With Guitar Chords. Edited by John Canning. Waltons Irish Music Books. Celtic, Scottish. Softcover. 50 pages. Waltons Irish Music #WM1386. Published by Waltons Irish Music (HL.634229).

By John Zaradin. For Guitar. Classical. Sheet Music. 64 pages. Published by Music Sales.

By Frederick Noad. For Guitar. Romantic, Classical. Sheet Music and Audio CD. 128 pages. Published by Music Sales.

24 Traditional Pieces. Composed by Various. Edited by Hugh Burns. This edition: Saddle stitching. Sheet music with CD. Guitar. Die Sammlung von Bearbeitungen traditioneller und zeitgenossischer Weisen, darunter Jigs, Reels, Airs und vieles mehr. Die meisten dieser Stucke sind fur Sologitarre bearbeitet; einige davon werden auch mit Begleitung angeboten. Celtic, Folk, Irish. Edition with CD. 52 pages. Schott Music #ED 13571. Published by Schott Music

Electric guitar - Intermediate

SKU: MB.30522M

Celtic Rock Solos. Composed by Philip John Berthoud. British, Saddle-stitched, World. Rock and Blues. Book and online audio. 52 pages. Mel Bay Publications, Inc #30522M. Published by Mel Bay Publications, Inc (MB.30522M).

ISBN 9781513464237. 8.75 x 11.75 inches.

Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the authorâ??s companion recording.

< span style=font-family: Arial;> The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little â??dirtâ? thrown into the mix. Skillful bodhrán and djembe playing on many of the tracks adds to the dynamic nature of the recording.

< span style=font-family: Arial;> Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you donâ??t read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader.

Written in standard notation and guitar tablature. Includes access to online audio.

Piano, Vocal and Guitar - Grade 2

SKU: HL.14021851

Music Sales America. Folk British Isles. Book [Softcover]. 56 pages. Music Sales #OMB77. Published by Music Sales (HL.14021851).

ISBN 9780946005543. 5.75x8.25x0.242 inches. English.

Continuing on from the first volume, More Songs And Ballads Of Ireland is another fabulous volume of traditional music from the Emerald Isle! It encompasses every style and type of Irish song to form a well rounded and versatile selection to enliven any sing-song, hooley or traditional session. This second collection of forty songs contains the complete words, music and guitar chords for each piece. Featured songs include: A Bunch of Thyme, The Wild Rover, Raglan Road and the ever popular Sally Gardens.

Guitar

SKU: HL.14033994

Music Sales America. Irish. Music Sales #OSSCD98. Published by Music Sales (HL.14033994).

0.396 inches.

This demo CD features Paul de Grae playing 31 tunes from his book Traditional Irish Guitar (OMB130). Although intended to accompany the book the CD makes good listening in itself, providing new insights into the use of the guitar and the richness and diversity of Irish music.

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

Composed by Miguel Llobet. Edited by Stefano Grondona. This edition: Saddle-wire stitching. Sheet music. 1048 pages. MDS (Music Distribution Services) #GHE 900. Published by MDS (Music Distribution Services)

By Sarah Mcquaid. For Guitar. Irish, Traditional, Folk. Sheet Music. 96 pages. Published by Music Sales.

Guitar - Intermediate

SKU: CZ.9798361660148

Composed by Various. Edited by Larry Newman. Arranged by Larry Newman. Book. Children's Music Workshop #9798361660148. Published by Children's Music Workshop (CZ.9798361660148).

ISBN 9798361660148.

This is a great book for guitarists looking to add jazz harmonies to their repertoire. Traditional classic Christmas songs are presented here with a whole new sound through rich jazz harmonies that are sure to please. The book includes chord symbols, melody lines and lyrics as well as online mp3 audio recordings.

Guitar Accompaniment Parts for the Landmark Method. Composed by James Longworth and Nick Walker. Guitar Method or Supplement; Method/Instruction. Faber Edition: Basics. Book. Faber Music #12-0571541666. Published by Faber Music

Un Sistema Completo Para Aprender A Tocar La Guitarra. By Ed Lozano. For guitar. Instructional. 3 Books, 3 CDs, and 1 DVD. Text language: Spanish. Published by Music Sales.

(A Landmark Guitar Method for Individual and Group Learning). By James Longworth and Nick Walker. For Guitar. Book; Enhanced CD; Guitar Method or Supplement; Method/Instruction; Play-Along. Faber Edition: Basics. Beginner. Published by Faber Music

First Sonata on Shakespearean Characters Solo Guitar. Composed by Hans Werner Henze (1926-). Edited by Marco Minà. Guitar. Classical. Softcover. 48 pages. Duration 1500 seconds. Schott Music #GA580. Published by Schott Music

Guitar

SKU: BT.9781408115008

Abracadabra. Book with CD. 72 pages. Collins Music Publishing #9781408115008. Published by Collins Music Publishing (BT.9781408115008).

ISBN 9781408115008.

A bracadabra Singalong Guitar makes learning the Guitar simple and fun. Bursting with songs from pop classics to traditional campfire favourites, the book includes full teaching notes, chord diagrams, lyrics and twoeasy-to-follow CDs.

It is the perfect resource for use during classroom singing, at small Guitar groups, in assemblies or for individual learners.

