Lyrics/Chords Guitar SKU: HL.242081 By The Beatles. The Little Black Song...(+)
Lyrics/Chords Guitar
SKU: HL.242081
By
The Beatles. The Little
Black Songbook. Pop. 384
pages. Hal Leonard
#HL00242081. Published by
Hal Leonard (HL.242081).
ISBN 9781785588617.
UPC: 888680704407.
4.75x7.75x0.956
inches.
A
pocket-sized collection
of 195 Beatles hits
presented in chord
songbook format. Includes
complete lyrics, chord
names & a handy chord
box reference sheet.
Including classic hits
such as: All You Need Is
Love • Can't Buy Me
Love • Day Tripper
• Do You Want to
Know a Secret •
Eleanor Rigby •
From Me to You •
Get Back • Help!
• Hey Jude •
I Want to Hold Your Hand
• Let It Be •
Magical Mystery Tour
• Ob-La-Di Ob-La-Da
• Please Please Me
• Ticket to Ride
• Twist and Shout
• and more.
Guitar Transcriptions Guitar SKU: HL.403259 The Bert Jansch Songb...(+)
Guitar
Transcriptions Guitar
SKU: HL.403259
The Bert Jansch
Songbook. By Bert
Jansch. Guitar Recorded
Version. Folk. Softcover.
144 pages. Published by
Hal Leonard (HL.403259).
ISBN 9781705160626.
UPC: 196288058496.
9.0x12.0
inches.
Bert
Transcribed - The Bert
Jansch Songbook, Volume 2
presents 30 more songs by
the legendary guitarist
and singer-songwriter,
Bert Jansch. Each song
has been meticulously
transcribed and annotated
by an international team
of leading Jansch experts
to detail every aspect of
Bert's ground-breaking
style and technique. For
this volume, they have
also been fortunate to
reference some of Bert's
own newly discovered
tentative work in this
field, experimenting with
software in the 1980s.
This book therefore
presents the most
accurate and definitive
transcriptions of Bert's
music that have ever been
published. Song
highlights include: Come
Back Baby â?¢ Courting
Blues â?¢ Go Your Way
My Love â?¢ I Am Lonely
â?¢ It Don't Bother Me
â?¢ One for Jo â?¢
Tell Me What Is True Love
â?¢ A Woman Like You
â?¢ and more!
About Hal
Leonard Guitar Recorded
Versions
G
uitar Recorded Versions
are note-for-note
transcriptions of guitar
music taken directly off
recordings. This series,
one of the most popular
in print today, features
some of the greatest
guitar players and groups
from blues, rock, and
heavy metal. Guitar
Recorded Versions are
transcribed by the best
transcribers in the
business. Every book
contains notes and
tablature.
Ãœber 50 Klassiker &
aktuelle Hits für
Akustikgitarre.
Composed by Wieland
Harms. This edition:
Klebebindung. Sheet
music. 168 pages. Edition
Melodia #GRG 106102100.
Published by Edition
Melodia
(M7.GRG-106102100).
ISBN 9783872523532.
German.
Ãœber 50
Rock- & Popsongs fu?r
Akustikgitarre - vom
kultigen Klassiker bis
zum aktuellen Hit Das
breite Spektrum des
Repertoires vom
3-Akkorde-Stu?ck bis zum
anspruchsvollen
Chord-Melody-Arrangement
ist Motivation fu?r den
Anfänger und stellt
dem Fortgeschrittenen
Songmaterial zur
Verfu?gung, mit dem er
sich stilistisch und
spieltechnisch
weiterentwickeln kann.
Viele Fotos und
Informationen zu den
Bands, Teilweise mit
Noten & Texten, teilweise
nur mit Chord Charts.
by William Bay. For all guitars. Gospel-old time, strum/sing. Level: Beginning-I...(+)
by William Bay. For all
guitars. Gospel-old time,
strum/sing. Level:
Beginning-Intermediate.
Book. Solos. Size
8.75x11.75. 112 pages.
Published by Mel Bay
Pub., Inc.
For Guitar. Includes a high-quality printed music book and two narrated compact ...(+)
For Guitar. Includes a
high-quality printed
music book and two
narrated compact discs
featuring every exercise
and composition in the
method book. Published by
Music Minus One.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.