By William Kanengiser. For Guitar. Hot Licks. Classical. DVD (Region 0), Instrumental Tutor. 12 pages. Published by Hotlicks Videos.

(for Solo Guitar). Composed by John Williams. For Guitar. John Williams Signature Edition - Strings. Softcover. 4 pages. Published by Hal Leonard

Arranged by Carlos Barbosa-Lima. For Guitar. Artist/Personality; Book; CD; Classical Guitar Folio. Carlos Barbosa-Lima Guitar Editions. Latin. 36 pages. Published by Alfred Music Publishing

Arranged by Julian Bream, composed by William Walton (1902-1983). Collection for classical guitar solo. 16 pages. Published by Oxford University Press.

Guitar - intermediate

SKU: HL.49015993

Composed by RODGERS. Edited by John William Duarte. Arranged by Philipp Rodgers. This edition: Saddle stitching. Sheet music. Gitarren-Archiv (Guitar Archive). Classical. 8 pages. Schott Music #GA 217. Published by Schott Music (HL.49015993).

ISBN 9790220116469.

By William Beauvais. For guitar solo. Level: 3. 12 pages. Published by Les Productions d'OZ. (DZ 828)

By William Bay. For Guitar (All). Methods. All Styles. Level: Beginning. Book/CD Set. Size 11.75x8.75. 48 pages. Published by Mel Bay Publications, Inc.

Taught by William Bay. For Guitar (Electric). method. You Can Teach Yourself. Rock. Level: Beginning. DVD. Size 5.38x7.5. 115 pages. Published by Mel Bay Publications, Inc.

Guitar

SKU: HL.14047005

Composed by William Bay. CARISCH - MUSIC SALES. Tuition. General Merchandise. Carisch Edition #ML2962. Published by Carisch Edition (HL.14047005).

ISBN 9788850715626. Italian.

By William Bay. For Guitar (All). Methods. Bill's Music Shelf. Contemporary. Beginning. Book. 140 pages. Published by Mel Bay Publications, Inc

By William Beauvais. For guitar solo. Level: 2.5. 16 pages. Published by Les Productions d'OZ. (DZ 618)

Guitar - Intermediate

SKU: MB.WBM75M

Saddle-stitched. Folk. Book and online audio. Mel Bay Publications, Inc #WBM75M. Published by Mel Bay Publications, Inc (MB.WBM75M).

ISBN 9781737795353. 8.75X11.75 inches.

This is a collection of 86 guitar solos in notation only from William Bayâ??s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment.  All 86 solos have been recorded and are available as online downloads with this book.

Composed by William Bay and Mike Christiansen. Wire bound. Mastering the Guitar. Book and online audio/video. Published by Mel Bay Publications, Inc (MB.96620M).

by William Bay and Mike Christiansen. For all guitars. Mastering Guitar. All styles, assorted music styles. Level: Intermediate. Book/CD Set. Method. Size 8.75x11.75. 152 pages. Published by Mel Bay Pub., Inc.

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

Guitar - intermediate

SKU: HL.49011010

Two Guitars. Composed by Johann Rosenmü and ller. Edited by Len Williams. Arranged by Len Williams. This edition: Folding. Sheet music. Gitarren-Archiv (Guitar Archive). Classical. 2 pages. Schott Music #GA95. Published by Schott Music (HL.49011010).

ISBN 9790220116339. UPC: 073999222371. 8.75x11.5x0.026 inches.

Guitar

SKU: GI.G-9904G

Composed by Ralph Vaughan Williams. Arranged by Tony Alonso S.J. This edition: Guitar edition. Tune Name: Sine Nomine. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #9904G. Published by GIA Publications (GI.G-9904G).

UPC: 785147990475. English. Text Source: William W. How, 1823–1897, alt. Text by William Walsham How.

By Ralph Vaughan Williams. For Guitar. Strings. Published by Stainer & Bell Ltd. (U.K. Import).

