| Gitaar Starter deel 1 Guitare [Partition + CD] Alsbach
Guitar SKU: BT.ALB10651 Composed by Cees Hartog. Book with CD. 56 pages. ...(+)
Guitar SKU:
BT.ALB10651 Composed
by Cees Hartog. Book with
CD. 56 pages. Alsbach
#ALB10651. Published by
Alsbach (BT.ALB10651).
ISBN 9789043145084.
Dutch. G
uitaar Starter
is a 2-part guide to the
Classical Guitar in which
all basic techniques are
discussed from the very
beginning. These
techniques are gradually
incorporated into the
featured tunes to play
and arealways preceded by
preparatory exercises.
The 'DIY' style of this
book makes it easier for
beginning guitarists to
teach themselves in their
own time. This
series aims to acquaint
the student with the
different styles ofGuitar
music that are out there,
including classical
pieces, folk, blues and
rock and more. In
addition to acquiring
technical skills,
providing students with a
fun musical experience is
the series' primary
aim.Theprinciple is
simple - if the student
is enthusiastic about the
pieces that they are
playing, they will be
motivated to practice
diligently. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Early Jazz Dances, Songs, Instrumentals for Fingerstyle Guitar Guitare [Partition + Accès audio] - Intermédiaire Mel Bay
Guitar - Intermediate SKU: MB.31060M Perfect binding. Jazz. Book and onli...(+)
Guitar - Intermediate
SKU: MB.31060M
Perfect binding. Jazz.
Book and online audio.
180 pages. Mel Bay
Publications, Inc
#31060M. Published by Mel
Bay Publications, Inc
(MB.31060M). ISBN
9781513468051. 8.75x11.75
inches. As aspiring
fingerpicking guitarists
started expanding their
horizons from folk,
blues, and ragtime in the
1970s, it was only
logical to look towards
early jazz tunes as a
vast source for new
possibilities. For one
thing, they could follow
the same evolutionary
path from ragtime to jazz
that had been taken by
pianists such as Jelly
Roll Morton and Harlem
stride players like James
P. Johnson and Fats
Waller. These musicians
all composed in a variety
of styles, but their most
ambitious piano solos
expanded on the classic
ragtime format developed
by the likes of Scott
Joplin, James Scott, and
Joseph Lamb, using
several strains that
usually changed keys at
least once. Morton, the
self-proclaimed inventor
of jazz, would record
versions of tunes like
King Porter
Stomp and The
Original Jelly Roll
Blues that are
similar to straight
ragtime performances, and
others where there is
lots of room left for
embellishment and jazz
improvisation.
The present
collection is a bonanza
for guitarists who want
to tackle advanced
arrangements along the
lines of ragtime but
featuring jazz age
harmonies from the
playing of Jelly Roll
Morton, Louis Armstrong,
Bix Beiderbecke, WC
Handy, the Original
Dixieland Jazz Band and
other early jazz legends.
The 32 arrangements
included are by a wide
assortment of guitarists
including Ernie Hawkins,
Pat Donohue, Lasse
Johansson, Duck Baker,
Ton Van Bergeyk, Sandy
Shalk, Steve McWilliam,
and Dorian Henry.
Titles
include: Oh, You
Beautiful Doll,
I’ve Got The
Blues, High Society, St.
Louis Blues, Davenport
Blues, Poor Butterfly,
Dixie Jass Band One-Step,
Memphis Blues, Big Foot
Ham, Grandpa’s
Spells, The Original
Jelly Roll Blues,
Midnight Mama, Milenberg
Joys, Fizz Water, Back
Home in Indiana, Sweet
Georgia Brown, Red Wing
(An Indian Intermezzo),
There’ll Be Some
Changes Made, Way Down
Yonder In New Orleans,
Charleston, Where The
Morning Glories Grow,
Limehouse Blues, Susie
(of the Islands), I Need
Some Pettin’,
Weather Bird, Cornet Chop
Suey, Kansas City Stomps,
King Porter Stomp,
Jubilee Stomp, Take It
Easy, If I Had You,
Moonlight
Serenade $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Anthology of Classical Guitar Techniques Guitare Guitare classique - Intermédiaire Mel Bay
Composed by Steve Marsh. Guitar: Classical and Lute,Style,Classical,Tech niq...(+)
Composed by Steve Marsh.
