Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

By Various. Edited by Trevor de Clercq. Fake Book. Softcover. 224 pages. Published by Hal Leonard

Performed by Pat Metheny. For guitar (no tablature). Format: fake book. With leadsheet notation and chord names. Jazz and jazz fusion. 448 pages. 9x12 inches. Published by Hal Leonard.

(A quick guide to jazz styles through the years). By Tom Dempsey. For Guitar. Guitar Method or Supplement; Method/Instruction. Jazz. Book and CD. 48 pages. Published by Alfred Music Publishing

Guitar Educational. Method. Softcover with CD. 192 pages. Wise Publications #AM1005202. Published by Wise Publications (HL.141140).

Piano/Vocal/Guitar

SKU: HL.256650

Composed by Various. Piano/Vocal/Guitar Songbook. Children, Disney, Movies. Softcover. 288 pages. Published by Hal Leonard (HL.256650).

ISBN 9781540015303. UPC: 888680723699. 9.0x12.0x0.78 inches.

This updated 7th edition coffee table collection is a Disney lover's dream come true! It is a guided tour through the many legendary years of Disney music. The book begins with an extensive musical history of Disney, followed by beautiful piano/vocal arrangements of 70 Disney classics. Printed on deluxe stock with more than 100 stunning full-color illustrations accompanying the text and music, this book is a keepsake to treasure for years to come! Songs include: Bibbidi-Bobbidi-Boo (from Cinderella) * Circle of Life (from The Lion King) * Evermore (from Beauty and the Beast) * How Far I'll Go (from Moana) * I See the Light (from Tangled) * Let It Go (from Frozen) * Under the Sea (from The Little Mermaid) * When You Wish Upon a Star (from Pinocchio) * You've Got a Friend in Me (from Toy Story) * and more.

Guitar - Intermediate

SKU: OT.26114

Composed by Ariel Lazarus. A short suite for classical guitar based on themes from the Spanish and Portuguese tradition. Classical. Score. OR-TAV Music Publications #26114. Published by OR-TAV Music Publications (OT.26114).

ISBN 9789655051049. 8.27 x 11.69 inches.

Ariel Lazarus
Guitarra Liturgia
Two pieces based on music from the Spanish and Portuguese tradition.
Contents:
Jerusalem de Sefarad - Suite for Guitar
Contrapunto Sefardi
The composer writes:
For many years I wanted to compose a piece for guitar which would inspire interested students to expand their repertoire in the direction of Jewish music. The most natural thing for me was to write a suite based on themes from the synagogue in which I grew up – the Spanish and Portuguese synagogue of Gibraltar. My beloved grandfather served all his life as hazzan (cantor) of this synagogue, and I always felt as a composer and educator that I had a special obligation to continue his tradition and pass it on to a new generation. In this composition, I let the guitar echo the piyyutim (semi-liturgical poems) that were part of my childhood: Adon Olam, Sh'charchoret, Achot K'tana, Yigdal, Borei ad Ana, all of which are sung in the Spanish and Portuguese tradition from Gibraltar to London, and from New York to Jerusalem. I let myself dream the piyyutim, take them apart and reconstruct them as a short suite for guitar, the results of which you are invited to hear here. As a conceptual idea for the suite, I choose to suggest about the cultural continuation between the Diaspora and the land of Israel by way of referencing the well-known melody of Naomi Shemer, which is also popular among the hazzanim.
Dr. Ariel Lazarus is a unique voice among Israeli composer-performers today. Brought up in a family with Jewish musical roots both in Gibraltar and Westphalia, he began composing and playing the guitar in his teens, and has been committed to developing his own compositional language ever since, always maintaining an open dialogue with his traditions.
Lazarus received his BMus and MMus degrees from Oklahoma City University in classical guitar performance and composition where he studied with American composer Dr. Edward Knight. He earned his PhD from Bar Ilan University, studying composition with Prof. Betty Olivero and Prof. Gideon Lewensohn and conducting research under the supervision of Prof. Edwin Seroussi from the Hebrew University. His symphonic works have been premiered by the Raanana Symphonette Orchestra, and his chamber works have been performed by various ensembles in the United States, Central Europe, Portugal, Gibraltar, Scandinavia and Israel. Lazarus performs regularly as Art Ambassador on behalf of the Israeli Ministry of Diaspora affairs Amiel BaKehila program.
His solo album A Hebrew Capriccio was released by the German boutique label SmoothFactor and was awarded critical acclaim, among others, in Haaretz, and Neue Westfalishe.
Dr. Lazarus is the musical director and co-founder of the Israeli Ladino Orchestra. His work with the orchestra has been recognized by the official Carta de España. He teaches at the Academic College for Education Givat Washington, and the Rimon School of Music. Lazarus’s work has been awarded by the Israeli Pais Art council and ACUM.

