by William Bay. For all guitars. Gospel-old time, strum/sing. Level: Beginning-I...(+)
by William Bay. For all
guitars. Gospel-old time,
strum/sing. Level:
Beginning-Intermediate.
Book. Solos. Size
8.75x11.75. 112 pages.
Published by Mel Bay
Pub., Inc.
Guitar - Intermediate SKU: MB.WBM75M Saddle-stitched. Folk. Book and onli...(+)
Guitar - Intermediate
SKU: MB.WBM75M
Saddle-stitched. Folk.
Book and online audio.
Mel Bay Publications, Inc
#WBM75M. Published by Mel
Bay Publications, Inc
(MB.WBM75M).
ISBN
9781737795353. 8.75X11.75
inches.
This is a
collection of 86 guitar
solos in notation only
from William Bayâ??s
books, Solo Guitar in
Worship,
Communion,
Psalms,
Timeless Gospel
Melodies and
Spirituals. The
solos work well as
preludes, offertories,
communion hymns,
recessionals or they can
be played for
enjoyment. All 86
solos have been recorded
and are available as
online downloads with
this book.
Guitar SKU: BT.CAZJSBCELL01 Composed by Johann Sebastian Bach. Arranged b...(+)
Guitar
SKU:
BT.CAZJSBCELL01
Composed by Johann
Sebastian Bach. Arranged
by Richard Wright. Exam
Material. Book Only.
Composed 2008. Cadenza
Music #CAZJSBCELL01.
Published by Cadenza
Music (BT.CAZJSBCELL01).
For more
than a century guitarists
have been irresistibly
drawn to Bach’s
remarkable cello suites.
Here, for the first time,
are the first four in the
easiest and most resonant
guitar keys. Suites
I–IV must
betransposed to work on
the guitar, whereas Suite
V is always played in A
minor, in Bach’s
own lute version, and the
equally demanding Suite
VI can only be played in
its original key of
D.
By adding as
little aspossible, these
arrangements preserve the
integrity of the
originals, in which
melody, bass and harmony
are woven effortlessly
into a single fabric.
They also, crucially,
offer the guitarist Bach
at a lower level of
difficultythanhis music
for lute or unaccompanied
violin.
Another
unique feature is the
inclusion of optional
‘improvised’
divisions –
suggestions for the
additional ornamentation
of passages to reflect
typical18th-century
performance
practice.
This
is an essential addition
to any guitarist's
library with selected
movements featured in the
2009 ABRSM guitar
syllabus (Grades
5-8).
&ldquo
;This publication
beatsthe others hands
down; no contest. I
can’t see me
needing any other edition
of these four suites.
They are that good. Buy
with
confidence.”Classical
Guitar
Guitar SKU: HL.286931 Classical Guitar. Composed by Johann Sebasti...(+)
Guitar
SKU:
HL.286931
Classical Guitar.
Composed by Johann
Sebastian Bach. Arranged
by Richard Wright. Music
Sales America. Classical.
Softcover. Cadenza Music
#M0708057994. Published
by Cadenza Music
(HL.286931).
0.244
inches.
For more
than a century guitarists
have been irresistibly
drawn to Bach's
remarkable cello suites.
Here, for the first time,
are thefirst four in the
easiest and most resonant
guitar keys. Suites I-IV
must be transposed to
work on the guitar,
whereas Suite V is always
played in A minor, in
Bach's own lute version,
and the equally demanding
Suite VI can only be
played in its original
key of D. By adding as
little as possible, these
arrangements preserve the
integrity of the
originals, in which
melody, bass and harmony
are woven effortlessly
into a single fabric.
They also, crucially,
offer the guitarist Bach
at a lower level of
difficulty than his music
for lute or unaccompanied
violin. Another unique
feature is the inclusion
of optional 'improvised'
divisions - suggestions
for the additional
ornamentation of passages
to reflect typical
18th-century performance
practice. This is an
essential addition to any
guitarist's library with
selected movements
featured in the 2009
ABRSM guitar syllabus
(Grades 5-8). This
publication beats the
others hands down; no
contest. I can't see me
needing any other edition
of these four suites.
They are that good. Buy
with confidence.
Classical Guitar.
The many faces of the guitar, Volume 1. By Various. Arranged by Collectif. For g...(+)
The many faces of the
guitar, Volume 1. By
Various. Arranged by
Collectif. For guitar
solo. Level: 1. 28 pages.
