Par SCHUBERT FRANZ. Il y a eu quelques exemples précédents des versions de guitare de Schubert \' musique pour piano et pratiquement aucune tentative de transcrire un ensemble complet de pièces, comme Caldern le fait ici avec les six pièces de Schubert Moments Musicaux. Ces pièces sont superbes exemples de maîtrise de Schubert sous la forme de miniatures, de vrais \' moments musicaux \' d\'humeur et de la sensation. Deux autres pièces complètent cette collection, qui y compris note également sur la préparation et la performance des pièces en anglais, allemand et espagnol. La musique est en notation standard uniquement avec un CD des performances des pièces par l\'arrangeur. / Niveau : Intermédiaire / Classic - Solos / Répertoire / Guitare Classique

Reduction Of Score. Par CORDERO ERNESTO. La johnstonei Concierto par Ernesto Cordero est salué comme l'un des plus beaux concertos écrites pour guitare et orchestre de chambre. Il intègre efficacement divers éléments interculturelles des grandes Antilles. Il s'agit de l'île-nations parlant espagnols de Cuba, de Porto Rico et de République dominicaine. Un artiste doit souvent une réduction du score orchestral pour piano, donc le soliste pouvez essayer l'ensemble orchestral saveur et des couleurs avec un pianiste. Elle est idéale lorsque le compositeur peut écrire cette pensée condensée d'orchestration de piano et de ses ressources idiomatiques. De cette façon qu'il sera devenu organiquement intégré avec le soliste comme défini entité, reflétant le concept original d'orchestral. Cordero fait cela très habilement et maintenant sa belle johnstonei de Concierto sera accessible à un public plus large. Nous devons comprendre qu'il existe des possibilités moins fréquentes d'avoir un orchestre mais nombreuses occasions plus d'avoir un pianiste expérimenté capable de partager avec le soliste de guitare (dans un chambe... / Niveau : Intermédiaire à Avancé / Classic - Score / Répertoire / Guitare Classique

Voici une partition musicale pour Guitare que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique cette partition a pour titre Simple Melodie/Valse En La/ Serenade/Guitare Lm019. C'est l'éditeur Leduc sous la référence AL28739 qui a les droits pour éditer cette partition. / Guitare / Partition

This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony #9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. / Guitare

Version Flute Alto - Ou Flute-, Guitare et Percussions Ad Lib: Ref Es1332). Par TERASHIMA HIROKI. / Répertoire / Guitare

Par MARLOW JANET. The Joy of Flute and Guitar collection is geared for the flute and six string guitarist to enhance the repertoire for this combination for students and professional performers in ensemble. The works include: Greensleeves (Anonymous 16th c.) - Mozart's Spring Etude in Bb Major (Fernando Sor and Janet Marlow) - Minuet and Dance of the Blessed Spirits (Christoph Gluck) - Sonata in F Major (Georg Philipp Telemann) - Sonata in C Major BMV 1033 (Johann Sebastian Bach) - Berceuse Op. 16 (Gabriel Faure). / Niveau : Intermédiaire / Classic - Ensemble / Recueil / Guitare Classique

Les sélections incluses dans cette anthologie sont des chefs-d'oeuvre de piano bien connu de grands compositeurs transcrites pour guitare solo. Tous les doigtés et autres marquages éditoriales ont été inclus pour aider dans le processus d'apprentissage. Ces notes sont nouvelles et se félicite des sélections du répertoire de la guitare classique. Audiophiles, les guitaristes et les populations de grand public trouveront ces oeuvres intéressantes et agréables. Y compris tout de ces sélections dans un récital solo ajoutera beaucoup de variété et d'intérêt à n'importe quel programme de concert surtout que bon nombre des sélections de cette collection n'ont jamais été effectués sur les solos de guitare. / Guitare Classique / 96 pages / niveau : Intermédiaire / Partition - Format: 11 X 8,5

Jazz Piano Solos Series Volume 57. Par METHENY PAT. 24 songs from this legendary guitarist and composer beautifully arranged for jazz piano solos! Includes: Always and Forever - Antonia - Are You Going with Me? - Better Days Ahead - First Circle - Have You Heard - In Her Family - (It's Just) Talk - James - Last Train Home - Letter from Home - The Longest Summer - Make Peace - A Map of the World - Mas Alla - Minuano (Six-Eight) - New Year - Phase Dance - Question and Answer - The Road to You - Sirabhorn - So May It Secretly Begin - Sometimes I See - Unity Village. Includes chord names./ Recueil / Guitare

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.