Guitar

SKU: HL.14045788

Composed by Roberto Fabbri. CARISCH - MUSIC SALES. Tuition. General Merchandise. Nueva Carisch Espana #MK16999. Published by Nueva Carisch Espana (HL.14045788).

ISBN 9788850711116. Spanish.

Guitar

SKU: HL.14045272

Antologia Di Brani Facili Per Chitarra. Composed by Roberto Fabbri. CARISCH - MUSIC SALES. Tuition. General Merchandise. Carisch Edition #MK14622. Published by Carisch Edition (HL.14045272).

ISBN 9788850702077.

Performed by Robben Ford. Edited by Tim Landers. DVD video. Published by Alfred Publishing.

Guitar

SKU: HL.14045940

Composed by Roberto Fabbri. CARISCH - MUSIC SALES. Tuition. General Merchandise. Real Musical #MK17877. Published by Real Musical (HL.14045940).

ISBN 9788438710746. Spanish.

Old Time, Wire bound. Vocal. Book and online audio. 248 pages. Mel Bay Publications, Inc #31104M. Published by Mel Bay Publications, Inc

by William Bay and Mike Christiansen. For all guitars. Mastering Guitar. All styles, solos and exercises. Level: Beginning-Intermediate. Book/CD Set. Method. Size 8.75x11.75. 144 pages. Published by Mel Bay Pub., Inc.

By William Bay and Mike Christiansen. For Guitar (All). Methods. Mastering Guitar. All Styles. Level: Beginning. Book. Size 8.75x11.75. 136 pages. Published by Mel Bay Publications, Inc.

Guitar solo - Advanced

SKU: DZ.DZ-4244

Composed by Konstantin Bliokh. Score. Les Productions d'OZ #DZ 4244. Published by Les Productions d'OZ (DZ.DZ-4244).

ISBN 9782898521614.

La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. � ce moment-là, ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.

Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.

Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.

Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.

Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol# â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.

Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ?? Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.

La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.

Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.

Sona ta No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.
Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.
The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.
The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.
The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ? ?B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.
Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.
The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.
I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.

9th Grade and Higher Edition. By William Bay and Mike Christiansen. For Guitar (All). Methods. Mastering Guitar. All Styles. Level: Beginning. Book. Size 8.75x11.75. 136 pages. Published by Mel Bay Publications, Inc.

By Various Composers. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 112 pages. Published by Hal Leonard.

Guitar - Intermediate

SKU: YM.GPL01096230

Guitar/Bass/Drum. Disney. Sheet music. Yamaha Music Media #GPL01096230. Published by Yamaha Music Media (YM.GPL01096230).

ISBN 9784636962307.

13 Arrangements with TAB and technical suggestions.
Fu You TABPu He Dan Zou Tie Shi De 13Shou Bian Pei Ge Qu .

1. Someday My Prince Will Come; 2. A Dream Is a Wish Your Heart Makes; 3. Bibbidi-Bobbidi-Boo; 4. The Second Star to the Right; 5. La La Lu; 6. Chim Chim Cher-ee; 7. Part of Your World; 8. A Whole New World; 9. Someday; 10. If I Didn't Have You; 11. Aloha, E Komo Mai; 12. He's a Pirate; 13. It's a Small World
1. Zong You Yi Tian Wang Zi Hui Chu Xian ; 2. Meng Jiu Shi Ni Xin Zhong De Yuan Wang ; 3. Mo Fa Zhi Ge ; 4. You Bian De Di Er Ke Xing ; 5. La La Lu; 6. Yan Cong Zhi Ge ; 7. Yu Ni Wei Ban ; 8.Zhan Xin De Shi Jie ; 9. Zong You Yi Tian ; 10. Ru Guo Mei You Ni ; 11. Aloha, E Komo Mai; 12. Ta Shi Hai Dao ; 13. Xiao Xiao Shi Jie.

Guitar

SKU: GI.G-9251G

Revised Order of Mass 2010. Composed by Liam Lawton. Arranged by Paul Tate. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 16 pages. GIA Publications #9251G. Published by GIA Publications (GI.G-9251G).