Published by Les
Productions d'OZ. (DZ
1041)
The many faces of the guitar, Volume 1. By Various. Arranged by Collectif. For g...(+)
The many faces of the
guitar, Volume 1. By
Various. Arranged by
Collectif. For guitar
solo. Level: 1. 28 pages.
Published by Les
Productions d'OZ. (DZ
1041CD)
The many faces of the guitar, Volume 2. By Various. Arranged by Collectif. For g...(+)
The many faces of the
guitar, Volume 2. By
Various. Arranged by
Collectif. For guitar
solo. Level: 1.5. 32
pages. Published by Les
Productions d'OZ. (DZ
1042CD)
Arranged for Plectrum-Style Guitar. Classical, Saddle- stitched. Flatpicking GU...(+)
Arranged for
Plectrum-Style
Guitar. Classical,
Saddle-
stitched. Flatpicking
GUitar.
Book. Mel Bay
Publications,
Inc #30978. Published by
Mel
Bay Publications, Inc
Guitar SKU: GI.G-9740 Composed by Tony Alonso S.J. Sacred. Collection. 14...(+)
Guitar
SKU:
GI.G-9740
Composed by
Tony Alonso S.J. Sacred.
Collection. 142 pages.
GIA Publications #9740.
Published by GIA
Publications (GI.G-9740).
UPC: 785147974017.
English.
In Endless
Song is a compilation of
some of Tony’s
finest works gathered
into one collection for
the express purpose of
facilitating personal
prayer and reflection.
These are some of
Tony’s most
beloved
pieces—songs that
reflect most deeply his
spirituality and his
voice as a songwriter.
This is the music
collection in a
spiral-bound format with
all choral parts and the
complete keyboard
accompaniment. Guitar
chords are also included
in this edition. This
format works well for
pianists as it lays flat
and make pages turns
easy. CONTENTS: How Can I
Keep from Singing?
• What You Have
Done for Me •
Emmaus • In the
Arms of God • From
the Cradle to the Cross
• Were I the
Perfect Child of God
• Here I Am •
Castle of the Soul
• And Jesus Said
• I Will Arise
• Will the Circle
Be Unbroken? •
Fresh as the Morning
• The Greater Glory
of God • I Will
Lift My Eyes.
Guitar - intermediate SKU: M7.VOGG-85 Composed by Peter Bursch. Sheet mus...(+)
Guitar - intermediate
SKU: M7.VOGG-85
Composed by Peter Bursch.
Sheet music. Incl. TAB.
Voggenreiter #VOGG 85.
Published by Voggenreiter
(M7.VOGG-85).
ISBN
9783802400858.
FÃ
r alte und junge Hippies
Mit über 100 Songs,
die sich mit Spaß
singen und spielen
lassen. Von den Beach
Boys, Joan Baez, Bob
Dylan, Simon & Garfunkel,
John Denver, Reinhard
Mey, Fugees u. v. a. Dazu
die richtigen Griffe,
gute
Gitarrenbegleitungen,
Tabulaturen und alle
Texte. Mit
Hintergrundwissen und
Entstehungsgeschichte zu
den Liedern und ihren
Interpreten. Alles
Wichtige über die
Gitarre und andere
Folk-Instrumente.
