Guitar

SKU: HL.146362

Book Only. Guitar Tab Method. Instruction. Softcover. Published by Hal Leonard (HL.146362).

ISBN 9781495023354. UPC: 888680070212. 9.0x12.0x0.11 inches.

“The ultimate learning tool to go from zero to guitar hero in no time!” –Guitar World magazine Designed for electric or acoustic guitar. Get started quickly and easily – with songs you want to play! This method introduces notes with riffs like “Crazy Train” and “Smoke on the Water,” power chords with classics by AC/DC and the Who, chord-strumming with songs from Neil Young and Nirvana, and much more. The method's unique, well-paced, and logical teaching sequence will get students playing more easily than ever before, and music from popular artists like the Beatles, Jimi Hendrix, and Led Zeppelin will keep them playing and having fun. Book 1 includes: parts of the guitar, easy-to-follow guitar tablature, notes & riffs starting on the low E string, tempo & time signatures, understanding notes and rests, palm muting, vibrato, power chords, open chords, strumming, slides and slurs, hammer-ons and pull-offs, many music styles, nearly 100 riffs and songs, and more!

By Greg Fishman. For Guitar. Play-Along (Book CD). Published by Greg Fishman Jazz Studios

Spanish Edition Guitar

SKU: HL.114930

Metodo De Tab Para Guitarra. Guitar Tab Method. Instruction, Method, Spanish Edition. Softcover with CD. With guitar tablature. 32 pages. Published by Hal Leonard (HL.114930).

ISBN 9781480312579. UPC: 884088876326. 9.0x12.0x0.17 inches.

The revolutionary Hal Leonard Guitar Tab Method (HL00697411) is now available in a Spanish edition.

Electric guitar - Intermediate

SKU: MB.30522M

Celtic Rock Solos. Composed by Philip John Berthoud. British, Saddle-stitched, World. Rock and Blues. Book and online audio. 52 pages. Mel Bay Publications, Inc #30522M. Published by Mel Bay Publications, Inc (MB.30522M).

ISBN 9781513464237. 8.75 x 11.75 inches.

Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the authorâ??s companion recording.

< span style=font-family: Arial;> The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little â??dirtâ? thrown into the mix. Skillful bodhrán and djembe playing on many of the tracks adds to the dynamic nature of the recording.

< span style=font-family: Arial;> Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you donâ??t read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader.

Written in standard notation and guitar tablature. Includes access to online audio.

Piano, Vocal and Guitar - Grade 4

SKU: HL.14010004

Composed by Juan Solano and Valero And Solano Ochaita. Music Sales America. Pop & Rock. Book [Softcover]. 80 pages. Music Sales #UME28105. Published by Music Sales (HL.14010004).

ISBN 9781844499878.

A special two-volume set of songs by the great Juan Solano Pedrero, arranged for Piano, Voice and Guitar. Working as a member of the hugely successful Ochaita, Valerio and Solano trio, the Maestro Solano developed his skills as a composer, and the group became responsible for some of the most celebrated songs of Spain. His works have been performed by many star voices including Concha Piquer, Manolo Escobar and Rafael Farina. His popular and best-loved songs include A Tu Vera, El Porompompero and Almoneda. This title is the first of two volumes, beautifully presented, that will help you to enjoy these wonderful songs again and again.

Piano, Vocal and Guitar - Grade 4

SKU: HL.14010005

Composed by Juan Solano and Valero And Solano Ochaita. Music Sales America. Pop & Rock. Book [Softcover]. 72 pages. Music Sales #UME28116. Published by Music Sales (HL.14010005).

ISBN 9781844499885.

A special two-volume set of songs by the great Juan Solano Pedrero, arranged for Piano, Voice and Guitar. Working as a member of the hugely successful Ochaita, Valerio and Solano trio, the Maestro Solano developed his skills as a composer, and the group became responsible for some of the most celebrated songs of Spain. His works have been performed by many star voices including Concha Piquer, Manolo Escobar and Rafael Farina. His popular and best-loved songs include A Tu Vera, El Porompompero and Almoneda. This title is the second of two volumes, beautifully presented, that will help you to enjoy these wonderful songs again and again.

