Par EMMANUEL TOMMY. The incomparable Australian guitarist Tommy Emmanuel presents four fingerstyle exercises plus an arrangement of the classic tune Freight Train and two signature compositions- Mister Guitar and Dixie McGuire. This book would serve either as a reference text for one of Tommy's workshops or as a helpful guide to developing fingerstyle guitarists working on their own. All selections are written in notation and tablature for the guitar in standard tuning. A convenient chord chart is provided in the appendix. All of the selections in the book appear on the companion CD. Intermediate to advanced in difficulty, playing these tunes literally involves the thumbs of both hands! Gaining flexibility and control of your left thumb, you too can play like TE! / Niveau : Intermédiaire à Avancé / All Styles - Methods / Méthode / Guitare

This beginner level songbook in the popular A Modern Approach to Classical Guitar method series features 22 carefully arranged pop melodies in this updated and revised 2nd edition. Beginning fingerstyle or classical students studying from any guitar method will benefit from and enjoy the progressive approach in this book. Single-note melodies are featured on the top staff in standard notation, starting with basic rhythms and gradually increasing in difficulty. A bottom staff with challenging accompaniment guitar parts is also included so a teacher or friend can play along! Songs include: All My Loving (The Beatles) · It's Too Late (Carole King) · Killing Me Softly with His Song (Roberta Flack) · Light My Fire (The Doors) · Time in a Bottle (Jim Croce) · You're So Vain (Carly Simon) · and more./ Recueil / Guitare

Par . Rob MacKillop presents 20 classic lute transcriptions; the 'greatest hits' of the Renaissance and Baroque lute repertoire arranged for pick acoustic electric or classical guitar. MacKillop has for many years played all these pieces on the lute and has created sensitive guitar arrangements that lose nothing from the original scores. Composers include Bach Weiss Dowland Spinacino among others. Finally we have a book of lute-to-plectrum guitar transcriptions by an arranger who is deeply familiar with and respectful of both instruments. Includes access to online audio for every item recorded by Rob MacKillop in plectrum style. / Date parution : 2023-01-24/ Recueil / Guitare

New and Well-Known Pieces - Erste Stücke. Par COLES PAUL. Vol. 1 of Paul Coles’ “Classical Guitar Album“ contains 43 original, preparatory pieces including some well-known melodies for the developing player. Our author used accessible keys for all pieces and many classical guitar techniques so that practicing – whether in class or at home – is easy and makes fun. He also introduces playing techniques from different styles such as Flamenco. All three volumes include helpful playing instructions, fingering suggestions for both hands as well as a glossary of technical terms. / Recueil / Guitare

In this one-hour instructional DVD James Alan Shelton and George Shuffler demonstrate and teach the guitar techniques that helped change the role of the guitar in bluegrass music. The music of the Stanley Brothers and Ralph Stanley and the Clinch Mountain Boys has featured lead guitar work since Bill Napier and George Shuffler brought the guitar to the forefront of the Stanley's music in the late 1950s. This video begins with James Alan Shelton, the current lead guitar player for Ralph Stanley and the Clinch Mountain Boys, picking a tune with the legendary George Shuffler. James then interviews George regarding the development of his 'crosspicking? guitar technique. George demonstrates the technique and provides a guitar solo to one of the tunes he helped to make a bluegrass standard, 'Will You Miss Me.? George and James then pick 'Katy Dear? together and demonstrate their crosspicking talents. The instructional portion of the video begins with James Alan Shelton demonstrating the crosspicking roll and providing several exercises which will serve to train your right hand to gain skill with the crosspicking technique. James then teaches a 'turnaround? to 'Rank Stranger? which utilizes the crosspicking technique to 'fill in the gaps? between vocal lines. He then shows how to take the simple melody line of a song, 'Uncloudy Day,? and incorporate the crosspicking technique between the melody notes. Next, James teaches a crosspicking break to 'Bury Me Beneath the Weeping Willow? and follows that tune by demonstrating how to transform a Carter style guitar solo into a crosspicking solo using the song 'Wildwood Flower? as an example. The next section of the video features James teaching two of his original flatpicking tunes 'Road to Coeburn? and 'Tom's Creek.? This is followed by a fingerstyle performance of Ralph Stanley's favorite guitar number, 'Cannonball Blues.? James concludes the instructional portion of the video by talking about his selection of guitar strings, picks, and capos and provides 'tricks of the trade? to help you keep your flatpick in good shape. George and James both talk about their signature model Huss and Dalton guitars and the video concludes with George and James picking 'Banks of the Ohio? together. All of the songs that are taught in the video are transcribed in the accompanying transcription book. / Guitare (Flatpick) Et Plectre

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Par BAY WILLIAM. If you are only going to get one guitar chord book, make it this one! Thousands of chord forms are presented. Chords are presented in each key and numerous forms are shown for each type of chords. Chords are classified into melody forms, inside forms, rhythm forms and bottom four string forms. Each type of chord is shown in notation and it lists the name of each note and its function in the chord (root, third, seventh, etc.) Also, the name of each note is shown on every diagram and the bottom and top chordal tones are listed (5th, root, etc.). A great value for any guitarist. / Niveau : Tous Niveaux / All Styles - Chord Book / Etude / Guitare

Ce mélange impressionnant prend les meilleures chansons de rock des années 1960 à nos jours et les met à votre disposition tous en un seul livre ! Le grand Rock Chord Songbook 2 contient toutes les paroles et les cordes à quatre-vingt-quinze des chansons rock plus beaux, y compris : Livin ' sur une prière, The Passenger, Big Bottom, Laylah, Rock de la Casbah et charges plus ! / Guitare / Partition

Guitariste internationalement reconnu et instructeur Doug Boduch offre une ventilation étape par étape de huit classiques de roche, mettant en vedette certains de la guitare plus mémorable moments jamais. Apprenez les trucs, les riffs, les techniques et les styles qui rendent ces huit chansons certains des plus beaux et les plus intemporel guitare hymnes jamais enregistrés, avec explications laborieuse et discussions détaillées pour vous aider à obtenir leur maîtrisé. Comprend funky Day Tripper des Beatles, la nouvelle vague ska-pop de Message dans une bouteille la Police l'et le balancement latino-américain Oye Como va. de Santana / Guitare

Music From The Motion Picture Soundtrack. Par QUEEN. 15 songs from the motion picture soundtrack transcribed for easy guitar - you even get Brian May's awesome rendition of the Twentieth Century Fox trademark fanfare! / Niveau : Facile / Recueil / Guitare

Par VITIELLO FREDERIC. / Niveau : Assez Facile / classique / Répertoire / Guitare