With Online Audio. Par NIER SVEN. This guitar method focuses on playing engaging rhythmic themes entirely on open strings. What seems at first to be a simple task quickly becomes a real challenge, requiring a high level of accuracy and an excellent sense of rhythm. While the picking hand can only play what the other hand has prepared, nothing musical will happen unless you pluck the right string. Sven Nier's exercises and tunes offer motivating, effective training to facilitate hitting the correct string with precision, winning half the coordination battle. While the audio examples are recorded on an electric instrument, guitar teachers and beginning students in all styles will appreciate this innovative book. Includes access to outstanding play-along online audio with and without the solo part. / Pédagogie / Date parution : 2018-05-04/ Etude / Guitare

Ce sont les éditions Pure Tone qui ont publié le document Puretone Acoustic Guitar Strings Set Light Gauge. Il est à classer parmi la catégorie Livres, Revues, DVD, Logiciels Et Accessoires. / Guitare / Accessoire

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Description Presents scales, chords etudes, and solo and duet arrangements in the keys of B major/G# minor, D# (E-Flat) minor, F# (G-flat) major. Includes in-depth theory notes and studies incorporating minor seventh, major seventh, dominant seventh flat-5, and dominant seventh #5 chords. Chords are presented as four-note groupings on the three sets of adjacent strings as well as in ?Orchestral Forms? incorporating all six strings with some strings muted. Throughout, the author integrates theory with technique and performance. Grade 6 is an advanced text designed to develop well-rounded musician/guitarists. Written in standard notation only.

Cette leçon de DVD est le joueur de guitare fingerstyle intermédiaire et avancé. C'est pour l'étudiant qui se sent confortable avec une alternance technique basse et veut étendre et d'explorer des idées dans le blues et le ragtime, en utilisant des techniques plus avancées de droit et de la main gauche. Les quatre instrus en vedette dans ce lesosn sont toutes les compositions étendues offrant une variété d'idées musicales. Blues sounding piano dans la clé de a sont présentés dans la ' Mississippi Blues ' et ' Blues For The Mann '. Une approche de Blind Blake dans la tonalité de do est utilisée pour la gloire d'amour. ' Recherche Rag ' en clé de e apporte ensemble thress sections distinctes. Il s'ouvre avec un motif de fusées-sondes piano blues et ensuite les étapes dans une atmosphère plus de pays. Il termine avec une série de bass licks qui rappelle 'Walkin 'The Strings' de Merle Travis. / Guitare

Agustin Pio Barrios Ferreyra, a Paraguayan composer and guitarist, is nowadays known as the creator of the Mangorean or Indo-American school of the Guitar. ?The name, Mangoré, was adopted in honor of the great chieftain Mangoré, an important personage of the Paraguayan jungles?.Mangoré used for his works popular folkloristic themes of South America as well as sounds of nature (?the still waters of [?] the Amazon?, ?the song of the birds?). But Magnoré also was inspired by European music: He composed gavottes, minuets and waltzes: ?It was in J.S.Bach where Barrios discovered the source of his universality [?]?.Admired by many but despised by more was his way of stringing his guitar: ?[?] the way he attacked the strings with the fingers sideward, with very little use of the fingernails?. He also invented some kind of a muffler: He put ?small balls of rubber on the Pirastro steel string?. Jesus Benites R. who collected Magnoré?s works for this edition says about him: ?Magnore is the genius of South America?. He was a strong influence for many composers and musicians, such as Heitor Villa-Lobos, Manuel Ponce and Andres Segovia. Vol. 1 of this 4 book collection contains 23 pieces, including Chôro da saudade, Danza Paraguaya, La Catedral and Madrigal (Gavota).
Contenu
- El sueno de la muneca
- Estudio No. 2 und 3
- Minueto en La
- Arabescos
- Medallón antiguo
- Vals Estudio No. 1
- Oración
- Escala y Preludio
- Confesión
- London carapé
- Tú y yo
- Madrigal
- Vals No. 3
- Canción de la Hilandera
- Choro da saudade
- Jha, che valle
- Preludio en Do menor
- Estudio de Concierto No. 2
- Caazapá
- Danza paraguaya No. 1 (1. u. 2. versión)
- La Catedral / Partitions classique / Guitare - luth / Guitare / ZEN-ON

Par TOMASI HENRI. French guitarist, François Tomasi compiles a study method of the modern Guitar, filling a large gap. The first volume of For a Modern Guitar addresses fingering, chords and hand positions, understanding the 6 strings, ensemble music, the thumb, polyphony, arpeggios and chromaticims, amongst other aspects. Moreover, a detailed illustration of the Guitar is included, with all the parts of the instrument clearly labelled. For all aspiring guitarists, Tomasi 's For a Modern Guitar cannot be missed. / Pédagogie / Répertoire / Guitare