By Bruce Forman. For Guitar (Electric). Methods. Jazz. Intermediate. Book. 48 pages

(C Instruments). By Various. Fake Book. Softcover. 432 pages. Published by Hal Leonard

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

133 Songs from Around the World. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 128 pages

Guitar

SKU: HL.350746

Serial Number Edition. Book. Guitar Reference. Hardcover. 224 pages. Published by Centerstream Publications (HL.350746).

ISBN 9781574243901. UPC: 840126935639. 8.75x11.25x0.73 inches. Vic DaPra & David Plues.

The Gibson Les Paul Standard 1958-1960 is one of the greatest designs to emerge from Gibson. At first, it was little appreciated and quickly discontinued. However, the UK blues explosion of the 1960s changed everything and these guitars would begin to shape the music for generations to come. The USA quickly picked up this new direction and players such as Mike Bloomfield and Duane Allman then used the Bursts to great effect. Demand for the guitar began in earnest in the 1970s and they now fetch astronomical prices. The Gibson Custom Shop is working diligently on many aspects of their historic Les Pauls bringing them as close to the originals as possible. Not only did the players make this the most collectable guitar in the vintage market but collectors and weekend players played a huge role in its cimb to the top. Visually, it is probably one of the most beautiful solid body guitars ever made. Burst Believer V Serial Number Guide is a thank you to all the fantastic supporters of the Burst Believers series. Features gorgeous full-color photos throughout of guitars and some of their famous owners, including Joe Walsh, Keith Richards, Peter Frampton, Gordon Kennedy, Vince Gill, and many more.

Classical. Textbook. Trinity College London #TCL019332. Published by Trinity College London

Guitar

SKU: SP.TS348

Composed by Robert Tarchara. Collection; Classical. Book and CD. Santorella Publications #TS348. Published by Santorella Publications (SP.TS348).

ISBN 9781585607327.

Clas sical Masterpieces for Fingerstyle Guitar is a rare compilation of carefully selected masterworks from the Baroque, Classical, and Romantic periods arranged for Classical Guitar. While there are many collections which feature lesser-known works for Classical Guitar, we believe none comes close to our complete collection of these most well-known and beloved works created by the greatest composers that ever lived. These great works of the masters from the 17th, 18th, and 19th centuries have stood the test of time as they continue to be revered to this day. Classical Masterpieces for Fingerstyle Guitar eliminates the need for multiple teaching resources and musical supplements, since many of the greatest pieces ever written are now contained in this one outstanding publication. Each piece has been carefully transcribed and specifically arranged in a classic style perfectly suited for guitar. Extreme care was given in the choice of key signatures and fingering demands of the left-hand, with a careful focus on understanding octave ranges, and placement of page turns in order to make every arrangement extremely playable. The recording that accompanies this book is performed by one of the greatest classical guitarists working in the Miami area today. We are confident that you will be impressed by the performance, but even more so by the exceptional work of the arrangers and editors involved in making this recital collection. It is truly the only curriculum choice for every one of your students today, and for many years to come.

by Various. Strum It (Guitar). Softcover. 160 pages. Published by Hal Leonard

Strum Along with 42 Traditional Songs. By Various. For easy guitar. Strum It (Guitar). Softcover. Size 9x12 inches. 48 pages. Published by Hal Leonard.

(You Can Play the Guitar Now! Acoustic Guitar Vol. 3). Taught by Rogelio Maya. For Guitar (All). method. Acoustic Music. Level: Beginning-Intermediate. DVD. Size 5.38x7.50. 60 pages. Published by Mayas Music.

By Various. Arranged by Robert Tarchara. For guitar. This edition: Paperback. Collection. Classical. Book. Text Language: English. 48 pages. Published by Santorella Publications

(Light Classics Arrangements for Guitar). Edited by Howard Wallach. For Guitar. Book; Classical Guitar Folio; Masterworks. Alfred Classical Guitar Masterworks. Acoustic; Masterwork Arrangement. Intermediate. 32 pages. Published by Alfred Music

By Philip Groeber. For Guitar. Everybody's Guitar Series. Methods. Book. Published by The FJH Music Company Inc.

Classical. Textbook. Trinity College London #TCL019288. Published by Trinity College London

(Progressive Repertoire, Volume 4). By Various. Arranged by Collectif. For guitar solo. 3. 40 pages

(Progressive Repertoire, Volume 3). By Various. Arranged by Collectif. For guitar solo. 2. 40 pages

(Progressive Repertoire, Volume 2). By Various. Arranged by Collectif. For guitar solo. 1.5. 32 pages