Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Arrangement: Chiaro Giovanni (De). Par CHIARO GIOVANNI DE. The piano rag is musical form unlike any other. Although melodious, ragtime's excitement and appeal derives from its syncopated rhythms. Ragtime music achieved notoriety through its greatest composer, Scott Joplin (1868-1917). At an early age he studied with an old German musician who introduced him to the piano and music theory. While still in his early teens he earned his way playing piano in the honky-tonks of villages and towns in the Mississippi Valley. He was intrigued with the folk music of his people and the 'jig piano' style of the self-taught pianists with whom he worked. Take a musical journey through Scott Joplin's prolific career and perform these time-honored ragtime piano pieces as they are transcribed here for solo guitar. Written in standard notation only with fingerings and historical/ performance notes. / Niveau : Intermédiaire / Ragtime - Solos / Recueil / Guitare Classique

Par SETH F.ORTSAO JOSEL. This book, co-written by guitarist Seth F. Josel and composer Ming Tsao, provides a comprehensive survey of contemporary performance techniques on the classical guitar. It was inspired by a new generation of solo guitarists whose extraordinary technical and virtuosic skills have paved the way for a new understanding of instrumental performance practice. Detailed explanations are given for the instrument's technical potential within the historical context of traditional guitar technique. Composers will be interested in the in-depth analyses of contemporary guitar literature, featuring many examples of chamber and ensemble music. Four main chapters describe: - Techniques of the right and left hands - Special harmonies and percussive techniques - The main instruments of the guitar family and their potential - Possible ways of notating contemporary guitar literature The examples discussed in the book are complemented by an enclosed CD and detailed charts on multiphonics, bitones, and percussion techniques. Seth F. Josel is among the leading figures of his generation in modern guitar performance and has taken part in the premieres of more than 100 works as a soloist and ensemble member. A regular guest at Europe's major contemporary music festivals, he has worked with composers of the stature of Mauricio Kagel, Helmut Lachenmann, Tristan Murail and James Tenney and has played with such leading orchestras and ensembles as the New York Philharmonic, the BBC Symphony Orchestra and the Berlin Staatskapelle. From 1991 to 2000 he was a permanent member of the Ensemble musikFabrik. Today he lives in Berlin. Ming Tsao (b. Berkeley, CA, 1966) is professor of composition at Gothenburg University. His compositions have been performed amongst others by the Arditti Quartet, ensemble recherche and the Stuttgart Opera (premiere of 'Die Geisterinsel” in 2011). He is regularly involved in the Donaueschingen Festival, the Witten Days of New Chamber Music, the Darmstadt Contemporary Music Holiday Courses and Wien Modern. His works are published by C.F. Peters (Frankfurt am Main and Leipzig). He, too, lives in Berlin./ Recueil / Guitare