Guitar: Classical and
Lute,Style,Classical,Tech
niqu
e, Theory and Reference.
Book. 104 pages.
Published by
Mel Bay Publications, Inc
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Élégie Guitare Guitare classique - Intermédiaire Doberman
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522). ISBN
9782897963026. Fran
cis Bebey est né Ã
Douala en juillet 1929,
dans une grande famille
où son père,
pasteur, luttait pour
nourrir ses enfants. Mais
Francis a eu
l'opportunité d'aller
à l'école. Admirant
son frère aîné,
Marcel Eyidi Bebey, il
s'est éduqué, s'est
distingué, et a
finalement reçu une
bourse pour passer son
baccalauréat en
France. Nous
approchions de la fin des
années 1950 lorsqu'il
est arrivé à La
Rochelle. Plus que
jamais, dans cette France
où les Africains
étaient regardés
avec curiosité,
condescendance ou
dédain, Francis
s'appuyait sur ses
ressources
intellectuelles.
Travailleur assidu, il a
obtenu son
baccalauréat, puis
s'est installé Ã
Paris où il a
commencé des études
d'anglais à la
Sorbonne. Un jour, il a
su ce qui l'attirait
vraiment : il voulait
faire de la radio.
Francis a appris son
métier en France et
aux
�tats-Unis. Après
avoir travaillé
quelques années comme
reporter, il a été
embauché en 1961 en
tant que fonctionnaire
international au
Département de
l'information de
l'UNESCO. Parallèle
ment, Francis a toujours
été attiré par
la création musicale.
Son activité diurne
très sérieuse ne
l'empêchait pas de
fréquenter les clubs
de jazz le soir. Ã?
Paris, le jazz, la
musique à la mode Ã
cette époque, mais
aussi la rumba et la
salsa l'attiraient. Il
collectionnait les
disques et assistait Ã
de nombreux concerts.
Avec son complice Manu
Dibango, Francis montait
sur scène et jouait de
la musique. Francis
aimait la musique
classique depuis son
enfance. Il avait grandi
en écoutant les
cantates et les oratorios
de Bach ou Handel que son
père chantait au
temple. Il s'est
passionné pour la
guitare, impressionné
par les maîtres
espagnols et
sud-américains, et a
décidé d'apprendre
à jouer de
l'instrument
lui-même. Il a
commencé à composer
des pièces pour
guitare, mêlant les
diverses influences qui
le traversaient avec la
musique traditionnelle
africaine qu'il portait
en lui depuis son
enfance. Son approche a
captivé le directeur
du Centre culturel
américain (alors
situé dans le quartier
de Saint-Germain Ã
Paris), qui lui a offert
l'opportunité de se
produire devant un
public. Francis y a
donné son premier
récital de guitare
(1963) devant un public
hypnotisé. Son premier
album solo est sorti peu
de temps
après. Progressivem
ent, Francis est devenu
reconnu comme musicien et
compositeur. Plusieurs
albums de l'ambassadeur
africain de la guitare,
comme le décrivait la
presse, sont sortis. Il a
également écrit des
livres, au point que sa
carrière artistique
est devenue difficile
à concilier avec sa
carrière de
fonctionnaire. En 1974,
même s'il était
devenu le directeur
général chargé
de la musique Ã
l'UNESCO, il a fait le
saut audacieux et a
démissionné de
cette prestigieuse
institution pour se
consacrer aux trois
activités qui
l'intéressaient : la
musique, la
littérature et le
journalisme. Il a
exploré le patrimoine
musical traditionnel du
continent africain,
notamment à travers le
piano à pouce sanza et
la musique polyphonique
des pygmées d'Afrique
centrale, ou en chantant
dans sa langue maternelle
et en composant des
chansons humoristiques en
français ! Le
succès a suivi.
Francis Bebey a parcouru
le monde : de la France
au Brésil, du Cameroun
à la Suède, de
l'Allemagne aux
Caraïbes, ou du Maroc
au Japon... la liste des
pays où il a été
invité à se
produire, Ã donner des
conférences ou Ã
rencontrer des lecteurs
est très longue. En
plus de la reconnaissance
publique, il
bénéficiait de la
reconnaissance de ses
collègues musiciens,
tels que le guitariste
John Williams ou le
Vénézuélien
Antonio Lauro, qui l'ont
invité à faire
partie du jury d'un
concours de guitare
classique Ã
Caracas. Sa vie
était le voyage d'un
pionnier africain, un
homme enraciné dans
son patrimoine culturel
et portant un message de
partage et d'espoir pour
le monde. Son
originalité continue
de résonner dans le
monde entier depuis son
décès à la fin
du mois de mai
2001.
