Composed by William Bay and Mike Christiansen. Spiral-bound. Instructional method. Book and online audio. 168 pages. Published by Mel Bay Publications, Inc (MB.99618M).

With online audio and video. Composed by Stanley Yates. Spiral-bound. Modern Guitar Method. Book and online audio/video. Published by Mel Bay Publications, Inc (MB.21548M).

Guitar

SKU: M7.DUX-884

Noten and TAB - easy/medium. Arranged by Michael Langer. This edition: Ring/Spiral binding. Score with online audio files. Performance book, includes TAB. 130 pages. Edition Dux Verlag #DUX 884. Published by Edition Dux Verlag (M7.DUX-884).

ISBN 9783868493306.

In fünf Bänden werden je 20 Welterfolge umfassend »gitarristisch « aufbereitet. Alle Songs sind für Gitarre solo arrangiert und in Notenschrift und Tabulatur notiert. Zusätzlich gibt es, wie gewohnt, zu jedem Titel eine kurze Geschichte, Vorschläge zur Strumming- und Picking-Begleitung sowie den kompletten Text mit Akkorden. Jetzt mit Audio-Download: Alle 20 Songs sind von Michael Langer vollständig als Soloversion eingespielt.

This edition: Spiral edition. Hymnal. Sacred. Book. GIA Publications #5000GS. Published by GIA Publications (GI.G-5000GS).

Classical. Textbook. Trinity College London #TCL019288. Published by Trinity College London

Guitar solo - Advanced

SKU: DZ.DZ-4308

Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308).

ISBN 9782898522253.

Foll owing a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.

FRANCE SCO BIRAGHI

Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprèt e et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.

FRANCESCO BIRAGHI.

Guitar - Intermediate

SKU: MB.30989

Saddle-stitched, Solos. Sonatinas. Book. 152 pages. Mel Bay Publications, Inc #30989. Published by Mel Bay Publications, Inc (MB.30989).

ISBN 9781513466705. 8.75x11.75 inches.

In this book, guitarist and music historian David Grimes presents 20 â??small sonatasâ? or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava.  While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students. 

In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a restâ?? exposing and overcoming yet another shortcoming in the education of many guitarists.  
Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirateâ?? plus three more composers in a similar veinâ?? promoting confident, enjoyable sight-reading by guitarists of all levels. .

Instructional DVD for Guitar. Performed by Trevor Rabin. DVD. DVD . Size 5.5x7.5 inches. Published by Hal Leonard.

By Simon Salz. For Guitar. Guitar Method or Supplement. 21st Century Pro Method. Acoustic; Fingerstyle; Masterwork. Spiral-Bound Book and CD. Published by Alfred Publishing.

Classical. Textbook. Trinity College London #TCL019271. Published by Trinity College London

(An In-Depth Study of Single-Note Lines for Guitar). By Randy Vincent. For guitar. This edition: spiral-bound. Method book. 156 pages. Published by Sher Music Company

Edited by Corey Christiansen. Perfect binding. Guitar Journals. Book and online audio. 128 pages. Published by Mel Bay Publications, Inc

Guitar

SKU: GI.G-10075S

Composed by Tony Alonso S.J. This edition: Spiral edition. Sacred. 168 pages. GIA Publications #10075S. Published by GIA Publications (GI.G-10075S).

UPC: 785147007524.

Guitar

SKU: GI.G-9740

Composed by Tony Alonso S.J. Sacred. Collection. 142 pages. GIA Publications #9740. Published by GIA Publications (GI.G-9740).

UPC: 785147974017. English.

In Endless Song is a compilation of some of Tony’s finest works gathered into one collection for the express purpose of facilitating personal prayer and reflection. These are some of Tony’s most beloved pieces—songs that reflect most deeply his spirituality and his voice as a songwriter. This is the music collection in a spiral-bound format with all choral parts and the complete keyboard accompaniment. Guitar chords are also included in this edition. This format works well for pianists as it lays flat and make pages turns easy. CONTENTS: How Can I Keep from Singing? • What You Have Done for Me • Emmaus • In the Arms of God • From the Cradle to the Cross • Were I the Perfect Child of God • Here I Am • Castle of the Soul • And Jesus Said • I Will Arise • Will the Circle Be Unbroken? • Fresh as the Morning • The Greater Glory of God • I Will Lift My Eyes.

Guitar

SKU: GI.G-006692

This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. GIA Publications #006692. Published by GIA Publications (GI.G-006692).

UPC: 641151066929. English.

