Guitar SKU: GI.G-9538G Traditional Hymns for Contemporary Ensembles(+)
Guitar
SKU:
GI.G-9538G
Traditional Hymns for
Contemporary
Ensembles. Arranged
by Tony Alonso S.J. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 52
pages. GIA Publications
#9538G. Published by GIA
Publications
(GI.G-9538G).
UPC:
785147953876.
Â
Revival is a long overdue
resource that provides
fresh accessible
arrangements of classic
hymns for contemporary
ensembles. Each
arrangement is scored for
SAB choir, piano, guitar,
and optional instrumental
parts. For added texture,
the final stanza of each
hymn includes an
alternate harmonization
of the accompaniment with
a soprano descant. These
fourteen arrangements
will open a whole new set
of treasured hymns to
piano and guitar based
ensembles. Compatible
with the versions founds
in GIA’s most
recent hymnals, each of
these arrangements is
intended to support and
inspire the sung prayer
of the assembly. Every
one will find a
comfortable home in your
repertoire throughout the
liturgical year! A
special spiral bound
edition of Revival is
also available. This
edition is perfect for
accompanists who would
also like to use these
hymn arrangements as
preludes, interludes, or
postludes. Collections
like Revival are
not simply a way for
contemporary ensembles to
plant deeper roots and
tap into more traditional
repertoires. It is a way
for all of us to hear old
hymns with new ears, in a
new way. --Fr. Anthony
Ruff, OSB, Associate
Professor of Theology at
St. John's Abbey Quote
from Pray Tell
Blog. Click here to
read full article Tony
Alonso’s Revival
offers us fourteen
wonderfully arranged
familiar
hymns—musically
accessible and a delight
to sing. Flexibly crafted
for voices, piano and
guitar with lovely
optional descants, this
is an ecumenical gift and
bridge-builder between
classical and
contemporary approaches
to hymns in the liturgy.
It should be in every
parish’s working
library. --Don Saliers,
Professor of Theology and
Worship at the Candler
School of Theology In his
new collection, Revival,
Tony Alonso marks the
500th anniversary of a
great divide in the
church by bridging the
chasm between Catholic
and Protestant,
contemporary and
traditional, Appalachian
and European. His
arrangements for voices,
piano, and
guitar—with
options for using other
instruments as
well—allow for
improvisation and
adaptation while
remaining accessible for
a wide range of
musicians. Although these
hymns are designed to be
used by contemporary
ensembles, they lend
themselves to use in a
variety of worshiping
contexts. Alonso's
arrangements will entice
you to sing
along--Revival is a great
gift to the whole church!
--Kimberly Bracken Long,
Editor of Call to
Worship: Liturgy, Music,
Preaching, & the Arts
Tony Alonso’s,
Revival, is an invaluable
resource to help find
common ground among
“contemporaryâ€
and
“traditionalâ€
choirs and ensembles by
making hymnody
approachable to those who
may have shied away from
it for stylistic reasons.
It is also a great
educational tool for
organists and pianists
who are seeking ways to
improve their
improvisatory keyboard
skills by modeling
accompaniment styles and
improvisatory patterns
that support and enhance
the singing of
traditional hymns.
​--​Dominic
Trumfio, Associate
Director of Worship Music
at Old St. Patrick's
Church, Chicago.
Guitar SKU: GI.G-10430G Traditional Carols for Contemporary Ensembles<...(+)
Guitar
SKU:
GI.G-10430G
Traditional Carols for
Contemporary
Ensembles. This
edition: Spiral Guitar
edition. Sacred. Guitar
part. With guitar chord
names. 64 pages. GIA
Publications #10430G.
Published by GIA
Publications
(GI.G-10430G).
UPC:
785147043072.
**
This is the spiral-bound
guitar edition. Â The
third volume in this
popular series, Revival
III features arrangements
of fourteen familiar
Christmas carols for
contemporary ensembles.
Christmas carols, like
many traditional hymns,
are often arranged for
four-part choir and
organ. With this
collection, Tony Alonso
focuses instead on the
needs of the piano- or
guitar-based ensemble,
creating accessible carol
arrangements for SAB
voices, piano, and
guitar. Also included is
an optional alternate
harmonization for the
final stanza of each
piece featuring a soprano
descant. Although these
arrangements can be
utilized as choral
anthems, they are truly
intended to lead and
inspire congregational
song. They are compatible
with the texts found in
GIA’s hymnals and
yet can be edited easily
to agree with the version
of the carol most
familiar to the assembly.
CONTENTS: Angels We Have
Heard on High (G-10431)
• Away in a Manger
(G-10432) • Hark!
The Herald Angels Sing
(G-10434) • It Came
Upon a Midnight Clear
(G-10435) • We
Three Kings of Orient Are
(G-10443) • O
Little Town of Bethlehem
(G-10439) • Joy to
the World (G-10436)
• Once in Royal
David’s City
(G-10440) • What
Child Is This? (G-10444)
• O Come, All Ye
Faithful (G-10437)
• The First Nowell
(G-10442) • O Come,
O Come Emmanuel (G-10438)
• Good Christian
Friends, Rejoice
(G-10433) • Silent
Night (G-10441).