UPC: 785147925170. English, Greek, Latin. Text Source: Revised Order of Mass 2010, Lectionary for Mass

The Mass of St. Patrick, was commissioned for the celebration of the 800th anniversary of the founding of Ballintubber Abbey, famously known as the abbey that “refused to die.” As with so many of Liam Lawton’s compositions, his gift for melody grows out of the rich, lyric music tradition of his native Ireland.  Unmistakably Celtic in style, the the mass features simple harmonic textures which are enhanced by a C Instrument part woven throughout. The mass is set primarily in D major, making it accessible for Irish traditional instruments. The Mass of St. Patrick is a pleasing setting that your congregation will enjoy singing.

Edited by Harvey Vinson. Guitar solo book for guitar. With standard notation (no tablature) and fingerings. Series: World's Favorite Series. 127 pages. Published by Ashley Publications, Inc.

By Bruce Arnold. For Guitar (Electric). rhythm/backup. Funk. Level: Beginning-Intermediate. Book/CD Set. Size 9x11.75. 72 pages. Published by Mel Bay Publications, Inc.

By William Bay. For Guitar (All). Chord book. Qwik Guide Series. All Styles. Level: Beginning. Book. Size 5.5x8. 64 pages. Published by Mel Bay Publications, Inc.

By William Bay and Mike Christiansen. For Guitar (All). Methods. Mastering Guitar. All Styles. Level: Beginning. Book. Size 9x11.75. 144 pages. Published by Mel Bay Publications, Inc.

By Patrick Steinbach. For Acoustic Instruments. Solos. AMA Verlag. Celtic/Irish. Level: Beginning-Intermediate. Book/CD Set. Size 9.x11.75. 180 pages. Published by AMA Verlag. ISBN 3899220234.

Composed by Manuel Ponce (1882-1948). Edited by Stefano Grondona. This edition: Saddle-wire stitching. Sheet music with CD. Critical Edition. 36 pages. MDS (Music Distribution Services) #GHE 702-50. Published by MDS (Music Distribution Services)

Guitar - intermediate to advanced

SKU: M7.GHE-702-96

Composed by Manuel Ponce. Edited by Stefano Grondona. This edition: Saddle-wire stitching. Sheet music with Online material. Critical Edition. MDS (Music Distribution Services) #GHE 702-96. Published by MDS (Music Distribution Services) (M7.GHE-702-96).

ISBN 9783890447056. English.

HIS IS THE FIRST CRITICAL EDITION OF THESE WORKS AND IT OFFERS WE HOPE A STANDARD READING WHICH EXAMINES, WITH SOLUTIONS, MANY UNEXPLAINED DIFFERENCES BETWEEN THE COMPOSER'S MANUSCRIPTS, OUR EDITED MUSIC TEXT, AND PREVIOUS EDITIONS. 70 years after Ponce's death in 1948, we celebrate his life with a new critical-performing edition of his 24 Preludios newly prepared from the original manuscripts by Stefano Grondona. We proudly present a totally new edition with audio files of the 24 Preludios para guitarra. This is the first critical edition of the 24 Preludios para guitarra. The audio files of all 24 Preludios are played by Stefano Grondona and for download with a code printed in the book. This edition is really two editions in one. Not only is it a performing edition meticulously fingered by Stefano Grondona, but as well it is also an Urtext edition of the original manuscripts. Our pragmatic critical apparatus permits the player simply and clearly to see also what was in the original manuscripts, and what was not. With this publication it is now possible to clarify some long-standing issues relevant to our aim of presenting an accurate final music text; it is now possible to see where previous publications of this repertoire have varied with the manuscripts and how we have treated these situations in our edition, and how these were treated differently in previous editions. A comprehensive critical commentary is included together with copious historical and informative notes about the selection of the works and how and why our edition took its present form and content. At last we believe to have an edition which takes the form which the composer intended and new source material is also included, such as the Ramaugé ms for Prelude no. 6.

Composed by Various. Guitar Solo. Softcover. 136 pages. Published by Hal Leonard

Arranged by Fred Fastow. Transcontinental Music Folios. Size 8.5x11 inches. 27 pages. Published by Transcontinental Music Publications.

(Strum and Sing Guitar). By Various. For Guitar. Easy Guitar. Softcover. 140 pages. Published by Cherry Lane Music