By Michael Patilla. For solo guitar with CD. Book and CD. Published by Imagine Music

(The Easiest Guitar Method Ever!). By Ron Manus and L. C. Harnsberger. For Guitar. This edition: Books, CDs and DVD. Book; DVD; Enhanced CD; Guitar Method or Supplement; Method/Instruction. Kid's Guitar Course. Children. Beginner. Published by Alfred Music

Guitar

SKU: GI.G-006425-P2

Sacred. Guitar part. GIA Publications #006425-P2. Published by GIA Publications (GI.G-006425-P2).

We Celebrate is a flexible resource that combines a large-size, always up-to-date quarterly missal with a complete, beautifully softbound hymnal. We Celebrate provides parishes with the finest in texts and music—in a format that offers the right combination of stability and flexibility for quality parish worship. This is the worship program for the parish with the highest standards. The We Celebrate Quarterly Missal contains all of the readings and prayers for Sundays and Holy Days. Each issue provides catechetical tools to help worshipers participate more fruitfully in the liturgy and to draw connections between liturgy and life: insightful introductions to the Sunday scriptures, weekly questions for individual or group reflection, and an article introducing the liturgical season. The generous 6 X 9 size is easy to hold and easy to read. Scriptures are printed in an even larger type. Weekdays are an important part of the We Celebrate missal. Lectionary citations are provided, as well as Entrance and Communion antiphons, complete responsorial psalms, and gospel acclamations with verses. Also included are orders of service for rites and devotions, Morning and Evening Prayer, Communal Reconciliation, and seasonal celebrations. Misalito Parroquial, a Spanish-language section of Lectionary readings, prayers, and hymnody is available as an insert to the We Celebrate Quarterly Missal. We Celebrate Hymnal includes Peter Kolar's acclaimed bilingual Mass setting, Misa Luna, and Kathleen Demny's‚ best-selling Mass for children, Mass of Joy. The We Celebrate Hymnal is published every three years and contains more than 850 musical pieces, including hymns, songs, psalms, and ritual music. The Hymnal provides a body of repertory available throughout the year, while the Missal provides the best of new music. Although designed to coordinate with the We Celebrate Missal, the Hymnal can serve as a complete resource itself or as a companion to any missal, including Seasonal Missalette and Celebremos!/Let Us Celebrate!. For more information contact our Sales and CRM Manager, Suzanne Orland at 708-613-8981 or email (suzanneo@giamusic.com for pricing. Click on this link to view music index pages from the We Celebrate Hymnal.  We Celebrate Hymnal and Missal (missal published four times a year, hymnal published every three years) 25 copies or more $4.20 per subscription, per year plus shipping.

Guitar - Grade 2

SKU: HL.14025762

Volume Two. Composed by Various. Music Sales America. Ballad. Book [Softcover]. 40 pages. Music Sales #OMB81. Published by Music Sales (HL.14025762).

ISBN 9780946005628. 6.0x8.25x0.14 inches. English.

The second book in this Duncle's Collection provides another 50 songs which can be addded to your repertoire. The book contains the words and music for some of Ireland's popular songs and ballads. Illustrated with period photographs from the 1920's and 1930's from the Father Brown collection. Play them all with only six chords!

