Jazz, Jazz Instruction. Jazz Guitar Voicing Series. Three- Note Voicings And Beyond. Softcover Book. Sher Music Company #9781883217662. Published by Sher Music Company

Guitar

SKU: HL.1354656

By Various. Really Easy Guitar. Pop. Softcover. 48 pages. Published by Hal Leonard (HL.1354656).

ISBN 9798350116939. UPC: 196288192114. 9.0x12.0x0.138 inches.

If you're the type of person who can't wait to learn their favorite songs on guitar, this series is what you need! The Hal Leonard Really Easy Guitar series features easy-to-follow charts with lyrics, chords and basic tab–everything you need to start playing right away. This edition features 22 songs that only contain three chords each! In no time, you'll be able to play: Ain't No Sunshine • All Along the Watchtower • All Apologies • Bad Moon Rising • Blowin' in the Wind • Folsom Prison Blues • Jolene • Margaritaville • Ring of Fire • Simple Man • Twist and Shout • and more!

By Randy Vincent. For jazz guitar. Jazz Guitar Voicings Series. Jazz, instructional. Book. 200 pages. Published by Sher Music Company

Guitar

SKU: HL.49010834

Volume 1. Composed by Anton Stingl. This edition: Saddle stitching. Sheet music. Gitarren-Archiv (Guitar Archive). Classical. 23 pages. Schott Music #GA 420. Published by Schott Music (HL.49010834).

ISBN 9790001096706. UPC: 073999637540. 9.0x12.0x0.082 inches.

Contents: Light Suites in C (Variations) * Three Folksong dances * Three light Pieces in C Major * Four little Studies * Light Sonatina in G * Abends will ich schlafen gehn (Variations) * Prelude and March in E minor.

Guitar

SKU: HL.278177

Supplement to Any Guitar Method. By Various. Guitar Method. Christmas, Pop. Softcover. 32 pages. Published by Hal Leonard (HL.278177).

ISBN 9781540029546. UPC: 888680752583. 9x12 inches. Hal Leonard Guitar Method.

Strum along with your favorite holiday hits, correlated to work with any guitar method book 1. The songs are presented in order of difficulty – featuring 15 songs in all. Includes: Away in a Manger • C-H-R-I-S-T-M-A-S • Deck the Hall • Feliz Navidad • I Saw Three Ships • Jingle Bells • Jolly Old St. Nicholas • Joy to the World • The Little Drummer Boy • Nuttin' for Christmas • O Come, All Ye Faithful • Silent Night • Silver Bells • The Star Carol (Canzone D'i Zampognari) • Up on the Housetop.

About Hal Leonard Guitar Method

The world-famous Hal Leonard Guitar Method is preferred by teachers because it makes them more effective while making their job easier. Students enjoy its easy-to-follow format that gives them a solid music education while letting them play songs right away. The Hal Leonard Guitar Method provides a complete system to playing success which includes three levels of instruction and a myriad of play-along supplemental songbooks that let students play great songs while they're still learning to play.

Guitar

SKU: HL.278175

Supplement to Any Guitar Method. By Various. Guitar Method. Christmas, Pop. Softcover Audio Online. 32 pages. Published by Hal Leonard (HL.278175).

ISBN 9781540029522. UPC: 888680752569. 9x12 inches. Hal Leonard Guitar Method.

Strum along with your favorite holiday hits, correlated to work with any guitar method book 1. The songs are presented in order of difficulty – featuring 15 songs in all. Includes: Away in a Manger • C-H-R-I-S-T-M-A-S • Deck the Hall • Feliz Navidad • I Saw Three Ships • Jingle Bells • Jolly Old St. Nicholas • Joy to the World • The Little Drummer Boy • Nuttin' for Christmas • O Come, All Ye Faithful • Silent Night • Silver Bells • The Star Carol (Canzone D'i Zampognari) • Up on the Housetop. The accompanying audio features every song recorded by a full band, so you can hear how each song sounds and then play along when you're ready. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

About Hal Leonard Guitar Method

The world-famous Hal Leonard Guitar Method is preferred by teachers because it makes them more effective while making their job easier. Students enjoy its easy-to-follow format that gives them a solid music education while letting them play songs right away. The Hal Leonard Guitar Method provides a complete system to playing success which includes three levels of instruction and a myriad of play-along supplemental songbooks that let students play great songs while they're still learning to play.