Songliste: Alberta, All
around my hat, All my
trials, Amazing grace,
Banana-Boat (Day-O),
Banks of the Ohio,
Barbara Allen, Bella
ciao, Can the circle be
unbroken, Catch the wind,
Cocaine, Colours, Come
all ye fair and tender
ladies, Days of '49, Der
Deserteur, Der Winter ist
vergangen, Die freie
Republik, Die Gedanken
sind frei, Die
Moorsoldaten, Donna,
Donna, Drill ye tarriers,
drill, East Virginia, El
condor pasa, Es dunkelt
schon in der Heide, Es
geht ein' dunkle Wolk'
herein, Es saß ein
klein wild Vögelein,
Es zogen einst fünf
wilde Schwäne, Go
down, Moses,
Greensleeves, Grizzly
bear, Guantanamera, Gypsy
Rover, Havah nagila,
Heute hier, morgen dort,
House of the rising sun,
Ich komme schon durch
manche Land, (La
Marmotte), If I had a
hammer, I'll fly away, In
1841 (Paddy works on the
railway), Jackaroe, John
Barleycorn, Joshua fit
the battle of Jericho,
Kalinka, Killing me
softly, Kinder, Kisses
sweeter than wine,
Kumbaya, Lady in black,
La-le-lu, La Marmotte,
(Ich komme schon durch
manche Land), Lady in
black, Little beggarman,
Lord Franklin, Matty
Groves, Mein Vater wird
gesucht, Mr. Bo Jangles,
Nehmt Abschied,
Brüder, Oh, freedom,
Oh Susanna, Pick a bale
of cotton, Plaisir
d'amour, Pretty Peggy-O,
Puff, the magic dragon,
Sag mir, wo die Blumen
sind?, St. James
Infirmary, Santy Anno,
Scarborough Fair, Should
auld acquaintance (Auld
lang syne), Sloop John
B., Sometimes I feel like
a motherless child,
Stewball, Streets of
London, Take me home,
country roads, The bonny
lass of FYVIE-O, The
circle game, The cuckoo,
The Foggy Dew, The last
thing on my mind, The
marvelous toy, There but
for fortune, Three
drunken maidens, The
trees they grow high,
This land is your land,
Three drunken maidens,
Trotz alledem, Turn,
turn, turn, Ãœber den
Wolken, Un as der Rebbe
singt, Waxie's Dargle,
Wayfaring stranger, We
shall overcome, What
shall we do with the
drunken sailor?, Where
have all the flowers
gone?, Whiskey in the jar
(Gilgary Mountain), Will
ye go, lassie, go (Wild
Mountain Thyme).
Suite Guitare Guitare classique [Conducteur] Universal Edition
Composed by Robert de Visee (1650-1725). Edited by Olaf Van Gonnissen; Johannes ...(+)
Composed by Robert de
Visee (1650-1725). Edited
by Olaf Van Gonnissen;
Johannes Monno; Thomas
Muller-Pering. Neue Karl
Scheit Gitarren Edition.
Full score (study). With
Standard notation.
Universal Edition
#UE34480. Published by
Universal Edition
(PR.UE034480).
(Christmas Favorites for Two Acoustic Guitars). Composed by William Bay. For aco...(+)
(Christmas Favorites for
Two Acoustic Guitars).
Composed by William Bay.
For acoustic guitar duet.
CD.
Intermediate-Advanced.
Compact Disc. Published
by Mel Bay Publications,
Inc
Guitar SKU: M7.VOGG-365 Composed by Peter Bursch. Sheet music with CD. Vo...(+)
Guitar
SKU:
M7.VOGG-365
Composed
by Peter Bursch. Sheet
music with CD.
Voggenreiter #VOGG 365.
Published by Voggenreiter
(M7.VOGG-365).
ISBN
9783802403651.
English.
This book
is an introduction to
rock guitar playing. Very
easy, without notes, and
right from scratch. In
Part 1 you will learn
easy basic rhythms played
with a rock guitar sound.
Things really get going
in Part 2. You will
discover the secrets of
rock songs by Jimi
Hendrix, Metallica, Van
Halen and AC/DC. Here you
can really take off. And
there are riffs, solo
techniques and the
popular touch (tapping)
style of playing. In Part
3 you will see how your
guitar can be changed
into a speeding rocket.
There are finger
exercises for the left
hand and much, much
more.
Guitar SKU: FG.55011-071-7 Hommage to Paul Klee. Composed by Kai N...(+)
Guitar
SKU:
FG.55011-071-7
Hommage to Paul
Klee. Composed by Kai
Nieminen. Fennica Gehrman
#55011-071-7. Published
by Fennica Gehrman
(FG.55011-071-7).
ISBN
9790550110717.
Comp
leted in Karstula,
Finland during late July
2010, this carefully
structured, but also
free-ranging work is
drawn from ideas for a
much earlier work in four
movements, Fantasy dating
from the 1980s. Kai
Nieminen has been for a
long time an admirer of
the work of artist Paul
Klee (1879-1940), and the
solo presented in its
final form here is
influenced by the
painting Dances caused by
Fear or as it is often
refered to Dancing from
Fear painted towards the
end of Klee's life in
Bern, 1938. Having
left Germany for
Switzerland in December
1933, Klee's later works
were often full of signs
and lines, very often
represented in black,
depicting human figures
or various objects
against a variety of
coloured backgrounds, in
the case of this painting
of a brownish hue. This
development in his
painting style and
technique is felt by some
to be an effect perhaps
of his long-term illness,
systemic sclerosis, but
in the case of Dances
caused by Fear there is
suggested an atmosphere
of panic and terror, an
attempt to escape from
horrors to come (World
War II), represented in
the violent movement of
the arms and legs of the
figures, and the dark,
indeed brooding nature of
the colours. In Kai
Nieminen's guitar work
Images of Fear, there is
only a very brief passage
of calm at the very
beginning, after which
come three main connected
sections in which a wide
range of musically
unsettling ideas emerge
one by one, making use of
the tritone, minor
seconds, glissandos,
tamboura, campanella,
etc. The third and final
section incorporates the
grouping of 5
sixteenth-notes, to give
an uneasy feeling to the
music, with a short
haunting and pleading
five-note phrase
(Cantando) heard
immediately following
this passage, before the
work ends with further
glissandos, and distant
and diminishing
harmonics. As with
Kai Nieminen's other
guitar works, the use of
'orchestral colour' is
vital to the performance,
and passages suggestive
of for example brass,
strings, woodwind, etc.,
should be taken into
account and played with
suitably considered
contrast of tone.
