Line.
Contemporary. Level:
Intermediate-Advanced.
DVD. Size 5.38x7.5. 40
pages. Published by Mel
Bay Publications, Inc.
Original John Dowland Lute Solos Transcribed for Classic Guitar. Composed by...(+)
Original John Dowland
Lute
Solos Transcribed for
Classic
Guitar. Composed by Steve
Siktberg. Guitar:
Classical
and
Lute,Style,Classical,Earl
y
Music /
Renaissance,Featured
Products,Solos. Book and
Online Audio. 84 pages.
Published by Mel Bay
Publications, Inc
For Guitar (Third Series). Composed by Leo Brouwer (1939-). Max Eschig. Cl...(+)
For Guitar (Third
Series).
Composed by Leo Brouwer
(1939-). Max Eschig.
Classical. Softcover.
Editions Max Eschig
#DF01638100. Published by
Editions Max Eschig
Composed by Hubert Kappel. Guitar: Classical and Lute, Music Styles & Re...(+)
Composed by Hubert
Kappel.
Guitar: Classical and
Lute,
Music Styles &
Regions,
Classical, Technique,
Theory
and Reference. Book. 248
pages. Published by Mel
Bay
Publications, Inc
Composed by Wissam Abboud. Saddle-stitched. Mastering the Classical Guitar. ...(+)
Composed by Wissam
Abboud.
Saddle-stitched.
Mastering
the Classical Guitar.
Classical. Book and
online
audio. 72 pages. Mel Bay
Publications, Inc
#30686M.
Published by Mel Bay
Publications, Inc
Peated Waltzes Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4303 Composed by Luciano Lima. Score. L...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4303
Composed by Luciano Lima.
Score. Les Productions
d'OZ #DZ 4303. Published
by Les Productions d'OZ
(DZ.DZ-4303).
ISBN
9782898522208.
Dedi
cated to world renowned
guitarist David Russell,
Peated Waltzes is a
three-movement piece that
pays homage to the peated
whiskies of Islay, the
southernmost island of
the Inner Hebrides of
Scotland. The opening
movement, Earthy Smoke,
Sea Salt and Iodine,
attempts to portray the
distinctive character of
the single malts of that
region. Based on the
Gaelic folk song The
Praise of Islay (Moladh
na Landaidh), the second
movementâs title
comes from one the
songâs last verses,
O, may long their wild
notes flow. The third
movementâs theme was
extracted from the
letters of Laphroaig, one
of the most iconic Scotch
whiskies, whose
nameâs meaning
inspired the title, By
the Broad Bay. In the
second part, the
traditional Celtic
melody, An Islay Pipe
Reel, is quoted. At the
end, themes of the
previous movements are
recalled and intertwined,
as if trying to emulate
the long and lingering
finish of an Islay
dram.
(An Introduction To Technique And Repertoire For The Intermediate Guitarist) Wri...(+)
(An Introduction To
Technique And Repertoire
For The Intermediate
Guitarist) Written by
Frederick M. Noad.
Instructional book for
guitar. With standard
notation (no tablature),
fingerings, instructional
text and performance
notes. 159 pages.
Published by Music Sales.
16 Guitar and Lute Pieces. Composed by Jens Franke. Edited by Stuart Willis. Thi...(+)
16 Guitar and Lute
Pieces. Composed by Jens
Franke. Edited by Stuart
Willis. This edition:
Saddle stitching. Sheet
music with CD. Guitar. 16
Originalwerke von
Komponisten des 17. und
18. Jahrhunderts. Neben
Stucken von Weiss, de
Visee, Hagen und Daube
und anderen bietet der
Band ein sorgfaltig
ausgewahltes Spektrum von
Werken. Baroque,
Classical. Edition with
CD. 36 pages. Schott
Music #ED13446. Published
by Schott Music
By Mel Bay. For Guitar (All). Method. Modern Guitar Method. All Styles. Level: B...(+)
By Mel Bay. For Guitar
(All). Method. Modern
Guitar Method. All
Styles. Level:
Beginning-Intermediate.
Book/CD Set. Size
8.75x11.75. 88 pages.
Published by Mel Bay
Publications, Inc.
Felix Schell. For all guitars. All styles, chord rhythm and improvisation. Level...(+)
Felix Schell. For all
guitars. All styles,
chord rhythm and
improvisation. Level:
Beginning. Book. Chord
book. Size 8.75x11.75. 48
pages. Published by Mel
Bay Pub., Inc.