Guitar - late intermediate SKU: BT.DHP-0930516-401 In one book. Ar...(+)
Guitar - late
intermediate
SKU:
BT.DHP-0930516-401
In one book.
Arranged by Ed Wennink.
Classical. Book Only.
Composed 1993. 52 pages.
De Haske Publications
#DHP 0930516-401.
Published by De Haske
Publications
(BT.DHP-0930516-401).
ISBN 9789073252059.
9x12 inches.
International.
A
wonderful collection of
well-known classical
works that have been
expertly arranged for
guitar.
Diese
Ausgabe enthält
bekannte Etüden und
klassische
Vortragsstücke von
deutschen, italienischen
und spanischen
Komponisten, wie F. Sor,
F. Carulli, M. Carcassi,
M. Giuliani, J.S. Bach,
L.Milan u. a.
Zusätzlich gibt es
Erläuterungen zu den
Titeln und Komponisten.
Die ideale Spielliteratur
für Gitarristen, die
mit den Basistechniken
des klassischen
Gitarrenspiels bereits
vertraut sind.
Una raccolta
destinata a tutti i
chitarristi che vogliono
esplorare le tecniche
della chitarra classica.
36 studi da concerto
proposti in ordine di
difficolt , e scritti dai
più famosi chitarristi
come Carulli, Sor,
Giuliani, T rrega e
Llobet. Affinerete la
tecnica e il vostro
tocco, senza trascurare
l’importannza di
saper interpretare la
musica migliorando la
contabilit anche
attraverso
l’ascolto.
(Guitar Part). By Seth Himmelhoch, Andrew LaFreniere, and Louis Brown. For Guita...(+)
(Guitar Part). By Seth
Himmelhoch, Andrew
LaFreniere, and Louis
Brown. For Guitar. This
edition: Revised. Book;
CD; Guitar (Suzuki);
Method/Instruction;
Suzuki. Suzuki Guitar
School. Beginner. 24
pages. Published by
Alfred Music
Guitar/Bass/Drum. J-POP.
Sheet music. Yamaha Music
Media #GTL01097129.
Published by Yamaha Music
Media (YM.GTL01097129).
ISBN
9784636971293.
25
Famous melodies for
guitar solo. Players are
able to listen the model
performance on the
smartphone through the QR
cords attached to each
page. 25Shou Ji Ta Du
Zou Ming Qu . Yan Zou Zhe
Ke Yi Tong Guo Sao Miao
Er Wei Ma Shi Yong Zhi
Neng Shou Ji Shi Ting Shi
Fan Yan Zou .
1.
Liszt: Liebestraum; 2.
Debussy: La fille aux
cheveux de lin; 3.
Dvorak: Largo from A New
Wrold Symphony; 4.
Satie/Ju te veux; 5.
Chopin: Prelude Op.28/7;
6. Haydn: Theme from 2nd
movement of Kaiser
Quartet; 7. Verdi:
Triumphal March from
Opera Aida; 8. Ravel:
Bolero; 9. Massenet:
Meditation from Opera
Thais; 10. Borodin:
Polovtsian Dances from
Opera Prince Igor; 11.
Moussorgsky: Promnade
from Pictures at an
Exhibition; 12. Smetana:
Melody from Moldau; 13.
Schubert: Melody from
Trout Quintet; 14. Bach,
J. S.: Prelude from Suite
for Cello No.1; 15.
Liszt: La campanella; 16.
Paganini: Caprice No.24;
17. Tarrega: Adelita; 18.
Tarrega: Etude No.1; 19.
El Noi de la Mare; 20.
Sanz: Canarios; 21.
Tarrega: La'cryma
Christi; 22. Sol: Waltz
from 6 pieces; 23.
Siciliano; 24.
Londonderry Air; 25.
Gershwin: Rapsody in
Blue.
Suite No. 1 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Guitar SKU: HL.49005535 Werke aus dem 17. und 18. Jahrhundert. Edi...(+)
Guitar
SKU:
HL.49005535
Werke
aus dem 17. und 18.
Jahrhundert. Edited
by Barna Kovats and
Ferenc Brodszky. Sheet
music. Edition Schott.
Classical. 32 pages.
Schott Music #ED 5229.
Published by Schott Music
(HL.49005535).