Guitar SKU: GI.G-9900G Traditional Hymns for Contemporary Ensembles(+)
Guitar
SKU:
GI.G-9900G
Traditional Hymns for
Contemporary
Ensembles. This
edition: Spiral Guitar
edition. Sacred. Guitar
part. 58 pages. GIA
Publications #9900G.
Published by GIA
Publications
(GI.G-9900G).
UPC:
785147990079.
OUR
BEST SELLING RESOURCE AT
NPM 2019! Following the
successful release of
Revival in 2017, Tony
Alonso has arranged an
additional 14 hymns for
use throughout the
liturgical year. Keeping
true to the previous
form, these editions
exhibit the same careful
SAB vocal scoring,
accompaniment suitable
for piano- and
guitar-based ensembles,
and fine part-writing for
additional instruments.
Also included is an
alternate final stanza
with reharmonization and
descant. These beloved
congregational hymns will
find new life through
these fresh arrangements
for contemporary
ensembles. CONTENTS: All
Creatures of Our God and
King • All People
That on Earth Do Dwell /
Praise God from Whom All
Blessings Flow •
Come, My Way, My Truth,
My Life • For All
The Saints • Holy
God, We Praise Thy Name
• I Heard the Voice
of Jesus Say • I
Know That My Redeemer
Lives! • In Christ
There Is No East or West
• I Sing The Mighty
Power of God •
Joyful, Joyful, We Adore
You / Sing With All the
Saints In Glory •
My Shepherd Will Supply
My Need • On
Jordan’s Bank
• The Glory of
These Forty Days •
There’s a Wideness
in God’s
Mercy.
58
Easy Pieces for
Guitar. Arranged by
Martin Hegel. This
edition: Saddle
stitching. Sheet music
with CD. Guitar. Dieses
Heft enthalt alles, was
man fur den
Gitarrenunterricht
braucht: 58 leichte
originale Gitarrenstucke
von Aguado, Mertz,
Diabelli, Carulli, Sor
oder Carcassi, aber auch
leicht spielbare
Bearbeitungen der
klassischen Musik aus den
Bereichen Orchesterm.
Softcover with CD. 46
pages. Schott Music
#ED21305. Published by
Schott Music
(HL.49019327).
ISBN
9783795747558. UPC:
841886018204.
9.0x12.0x0.2
inches.
This volume
contains everything
needed for guitar
lessons: 58 easy original
guitar pieces by Aguado,
Mertz, Diabelli, Carulli,
Sor or Carcassi, but also
easy-to-play arrangements
of classical music from
the fields of orchestral
music, chamber music or
opera. Among them are
themes from Vivaldi's
Four Seasons, from
Handel's Music for the
Royal Fireworks, Mozart's
Magic Flute, Beethoven's
Symphony No. 9 or Verdi's
Chorus of the Hebrew
Slaves. It is this
volume's concern to make
classical masterpieces of
concert literature
accessible to children by
means of such rather easy
arrangements and make
them enjoy classical
music. All pieces are
recorded on the
accompanying CD to make
it easier for the pupils
to study and master the
works.
Anthology of Guitar Music from Old Tabulatures. By Various. Arranged by Emilio P...(+)
Anthology of Guitar Music
from Old Tabulatures. By
Various. Arranged by
Emilio Pujol Vilarrubi.
Schott. Size 9x12 inches.
24 pages. Published by
Schott.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Guitar - Beginning-Intermediate SKU: MB.97195M A Comprehensive Method ...(+)
Guitar -
Beginning-Intermediate
SKU: MB.97195M
A Comprehensive Method
for Today's
Guitarist!. Composed
by William Bay.
Flatpicking, Style,
Method, Contemporary,
Perfect binding.
Mastering the Guitar.
General/Note Reading and
Chording. Book and online
audio. 184 pages. Mel Bay
Publications, Inc
#97195M. Published by Mel
Bay Publications, Inc
(MB.97195M).
ISBN
9780786696734. UPC:
786696737. 8.75 x 11.75
inches.
Absolutely
the best, most
comprehensive new method
available for guitar.
Introducing the
innovative new Zone
Concept for learning
position playing. Over
150 solos and duets in
the keys of C, G, D, and
B minor. Musical styles:
bossa nova, Latin,
fiddle/tunes/
hornpipes/reels, Celtic
music, ragtime, baroque,
jazz, swing jazz ballads,
American folk ballads,
rock, early-American
hymnody, be-bop, blues,
samba, and tango.
Concepts presented: basic
improvisation, rhythmic
variation, velocity
studies, sight-reading,
passing tone studies ,
chord progression
studies, arpeggio
studies, dropped-D
tuning, blues, blues
turn-arounds,
licks/fills/ breaks, bass
runs, principles of
memorization, chord
studies, minor pentatonic
scale, principles of
successful practice,
priciples of successful
performance, movable
power chords, and rock
comping. New Composers
featured: J.S.