NEW! Two hundred contemporary songs for worship, by some of the best and brightest artists and composers in Catholic/Christian music! Voices As One Volume 2 will complement Voices As One Volume 1 or any hymnal or missal you have in your pews. Calling on the expertise of Ed Bolduc and Aaron Thompson, and ably assisted by the WLP editorial staff, Voices As One Volume 2 program contains 20 of the top 25 Contemporary Christian Songs as reported by CCLI — the largest Christian licensing company. Two additional top 25 CCLI songs can be found in Voices as One Volume 1 (006591). With this affordable hymnal resource, you can confidently teach and share contemporary songs for worship (including the new Mass of Celebration by Ed Bolduc) secure in the knowledge that they are theologically sound and musically exciting. The 8.5 x 11 Guitar Edition and the 7 x 10 Vocal Harmony Edition both contain all vocal harmony and guitar chords. The spiral bound Guitar Edition (006692) is designed to lay flat on a music stand while the Vocal Harmony Edition (006693) is sized and perfect-bound for ease of use by vocal ensembles or even entire small assemblies.

Featuring Sonata Banc d'Arguin. Composed by Diego Barber. Guitar: Classical and Lute,Style,Classical,Cont empo rary,Solos. Book and Online Audio. 84 pages. Published by Mel Bay Publications, Inc

Guitar - easy

SKU: BT.SY-2973

Arranged by Maria Linnemann. Folk Music. Book Only. Composed 2016. 31 pages. Ricordi #SY 2973. Published by Ricordi (BT.SY-2973).

GTRSO inches. German-English.

Die Komponistin Maria Linnemann hat für diese Sammlung einige Volkslieder ausgesucht, die sie auf ihren Reisen um die Welt entdeckte; daneben sind viele der Lieder enthalten, die sie als Kind in ihrer englischen Heimat gerne gesungen hat. Die Arrangements sind progressiv nach dem Schwierigkeitsgrad angeordnet, von leicht bis mittelschwer, und eignen sich bestens als ausdrucksvolle Vortragsstücke. Die Ausgabe enthält zu jedem Lied eine Strophe des originalen Liedtextes (inklusive einer deutschen Übersetzung).

Piano/Vocal/Guitar

SKU: HL.275347

By Kenny Chesney. Piano/Vocal/Guitar Artist Songbook. Country. Softcover. 136 pages. Published by Hal Leonard (HL.275347).

ISBN 9781540026040. UPC: 888680743659. 9.0x12.0x0.336 inches.

20 of Chesney's top hits, including: All the Pretty Girls * American Kids * Come Over * The Good Stuff * No Shoes No Shirt (No Problems) * Save It for a Rainy Day * Setting the World on Fire * Somewhere with You * There Goes My Life * You and Tequila * You Had Me from Hello * and more.

Guitar

SKU: LM.28593

Composed by Ines Peragallo. Delia Estrada. Classical. Score. Editions Henry Lemoine #28593. Published by Editions Henry Lemoine (LM.28593).

ISBN 9790230985932.

Canc ion - El dia que yo naci - Cacharpaya - Caramba - Zumba que zumba - A rosa bonitinha.

Performed by Various Artists. Guitar. Size 9x12 inches. 48 pages. Published by Hal Leonard.

By Lou Boustani. For Guitar. Spiral. Gypsy Jazz. Multiple Levels. Book/CD Set. 100 pages. Published by Mel Bay Publications, Inc

Guitar

SKU: BT.MUSAM1001440R

Composed by Justin Sandercoe. JustinGuitar. Tuition. Book with Online Audio. Composed 2015. 192 pages. Wise Publications #MUSAM1001440R. Published by Wise Publications (BT.MUSAM1001440R).

ISBN 9781783058921. English.

Hailed as the most comprehensive and complete beginner's Guitar method ever, the Justinguitar.com Beginner's Course from Justin Sandercoe will take you through everything from buying a Guitar to basic improvisation, now including two CDs full of content. If you have ever thought about picking up a Guitar, this book should be your first port of call. In renowned music teacher Justin Sandercoe 's friendly and authoritative way, he takes you through the basics of being a Guitarist  from the absolute beginning to playing some impressive songs. You will learn all the essential chords, the fundamental scales and rhythm strumming and picking. giving you demonstrations of every chord, technique and exercise to help you hear exactly how everything should sound. Justinguitar.com  has been world-renowned since it was initially set up in 2003. The Independent The CDs have been specially recorded by Justin  newspaper has called him one of the most influential guitarists in history, and his combined total of 100 million viewers would certainly agree. His online videos have gained him huge recognition, but he is also a teacher at the Guitar Institute, and has taught thousands of students privately, including Katie Melua and Cathy Dennis.  The course has been 20 years in the making, and has incorporated everything that a beginning guitarist needs to know, but that is often skipped over in less rewarding methods; things like music theory, aural training and songs specifically chosen to reinforcetechniques learned. Speaking of songs, if you want more songs to learn as a fantastic complement to this book, check out the  Justinguitar.com Beginner's Songbook .  Topics covered in this  Beginner's Course  include: Choosing equipment like a Guitar, an amplifier and accessories Open, barre and power chords as well as rhythm Guitar techniques Scorching lead playing such as the 12-bar blues and basic improvisation.