By Groeber, Hoge, Welch, Sanchez. For Guitar. Contents include: America, the Beautiful; Wimoweh (Mbube); He's Got the Whole World in His Hands; Kum Ba Yah; Michael, Row the Boat Ashore; Cotton Fields; Home on the Range; Rock Island Line; Kisses Sweeter Than Wine; Lonesome Traveler; The Big Rock Candy Mountain; Well, Well, Well. Guitar. Level: Early Intermediate. Book. Published by The FJH Music Company, Inc.

By Groeber, Hoge, Welch, Sanchez. For Guitar. Contents include: Kum Ba Yah; Aura Lee; Worried Man Blues; This Land is Your Land; Hey Liley, Liley Lo; Amazing Grace; The Streets of Laredo; Lonesome Traveler; We Shall Overcome; Goodnight, Irene; The Sailor Song. Guitar. Level: Elementary. Book. Published by The FJH Music Company, Inc.

(C Instruments). By Various. Fake Book. Softcover. 432 pages. Published by Hal Leonard

Guitar

SKU: UT.CH-101

Composed by Davide Notartomaso. Saddle stitching. Classical. Ut Orpheus #CH 101. Published by Ut Orpheus (UT.CH-101).

ISBN 9790215315815. 9 x 12 inches.

Composit ion winner of the 2nd Edition (2008) of the Classical Guitar Musical Composition Competition â??Suoni Nuovi Autoriâ?? in Latina, Italy (Section 1)
The composition Roma born after a short travel in the eternal city. The multiple cultural, historical and landscaped stimuli that derive from its ruins must touch the mind of every visitor dipping it and transporting it behind in the history: these are the feelings that have inspired the composition of a conceptualistic-descripti ve music work, dedicated to the places that more meant during the authorâ??s travel.
First part, â??Anfiteatro Flavioâ??, is clearly dedicated to Colosseo. It is so imposing and majestic that recalls still today the outcry of the battles and the noise of the iron: all that is translate in music with frequent changes of time and a virtuosistic and pressing writing. The apex of the fight marks in the composition a growing culminated in a moment of suspension and the immediate resumption with change of theme for the victory moment and its majestic celebration.
The second part, â??Villa Borgheseâ??, marks the passage to a situation of ecstasy and serenity inspired from the beauty and tranquillity of the places of the famous roman park. The composition develops with sweetness but are also present dissonant notes that recall the park contextualizzation in the heart of the city, with its chaotic present and with the urgent violence of its past.

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

By Alexander Vinitsky. For guitar. Estrada Delia. Classical. Grade 4. Score. 19 pages. Published by Editions Henry Lemoine

10 Pieces for Solo Guitar. Composed by Maria Linnemann. Guitar. Classical, Contemporary. Softcover. Ricordi #SY7008. Published by Ricordi

(10 Easy Pieces for Guitar ( mp3 files)). Composed by Giorgio Signorile. For Guitar. 28 pages. Published by Ut Orpheus

9 Pieces for Solo Guitar and 1 Duet. Composed by Maria Linnemann. Guitar. Classical, Contemporary. Softcover. Ricordi #SY7009. Published by Ricordi

By Michael Patilla. For solo guitar with CD. Book and CD. Published by Imagine Music

Piano/Vocal/Guitar

SKU: HL.275865

By Various. Piano/Vocal/Guitar Songbook. Americana, Country, Folk. Softcover. 304 pages. Published by Hal Leonard (HL.275865).

ISBN 9781540026569. UPC: 888680744960. 9.0x12.0x0.729 inches.

45 roots favorites in arrangements for piano, voice and guitar. Includes: Broken Halos (Chris Stapleton) • Copperhead Road (Steve Earle) • Hurricane (The Band of Heathens) • If I Had a Boat (Lyle Lovett) • If We Were Vampires (Jason Isbell and the 400 Unit) • Live and Die (The Avett Brothers) • Mykonos (Fleet Foxes) • Pancho & Lefty (Merle Haggard & Willie Nelson) • The Story (Brandi Carlile) • Wagon Wheel (Old Crow Medicine Show) • and many more.

Guitar

SKU: GI.G-4005G

Composed by Bob Moore. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 24 pages. GIA Publications #4005G. Published by GIA Publications (GI.G-4005G).

This is the guitar version. There's a style here for everyone: robust metrical hymns like When the Lord in Glory Comes, the lyrical Joyful Is the Dark, Come to Me O Weary Traveller with a beautiful early American flavor, and the classically influenced Jesus on the Mountain Peak. In addition to Bob's original texts, works by Timothy Dudley-Smith, Brian Wren, and Sylvia Dunstan are also included. CONTENTS: LIVING WATERS (G-3630) • ENTER IN (G-3837) • THE WORD IS IN YOUR HEART (G-3838) • WHEN THE LORD IN GLORY COMES (G-3841) • JOYFUL IS THE DARK (G-3845) • GOD BE IN MY HEAD (G-3854) • PSALM 103: OUR GOD IS RICH IN LOVE (G-3858) • ALL WHO HUNGER (G-3859) • COME TO ME, O WEARY TRAVELER (G-3860) • WE GATHER IN WORSHIP (G-3861) • WE ARE A CHOSEN PEOPLE (G-3875) .

Piano, Vocal and Guitar - Grade 2

SKU: HL.14011400

Composed by Debbie Campbell. Music Sales America. Musical Education. Book [Softcover]. Composed 2015. 16 pages. Music Sales #GA11014. Published by Music Sales (HL.14011400).

ISBN 9780711956056. 9.0x12.0x0.052 inches. English.

