Performed by The Beatles, composed by John Lennon, Paul McCartney, arranged by Larry Beekman. For guitar. Format: Guitar solo book. With introductory text, instructional text and fingerings. Classic rock, britpop and psychedelic rock. 64 pages. 9x12 inches. Published by Hal Leonard

Guitar - easy

SKU: HL.49019327

58 Easy Pieces for Guitar. Arranged by Martin Hegel. This edition: Saddle stitching. Sheet music with CD. Guitar. Dieses Heft enthalt alles, was man fur den Gitarrenunterricht braucht: 58 leichte originale Gitarrenstucke von Aguado, Mertz, Diabelli, Carulli, Sor oder Carcassi, aber auch leicht spielbare Bearbeitungen der klassischen Musik aus den Bereichen Orchesterm. Softcover with CD. 46 pages. Schott Music #ED21305. Published by Schott Music (HL.49019327).

ISBN 9783795747558. UPC: 841886018204. 9.0x12.0x0.2 inches.

This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony No. 9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. All pieces are recorded on the accompanying CD to make it easier for the pupils to study and master the works.

Guitar

SKU: BT.HITPCSONG85

Composed by Django Reinhardt. Arranged by P. Cuillerier. Book with CD. Composed 2011. 96 pages. Hit Diffusion #HITPCSONG85. Published by Hit Diffusion (BT.HITPCSONG85).

Véritable livre-hommage qui retrace sa vie et ses rencontres, doublé d’un manuel d’apprentissage complet qui permettra d’initier les adeptes du jazz manouche l’art de Django. Existe aussi dans le collection : Georges Brassens, Francis Cabrel, Téléphone et JJ.Goldman.

Arranged by Philip Groeber/David Hoge. Book. The FJH Young Beginner Guitar Method. Method book. 28 pages pages. Published by The FJH Music Company Inc (FJ.G1065).

Performed by The Beatles. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 176 pages. Published by Hal Leonard.

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

By G.P. Telemann. Arranged by Jurg Kindle. For guitar solo. Level: 3. 28 pages. Published by Les Productions d'OZ. (DZ 479)

Guitar

SKU: BT.HITPCGUIRAMAHS01

Composed by P. Guillem. Collection Rama. Jazz. Book with CD. Composed 2010. Hit Diffusion #HITPCGUIRAMAHS01. Published by Hit Diffusion (BT.HITPCGUIRAMAHS01).

Guitarama jazz story est un recueil de standards de jazz pour la guitare, qui s’adresse aux guitaristes désireux de s’initier au blues, la bossa, au jazz manouche, etc. Chaque standard est présenté sous trois formes :- un arrangement pour guitareseule en solfège et tablatures. - un arrangement de la mélodie en solfège et tablatures. - une grille d’accords.

by Anthony Glise. For classic guitar. Anthony Glise Urtext. Classic. Level: Multiple Levels. Book. Reference. Size 8.75x11.75. 282 pages. Published by Mel Bay Pub., Inc.

By P.F. Sloan and Steve Barri. Edited by Aaron Stang. Arranged by Bob Morris. For Guitar. Guitar Method or Supplement. Warner Bros. Publications 21st Century Guitar Course. Level: Level 1. Full Score, Parts and CD. 28 pages. Published by Alfred Publishing.

Composed by J.P. Rameau. Arranged by J. Mackenzie. Score. Published by Banks Publications (KP.13963).

Guitar solo - Advanced

SKU: DZ.DZ-3839

Composed by J.P. Rameau. Arranged by Sylvie Proulx. 12 pages. Les Productions d'OZ #DZ 3839. Published by Les Productions d'OZ (DZ.DZ-3839).

ISBN 9782897957568.

La triomphante
Les tendres plaintes
Gavotte avec doubles.

Guitar solo - Intermediate

SKU: DZ.DZ-4018

Composed by Variés. Arranged by Laurent Méneret. Score. Les Productions d'OZ #DZ 4018. Published by Les Productions d'OZ (DZ.DZ-4018).

ISBN 9782897959357.

1. Arioso, J.S. Bach
2. Little Serenade, J. Haydn
3. Valse poétique no. 1, E. Granados
4. Valse, J. Brahms
5. Menuet, J.S. Bach
6. Waltz in B minor, F. Schubert
7. Malagueña, P. de Sarasate
8. Sonatine, L.V. Beethoven.

