The Five Great Keys composed by Phil Black. For guitar. This edition: Paperback....(+)
The Five Great Keys
composed by Phil Black.
For guitar. This edition:
Paperback. Reference.
Educational. Color
poster. Text Language:
English. 1 pages.
Published by Santorella
Publications
Guitar Solo SKU: IS.G6761EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6761EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6761EM.
Published by Metropolis
Music Publishers
(IS.G6761EM).
(Everything You Need to Know About Guitars, Amps, and Effects). By Tobias Hurwit...(+)
(Everything You Need to
Know About Guitars, Amps,
and Effects). By Tobias
Hurwitz, Ethan Fiks, and
Vivian Clement. For
Guitar. Book; CD; Guitar
Reference; Reference
Textbooks. 96 pages.
Published by Alfred Music
Publishing
Roy Clark Christmas Songbook for Guitar composed by Roy Clark. For guitar. This ...(+)
Roy Clark Christmas
Songbook for Guitar
composed by Roy Clark.
For guitar. This edition:
Paperback. Collection.
Christmas. Book. Text
Language: English. 128
pages. Published by
Santorella Publications
(Learn the Essential Chords You Need to Start Playing Acoustic Guitar Now!). For...(+)
(Learn the Essential
Chords You Need to Start
Playing Acoustic Guitar
Now!). For Guitar. Guitar
Educational. Softcover
with DVD. 32 pages.
Published by Hal Leonard
by Roger Filiberto. For Guitar (All). technique. All Styles. Level: Intermediate...(+)
by Roger Filiberto. For
Guitar (All). technique.
All Styles. Level:
Intermediate. Book. Size
8.75x11.75. 88 pages.
Published by Mel Bay
Publications, Inc.
Having
been invited several
times onto the jury of
the prestigious
Certamen Tarrega
in Benicasim, I thought I
would involve a few
composers in a gift to
the father of the modern
guitar. So I asked the
composers to write a
Prelude of the kind that
Tarrega wrote and which
count among his most
significant
compositions. These
Preludes for Tarrega, all
written between August
and November 2015, are
very different from each
other. The common
feature, however, between
these and the Preludes by
Tarrega is their brevity,
an average level of
performance difficulty
and guaranteed easy
listening, even when
written in a non-tonal
language (like the
meditative and melancholy
piece by Emilio Calandin
and the one by Marco
Smaili, with its
Impressionistic feel
reminding one of
Tarrega's most famous
pupil, Miguel
Llobet). In some
Preludes (the ones by
Paolo Ugoletti, Roberto
Tagliamacco, Claudia
Montero) the reference to
Lagrima, one of
Tarrega's most famous
Preludes, is evident in
form, title and some
citations. Ugoletti and
Tagliamacco work well and
expressively on harmony
and counterpoint, while
the Argentinian Claudia
Montero links Tarrega to
a heartbreaking Buenos
Aires... In Alessandro
Spazzoli there is rather
more a connection with
Tarrega's sense of melody
and deep simplicity,
while Marco Reghezza
remembers ironically what
was brewing in European
music when Tarrega was
alive: in fact, his
Como Preludio goes
across the 24 keys - and
even a reference to
Wagner's Tristan
raises its head... I
am delighted for this
volume to come out at the
time of the fiftieth
edition of the Certamen
Tarrega. (Piero
Bonaguri).
Guitar Solo SKU: IS.G6760EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6760EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6760EM.
Published by Metropolis
Music Publishers
(IS.G6760EM).
Guitar Solo SKU: IS.G6767EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6767EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6767EM.
Published by Metropolis
Music Publishers
(IS.G6767EM).
ISBN
9790365067671.
This
sonata (WeissSW No. 15,
London) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata X comes
from Weissâ??s middle
â??productiveâ??
period, thought to have
taken place between 1719
and 1725. The original
tablature manuscript is
in the British Library
(London Ms. Add. 30387).
The Sonata has six
movements: Allemande,
Courante, Paisane,
Sarabande, Menuet, and it
ends with a Gigue. There
is a another copy of this
Sonata in the Warszawa
Biblioteka Uniwersytecka
Poland (in its entirety),
and a copy in the
Sächsisches
Landesbibliothek in
Dresden (Suite XXVI),
which contains three
concordant movements:
Allemande, Courante, and
the Gigue. The Dresden
manuscript displays some
differences from the
London manuscript. This
Edition has taken those
differences into account
in certain details.