A fun space adventure musical full of information on technology, the solar system and travel. Ideal as an end of term production at any time of the year. Duration: 45 mins. If you need to license a school/youth theatre performance of this product, please use the online application form.

Performed by Richard Daniels. Guitar Educational. Size 9x12 inches. 160 pages. Published by Cherry Lane Music.

High and medium voice and guitar

SKU: HL.49005197

Ein Liederbuch. Edited by Alfred Zschiesche. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Songbook. 96 pages. Schott Music #ED 4840. Published by Schott Music (HL.49005197).

ISBN 9790001055734. German.

Composed by Keijo Pennanen. Contemporary, Saddle- stitched. Achieving Guitar Artistry. Style. Book and online audio. Mel Bay Publications, Inc #30698M. Published by Mel Bay Publications, Inc

Guitar - Grade 1

SKU: BT.MUSAM1012099

Composed by Justin Sandercoe. JustinGuitar. Book Only. Composed 2017. 104 pages. Wise Publications #MUSAM1012099. Published by Wise Publications (BT.MUSAM1012099).

ISBN 9781785583704. English.

21 classic and contemporary Christmas songs to accompany the world-famous justinguitar.com courses for Guitar!

Chamber Music Guitar

SKU: PR.114423450

Composed by Máximo Pujol. Full score. 8 pages. Duration 9 minutes. Theodore Presser Company #114-42345. Published by Theodore Presser Company (PR.114423450).

ISBN 9781491135365. UPC: 680160687534.

Imagi nation mixed with local authenticity are among the hallmarks of the legendary Argentinian composer and guitarist Pujol. TRES PIEZAS VIAJERAS is clothed as a travelogue, yet it is also a dance suite bringing together the main musical genres of the Rio de la Plata district of Buenos Aires. The “Bremen” movement (composed in Germany) is a modern tango, “Pesadumbre” is a slow milonga (an older folk dance that gave rise to tango), and the “Ezeiza” movement is an urbanized treatment of the candombe dance, known for its dizzying speed. Each movement may be played separately as well as in the complete setting making this work a versatile and stimulating addition to the repertoire.
TRES PIEZAS VIAJERAS (Three Traveling Pieces) emerged during a trip to Germany in 2021. Its three movements bring together the three musical genres of the Rio de la Plata area: Tango, Milonga, and Candombe. “Bremen” is a characteristic modern tango written on a bass line that “walks” the heaviness of an urban and warm rhythm. “Pesadumbre” (Sorrow) is an air in Milonga Campera style (Milonga from the countryside), in a slow tempo, portraying the lethargy of a melancholy siesta. “Ezeiza” (a town near the international airport in Buenos Aires) is an air in Candombe style: an urban Candombe of great rhythmic vivacity. It presents a rhythm that at times bumps into itself and, at other times, reaches an extremely fast, dizzying, and violent rhythm.Las TRES PIEZAS VIAJERAS surgieron durante un viaje a Alemania en el año 2021. Son tres piezas que reúnen los tres géneros musicales del área del Rio de la Plata: el Tango, la Milonga y el Candombe. “Bremen” es un característico tango de vanguardia escrito sobre una línea del bajo que “camina” la pesadez de un ritmo urbano y caluroso. “Pesadumbre” es un aire de Milonga Campera, de tiempo lento, andante, que nos cuenta el letargo de una melancólica siesta. “Ezeiza” es un aire de Candombe. Un Candombe urbano de gran vivacidad rítmica. Nos propone un ritmo que por momentos se tropieza consigo mismo y, en otros momentos, alcanza un ritmo extremadamente rápido, vertiginoso y violento.

10 Progressive Pieces for Guitar. Composed by Laurent M�©neret. Guitar. Softcover. 20 pages. Schott Music #SF1014. Published by Schott Music (HL.49045294).

Book and CD. Composed by Bela Bartok (1881-1945). Boosey & Hawkes Chamber Music. Classical, Hungarian. Softcover with CD. 40 pages. Boosey & Hawkes #M060132421. Published by Boosey & Hawkes

By Aaron Shearer. For Guitar (Classical). Method. Classic. Level: Beginning. Book. Size 8.75x11.75. 224 pages. Published by Mel Bay Publications, Inc.

Deuxieme edition. Hal Leonard Guitar Method. Method. Book with Audio-Online. Composed 2020. 48 pages. Hal Leonard #DHP 1206210-404. Published by Hal Leonard

Multiple authors. For Guitar (Flatpicking and Fingerpicking). Concert/Documentary. Vestapol. Country. Level: Beginning. DVD. Size 5.25x7.5. Duration 58 minutes. Published by Grossman's Guitar Workshop.

Performed by Bill Staines. Guitar Book. Size 9x12 inches. 104 pages. Published by Hal Leonard.

6 inch. x 9 inch. Performed by Billy Joel. Guitar Chord Songbook. Size 6x9 inches. 200 pages. Published by Hal Leonard.

Performed by Pat Metheny. For guitar (no tablature). Format: fake book. With leadsheet notation and chord names. Jazz and jazz fusion. 448 pages. 9x12 inches. Published by Hal Leonard.

Guitar

SKU: HL.14025909

Composed by Thea Musgrave. Music Sales America. Classical. Book Only. 19 pages. Music Sales #NOV120809. Published by Music Sales (HL.14025909).

ISBN 9780853607465. UPC: 888680020279. 8.5x12.0x0.121 inches.

Thea Musgrave's Postcards From Spain is a fascinating travelogue of Spain without being overly Spanish, from the tranquility of sunlight reflecting off still pools to the dramatic song of the Cantaor and his Flamenco guitarist. This little collection of five serenades for solo guitar has been editred by Michael Lorimer is a real treat for guitarists and listeners.