Bach,Carcassi, Moaazni,
Giuliani, Carulli,
Vivaldi, Handel, Sor,
Galilei, Tarrega,
Debussy, H.L. Clark, St.
Jacome, Corelli, Johann
Krieger, Wohlfahrt,
Jeremiah Clarke, plus
guitar duos on selections
from Handels Water Music,
Vivaldis Four Seasons,
and selected Bach
cantatas. Includes access
to extensive online
audio.
Guitar - very easy to easy SKU: HL.49045379 Song Book for Voice and Gu...(+)
Guitar - very easy to
easy
SKU:
HL.49045379
Song
Book for Voice and
Guitar. Arranged by
Sebastian Mueller. This
edition: Ring/Spiral
binding. Sheet music.
Guitar. 100 Songs aus
Pop, Rock und Schlager
fur Gitarre und Gesang.
Classical. Softcover. 168
pages. Schott Music #ED
22700. Published by
Schott Music
(HL.49045379).
ISBN
9783795711740.
9.25x12.0x0.795
inches.
By popular
request, the popular book
of party songs for guitar
is now also available in
XXL music format with
spiral binding. The
edition contains 100
songs from pop, rock,
folk and German schlager
music which are perfect
for singing along
together. They can be
easily accompanied with
just a few chords on the
guitar.The XXL version
provides: spiral binding
music in large print
lyrics in large
printContent: Atemlos
durch die Nacht - Country
Roads - Griechischer Wein
- Hey Jude - Marmor,
Stein und Eisen bricht -
Sierra Madre - Viva
Colonia - We Are The
Champions - Wonderful
Tonight and many
more!Also
available:Songbooks for
young and old in a handy
book format.
Guitar - easy SKU: M7.DUX-866 Edited by Michael Langer. Sheet music with ...(+)
Guitar - easy
SKU:
M7.DUX-866
Edited by
Michael Langer. Sheet
music with CD.
Performance book. 110
pages. Edition Dux Verlag
#DUX 866. Published by
Edition Dux Verlag
(M7.DUX-866).
ISBN
9783868493214.
60
Stücke von
südamerikanischen
Komponisten mit
Gitarrenmusik
verschiedenster Länder
und Stile. Nach
Schwierigkeitsgrad
gereiht mit detaillierten
Fingersätzen.
Chamber Music Guitar SKU: PR.114423450 Composed by Máximo Pujol. Full ...(+)
Chamber Music Guitar
SKU: PR.114423450
Composed by Máximo
Pujol. Full score. 8
pages. Duration 9
minutes. Theodore Presser
Company #114-42345.
Published by Theodore
Presser Company
(PR.114423450).
(Extraites Des Operas De Rossini Et Deux Valses Favorites). By Francois de Fossa...(+)
(Extraites Des Operas De
Rossini Et Deux Valses
Favorites). By Francois
de Fossa (1775-1849).
Edited by Jan De Kloe.
For Guitar. FULL SCORE -
STUDY. Op.8. 6 pages.
Published by Editions
Orphee
Edited by Jerry Willard. For guitar. Format: guitar solo book (spiral bound). Wi...(+)
Edited by Jerry Willard.
For guitar. Format:
guitar solo book (spiral
bound). With standard
notation (no tablature)
and fingerings.
Renaissance, baroque,
classical period and
romantic period. 240
pages. 9x12 inches.
Published by Music Sales.
Guitar - intermediate SKU: M7.GHE-701 Pour la guitare. Composed by...(+)
Guitar - intermediate
SKU: M7.GHE-701
Pour la guitare.
Composed by Antoine de
Lhoyer. Edited by Erik
Stenstadvold. This
edition: Saddle-wire
stitching. Sheet music.
Performing score,
Critical Edition. Op. 27.
20 pages. MDS (Music
Distribution Services)
#GHE 701. Published by
MDS (Music Distribution
Services) (M7.GHE-701).
ISBN 9783890447018.
English.
We proudly
present this new modern
critical edition of
Antoine de Lhoyer's Six
Exercices Op. 27,
originally published in
Paris around 1812. These
exercises, originally
written for 5-string
guitar, are remarkably
advanced for their time
and well worth playing;
the rapid arpeggio
patterns and daring
harmonic shifts in some
of them may bring even
Villa-Lobos to mind. The
Six Exercices Op. 27 were
arranged by Giuliani and
published some 7 years
later under his name as
Six Preludes Op. 83. The
exercises were originally
written for 5-string
guitar. We have added
alternative readings for
using the 6th string, an
often employed publishing
practice of the period.
The music is edited and
fingered by Erik
Stenstadvold, an
authority on the guitar
repertoire of the early
19th century. There is
also an informative
preface, with full
biographical details and
critical notes.