Retrouvez les 155 chansons enregistrées par les Beatles en transcriptions paroles complètes et diagrammes d'accords guitare. Titres : A Day In The Life - A Hard Days Night - Across The Universe - All I've Got To Do - All My Loving - All Together Now - All You Need Is Love - And I Love Her - And Your Bird Can Sing - Another Day - Another Girl - Anytime At All - Baby You're A Rich Man - Baby's In Black - Back In The Ussr - Ballad Of John And Yoko - Because - Being For The Benefit Of Mr Kite - Birthday - Blackbird - Blue Jay Way - Can't Buy Me Love - Carry That Weight - Come Together - Continuing Story Of Bungalow Bill - Cry Baby Cry - Day Tripper - Dear Prudence - Dig A Pony - Don't Let Me Down - Dr Robert - Drive My Car - Eight Days A Week - Eleanor Rigby - End (The) - Every Little Thing - Everybody's Got Something To Hide Except Me And My Monkey - Fixing A Hole - Flying - For No One - From A Window - From Me To You - Get Back - Getting Better - Girl - Give Peace A Chance - Glass Onion - Golden Slumbers - Good Day Sunshine - Good Morning Good Morning - Goodbye - Goodnight - Got To Get You Into My Life - Happiness Is A Warm Gun - Hello Goodbye - Hello Little Girl - Help! - Helter Skelter - Her Majesty - Here There And Everywhere - Hey Bulldog - Hey Jude - Hold Me Tight - Honey Pie - I Am The Walrus - I Call Your Name - I Don't Want To See You Again - I Don't Want To Spoil The Party - I Feel Fine - I Need You - I Saw Her Standing There - I Should Have Known Better - I Wanna Be Your Man - I Want To Hold Your Hand - I Want To Tell You - I Want You (She's So Heavy) - I Will - If I Fell - If I Needed Someone - I'll Be Back - I'll Cry Instead - I'll Follow The Sun - I'll Get You - I'm A Loser - I'm Down - I'm Happy Just To Dance With You -I'm Just In Love -I'm Looking Through You -I'm Only Sleeping -I'm So Tired -In My Life -Inner Light -It Won't Be Long -It's All Too Much -It's For You -It's Only Love -I've Got A Feeling -I've Just Seen A Face -Julia -Lady Madonna -Let It Be -Like Dreamers Do -Little Child -Love Of The Loved -Love You To -Lovely Rita -Lucy In The Sky With Diamonds -Magical Mystery Tour -Martha My Dear -Maxwell's Silver Hammer -Mean Mr Mustard -Michelle -Misery -Mother Natures Son -Night Before -No Reply -Nobody I Know -Norwegian Wood -Not A Second Time -Nowhere Man -Ob-la-di, Ob-la-da -Oh! Darling -One After 909 -Only A Northern Song -Paperback Writer -Penny Lane -Polythene Pam -Power To The People -Rain -Revolution -Rocky Raccoon -Run For Your Life -Sexy Sady -Sgt. Pepper's Lonely Hearts Club Band -She Came In Through The Bathroom Window -She Loves You -She Said She Said -She's A Woman -She's Leaving Home -Step Inside Love -Strawberry Fields For Ever -Strawberry Fields Forever -Sun King -Taxman -Tell Me What You See -Tell Me Why -Thank You Girl -The Fool On The Hill -There's A Place -Things We Said Today -Think For Yourself -This Boy (Ringo's Theme) -Ticket To Ride -Tip Of My Tongue -Tomorrow Never Knows -Two Of Us -Wait -We Can Work It Out -What Goes On -What You're Doing -When I Get Home -When I'm Sixty Four -With A Little Help From My Friends -Within You Without You -Word -World Without Love -Yellow Submarine -Yer Blues -Yes It Is -Yesterday -You Can't Do That -You Like Me Too Much -You Never Give Me Your Money -You Won't See Me -Your Mother Should Know -You're Going To Lose That Girl -You've Got To Hide Your Love Away / Guitare

Par UROS DOJCINOVIC. In this remarkable video/solo guitar recital, Serbian musician, composer, pedagogue and publisher, Uroandscaron - Dojcinovic, takes the listener on a musical journey through: Russia, Ukraine, Spain, South American, the Far East (Japan and China), and the Balkan countries of his native former Yugoslavia (Bosnia, Serbia and Croatia). Each piece includes a wealth of photo documentation (paintings, landscape photographs, portraits of famous composers, and authors of the works) featuring the Yugoslav Guitar Society collection. Also, this recital displays Dojcinovic's exceptional and refined technique and supreme interpretation. Most of the pieces include a variety of special new sound effects created by the master-himself to enrich the ethnic colors of the pieces inspired by traditional folk sounds. / Classic - Concert/Documentary / Accessoire / Guitare Classique

For guitar players who want to expand their repertoire:This collection provides a fantastic introduction to the works of John Dowland, containing the easiest of his compositions, arranged in their order of difficulty. Dowland ranks among the outstanding figures in the history of 16th- and 17th-century European lute music.Martin Hegel arranged the works originally composed for lute so that they can now be played on the guitar at an intermediate level. The edition is suited for both teaching and playing in one's spare time.Dowland for Guitar is part of the Schott Guitar Classic series. The editor Martin Hegel is dedicated to expanding the guitar repertoire in a varied and sensible way and making popular works of music history accessible even to guitar players at an intermediate level. His transcriptions, ranging from easy to intermediate, are perfectly adapted to the characteristics of the guitar. They present an opportunity to guitar players to experience classics and masterpieces on their own instrument: be it contrapuntal masterpieces by Johann Sebastian Bach and symphonic music by Mozart - or be it lute music from the Renaissance era.Already published in the series: Bach for Guitar (ED 21601), Händel for Guitar (ED 22319), Mozart for Guitar (ED 21856), Sor for Guitar (ED 22349), and Tárrega for Guitar (ED 21857). / Guitare Classique

