(75 Hymns and Choruses). By David Winkler. String ensemble. For medium voice, guitar. Easy. Published by Lillenas Publishing Company

Guitar Solo

SKU: IS.G6129EM

Composed by Matteo Carcassi. Plucked - Guitar. Metropolis Music Publishers #G6129EM. Published by Metropolis Music Publishers (IS.G6129EM).

ISBN 9790365061297.

Carc assi was born in Florence, Italy, and first studied the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. He moved to Germany in 1810, gaining almost immediate success. In 1815, he was living in Paris, earning his living as a teacher of both the piano and the guitar. On a concert tour in Germany in 1819, he met his friend Antoine Meissonnier for the first time. Also a famous guitarist, Meissonnier published many of Carcassi's works in his Paris publishing house. For Meissonnier he also arranged a number of popular songs for guitar that were originally written for piano, including works by Théodore Labarre and Loïsa Puget. From 1820 on, Carcassi spent the majority of his time in Paris. In 1823, he performed an extremely successful series of concerts in London that earned him great fame, both as a performing artist and as a teacher. However, in Paris, a long time passed before his talents were truly recognized, partly because of the presence of Ferdinando Carulli. Carcassi was in Germany again during autumn 1824. Afterwards he performed in London, where his reputation now gave him access to more prestigious concert halls. Finally he returned to Paris. For several years, he made concert trips from here to the most important cultural towns of Europe, including London. After a short return to performing in 1836, he quit his concert practice around 1840 and died in Paris in 1853. His most famous works are collected in his 25 Etudes op. 60. In these, he managed to blend technical skills and brilliant romantic music. This is the reason his music is still played by so many classical guitarists today.

Guitar solo - Advanced

SKU: DZ.DZ-4244

Composed by Konstantin Bliokh. Score. Les Productions d'OZ #DZ 4244. Published by Les Productions d'OZ (DZ.DZ-4244).

ISBN 9782898521614.

La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. � ce moment-là, ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.

Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.

Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.

Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.

Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol# â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.

Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ?? Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.

La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.

Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.

Sona ta No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.
Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.
The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.
The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.
The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ? ?B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.
Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.
The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.
I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.

By Various. Guitar Collection. Christian, General Worship, Worship. Softcover. 96 pages. Published by Hal Leonard

By Jessica Baron. Book; CD; Classroom/Pre-School; General Music and Classroom Publications; Other Classroom. 128 pages. Published by Alfred Music Publishing

Guitar

SKU: GI.G-3966

Composed by Gary Daigle, Rory Cooney, and Theresa Donohoo. Sacred. Collection. With guitar chord names. GIA Publications #3966. Published by GIA Publications (GI.G-3966).

Text by various.

Hear these once and the tunes and lyrics will remain with you for a long time. One Is has become an instant success that unites the living, the unborn, the dead. Covenant Hymn is perfect for weddings and anniversaries. Now bespeaks our need for peace and justice. Four new psalm settings bring ancient words to life. Three inspired liturgical musicians combined their talents once again to create this hit. Rory Cooney wrote all the music and lyrics except for the music of Covenant Hymn which was written by Gary Daigle who also produced the recording. The incredible vocal talent of Theresa Donohoo contributes to wonderfully pleasant listening. CONTENTS: I AM FOR YOU (G-3967) • ONE IS (G-3968) • PSALM 1:ROOTS IN THE EARTH (G-3969) • IF/SI (G-3970) • PSALM 85:YOUR MERCY LIKE RAIN (G-3971) • BE THOU MY VISION (G-3973) • NOW (G-3974) • PSALM 51:CREATE ME AGAIN (G-3975) • ALL THINGS NEW (G-3976) • COVENANT HYMN (WHEREVER YOU GO) (G-3977) • MISSION SONG (G-3978) • SPIRITS SEEKING LIGHT AND BEAUTY (G-3979) .

Guitar

SKU: GI.G-8276G

Composed by Chris De Silva. This edition: Guitar edition. Eastertide. Sacred. Guitar part. With guitar chord names. 8 pages. GIA Publications #8276G. Published by GIA Publications (GI.G-8276G).

English. Text by Mary Louise Bringle.

Performed by Les Paul. DVD. Jazz. DVD . Size 5.25x7.5 inches. Published by Hal Leonard.

(Sulle ali di un accordo). By Giorgio Signorile. 24 pages. Published by Ut Orpheus

Guitar

SKU: GI.G-4005G

Composed by Bob Moore. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 24 pages. GIA Publications #4005G. Published by GIA Publications (GI.G-4005G).

This is the guitar version. There's a style here for everyone: robust metrical hymns like When the Lord in Glory Comes, the lyrical Joyful Is the Dark, Come to Me O Weary Traveller with a beautiful early American flavor, and the classically influenced Jesus on the Mountain Peak. In addition to Bob's original texts, works by Timothy Dudley-Smith, Brian Wren, and Sylvia Dunstan are also included. CONTENTS: LIVING WATERS (G-3630) • ENTER IN (G-3837) • THE WORD IS IN YOUR HEART (G-3838) • WHEN THE LORD IN GLORY COMES (G-3841) • JOYFUL IS THE DARK (G-3845) • GOD BE IN MY HEAD (G-3854) • PSALM 103: OUR GOD IS RICH IN LOVE (G-3858) • ALL WHO HUNGER (G-3859) • COME TO ME, O WEARY TRAVELER (G-3860) • WE GATHER IN WORSHIP (G-3861) • WE ARE A CHOSEN PEOPLE (G-3875) .

The Essential Guide for Working in a Male-Dominated Industry. By Vivian Clement. For Guitar. Guitar Method or Supplement. Book

Guitar

SKU: GI.G-7146G

Composed by Lori True. This edition: Guitar edition. Pentecost Vigil, Pentecost. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #7146G. Published by GIA Publications (GI.G-7146G).

English, Latin. Text by Ruth Duck.

Guitar

SKU: GI.G-8011G

Composed by Swee Hong Lim. Arranged by John L. Bell. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 3 pages. GIA Publications #8011G. Published by GIA Publications (GI.G-8011G).

English. Text source: Based on Psalm 100. Text by John L. Bell.

Guitar

SKU: GI.G-6064G

Guitar. Composed by Lori True. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. GIA Publications #6064G. Published by GIA Publications (GI.G-6064G).

English.

Guitar

SKU: GI.G-4274G

Composed by Marty Haugen. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 32 pages. GIA Publications #4274G. Published by GIA Publications (GI.G-4274G).

English, Spanish.

CONTENTS: ALL ARE WELCOME (G-4166) • SPRINGS OF WATER, BLESS THE LORD (G-4135) • COME, O COME LET US SING (G-4275) • IN THE MORNING I WILL SING (G-4276) • NOW BLESS THE GOD OF ISRAEL (G-4134) • TE DEUM (G-4277) • ON THE JOURNEY TO EMMAUS (G-4278) • BREAD TO SHARE (G-4279) • IF WE ARE LIVING / PUES SI VIVIMOS (G-4280) • ABUNDANT LIFE (G-4281) • I WILL WALK IN THE PRESENCE OF GOD (G-4282) • GOD OF THE SPARROW (G-4283) • THE HAND OF GOD SHALL HOLD YOU (G-4284).

Guitar

SKU: GI.G-4280G

If We Are Living. Arranged by Marty Haugen. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #4280G. Published by GIA Publications (GI.G-4280G).

English, Spanish.