Guitar SKU: BT.MUSME0334 Play Music. Book, CD and DVD. Composed 2016. Pla...(+)
Guitar
SKU:
BT.MUSME0334
Play
Music. Book, CD and DVD.
Composed 2016. Play Music
Publishing #MUSME0334.
Published by Play Music
Publishing
(BT.MUSME0334).
English.
With
its 50 Blues rhythms
inspired by the biggest
hits of the greatest
guitarists of all time
(Eric Clapton, Buddy Guy,
Albert King, Muddy
Waters, Stevie Ray
Vaughan, Robert Cray,
Albert Collins, B.B.
King, T-Bone Walker
etc.), this tutorial will
keep you pleasantly busy
for quite a while. But
there’s more to it
than that! Besides
affording pleasure, these
rhythms allow you to
discover and study the
tools required for a good
Blues accompaniment:
triads, double stops,
single notes, bends,
barre chords, slides,
hammer-ons, pull-offs,
rest strokes, binary and
shuffle rhythms, etc. All
this is included in the
guidelines given to you
in the preliminary
chapter –guidelines
regarding the structure,
the rhythm, as well as
the chords employed. The
DVD attached to the
tutorial offers you the
possibility to mindfully
observe all 50 rhythms
– first at actual
playing speed, then at a
slower speed. This again
gives you the opportunity
to closely follow the
movement of the hands, to
choose the right
fingerings and keep a
steady beat(!) For its
part, the MP3 CD is
composed of as many
backing tracks as there
are rhythms in the
tutorial; the 50 backing
tracks are recorded at
two different tempi: the
intended tempo (actual
playing speed) and the
rehearsal tempo (slower
speed). On the backing
track at actual playing
speed the Guitar is only
present during the first
round, then it
disappears, yielding the
floor to you. The backing
tracks provided here are
of an appropriate length
(about 4 to 5 minutes
each, which sums up to
almost 7h of musical
practice). This means
that you have enough time
at your disposal to
practice under the best
conditions.
Following
the successful
publication of
Homenaje a Rodrigo
(2015), containing four
pieces by Alessandro
Spazzoli – one of
which was performed in
the presence of the
composer’s
daughter, Cecilia
Rodrigo, during her visit
to the International
Convention in Alessandria
–, here is the
second volume. It
contains more tributes to
Rodrigo written on my
input by five well-known
Italian and Spanish
composers, two of whom
are also guitarists and
have therefore written
the fingering for their
own pieces. Giovanni
Podera plunges us into a
typically Rodrigo-like
atmosphere with his
evocative
Fantasia, while
the following three
compositions are full of
direct quotations from
pieces also for guitar by
the great composer from
Valencia. Thus, Marco
Simoni, in his expressive
Junto a Rodrigo
– which also
provides the title to the
volume – plays
with themes taken from
Junto al
Generalife and from
Dos piezas
caballerescas for a
cello ensemble as well as
hinting at reminiscences
of Tiento antiguo.