Guitar

SKU: GI.G-9455G

Arranged by Tony Alonso S.J. This edition: Guitar edition. Children. Tune Name: Land Of Rest. Sacred. Guitar part. With guitar chord names. 2 pages. GIA Publications #9455G. Published by GIA Publications (GI.G-9455G).

UPC: 785147945574. English. Text Source: F.B.P., 16th c., alt. Scripture: Isaiah 35:10.

Guitar - Level 2

SKU: HF.T-4073

Arranged by Funk. Sheet music. Friedrich Hofmeister Musikverlag #T 4073. Published by Friedrich Hofmeister Musikverlag (HF.T-4073).

ISBN 9790203458760. 8.27 x 5.59 inches.

1. Leise rieselt der Schnee (Ed. Ebel); 2. Ach, bittrer Winter (17. Jhd.); 3. Nikolauslied (Rheinland); 4. Morgen, Kinder, wird's was geben (Berliner Volksweise, 1800); 5. Ihr Kinderlein, kommet (J.A.P. Schulz, 1747-1800); 6. Alle Jahre wieder (F. Silcher, 1789-1860); 7. Vom Himmel hoch, da komm' ich her (Martin Luther); 8. Frohlich soll mein Herze springen (J. Cruger, 1598-1662); 9. Uns ist geboren (Altflamisch); 10. Es ist ein Ros' entsprungen (Speiersches Gesangbuch, 1599); 11. O du frohliche (Sizilianische Volksweise); 12. Nun singet und seid froh (Klug's Gesangbuch, 1535); 13. Vom Himmel hoch, ihr Engelein (Kolner Gesangbuch, 1632); 14. Kommet, ihr Hirten (Volksweise); 15. Auf, auf, ihr Hirten (Niederosterreich); 16. Spielt auf (Volksweise); 17. Lieb' Nachtigall, wach auf (um 1670); 18. Kindlein mein (Volkslied); 19. Kindelein zart (Volksweise); 20. Joseph, lieber Joseph mein (Weise nach Handschrift, 1305); 21. Still, still, weil's Kindlein schlafen will (Volkslied aus Salzburg, 1819); 22. O Tannebaum (Alte Weise, Worte seit 1820); 23. O Tannenbaum (Volkslied aus Westfalen); 24. Ach Tannenbaum (M. Franck, 1573-1639); 25. Am Weihnachtsbaum die Lichter brennen (Volksweise); 26. Frohliche Weihnacht uberall (aus dem Englischen); 27. Stille Nacht (F. Gruber, 1787-1863).

Piano/Vocal/Guitar

SKU: HL.380355

By Various. Piano/Vocal/Guitar Songbook. Pop. Softcover. 176 pages. Published by Hal Leonard (HL.380355).

ISBN 9781705152065. UPC: 196288018988. 9.0x12.0x0.414 inches.

Need to bring more good vibes into your day? This collection features 30 feel-good favorites from yesterday and today arranged for piano/vocal/guitar, including: Best Day of My Life (American Authors) • Cover Me in Sunshine (P!nk & Willow Sage Hart) • Don't Stop Me Now (Queen) • Good Day Sunshine (The Beatles) • Good Vibrations (The Beach Boys) • Happy (Pharrell Williams) • Lovely Day (Bill Withers) • Rise Up (Andra Day) • This Is Me (from The Greatest Showman) • Walking on Sunshine (Katrina & the Waves) • What a Wonderful World (Louis Armstrong) • and more.

Guitar - Intermediate

SKU: MB.31060M

Perfect binding. Jazz. Book and online audio. 180 pages. Mel Bay Publications, Inc #31060M. Published by Mel Bay Publications, Inc (MB.31060M).

ISBN 9781513468051. 8.75x11.75 inches.

As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation.

The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry.

Titles include: Oh, You Beautiful Doll, I’ve Got The Blues, High Society, St. Louis Blues, Davenport Blues, Poor Butterfly, Dixie Jass Band One-Step, Memphis Blues, Big Foot Ham, Grandpa’s Spells, The Original Jelly Roll Blues, Midnight Mama, Milenberg Joys, Fizz Water, Back Home in Indiana, Sweet Georgia Brown, Red Wing (An Indian Intermezzo), There’ll Be Some Changes Made, Way Down Yonder In New Orleans, Charleston, Where The Morning Glories Grow, Limehouse Blues, Susie (of the Islands), I Need Some Pettin’, Weather Bird, Cornet Chop Suey, Kansas City Stomps, King Porter Stomp, Jubilee Stomp, Take It Easy, If I Had You, Moonlight Serenade