Alfred's Kid's Guitar Course is a fun method that teaches you to play songs on the guitar right away. Book 2 starts where Book 1 leaves off by teaching new concepts including notes on the fourth, fifth, and sixth strings, new chords, tempo signs, dynamics, and much more. Each lesson on every colorful page is explained in plain language that's easy to understand, and accompanying audio that you can stream or download online is included so you can hear what each example should sound like. Plus, you get to learn from three irresistible guitar experts---a clever, classical dog, one cool jazz cat, and a friendly alligator who loves the blues. They keep your attention focused by pointing out what's important on each page and help you learn by making music fun! Parents can be effective guides to help you through this course, even if they've never had any musical training themselves. The companion DVD demonstrates the fundamentals of guitar playing, including how to hold and tune the guitar, strum chords, read music, and play lots of fun songs! The video also features on screen music notation for an easy introduction to reading music, live performances that demonstrate how the music should sound, and bonus MP3 audio tracks of all the music examples for listening and playing along! Also included is easy-to-use computer software that lets you watch the music on screen as it plays. You can speed the music up or slow it down---it's up to you! Online access to the video, MP3s, and software is included free with the DVD. Get ready to take your first and best step toward a lifetime of musical enjoyment! / Guitare

From Alfred Music, the worldwide leader in music education products since 1922, comes Alfred's Teach Yourself to Play Classical Guitar Complete Starter Pack! This complete starter pack includes a high-quality full-size Firebrand? nylon-string acoustic guitar, deluxe accessories including a custom-fit gig bag carrying case, clip-on portable tuner with batteries included, a foot stool, and Alfred's Teach Yourself to Play Classical Guitar (Book, CD, and DVD with TNT 2 software for Mac and PC). High-quality Firebrand? full-size nylon-string acoustic guitar features: * Spruce top with mahogany back and sides for a full, rich tone * Die-cast, chrome tuning machines * Nylon strings * Mahogany neck with rosewood fretboard / Guitare

Martin Simpson brings brilliant harmonic colors and resonant voicings to every song he plays, achieving his trademark sounds by retuning his strings to open chords and DADGAD along with more unusual configurations. Martin takes the 'fear factor? out of retuning, teaching players to discover their own ideas through some of his favorite guitar pieces: Come Write Me Down - The Green Linnet - Icarus and others. Early intermediate level. 1 hr., 30 min. / Guitare

Par MILLER JANE. Learn how triads are key to understanding harmony, soloing, and comping. Triads are the basis of all harmony. By understanding how they relate to larger chord structures, you will improve your command over harmony generally and be able to use triads more effectively in all your playing. Through visualizing and using common triads on the first three strings, you will create smooth lines that make sense of the chords even when the song changes keys or modes./ Etude / Guitare

Par PETERSEN JACK. Studies teaching the basic notes on all six strings of the guitar. The studies are reinforced by original etudes and solos written by legendary guitar pedagogue, Jack Petersen. / Niveau : Débutant / All Styles - Methods / Etude / Guitare

In this one-hour instructional DVD James Alan Shelton and George Shuffler demonstrate and teach the guitar techniques that helped change the role of the guitar in bluegrass music. The music of the Stanley Brothers and Ralph Stanley and the Clinch Mountain Boys has featured lead guitar work since Bill Napier and George Shuffler brought the guitar to the forefront of the Stanley's music in the late 1950s. This video begins with James Alan Shelton, the current lead guitar player for Ralph Stanley and the Clinch Mountain Boys, picking a tune with the legendary George Shuffler. James then interviews George regarding the development of his 'crosspicking? guitar technique. George demonstrates the technique and provides a guitar solo to one of the tunes he helped to make a bluegrass standard, 'Will You Miss Me.? George and James then pick 'Katy Dear? together and demonstrate their crosspicking talents. The instructional portion of the video begins with James Alan Shelton demonstrating the crosspicking roll and providing several exercises which will serve to train your right hand to gain skill with the crosspicking technique. James then teaches a 'turnaround? to 'Rank Stranger? which utilizes the crosspicking technique to 'fill in the gaps? between vocal lines. He then shows how to take the simple melody line of a song, 'Uncloudy Day,? and incorporate the crosspicking technique between the melody notes. Next, James teaches a crosspicking break to 'Bury Me Beneath the Weeping Willow? and follows that tune by demonstrating how to transform a Carter style guitar solo into a crosspicking solo using the song 'Wildwood Flower? as an example. The next section of the video features James teaching two of his original flatpicking tunes 'Road to Coeburn? and 'Tom's Creek.? This is followed by a fingerstyle performance of Ralph Stanley's favorite guitar number, 'Cannonball Blues.? James concludes the instructional portion of the video by talking about his selection of guitar strings, picks, and capos and provides 'tricks of the trade? to help you keep your flatpick in good shape. George and James both talk about their signature model Huss and Dalton guitars and the video concludes with George and James picking 'Banks of the Ohio? together. All of the songs that are taught in the video are transcribed in the accompanying transcription book. / Guitare (Flatpick) Et Plectre

Par SOMMER LUKAS. This children's album by renowned Czech composer-guitarist Lukáš Sommer reflects the latest trends in playing and teaching the Guitar. It is suitable for the first three years of lessons. Some of the pieces have even been performed by children and young Guitar students at competitions and concerts in Europe. Each of these little programme pieces is written in a different style with brief explanations of its technical features. Several are composed in an open-ended form that allows players to define the rhythm or to add an accompaniment on open bass strings. In this way the author grants leeway to the learners' creativity and stimulates their musicalimagination. The pieces are easy to play and the edition comes with attractive illustrations./ Etude / Guitare