As for Marco Smaili, in
his impressionistic
Fronda de la
tarde, he evokes
quite evidently
Zarabanda lejana
and Invocación y
Danza, but there are
more hidden references to
Caminos de
Santiago and even to
the very famous
Concierto de
Aranjuez. Marco
Reghezza builds his
heart-breaking Nana
estrellada on a
sequence of chords used
by Rodrigo in the
fantasia ¡Que buen
caminito!. On the
other hand, there are no
direct quotations and
echoes of
Rodrigo’s way of
writing in the Fuga a
quattro voci by Paolo
Ugoletti. However it was
Rodrigo himself who
constructed four-part
imitative passages for
guitar in
Pasacalle and in
the Ricercare of the
Fantasia para un
Gentilhombre. The
close polyphony of the
piece by Ugoletti may be
considered as a tribute
to this kind of craft
shown by Rodrigo who,
like Ugoletti, was able
to write such dense and
idiomatic counterpoint
without being a
guitar-player. I am
pleased that this volume
comes out in the
imminence of the 20th
anniversary of the
disappearance of the
illustrious Spanish
composer who gave so much
to the musicians –
and not only to
them. (Piero
Bonaguri)
Guitar SKU: FG.55009-364-5 Composed by Kai Nieminen. Published by Fennica...(+)
Guitar
SKU:
FG.55009-364-5
Composed by Kai Nieminen.
Published by Fennica
Gehrman (FG.55009-364-5).
ISBN
979-0-55009-364-5.
The Temple - Igor
Stravinsky in memoriam is
a work of wide musical
contrasts and varying
atmospheres. It explores
the tonal range of the
guitar superbly, and
makes much use of the
pizzicato or etouffe
effext. It can be
preceded by Estampes,
another solo guitar work
by Kai Nieminen, thereby
giving a musically
satisfying coupling.
Guitar SKU: BT.MUSAM1008029 By Toby Knowles. The Complete Guitar Player. ...(+)
Guitar
SKU:
BT.MUSAM1008029
By
Toby Knowles. The
Complete Guitar Player.
Pop & Rock. Book Only.
Composed 2015. 146 pages.
Wise Publications
#MUSAM1008029. Published
by Wise Publications
(BT.MUSAM1008029).
ISBN 9781783055364.
English.
The
Complete Guitar Player
Acoustic Songbook
features a huge
collection of 50 acoustic
hits from all genres for
Guitar. Each song
includes full lyrics and
Guitar chords as well as
strumming and picking
patterns, making this
perfect for the aspiring
acoustic Guitarist. Every
song included in this
Guitar songbook is a bona
fide acoustic classic,
perfect for singalongs at
parties or just a strum
on a summer's day in the
park. Songs like Hey,
Soul Sister by
Train, Wonderwall
by Oasis and Ho Hey
by The Lumineers
represent the best in
unplugged and fun
chill-out music. 'The
book is designed to be
accessible and enjoyable,
showcasing the best songs
by the best songwriters
like Bob Dylan, Mumford
& Sons, The Beatles
and Adele. Songs from the
past and the present are
included, so there will
be something for everyone
in this acoustic
songbook. Each song has
been carefully arranged
for Guitar and Voice,
including the melody,
lyrics and Guitar chord
shapes. Not only this,
but there are also
suggested strumming or
picking patterns to help
you nail the exact sound
of the song straight
away. This acoustic
Guitar songbook is ideal
for beginners and
intermediate Guitarists
looking to expand their
repertoire with acoustic
songs new and old,
whereas absolute
beginnersnew to the
Guitar might find that
the four books of the
famous Complete Guitar
Player series by Russ
Shipton will help them
out with the
basics. With these
50 acoustic Guitar songs,
you'll be singing,
strumming
andfingerpicking your way
through the folk, pop and
rock canon in no time at
all. The Complete Guitar
Player Acoustic Songbook
would make a stellar
addition to any
guitarist's bookshelf,
and every one of these
great songs will make
sure that everyone is
singing along.
Performed by Pat Metheny. For guitar (no tablature). Format: fake book. With lea...(+)
Performed by Pat Metheny.
For guitar (no
tablature). Format: fake
book. With leadsheet
notation and chord names.
Jazz and jazz fusion. 448
pages. 9x12 inches.
Published by Hal Leonard.
Guitarra Liturgia Guitare [Conducteur] - Intermédiaire OR-TAV Music Publications
Guitar - Intermediate SKU: OT.26114 Composed by Ariel Lazarus. A short su...(+)
Guitar - Intermediate
SKU: OT.26114
Composed by Ariel
Lazarus. A short suite
for classical guitar
based on themes from the
Spanish and Portuguese
tradition. Classical.
Score. OR-TAV Music
Publications #26114.
Published by OR-TAV Music
Publications (OT.26114).
ISBN 9789655051049.
8.27 x 11.69
inches.
Ariel
Lazarus Guitarra
Liturgia Two pieces
based on music from the
Spanish and Portuguese
tradition.
