Composed by William Bay. Flatpicking, Lute, Baroque, Contemporary, Technique...(+)
Composed by William Bay.
Flatpicking, Lute,
Baroque,
Contemporary, Technique,
Theory and Reference,
Solos.
Achieving Guitar
Artistry.
Book. 76 pages. Published
by
Mel Bay Publications, Inc
Doug Smith -- Contemporary Instrumental Guitar. Composed by Doug Smith. Guitar D...(+)
Doug Smith --
Contemporary Instrumental
Guitar. Composed by Doug
Smith. Guitar DVD;
Method/Instruction.
Acoustic Masterclass.
Acoustic. DVD. Solid Air
Records #21-906842.
Published by Solid Air
Records
Composed by William Bay. Squareback saddle stitch, Solos, Featured Products,...(+)
Composed by William Bay.
Squareback saddle stitch,
Solos, Featured Products,
Contemporary, Classical.
Achieving Guitar
Artistry.
Style. Book. 92 pages.
Mel
Bay Publications, Inc
#WBM36.
Published by Mel Bay
Publications, Inc
Performed by Andrew York. For Guitar (Classical). solos. Artist Line. Contempora...(+)
Performed by Andrew York.
For Guitar (Classical).
solos. Artist Line.
Contemporary. Level:
Intermediate-Advanced.
DVD. Size 5.38x7.5. 40
pages. Published by Mel
Bay Publications, Inc.
(For Solo Guitar). By David Leisner (1953-). For guitar. Contemporary. Solo part...(+)
(For Solo Guitar). By
David Leisner (1953-).
For guitar. Contemporary.
Solo part. Standard
notation. 8 pages.
Duration 4 minutes, 30
seconds. Published by
Theodore Presser Company
By Ric Holloway. Edited by Michael Perry. Various ensemble. For guitar. Contempo...(+)
By Ric Holloway. Edited
by Michael Perry. Various
ensemble. For guitar.
Contemporary. Fretboard
Fellowship Guitar.
Contemporary Praise and
Worship and Sacred. Book
and CDs. 146 pages.
Published by Hope
Publishing Company
Guitar SKU: UT.CH-363 An Anthology of Contemporary Music (Rodriguez, S...(+)
Guitar
SKU:
UT.CH-363
An
Anthology of Contemporary
Music (Rodriguez, Silva,
Zapata Bello) for
Guitar. Edited by
Piero Bonaguri. Piero
Bonaguri Collection.
Classical. Ut Orpheus #CH
363. Published by Ut
Orpheus (UT.CH-363).
I
welcome with great
enthusiasm the
publication of this
collection of music by
Venezuelan
guitarist-composers. I am
certain that my father
would also have been
happy, in that it shows
the productiveness and
continuity of the
Venezuelan school of
composition, ever careful
as to its own
individuality while
adhering to the canons of
so-called cultured
music. My thanks go to
Maestro Piero Bonaguri
who, with devotion and
gratitude towards one of
his teachers (whose birth
centenary occurs in
2023), has completed this
important work aimed at
spreading the new
Venezuelan musical
heritage, and I also
thank all the composers
who, with great
commitment, have wished
to honour their fellow
citizen:
Alirio. (Senio
Diaz)
I am very
happy with the release of
this anthology of pieces
written in homage to the
great guitarist Alirio
DÃaz in the
contemporary music series
that I manage. For
many years I attended his
summer courses, in Italy
and abroad, and meeting
Maestro DÃaz, who over
time also honoured me
with his friendship, was
fundamental for my
education. I was also
particularly pleased and
honoured when he invited
me to play with him in
Venezuela, and then to
have played, in the
church of the Artists in
Rome, on the sad occasion
of his funeral. The
pieces in this volume,
which by happy
coincidence comes out
near the hundredth
anniversary of the birth
of the great guitarist,
were written by composers
who are also guitarists
and demonstrate that
impressive integration in
the repertoire of the
cultivated guitar of
themes and colours of
Venezuelan folk music,
which is one of the
fundamental artistic
contributions of Alirio
DÃaz, who wrote that
folk music is as
important and cultivated
as cultivated music
itself. (Piero
Bonaguri).