By Groeber, Hoge, Sanchez, Welch. For Guitar. This volume expands the three-string chords (introduced in Exploring Chords Book 1) to form complete chords. Guitar. Level: Late Elementary. Book. Published by The FJH Music Company Inc.

For Guitar, Banjo and Uke. By Larry McCabe. For Guitar All. SongBook. McCabe's 101 Series. Gospel-Old Time. Level: Beginning. Book. 136 pages. Published by Mel Bay Publications, Inc.

Guitar

SKU: SU.80112345

For Guitar. Composed by Meyer Kupferman. Guitar, Solo Guitar. Score. Subito Music Corporation #80112345. Published by Subito Music Corporation (SU.80112345).

Guitar Composed: 2002 Published by: Soundspells Productions Three Dances (2002) is a set of three brief movements for solo guitar, composed for David Starobin.

By Various. For easy guitar. Strum It (Guitar). Size 9x12 inches. 40 pages. Published by Hal Leonard.

(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). Composed by Various. Arranged by Daniel Kelley. Mixed Trio. For Flute/Oboe/Violin in C, Flute/Oboe/Violin in C, Keyboard/Guitar. Trios. Includes a set of three parts (Part 1 Flute or Oboe or Violin - LR.52211, Part 2 Flute or Oboe or Violin - LR.52221, Keyboard/Guitar - LR.52240). Classical. Set of 3 parts. Published by Last Resort Music Publishing

For Solo Guitar. By Robert Xavier Rodriguez. Arranged by Enric Madriguera. Guitar. 6 pages. Published by G. Schirmer, Inc.

(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Various. Arranged by Daniel Kelley. Mixed Trio. For Flute/Oboe/Violin in C, Flute/Oboe/Violin in C, Keyboard/Guitar. Trios. Includes a set of three parts (Part 1 Flute or Oboe or Violin - LR.52111, Part 2 Flute or Oboe or Violin - LR.52121, Keyboard/Guitar - LR.52140). Classical. Intermediate. Set of 3 parts. Published by Last Resort Music Publishing

By Groeber, Hoge, Welch, Sanchez. For Guitar. Includes: Jingle Bells, Jolly Old Saint Nicholas, We Three Kings of Orient Are, Away in a Manger, Good King Wenceslas. Christmas. Level: Primer. Book. Published by The FJH Music Company Inc.

Guitar - intermediate

SKU: HL.14009334

Arranged by John W. Duarte. Music Sales America. Folk Music. Book [Softcover]. Music Sales #NOV954129. Published by Music Sales (HL.14009334).

A set of three traditional English folk songs arranged by John Duarte for the classical guitar.

Learn to channel improvisational impulses into great solos with this amazing book and CD by outstanding jazz performer and educator, Mark Dziuba. Topics are thoroughly explained and organized into three main categories: instruction in the harmonic and melodic structures of jazz, discussions of practical application, and conceptual issues. Complex subjects are taught with an engaging and friendly style, so topics such as melodic and rhythmic motifs, phrasing, development, guide tones, chromaticism and functional harmony are easy and enjoyable to learn. This is a must-have book for all jazz guitarists that will be used for years to come.

120 Songs for Easy Guitar. By Various. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 111 pages. Published by Hal Leonard.

By Ron Manus, Link Harnsberger, and Nathaniel Gunod. For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. Children. 96 pages. Published by Alfred Music Publishing

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

By John Duarte. For Guitar. Classical. Sheet Music. 12 pages. Published by Novello and Co Ltd.

(Expand Your Playing with a New Style). By Andrew York. Edited by Nathaniel Gunod. For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. Jazz. 192 pages. Published by Alfred Music Publishing

Composed by Various. Guitar Solo. Softcover. 32 pages. Published by Hal Leonard

Composed by Wissam Abboud. Saddle-stitched, Method. Mastering the Classical Guitar. Style. Book and online audio. 72 pages. Mel Bay Publications, Inc #30683M. Published by Mel Bay Publications, Inc