Guitar solo

SKU: DZ.DZ-4295

Composed by Adrian Andrei. Score. Les Productions d'OZ #DZ 4295. Published by Les Productions d'OZ (DZ.DZ-4295).

ISBN 9782898522123.

Ce cycle de 20 études pour guitare seule a comme model les ouvrages didactiques de Bela Bartok, telles que For Children ou Mikrokosmos. L’élément commune est l’usage de thèmes provenant du folklore d’enfants, car l’Hongrie et surtout la Roumanie, sont très riche à cet égard.
Toutes les chansons (développées) de ce volume sont trouvées dans la musique rituelle d’enfants de mon pays. Les études-miniatures sont des exercices polyphoniques et harmoniques qui seront très utile pour les jeunes guitaristes. Les structures modales donnent une saveur unique a cette partition et invite les musiciens à découvrir une tradition musicale étonnante.

This cycle, containing 20 studies for solo guitar is inspired from Bela Bartok’s didactical works, such as For Children or Mikrokosmos. The common element found in his works and mine are the themes coming from the children folk music which are very rich in Hungary and moreover in Romania.
All the developed songs I used in this volume are a little part of the ritualic music of the Romanian children. These little studies are polyphonic and harmonic exercises which are very useful for the young guitarists.
The modal structures give to this score a unique flavor and invite the musicians to discover an astonishing music tradition.

Guitar - Intermediate

SKU: CZ.9798879136494

Composed by Various. Arranged by Larry Newman. Book. Children's Music Workshop #9798879136494. Published by Children's Music Workshop (CZ.9798879136494).

ISBN 9798879136494.

Disc over Jazz Hymns – where cherished hymns meet the vibrant world of jazz! Immerse yourself in the timeless essence of twenty beloved hymns, now adorned with sophisticated jazz harmonies, designed to be easily performed by music enthusiasts of all levels.
This unique collection features classics like 'Amazing Grace,' 'How Great Thou Art,' and 'What a Friend We Have in Jesus,' each thoughtfully arranged to blend tradition with the allure of contemporary jazz. Featuring beautiful arrangements, online audio mp3s and included lyrics, this book is a comprehensive resource for both musicians and congregations alike.
Ideal for church services, personal devotion, or musical gatherings, these hymns resonate with a newfound energy while honoring their sacred roots. Elevate the ambiance of your gatherings and infuse them with the rich melodies and fresh harmonies found within Jazz Hymns.
Embrace the beauty of tradition reimagined and experience the joy of playing these timeless hymns, perfectly suited for musicians seeking a harmonious blend of classic and modern influences
Jazz Hymns is available is editions for flute, oboe, clarinet, saxophone, trumpet, trombone, violin, viola, cello, guitar and solo piano.

Guitar

SKU: BT.RGT2164893

Composed by Tony Skinner. Exam Material. Book with CD. London College Music #RGT2164893. Published by London College Music (BT.RGT2164893).

ISBN 9781905908080. English.

This book covers all the material needed for the RGT Grade Eight examination in acoustic guitar playing. This volume includes fingerstyle/flatpick pieces in a range of styles - from traditional to contemporary, plus a comprehensive selection of chords, scales and arpeggios. There are also chapters on musical knowledge and accompaniment playing, plus aural exercises to help improve your musical abilities - making it ideal for those who wish to extend their musical range and knowledge.

Guitar

SKU: BT.RGT216487N

Composed by Tony Skinner. Exam Material. Book with CD. London College Music #RGT216487N. Published by London College Music (BT.RGT216487N).

ISBN 9781905908066. English.

This book covers all the material needed for the RGT Grade Six examination in acoustic guitar playing. This volume includes specially arranged fingerstyle/flatpick pieces in a range of styles - from traditional to contemporary, plus a valuable selection of chords, scales and arpeggios. There are also chapters on musical knowledge and accompaniment playing, plus aural exercises to develop your musical abilities - making it ideal for intermediate level players.

Guitar

SKU: BT.RGT216486R

Composed by Tony Skinner. Exam Material. Book with CD. London College Music #RGT216486R. Published by London College Music (BT.RGT216486R).

ISBN 9781905908059. English.

This book covers all the material needed for the RGT Grade Five examination in acoustic guitar playing. This volume includes rhythm playing studies and fingerstyle/flatpick pieces in a range of styles - from traditional to contemporary, plus a selection of essential chords, scales and arpeggios. There are also chapters on musical knowledge and accompaniment techniques, plus aural exercises to develop your musical abilities - making it ideal for intermediate level players.

Guitar - intermediate

SKU: BT.LCM9790570122189

Exam Material. Book with Online Audio. 16 pages. London College Music #LCM9790570122189. Published by London College Music (BT.LCM9790570122189).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Guitar - easy

SKU: BT.LCM9790570122165

Exam Material. Book with Online Audio. 16 pages. London College Music #LCM9790570122165. Published by London College Music (BT.LCM9790570122165).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.

Guitar - advanced

SKU: BT.LCM9790570122202

Exam Material. Book with Online Audio. 16 pages. London College Music #LCM9790570122202. Published by London College Music (BT.LCM9790570122202).

English.

The book covers examples and guidance for the Improvisation and Aural Assessment components of the LCM Rock Guitar exam. All the scales and chords that are useful in the exam are provided in the handbook. There is no requirement to read traditionally notated music as all music is also provided in easy-to-read TAB or fretboxes.