In
2013, to celebrate the
second centenary of the
death of Arcangelo
Corelli, I played in an
official concert held in
his memory in Fusignano,
his hometown. Corelli did
not write for the guitar,
but a few of his
compositions were
transcribed by some
contemporary guitarist
and certainly his name
has always been
associated in the history
of music with the theme
of the very famous
<>
(although the origins of
this theme go back a long
way before Corelli). In
the guitar repertoire,
well-known cycles of
variations on this theme
exist. My long history of
friendship and working
together with important
Italian composers has
made it possible for me
to build a concert
program with some new
guitar compositions
dedicated to Corelli, to
which others have been
added. They are all
together in this
anthology, with the
exceptions of Corelliana
by Davide Anzaghi, Per
Arcangelo by Gilberto
Cappelli and Corelliana
Seconda by Paolo
Ugoletti, published
separately. The cover
picture, specially
created by Norma
Lutzemberger for this
publication, celebrates
this meeting between the
modern guitar and
Arcangelo
Corelli. (Piero
Bonaguri)
Four Pieces Guitare [Partie seule] Theodore Presser Co.
(For Solo Guitar). By David Leisner (1953-). For guitar solo. Premiered by Benja...(+)
(For Solo Guitar). By
David Leisner (1953-).
For guitar solo.
Premiered by Benjamin
Verdery, 1986.
Contemporary. Solo part.
Standard notation. 20
pages. Duration 15
minutes. Published by
Theodore Presser Company
Composed by Alban Berg (1885-1935) and Alban Berg (1885-1935). Contemporary. Per...(+)
Composed by Alban Berg
(1885-1935) and Alban
Berg (1885-1935).
Contemporary. Performance
score. With Standard
notation. 20 pages.
Universal Edition
#UE36674. Published by
Universal Edition
(PR.UE036674).
Thirteen Standards. Edited by Jim Lichens. Saddle- stitched. Guitar Masters. J...(+)
Thirteen Standards.
Edited
by Jim Lichens. Saddle-
stitched. Guitar Masters.
Jazz and Contemporary.
Book
and online audio. 40
pages.
Published by Mel Bay
Publications, Inc
Book/Online Audio Guitar SKU: HL.266628 Learn the Alternating-Bass Fin...(+)
Book/Online Audio Guitar
SKU: HL.266628
Learn the
Alternating-Bass
Fingerpicking Style.
Music Sales America.
Fingerstyle, Folk.
Softcover Audio Online.
With guitar tablature. 64
pages. Hal Leonard
#AM1013683. Published by
Hal Leonard (HL.266628).
ISBN 9780936799322.
UPC: 888680734503.
9.0x12.0x0.206
inches.
Learn how
to play in the style of
contemporary Travis
picking great guitar
players like Paul Simon,
James Taylor, Dan
Fogelberg, Leo Kottke,
John Renbourn and Michael
Hedges! By mastering all
techniques described in
the book, you will be on
your way to elevating the
Travis pick from a basic
chordal accompaniment to
a complex solo style!
Includes: 14 guitar solos
• instructional and
performance audio tracks
online for download or
streaming •
standard notation and
tablature • a
comprehensive list of
alternating-bass pieces
• detailed and
thorough instruction.
Composed by William Bay. Flatpicking, Jazz and Contemporary, Technique, Th...(+)
Composed by William Bay.
Flatpicking, Jazz and
Contemporary, Technique,
Theory and Reference.
Achieving Guitar
Artistry.
Book. 100 pages.
Published by
Mel Bay Publications, Inc
Guitar SKU: GI.G-9538G Traditional Hymns for Contemporary Ensembles(+)
Guitar
SKU:
GI.G-9538G
Traditional Hymns for
Contemporary
Ensembles. Arranged
by Tony Alonso S.J. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 52
pages. GIA Publications
#9538G. Published by GIA
Publications
(GI.G-9538G).
UPC:
785147953876.