Contents: Jerusalem
de Sefarad - Suite for
Guitar Contrapunto
Sefardi The composer
writes: For many
years I wanted to compose
a piece for guitar which
would inspire interested
students to expand their
repertoire in the
direction of Jewish
music. The most natural
thing for me was to write
a suite based on themes
from the synagogue in
which I grew up –
the Spanish and
Portuguese synagogue of
Gibraltar. My beloved
grandfather served all
his life as hazzan
(cantor) of this
synagogue, and I always
felt as a composer and
educator that I had a
special obligation to
continue his tradition
and pass it on to a new
generation. In this
composition, I let the
guitar echo the piyyutim
(semi-liturgical poems)
that were part of my
childhood: Adon Olam,
Sh'charchoret, Achot
K'tana, Yigdal, Borei ad
Ana, all of which are
sung in the Spanish and
Portuguese tradition from
Gibraltar to London, and
from New York to
Jerusalem. I let myself
dream the piyyutim, take
them apart and
reconstruct them as a
short suite for guitar,
the results of which you
are invited to hear here.
As a conceptual idea for
the suite, I choose to
suggest about the
cultural continuation
between the Diaspora and
the land of Israel by way
of referencing the
well-known melody of
Naomi Shemer, which is
also popular among the
hazzanim. Dr. Ariel
Lazarus is a unique voice
among Israeli
composer-performers
today. Brought up in a
family with Jewish
musical roots both in
Gibraltar and Westphalia,
he began composing and
playing the guitar in his
teens, and has been
committed to developing
his own compositional
language ever since,
always maintaining an
open dialogue with his
traditions. Lazarus
received his BMus and
MMus degrees from
Oklahoma City University
in classical guitar
performance and
composition where he
studied with American
composer Dr. Edward
Knight. He earned his PhD
from Bar Ilan University,
studying composition with
Prof. Betty Olivero and
Prof. Gideon Lewensohn
and conducting research
under the supervision of
Prof. Edwin Seroussi from
the Hebrew University.
His symphonic works have
been premiered by the
Raanana Symphonette
Orchestra, and his
chamber works have been
performed by various
ensembles in the United
States, Central Europe,
Portugal, Gibraltar,
Scandinavia and Israel.
Lazarus performs
regularly as Art
Ambassador on behalf of
the Israeli Ministry of
Diaspora affairs Amiel
BaKehila program. His
solo album A Hebrew
Capriccio was released by
the German boutique label
SmoothFactor and was
awarded critical acclaim,
among others, in Haaretz,
and Neue Westfalishe.
Dr. Lazarus is the
musical director and
co-founder of the Israeli
Ladino Orchestra. His
work with the orchestra
has been recognized by
the official Carta de
España. He teaches at
the Academic College for
Education Givat
Washington, and the Rimon
School of Music.
Lazarus’s work has
been awarded by the
Israeli Pais Art council
and ACUM.
Guitar (Guitar) SKU: HL.14021531 Music Sales America. Swing. Book with CD...(+)
Guitar (Guitar)
SKU:
HL.14021531
Music
Sales America. Swing.
Book with CD. Editions
Musicales Francaises
#EMF100064. Published by
Editions Musicales
Francaises (HL.14021531).
9.0x12.0x0.154 inches.
French.
Les
caracteristiques de la
guitare sont telles qu'il
existe un nombre
quasi-illimite de
possibilites (positions,
doigtes, techniques de
liaison) pour jouer une
meme phrase melodique.
Cet ouvrage a donc pour
but de donner quelques
exemples de phrases et
d'arrangements des
Standards du Jazz issus
de repertoire Swing et
Be-Bop a l'aide d'un CD
d'accompagnement. Vous
trouverez dans cette
methode deux types de
themes et d'arrangements:
* Les themes Be-Bop: Ils
sont arranges pour deux
guitares, une basse et
une batterie. * Les
themes Swing: Ils sont
arranges pour guitare,
basse et batterie. La
guitare joue les accords
et la melodie
simultanement. The guitar
idioms give an endless
comnbination of
fingerings, neck
positions and legato
techniques to play one
single musical line. The
purpose of this book is
to provide examples of
phrasing and arranging of
swing and be-bop
standards. You will find
two types of tunes *
Be-Bop tunes: These tunes
are arranged for two
guitars, a bass and
drums. * Swing tunes:
These are arranged for
guitar, bass and drums.
The theme and chords are
played by one guitar
only.