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 24 Preludios para guitarra Guitare [Partition + Accès audio] Music Distribution Services
Guitar - intermediate to advanced SKU: M7.GHE-702-96 Composed by Manuel P...(+)
Guitar - intermediate to
advanced SKU:
M7.GHE-702-96
Composed by Manuel Ponce.
Edited by Stefano
Grondona. This edition:
Saddle-wire stitching.
Sheet music with Online
material. Critical
Edition. MDS (Music
Distribution Services)
#GHE 702-96. Published by
MDS (Music Distribution
Services)
(M7.GHE-702-96). ISBN
9783890447056.
English. HIS IS THE
FIRST CRITICAL EDITION OF
THESE WORKS AND IT OFFERS
WE HOPE A STANDARD
READING WHICH EXAMINES,
WITH SOLUTIONS, MANY
UNEXPLAINED DIFFERENCES
BETWEEN THE COMPOSER'S
MANUSCRIPTS, OUR EDITED
MUSIC TEXT, AND PREVIOUS
EDITIONS. 70 years after
Ponce's death in 1948, we
celebrate his life with a
new critical-performing
edition of his 24
Preludios newly prepared
from the original
manuscripts by Stefano
Grondona. We proudly
present a totally new
edition with audio files
of the 24 Preludios para
guitarra. This is the
first critical edition of
the 24 Preludios para
guitarra. The audio files
of all 24 Preludios are
played by Stefano
Grondona and for download
with a code printed in
the book. This edition is
really two editions in
one. Not only is it a
performing edition
meticulously fingered by
Stefano Grondona, but as
well it is also an Urtext
edition of the original
manuscripts. Our
pragmatic critical
apparatus permits the
player simply and clearly
to see also what was in
the original manuscripts,
and what was not. With
this publication it is
now possible to clarify
some long-standing issues
relevant to our aim of
presenting an accurate
final music text; it is
now possible to see where
previous publications of
this repertoire have
varied with the
manuscripts and how we
have treated these
situations in our
edition, and how these
were treated differently
in previous editions. A
comprehensive critical
commentary is included
together with copious
historical and
informative notes about
the selection of the
works and how and why our
edition took its present
form and content. At last
we believe to have an
edition which takes the
form which the composer
intended and new source
material is also
included, such as the
Ramaugé ms for
Prelude no. 6. $26.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Guitare facile Vol.2 Guitare [Partition + CD] Paul Beuscher
Guitar SKU: BT.PB1224 Jazz. Book with CD. 50 pages. Paul Beuscher #PB1224...(+)
Guitar SKU:
BT.PB1224 Jazz. Book
with CD. 50 pages. Paul
Beuscher #PB1224.
Published by Paul
Beuscher (BT.PB1224).
French. Angie -
Apache - Bluesette -
C'est si bon - Foule
sentimentale - Hors
saison - J'aime les
filles - Michelle - Pop
Corn - Prendre un enfant
- Rock around the Clock -
Samba de uma nota so -
Satin Doll - Take 5 -
Tico Tico. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Guitarra Liturgia Guitare - Intermédiaire OR-TAV Music Publications
Guitar - Intermediate SKU: OT.26114 Composed by Ariel Lazarus. A short su...(+)
Guitar - Intermediate
SKU: OT.26114
Composed by Ariel
Lazarus. A short suite
for classical guitar
based on themes from the
Spanish and Portuguese
tradition. Classical.
Score. OR-TAV Music
Publications #26114.
Published by OR-TAV Music
Publications (OT.26114).
ISBN 9789655051049.
8.27 x 11.69
inches. Ariel
Lazarus Guitarra
Liturgia Two pieces
based on music from the
Spanish and Portuguese
tradition.
