By Peter Sculthorpe (1929-). For Guitar. Classical Guitar Solo; Masterworks; She...(+)
By Peter Sculthorpe
(1929-). For Guitar.
Classical Guitar Solo;
Masterworks; Sheet; Solo.
Faber Edition. 20th
Century; Masterwork.
Published by Faber Music
Composed by Federico Mompou (1893-1987), arranged by Andres Segovia. For guitar....(+)
Composed by Federico
Mompou (1893-1987),
arranged by Andres
Segovia. For guitar.
Format: guitar solo
single. 20th century. 12
pages. 9x12 inches.
Published by Salabert.
By Benjamin Britten (1913-1976). Edited by Julian Bream. For Guitar. Book; Class...(+)
By Benjamin Britten
(1913-1976). Edited by
Julian Bream. For Guitar.
Book; Classical Guitar
Solo; Masterworks. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Guitar - Advanced SKU: DZ.DZ-4262 Composed by Bryan Johanson and Jesse Mc...(+)
Guitar - Advanced
SKU:
DZ.DZ-4262
Composed
by Bryan Johanson and
Jesse McCann. Method
Book. Les Productions
d'OZ #DZ 4262. Published
by Les Productions d'OZ
(DZ.DZ-4262).
ISBN
9782898521799.
In
this ambitious series,
Bryan Johanson and Jesse
McCann seek to address
this missing element in
the study of classical
guitar. In light of the
sheer volume of guitar
music written over the
centuries, not to men-
tion early works by the
guitarâs
plucked-string relatives,
the authorsâ choices
were by necessity limited
to a select group of
standards. These might be
considered among the most
popular works in the
guitar canon, admired
over the years by
performers, students, and
audiences alike for their
beauty, musical
expression, and idiomatic
sonority. There are, of
course, other pieces that
could have been included.
But by choosing works
that give a broad survey
of styles across musical
periods (Renaissance,
Baroque, Classical,
Romantic, and early 20th
century) written by some
of the guitarâs most
important composers, the
authors present a com-
prehensive cross-section
of the essential
repertoire for the
instrument. - William
Kanengiser
Women Composers Guitare Guitare classique [Conducteur] - Intermédiaire Productions OZ
Guitar solo - Intermediate SKU: DZ.DZ-4265 Guitar Works by Caroline V....(+)
Guitar solo -
Intermediate
SKU:
DZ.DZ-4265
Guitar
Works by Caroline V.
Hayden. Composed by
C.V. Hayden. Arranged by
Annette Kruisbrink.
Score. Les Productions
d'OZ #DZ 4265. Published
by Les Productions d'OZ
(DZ.DZ-4265).
Composed by Alejandro Peralta-Beher. Roberto Aussel. Classical: 20th Century (Co...(+)
Composed by Alejandro
Peralta-Beher. Roberto
Aussel. Classical: 20th
Century (Contemporary).
Score. 16 pages. Editions
Henry Lemoine #27964.
Published by Editions
Henry Lemoine
Nourlangie Guitare Guitare classique Faber Music Limited
By Peter Sculthorpe (1929-). For Guitar. Classical Guitar Solo; Masterworks; She...(+)
By Peter Sculthorpe
(1929-). For Guitar.
Classical Guitar Solo;
Masterworks; Sheet; Solo.
Faber Edition. 20th
Century; Masterwork.
Published by Faber Music
Composed by Heitor Villa-Lobos (1887-1959). For guitar. Format: guitar solo book...(+)
Composed by Heitor
Villa-Lobos (1887-1959).
For guitar. Format:
guitar solo book. With
standard guitar notation
(no tablature),
introductory text and
performance notes. 20th
century. 95 pages. 9x12
inches. Published by
Durand.
Composed by Antonio Lauro (1917-1986), edited by Albert Valdes Blain. For solo g...(+)
Composed by Antonio Lauro
(1917-1986), edited by
Albert Valdes Blain. For
solo guitar. Format:
guitar solo single. With
standard guitar notation
(no tablature) and
fingerings. 20th century.
E Minor. 3 pages. 9x12
inches.
Guitar SKU: LM.28523 Composed by Horia Surianu. Guitare avenir de Patrick...(+)
Guitar
SKU:
LM.28523
Composed by
Horia Surianu. Guitare
avenir de Patrick
Guillem. Classical: 20th
Century (Contemporary).
Score. Editions Henry
Lemoine #28523. Published
by Editions Henry Lemoine
(LM.28523).
Music Minus One Guitar. Composed by Joaquin Rodrigo (1901-1999). Music Minus One...(+)
Music Minus One Guitar.
Composed by Joaquin
Rodrigo (1901-1999).
Music Minus One. 20th
Century, Spanish and Play
Along. Softcover Audio
Online. With standard
guitar notation,
fingerings and
introductory text. 23
pages. Music Minus One
#MMO3616. Published by
Music Minus One