The idea behind this book is to provide the progressive guitarist with a comprehensive overview of chordal structures on the guitar fingerboard. Starting with triads, then working through 7th and 9th chords and further extensions, chord substitution relationships and practical examples over standard chord progression, the book presents a chordal concept based on logic rather than just memorized shapes.
In addition the book includes complete guitar arrangements of: Georgia, Body And Soul, In Your Own Sweet Way, All Blues, Secret Love (John Scofield interpretation), Very Early (Bill Frisell interpretation), Lakes and Omaha Celebration by Pat Metheny, and Costa Del Sol, Expressions, Three, The Gift, and Stairway by Peter O´Mara.
This book will make it easier for today´s guitarists to understand the complex chordal structures used in contemporary jazz.

Par MORENO-TORROBA FEDERICO. Composed in 1965, Moreno-Torroba's three movement Sonatina for solo guitar follows the traditional fast-slow-fast arrangement of movements. The first movement, Allegretto, opens with a joyous melody in a vibrant rhythmic pattern, the second movement embodies quintessential Spanish romanticism and displays the composer's mastery of lyricism, and the third movement, marked Allegro, returns the work to the vivaciousness it had in the opening movement. Though the piece is composed with all the complexity of a mature concert work, the omnipresent influence of Spanish folk music is never lost. / Date parution : 2022-02-26/ Répertoire / Guitare Classique

Media Type : Book Level : Multiple Levels Musical Genre : Classic Series : Editiones Classicae Number of pages : 160 The guitar studies of Fernando Sor (1778-1839) have long been valued highly among the indispensable elements of a guitarist's training. A number of prominent virtuosi attribute a large portion of their development to the diligent study of these works. Sor's studies address an impressive array of technical and musical topics, including proper left-hand fingering, training of the right hand, interval and chord formations, scales, arpeggios, repeated notes, ligados, barring, natural harmonics, control of note duration, balance of melody versus accompaniment, and the handling of contrapuntal voices. A careful study of these pieces will lay the groundwork for a solid technique and allow the guitarist to build the control necessary for the expression of his or her musical concepts. In preparing this edition David Grimes worked with Sor's original publications, but incorporated some alterations that appear in those studies that Napoleon Coste chose to include in his Methode complete pour la Guitarre par Ferdinand Sor. Furthermore, Mr. Grimes has corrected misprints, modernized the notation and rectified some inconsistencies. Finally, some developments in technique since Sor's day have been incorporated in this edition.

Live At The Smithsonian Jazz Cafe. Par CHRISTIANSEN COREY. Recorded in concert at the Smithsonian Jazz Café - November 11, 2005 Vic Juris and Corey Christiansen, two of the first guitarists on Mel Bay Records, joined bassist Bill Moring and drummer Tim Horner on this remarkable set of standards and originals. Awakening, Corey's first CD as well as the first release on Mel Bay Records, was hailed by jazz critics and radio programmers as an unusually impressive debut recording. Widely recognized as a brilliant musician and composer, Vic has worked with an extensive roster of jazz legends since the early 1970s. A Second Look, his first CD on Mel Bay Records, was released in April of 2005 to great critical acclaim. As senior editor for Mel Bay Publications, Corey was given the opportunity to produce Vic's CD. In the process, they discovered their musical styles compliment each other so well that it was only natural for them to record together. Live at the Smithsonian Jazz Café clearly demonstrates the wisdom of that decision. / Niveau : Tous Niveaux / Jazz - Concert/Documentary / Accessoire / Guitare

Original Solos for the Classical Guitarist. This book is a collection of short, easy-to-learn guitar solos that sound impressive even when played by the beginning guitar student. The classical/folk style of these works gives the performer something that is fun and exciting to learn, and the listener something that is pleasant to the ear. The works are arranged in order of musical complexity, the last being the most difficult. Written in notation and tablature. Includes access to online audio. / Niveau : Facile / Tablatures / Guitare

The idea behind this book is to provide the progressive guitarist with a comprehensive overview of chordal structures on the guitar fingerboard. Starting with triads, then working through 7th and 9th chords and further extensions, chord substitution relationships and practical examples over standard chord progression, the book presents a chordal concept based on logic rather than just memorized shapes.This book will make it easier for today's guitarists to understand the complex chordal structures used in contemporary jazz. / Guitare