Contents: Jerusalem
de Sefarad - Suite for
Guitar Contrapunto
Sefardi The composer
writes: For many
years I wanted to compose
a piece for guitar which
would inspire interested
students to expand their
repertoire in the
direction of Jewish
music. The most natural
thing for me was to write
a suite based on themes
from the synagogue in
which I grew up –
the Spanish and
Portuguese synagogue of
Gibraltar. My beloved
grandfather served all
his life as hazzan
(cantor) of this
synagogue, and I always
felt as a composer and
educator that I had a
special obligation to
continue his tradition
and pass it on to a new
generation. In this
composition, I let the
guitar echo the piyyutim
(semi-liturgical poems)
that were part of my
childhood: Adon Olam,
Sh'charchoret, Achot
K'tana, Yigdal, Borei ad
Ana, all of which are
sung in the Spanish and
Portuguese tradition from
Gibraltar to London, and
from New York to
Jerusalem. I let myself
dream the piyyutim, take
them apart and
reconstruct them as a
short suite for guitar,
the results of which you
are invited to hear here.
As a conceptual idea for
the suite, I choose to
suggest about the
cultural continuation
between the Diaspora and
the land of Israel by way
of referencing the
well-known melody of
Naomi Shemer, which is
also popular among the
hazzanim. Dr. Ariel
Lazarus is a unique voice
among Israeli
composer-performers
today. Brought up in a
family with Jewish
musical roots both in
Gibraltar and Westphalia,
he began composing and
playing the guitar in his
teens, and has been
committed to developing
his own compositional
language ever since,
always maintaining an
open dialogue with his
traditions. Lazarus
received his BMus and
MMus degrees from
Oklahoma City University
in classical guitar
performance and
composition where he
studied with American
composer Dr. Edward
Knight. He earned his PhD
from Bar Ilan University,
studying composition with
Prof. Betty Olivero and
Prof. Gideon Lewensohn
and conducting research
under the supervision of
Prof. Edwin Seroussi from
the Hebrew University.
His symphonic works have
been premiered by the
Raanana Symphonette
Orchestra, and his
chamber works have been
performed by various
ensembles in the United
States, Central Europe,
Portugal, Gibraltar,
Scandinavia and Israel.
Lazarus performs
regularly as Art
Ambassador on behalf of
the Israeli Ministry of
Diaspora affairs Amiel
BaKehila program. His
solo album A Hebrew
Capriccio was released by
the German boutique label
SmoothFactor and was
awarded critical acclaim,
among others, in Haaretz,
and Neue Westfalishe.
Dr. Lazarus is the
musical director and
co-founder of the Israeli
Ladino Orchestra. His
work with the orchestra
has been recognized by
the official Carta de
España. He teaches at
the Academic College for
Education Givat
Washington, and the Rimon
School of Music.
Lazarus’s work has
been awarded by the
Israeli Pais Art council
and ACUM. $12.44 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sound Innovations for Elementary Class Guitar Guitare Alfred Publishing
An Innovative Method for Class Instruction. Composed by Jason Yeary and A...(+)
An Innovative Method
for Class
Instruction. Composed
by Jason Yeary and Aaron
Stang. Book; Digital
Download; Guitar Method
or Supplement;
Method/Instruction. Sound
Innovations for Guitar.
128 pages. Published by
Alfred Music (AP.44086).
$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Suite for Guitar (2011) Guitare Ut Orpheus
Guitar SKU: UT.CH-159 Composed by Massimo Fornetti. Saddle stitching. Cla...(+)
Guitar SKU:
UT.CH-159 Composed by
Massimo Fornetti. Saddle
stitching. Classical. 12
pages. Ut Orpheus #CH
159. Published by Ut
Orpheus (UT.CH-159).
ISBN 9790215320390. 9
x 12 inches. With
this Suite for guitar
â?? whose main reference
point is the baroque
instrumental suite and
its traditional dances
â?? the interpreter
takes a journey through
various compositional
styles (e.g. the use of
microstructures,
modality, atonality,
harmony in fourths,
whole-tone scales), in
the form of a dance.
Within the scope of this
metacultural project,
both performer and
listener are presented
with a musical
juxtaposition where the
baroque suite is always
present as a historic
reference. This project
is aimed at an average
level of guitar students
where instrumental
technique is equally as
important as composition.
In this respect, the
Suite is useful in the
areas of concert
performance, in the
teaching of instrumental
technique and in
compositional
analysis. $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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