Originally, the Sonata is
written in B flat major,
a key often used by Weiss
as it is appropriate for
playing the lute, but
rather awkward with the
guitar. For ease and
effectiveness of playing,
I have transposed the
Sonata a minor third
lower to G major. To
create more concordance
with the baroque tuning
of the lute, the G string
is lowered by a semitone
to F sharp. I suggest
using a capodastro to
achieve the original
pitch. Based on the
present standard of A at
440 Hertz, the capo
should be placed at the
3rd fret. However, during
Weissâ??s lifetime, it
was more common in many
parts of Germany to use a
standard of A at 415
Hertz -â? a semitone
lower. So, to hear the
pitch heard by Weiss and
his contemporaries, the
capo should then be
positioned at the 2nd
fret.
Guitar Solo SKU: AY.G3156PM Composed by Rafael Valle. Plucked - Guitar. S...(+)
Guitar Solo
SKU:
AY.G3156PM
Composed
by Rafael Valle. Plucked
- Guitar. Sheet music.
Duration 5'. Periferia
Publishing #G3156PM.
Published by Periferia
Publishing (AY.G3156PM).
ISBN
9790543576162.
Howe
ver the work has a speech
that walks in small
pieces that are modified,
as a Monologue, it's
written in Ternary form.
Several techniques are
explored, as for example
a modified Pizzicato
Bartok, as well as some
timbre effects that, more
than just an effect, they
represent elements of
coherence.
Piano, Vocal and Guitar - intermediate SKU: BT.SY-2979 Klavier-Gesang-...(+)
Piano, Vocal and Guitar -
intermediate
SKU:
BT.SY-2979
Klavier-Gesang-Gitarre
. Ricordi
Diamanten-Sammlung.
TV-Film-Musical-Show.
Book Only. Composed 2017.
60 pages. Ricordi #SY
2979. Published by
Ricordi (BT.SY-2979).
PVG inches.
German.
Die
Diamanten-Sammlung
enthält die
schönsten Schätze
aus dem populären
Musikrepertoire aller
Zeiten; dabei widmet sich
jeder Band einem
bestimmten Thema.
Sämtliche Arrangements
teils nur für Klavier,
teils auch mit einer
Gesangsstimme sind
mitinternationalen
Akkordsymbolen versehen.
Sie zeichnen den
Charakter dieser
musikalischen
Meisterwerke aus aller
Welt bis ins Detail nach.
So werden diese zu einem
unvergleichlichen
Erlebnis für die
Ausführenden wie auch
für das Publikum.
Inhalt: Achteinhalb -
Adagio in c-Moll -
Amarcord - Anonimo
veneziano - Der letzte
Schnee des Frühlings -
Der Postmann - Finale
(Spiel mir das Lied vom
Tod) - Für eine
Handvoll Dollar - Heres
to You - La dolce vita -
La passerella - Playing
Love- Saharan Dream - The
Ballad of Sacco &
Vanzetti - The
Entertainer.
(A Workbook for Beginning, Intermediate or Advanced Students). Composed by M...(+)
(A Workbook for
Beginning,
Intermediate or Advanced
Students). Composed by
Miles
Okazaki. For guitar.
Spiral-
bound. Guitar Methods,
Scales, Arpeggios,
Technique, Theory,
Harmony.
Book. 166 pages.
Published
by Mel Bay Publications,
Inc
Notturno
- Napolitana - Roma.
Composed by Francesco
Balilla Pratella. Edited
by Maurizio Mazzoli.
Saddle stitching.
Classical. Ut Orpheus #CH
111. Published by Ut
Orpheus (UT.CH-111).
ISBN 9790215316317. 9
x 12 inches.
The
three original pieces for
guitar Notturno,
Napolitana
(popolar songs) and
Roma (March
for guitar),
together with three
transcriptions, are
included in a manuscript
of 36 pages, noting in
the frontispiece
“Transcriptions and
compositions of F.
Balilla Pratella sent as
a tribute to M.R. Brondi
(1920)”.
These compositions follow
a traditional language,
and, in the tonality and
the alternating themes,
are an expression of
Pratella’s
folkloric vein, with
cantabile and melancholy
melodies, with the
exception of the march,
that show some echoes of
the nineteenth century
guitar masters’ way
of composing. There is
a characteristic use of
the quartine with
no alternated thumb
forefinger tremolo, that
immediately recalls the
plectrum orchestra so
much used by Pratella in
his youth. The
discovery of these pieces
– which happened
accidentally and saved
them from certain
destruction –
contributes to enhance
that period of great
guitarist turmoil
preceding Segovia,
establishing itself at
the beginning of
twentieth century in
Italy with three
compositions from an
author that, along
with the Bonaccorsi and
Colacicchi, anticipated
that current –
already initiated by the
Fara, Gabriel,
Caravaglios –
which was, in the
following decades, to go
by the name of
ethnomusicology.