Â
Revival is a long overdue
resource that provides
fresh accessible
arrangements of classic
hymns for contemporary
ensembles. Each
arrangement is scored for
SAB choir, piano, guitar,
and optional instrumental
parts. For added texture,
the final stanza of each
hymn includes an
alternate harmonization
of the accompaniment with
a soprano descant. These
fourteen arrangements
will open a whole new set
of treasured hymns to
piano and guitar based
ensembles. Compatible
with the versions founds
in GIA’s most
recent hymnals, each of
these arrangements is
intended to support and
inspire the sung prayer
of the assembly. Every
one will find a
comfortable home in your
repertoire throughout the
liturgical year! A
special spiral bound
edition of Revival is
also available. This
edition is perfect for
accompanists who would
also like to use these
hymn arrangements as
preludes, interludes, or
postludes. Collections
like Revival are
not simply a way for
contemporary ensembles to
plant deeper roots and
tap into more traditional
repertoires. It is a way
for all of us to hear old
hymns with new ears, in a
new way. --Fr. Anthony
Ruff, OSB, Associate
Professor of Theology at
St. John's Abbey Quote
from Pray Tell
Blog. Click here to
read full article Tony
Alonso’s Revival
offers us fourteen
wonderfully arranged
familiar
hymns—musically
accessible and a delight
to sing. Flexibly crafted
for voices, piano and
guitar with lovely
optional descants, this
is an ecumenical gift and
bridge-builder between
classical and
contemporary approaches
to hymns in the liturgy.
It should be in every
parish’s working
library. --Don Saliers,
Professor of Theology and
Worship at the Candler
School of Theology In his
new collection, Revival,
Tony Alonso marks the
500th anniversary of a
great divide in the
church by bridging the
chasm between Catholic
and Protestant,
contemporary and
traditional, Appalachian
and European. His
arrangements for voices,
piano, and
guitar—with
options for using other
instruments as
well—allow for
improvisation and
adaptation while
remaining accessible for
a wide range of
musicians. Although these
hymns are designed to be
used by contemporary
ensembles, they lend
themselves to use in a
variety of worshiping
contexts. Alonso's
arrangements will entice
you to sing
along--Revival is a great
gift to the whole church!
--Kimberly Bracken Long,
Editor of Call to
Worship: Liturgy, Music,
Preaching, & the Arts
Tony Alonso’s,
Revival, is an invaluable
resource to help find
common ground among
“contemporaryâ€
and
“traditionalâ€
choirs and ensembles by
making hymnody
approachable to those who
may have shied away from
it for stylistic reasons.
It is also a great
educational tool for
organists and pianists
who are seeking ways to
improve their
improvisatory keyboard
skills by modeling
accompaniment styles and
improvisatory patterns
that support and enhance
the singing of
traditional hymns.
​--​Dominic
Trumfio, Associate
Director of Worship Music
at Old St. Patrick's
Church, Chicago.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
A Folio of Contemporary Classic Guitar Solos. Composed by Harry George Pelleg...(+)
A Folio of Contemporary
Classic Guitar Solos.
Composed by Harry George
Pellegrin.
Saddle-stitched.
Contemporary. Book and
online audio. 40 pages.
Published by Mel Bay
Publications, Inc
(Guitar). Composed by Joaquin Turina (1882-1949). Edited by Marian Alvarez Benit...(+)
(Guitar). Composed by
Joaquin Turina
(1882-1949). Edited by
Marian Alvarez Benito.
For Guitar (Guitar).
Schott. Softcover. 12
pages. Schott Music
#GA549. Published by
Schott Music
Guitar - intermediate SKU: BT.RSK200115 Exam Material. Book with Online A...(+)
Guitar - intermediate
SKU: BT.RSK200115
Exam Material. Book with
Online Audio. Composed
2019. Rockschool
#RSK200115. Published by
Rockschool
(BT.RSK200115).
ISBN
9781789360905.
English.
Rocksch
ool Acoustic Grade 5 is
for students who have
acquired the intermediate
skills and techniques and
have developed an
increasing sense of
stylistic conviction.
This is demonstrated
through instrumental
techniques, increasing
rhythmic complexity and
convincing solo and
improvisation work.
The 2019 Acoustic
syllabus is a refreshed
approach to acoustic
guitar. The syllabus
features six tracks for
each grade that have been
meticulously benchmarked
to support students as
they learn the
instrument. At each grade
two of the pieces ask the
students to perform
without backing track,
exploring the sound and
resonance of their
instrument. The remaining
tracks aresession style
backing tracks that
include vocal
accompaniment. We've also
included the vocal melody
lines in the grade books
for students who sing and
play at the same
time.
6 new
arrangements of iconic
rock, pop, and
contemporary music tracks
from classic and
contemporary artists
A diverse selection
of contemporary music
ever seen in a syllabus
making the Grades
accessible to everyone
without precluding any
musical tastes
Fact Files: band and
artist background
information with
recommended
listening
Guitar - advanced SKU: BT.RSK200118 Exam Material. Book with Online Audio...(+)
Guitar - advanced
SKU:
BT.RSK200118
Exam
Material. Book with
Online Audio. Composed
2019. Rockschool
#RSK200118. Published by
Rockschool
(BT.RSK200118).