First Sonata on Shakespearean Characters Solo Guitar. Composed by Hans Werner Henze (1926-). Edited by Marco Minà. Guitar. Classical. Softcover. 48 pages. Duration 1500 seconds. Schott Music #GA580. Published by Schott Music

(The Easiest Guitar Method Ever!). By Ron Manus and L.C. Harnsberger. For Guitar. Guitar Method or Supplement; Method/Instruction. Kid's Guitar Course. Children. Beginner. DVD. Published by Alfred Music Publishing

Guitar

SKU: GI.G-006425-B2

Sacred. Guitar part. GIA Publications #006425-B2. Published by GIA Publications (GI.G-006425-B2).

We Celebrate is a flexible resource that combines a large-size, always up-to-date missal with a complete, beautifully softbound hymnal. We Celebrate provides parishes with the finest in texts and music—in a format that offers the right combination of stability and flexibility for quality parish worship. This is the worship program for the parish with the highest standards. The We Celebrate Missal contains all of the readings and prayers for Sundays and Holy Days. Each issue provides catechetical tools to help worshipers participate more fruitfully in the liturgy and to draw connections between liturgy and life: insightful introductions to the Sunday scriptures, weekly questions for individual or group reflection, and an article introducing the liturgical season. The generous 6 X 9 size is easy to hold and easy to read. Scriptures are printed in an even larger type. Weekdays are an important part of the We Celebrate missal. Lectionary citations are provided, as well as Entrance and Communion antiphons, complete responsorial psalms, and gospel acclamations with verses. Also included are orders of service for rites and devotions, Morning and Evening Prayer, Communal Reconciliation, and seasonal celebrations. Misalito Parroquial, a Spanish-language section of Lectionary readings, prayers, and hymnody is available as an insert to the We Celebrate Missal. We Celebrate Hymnal includes Peter Kolar's acclaimed bilingual Mass setting, Misa Luna, and Kathleen Demny's‚ best-selling Mass for children, Mass of Joy. The We Celebrate Hymnal is published every three years and contains more than 850 musical pieces, including hymns, songs, psalms, and ritual music. The Hymnal provides a body of repertory available throughout the year, while the Missal provides the best of new music. Although designed to coordinate with the We Celebrate Missal, the Hymnal can serve as a complete resource itself or as a companion to any missal, including Seasonal Missalette® and Celebremos!/Let Us Celebrate!. For more information contact our Sales and CRM Manager, Suzanne Orland at (missalsandhymnals@giamus ic.com) for pricing. Click on this link to view music index pages from the We Celebrate Hymnal. .

(The Easiest Guitar Method Ever!). Composed by Ron Manus and L. C. Harnsberger. For Guitar. Book; Enhanced CD; Guitar Method or Supplement; Method/Instruction. Kid's Guitar Course. Children. Beginner. 48 pages. Published by Alfred Music

Guitar

SKU: GI.G-006425

Sacred. Guitar part. GIA Publications #006425. Published by GIA Publications (GI.G-006425).

We Celebrate is a flexible resource that combines a large-size, always up-to-date missal with a complete, beautifully softbound hymnal. We Celebrate provides parishes with the finest in texts and music—in a format that offers the right combination of stability and flexibility for quality parish worship. This is the worship program for the parish with the highest standards. The We Celebrate Missal contains all of the readings and prayers for Sundays and Holy Days. Each issue provides catechetical tools to help worshipers participate more fruitfully in the liturgy and to draw connections between liturgy and life: insightful introductions to the Sunday scriptures, weekly questions for individual or group reflection, and an article introducing the liturgical season. The generous 6 X 9 size is easy to hold and easy to read. Scriptures are printed in an even larger type. Weekdays are an important part of the We Celebrate missal. Lectionary citations are provided, as well as Entrance and Communion antiphons, complete responsorial psalms, and gospel acclamations with verses. Also included are orders of service for rites and devotions, Morning and Evening Prayer, Communal Reconciliation, and seasonal celebrations. Misalito Parroquial, a Spanish-language section of Lectionary readings, prayers, and hymnody is available as an insert to the We Celebrate Missal. We Celebrate Hymnal includes Peter Kolar's acclaimed bilingual Mass setting, Misa Luna, and Kathleen Demny's‚ best-selling Mass for children, Mass of Joy. The We Celebrate Hymnal is published every three years and contains more than 850 musical pieces, including hymns, songs, psalms, and ritual music. The Hymnal provides a body of repertory available throughout the year, while the Missal provides the best of new music. Although designed to coordinate with the We Celebrate Missal, the Hymnal can serve as a complete resource itself or as a companion to any missal, including Seasonal Missalette® and Celebremos!/Let Us Celebrate! For more information contact our Sales and CRM Manager, Suzanne Orland at (missalsandhymnals@giamus ic.com) for pricing.