By Varous. Arranged by Jason Williams. For guitar solo. Intermediate. 48 pages. Published by Les Productions d'OZ

From Chants d'Espagne. By Isaac Albeniz. Arranged by John Williams. (Guitar). Boosey and Hawkes Chamber Music. Size 9x12 inches. 4 pages. Published by Boosey and Hawkes.

Guitar or Lute (Guitar)

SKU: HL.50579762

Composed by Adrian Williams. Max Eschig. Score Only. Composed 2001. Hal Leonard #ME9044. Published by Hal Leonard (HL.50579762).

Guitar

SKU: SU.80111303

For Guitar. Composed by Meyer Kupferman. Guitar, Solo Guitar. Score. Subito Music Corporation #80111303. Published by Subito Music Corporation (SU.80111303).

Guitar Duration: 7' Composed: 1984 Published by: Soundspells Productions The Widow's Lament in Springtime (1984) is a 7 minute fantasy inspired by the poem by William Carlos Williams.

Piano/Vocal/Guitar

SKU: HL.120772

By Various. Piano/Vocal/Guitar Songbook. Music Business, Pop, Pop Reference. Softcover. 288 pages. Published by Hal Leonard (HL.120772).

ISBN 9781480350519. UPC: 884088917463. 9.0x12.0x0.687 inches.

55 song highlights from the history of ASCAP, celebrating their representation of some of the best songwriters of all time. Songs include: Ah! Sweet Mystery of Life * Ain't No Mountain High Enough * As Time Goes By * At Last * Before He Cheats * Bleeding Love * Blue Skies * Defying Gravity * Gonna Make You Sweat (Everybody Dance Now) * I Will Survive * Just the Way You Are * Livin' on a Prayer * Moon River * My Funny Valentine * Over the Rainbow * Raindrops Keep Fallin' on My Head * Single Ladies (Put a Ring on It) * Someone to Watch over Me * Tenderly * The Way We Were * We've Only Just Begun * You Are the Sunshine of My Life * and more. Includes an introduction by ASCAP, a foreword by Paul Williams, song notes by decade, plus photos!

Guitar - Intermediate

SKU: MB.31129M

Saddle-stitched, World. Folk. Book and online audio. Mel Bay Publications, Inc #31129M. Published by Mel Bay Publications, Inc (MB.31129M).

ISBN 9781513476896. 8.75X11.75 inches.

The name of this book is no exaggeration. It includes some of the most gorgeous music that the authors El McMeen and Sandy Shalk know. To make things even more interesting, none of the music was originally written for guitar.In addition to Celtic favorites, El includes his arrangements of two of the most beautiful arias in all of opera: Che Gelida Manina from Puccinis La Boheme and My Heart at Thy Sweet Voice ôMon Coeur Souvre ? ta Voixö from Samson and Delilah by Camille Saint-Sa?ns. Sandys contributions range from Celtic to French love songs to Stephen Foster, manifesting Sandys gift for chordal subtleties and innovation.Each piece is in either standard tuning EADGBE or Drop D tuning DADGBE .Written in standard notation and tablature with computer generated audio files of each arrangement.

Guitar

SKU: GI.G-9452G

Composed by Robert Williams. Arranged by Tony Alonso S.J. This edition: Guitar edition. 1) Eastertide, 1) Easter Day, 2. Ascension. Tune Name: Llanfair. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #9452G. Published by GIA Publications (GI.G-9452G).

UPC: 785147945277. English. Text Source: Charles Wesley, 1707–1788, alt., st. 5 of Hail the Day That Sees Him Rise from The New Century Hymnal Text by Charles Wesley.

Guitar

SKU: GI.G-10486G

Blessed Are the Poor. Composed by Kate Williams. This edition: Guitar edition. Tune Name: Galgani. Sacred. Guitar part. With guitar chord names. 4 pages. GIA Publications #10486G. Published by GIA Publications (GI.G-10486G).

UPC: 785147048671. Text by Adam M. L. Tice.