ISBN
9781789360936.
English.
Rocksch
ool Acoustic Grade 8 is
for students who have
mastered advanced
technical control and
have a thorough grasp of
extended stylistic
techniques. At Grade 8
this is shown through
mature stylistic
conviction, consummate
execution of rhythmic
complexity, mature and
creative stylistic solo
and improvisation work as
well as a commanding
sense of communication
and performance.
The 2019 Acoustic
syllabus is a refreshed
approach to acoustic
guitar. The syllabus
features six tracks for
each grade that have been
meticulously benchmarked
to support students as
they learn the
instrument. At each grade
two of the pieces ask the
students to perform
without backing
track,exploring the sound
and resonance of their
instrument. The remaining
tracks are session style
backing tracks that
include vocal
accompaniment. We've also
included the vocal melody
lines in the grade books
for students who sing and
play at the same
time.
6 new
arrangements of iconic
rock, pop, and
contemporary music tracks
from classic and
contemporary artists
A diverse selection
of contemporary music
ever seen in a syllabus
making the Grades
accessible to everyone
without precluding any
musical tastes
Fact Files: band and
artist background
information with
recommended
listening
Guitar SKU: GI.G-006692 This edition: Guitar edition. Sacred. Guitar part...(+)
Guitar
SKU:
GI.G-006692
This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. GIA
Publications #006692.
Published by GIA
Publications
(GI.G-006692).
UPC:
641151066929.
English.
NEW! Two
hundred contemporary
songs for worship, by
some of the best and
brightest artists and
composers in
Catholic/Christian music!
Voices As One Volume 2
will complement Voices As
One Volume 1 or any
hymnal or missal you have
in your pews. Calling on
the expertise of Ed
Bolduc and Aaron
Thompson, and ably
assisted by the WLP
editorial staff, Voices
As One Volume 2 program
contains 20 of the top 25
Contemporary Christian
Songs as reported by CCLI
— the
largest Christian
licensing company. Two
additional top 25 CCLI
songs can be found in
Voices as One Volume 1
(006591). With this
affordable hymnal
resource, you can
confidently teach and
share contemporary songs
for worship (including
the new Mass of
Celebration by Ed Bolduc)
secure in the knowledge
that they are
theologically sound and
musically exciting. The
8.5 x 11 Guitar Edition
and the 7 x 10 Vocal
Harmony Edition both
contain all vocal harmony
and guitar chords. The
spiral bound Guitar
Edition (006692) is
designed to lay flat on a
music stand while the
Vocal Harmony Edition
(006693) is sized and
perfect-bound for ease of
use by vocal ensembles or
even entire small
assemblies.
Guitar - late intermediate SKU: BT.RSK200116 Exam Material. Book with Onl...(+)
Guitar - late
intermediate
SKU:
BT.RSK200116
Exam
Material. Book with
Online Audio. Composed
2019. Rockschool
#RSK200116. Published by
Rockschool
(BT.RSK200116).
ISBN
9781789360912.
English.
Rocksch
ool Acoustic Grade 6 is
for students who have
begun to develop advanced
technical control and a
competent grasp of
stylistic techniques. At
Grade 6 this is shown
through mature stylistic
conviction, execution of
rhythmic complexity,
creative and stylistic
solo and improvisation
work as well as a secure
sense of communication
and performance.
The 2019 Acoustic
syllabus is a refreshed
approach to acoustic
guitar. The syllabus
features six tracks for
each grade that have been
meticulously benchmarked
to support students as
they learn the
instrument. At each grade
two of the pieces ask the
students to perform
without backing track,
exploring the soundand
resonance of their
instrument. The remaining
tracks are session style
backing tracks that
include vocal
accompaniment. We've also
included the vocal melody
lines in the grade books
for students who sing and
play at the same
time.
6 new
arrangements of iconic
rock, pop, and
contemporary music tracks
from classic and
contemporary artists
A diverse selection
of contemporary music
ever seen in a syllabus
making the Grades
accessible to everyone
without precluding any
musical tastes
Fact Files: band and
artist background
information with
recommended
listening