Guitar

SKU: GI.G-006425-B1

Sacred. Guitar part. GIA Publications #006425-B1. Published by GIA Publications (GI.G-006425-B1).

We Celebrate is a flexible resource that combines a large-size, always up-to-date missal with a complete, beautifully softbound hymnal. We Celebrate provides parishes with the finest in texts and music—in a format that offers the right combination of stability and flexibility for quality parish worship. This is the worship program for the parish with the highest standards. The We Celebrate Missal contains all of the readings and prayers for Sundays and Holy Days. Each issue provides catechetical tools to help worshipers participate more fruitfully in the liturgy and to draw connections between liturgy and life: insightful introductions to the Sunday scriptures, weekly questions for individual or group reflection, and an article introducing the liturgical season. The generous 6 X 9 size is easy to hold and easy to read. Scriptures are printed in an even larger type. Weekdays are an important part of the We Celebrate missal. Lectionary citations are provided, as well as Entrance and Communion antiphons, complete responsorial psalms, and gospel acclamations with verses. Also included are orders of service for rites and devotions, Morning and Evening Prayer, Communal Reconciliation, and seasonal celebrations. Misalito Parroquial, a Spanish-language section of Lectionary readings, prayers, and hymnody is available as an insert to the We Celebrate Missal. We Celebrate Hymnal includes Peter Kolar's acclaimed bilingual Mass setting, Misa Luna, and Kathleen Demny's‚ best-selling Mass for children, Mass of Joy. The We Celebrate Hymnal is published every three years and contains more than 850 musical pieces, including hymns, songs, psalms, and ritual music. The Hymnal provides a body of repertory available throughout the year, while the Missal provides the best of new music. Although designed to coordinate with the We Celebrate Missal, the Hymnal can serve as a complete resource itself or as a companion to any missal, including Seasonal Missalette® and Celebremos!/Let Us Celebrate! For more information contact our Sales and CRM Manager, Suzanne Orland at (missalsandhymnals@giamus ic.com) for pricing.

Guitar

SKU: BT.MUSAM1001440R

Composed by Justin Sandercoe. JustinGuitar. Tuition. Book with Online Audio. Composed 2015. 192 pages. Wise Publications #MUSAM1001440R. Published by Wise Publications (BT.MUSAM1001440R).

ISBN 9781783058921. English.

Hailed as the most comprehensive and complete beginner's Guitar method ever, the Justinguitar.com Beginner's Course from Justin Sandercoe will take you through everything from buying a Guitar to basic improvisation, now including two CDs full of content. If you have ever thought about picking up a Guitar, this book should be your first port of call. In renowned music teacher Justin Sandercoe 's friendly and authoritative way, he takes you through the basics of being a Guitarist  from the absolute beginning to playing some impressive songs. You will learn all the essential chords, the fundamental scales and rhythm strumming and picking. giving you demonstrations of every chord, technique and exercise to help you hear exactly how everything should sound. Justinguitar.com  has been world-renowned since it was initially set up in 2003. The Independent The CDs have been specially recorded by Justin  newspaper has called him one of the most influential guitarists in history, and his combined total of 100 million viewers would certainly agree. His online videos have gained him huge recognition, but he is also a teacher at the Guitar Institute, and has taught thousands of students privately, including Katie Melua and Cathy Dennis.  The course has been 20 years in the making, and has incorporated everything that a beginning guitarist needs to know, but that is often skipped over in less rewarding methods; things like music theory, aural training and songs specifically chosen to reinforcetechniques learned. Speaking of songs, if you want more songs to learn as a fantastic complement to this book, check out the  Justinguitar.com Beginner's Songbook .  Topics covered in this  Beginner's Course  include: Choosing equipment like a Guitar, an amplifier and accessories Open, barre and power chords as well as rhythm Guitar techniques Scorching lead playing such as the 12-bar blues and basic improvisation.

Guitar - intermediate to advanced

SKU: M7.GHE-702-96

Composed by Manuel Ponce. Edited by Stefano Grondona. This edition: Saddle-wire stitching. Sheet music with Online material. Critical Edition. MDS (Music Distribution Services) #GHE 702-96. Published by MDS (Music Distribution Services) (M7.GHE-702-96).

ISBN 9783890447056. English.

HIS IS THE FIRST CRITICAL EDITION OF THESE WORKS AND IT OFFERS WE HOPE A STANDARD READING WHICH EXAMINES, WITH SOLUTIONS, MANY UNEXPLAINED DIFFERENCES BETWEEN THE COMPOSER'S MANUSCRIPTS, OUR EDITED MUSIC TEXT, AND PREVIOUS EDITIONS. 70 years after Ponce's death in 1948, we celebrate his life with a new critical-performing edition of his 24 Preludios newly prepared from the original manuscripts by Stefano Grondona. We proudly present a totally new edition with audio files of the 24 Preludios para guitarra. This is the first critical edition of the 24 Preludios para guitarra. The audio files of all 24 Preludios are played by Stefano Grondona and for download with a code printed in the book. This edition is really two editions in one. Not only is it a performing edition meticulously fingered by Stefano Grondona, but as well it is also an Urtext edition of the original manuscripts. Our pragmatic critical apparatus permits the player simply and clearly to see also what was in the original manuscripts, and what was not. With this publication it is now possible to clarify some long-standing issues relevant to our aim of presenting an accurate final music text; it is now possible to see where previous publications of this repertoire have varied with the manuscripts and how we have treated these situations in our edition, and how these were treated differently in previous editions. A comprehensive critical commentary is included together with copious historical and informative notes about the selection of the works and how and why our edition took its present form and content. At last we believe to have an edition which takes the form which the composer intended and new source material is also included, such as the Ramaugé ms for Prelude no. 6.

Guitar - intermediate

SKU: M7.GHE-701

Pour la guitare. Composed by Antoine de Lhoyer. Edited by Erik Stenstadvold. This edition: Saddle-wire stitching. Sheet music. Performing score, Critical Edition. Op. 27. 20 pages. MDS (Music Distribution Services) #GHE 701. Published by MDS (Music Distribution Services) (M7.GHE-701).

ISBN 9783890447018. English.

We proudly present this new modern critical edition of Antoine de Lhoyer's Six Exercices Op. 27, originally published in Paris around 1812. These exercises, originally written for 5-string guitar, are remarkably advanced for their time and well worth playing; the rapid arpeggio patterns and daring harmonic shifts in some of them may bring even Villa-Lobos to mind. The Six Exercices Op. 27 were arranged by Giuliani and published some 7 years later under his name as Six Preludes Op. 83. The exercises were originally written for 5-string guitar. We have added alternative readings for using the 6th string, an often employed publishing practice of the period. The music is edited and fingered by Erik Stenstadvold, an authority on the guitar repertoire of the early 19th century. There is also an informative preface, with full biographical details and critical notes.

The Most Popular Method for Learning How to Play. Composed by Morty Manus and Ron Manus. This edition: 3rd. Book; DVD; Digital Download; Guitar Method or Supplement; Method/Instruction. Alfred's Basic Guitar Library. 48 pages. Published by Alfred Music