Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers

Par BAY WILLIAM. Plutôt que la liste des habituels chord alphabétiques ou encyclopédique (C, Cm, C-, C +, etc.) cet ouvrage de référence complet corde présente des accords de guitare qu'ils sont effectivement utilisés dans des clés spécifiques (C, Am, F, G7, Dm, E7). Accords sont en outre classés en cinq base ' zones ' sur l'idéogramme. Par l'apprentissage de chaque zone soigneusement et jouant des revue des études à la fin de chaque section guitaristes peuvent améliorer leurs connaissances des formes de la corde et leur capacité de ' faire les changements ' tout au long de l'idéogramme ensemble. Un appendice important présente la théorie de la musique essentielle au sujet de l'échelle et la corde construction tout en offrant des formes de corde supplémentaire dans chaque zone. Fortement recommandé pour les guitaristes de tous les niveaux de jeu. / Niveau : Tous Niveaux / All Styles - Chord Book / Etude / Guitare

Par BAY WILLIAM. C'est une méthode de guitare très populaire. Son succès réside dans le fait qu'il est extrêmement facile à comprendre et très souple. Il se déplace à un rythme lent, stable et vous permet de jouer des accompagnements de corde dans 7 clés primaires guitare ! En outre, vous apprendrez à strum chords blues et également, vous commencerez à jouer fingerstyle arrière-plans. Cet ouvrage est complété par une pièce de théâtre le long du CD. / Niveau : Débutant / All Styles - Methods / Méthode / Guitare

Par BAY WILLIAM. C'est une méthode de guitare très populaire. Son succès réside dans le fait qu'il est extrêmement facile à comprendre et très souple. Il se déplace à un rythme lent, stable et vous permet de jouer des accompagnements de corde dans 7 clés primaires guitare ! En outre, vous apprendrez à strum chords blues et également, vous commencerez à jouer fingerstyle arrière-plans. Ce package comprend la compagne de CD et DVD. / Niveau : Débutant / All Styles - Methods / Méthode / Guitare

Par FLINT TOMMY. Fingerstyle guitar is extremely popular today. This is because it lends itself to very personal and lyrical solo and accompaniment styles. This method is one of the very best at teaching the basics of fingerpicking. Written by Nashville's fine guitarist, Tommy Flint, you will learn chording, Travis picking, soloing, scales and accompaniment patterns, playing over the entire fingerboard, barre-chords, two-string harmony, combining hammer and slide, three-against four roll, contrary motion, crosspicking, harmonics, right and left hand agility studies, and much more. A bonus is the inclusion of over 50 great, original Tommy Flint fingerpicking guitar solos which reflect a rich diversity of styles. This volume includes material previously published in two volumes as Mel Bay's Deluxe Fingerstyle Guitar Method. Written in notation and tablature. This package includes a split-track CD which provides play-along demonstrations of many of the exercises and solos in the book, starting with page 41. The solo guitar is on the right with accompaniment guitar on the left, so you can eliminate the solo part or accompaniment by adjusting the balance control of your player. / Niveau : Tous Niveaux / Bluegrass and Country - Methods / Méthode / Guitare

Par BAY MEL. All seven volumes of Mel Bay's original, internationally acclaimed Modern Guitar Method series are included in this single, deluxe master compilation. No other comparable method exists for the guitar! As Mr. Bay perceived the need for a guitar method that would effectively teach beginning guitarists to read music, this method is intentionally written in standard notation only, providing just enough music theory to understand what the student is required to play at any given point. Although fingerstyle technique can be applied to the pieces and studies, this book is specifically tailored for the plectrum-style player. Contains hundreds of beginner through advanced solos and duets in all fretboard positions and all keys, plus all four-note rhythm chord formations on high, middle and low sets of adjacent strings. This edition also includes additional outstanding plectrum guitar solo arrangements not found in the original seven volumes. All in all, this outstanding method leads the student to total mastery of the fretboard. / Niveau : Tous Niveaux / All Styles - Methods / Méthode / Guitare

Par FLINT TOMMY. Guitariste éclectique et vétéran auteur Mel Bay Tommy Flint fournit une introduction complète à fingerstyle technique de guitare. Destiné à l\'élève de grave d\'apprentissage de la guitare sans l\'avantage d\'avoir un enseignant-clear des photographies, des diagrammes et notation standard et l\'onglet vous guidera tout au long de la voie. Original fingerstyle tunes et arrangements de folk normes abondent dans ce livre, conduite d\'accueil concepts de la théorie de la musique, technique, syncope, walking bass, barre chords, insultes, mobiliers chords, utilisent le capo, le système de numération de Nashville, et beaucoup plus. / Niveau : Tous Niveaux / All Styles - Methods / Méthode / Guitare

Par HAHN JERRY. This jazz guitar book is a compilation of three books formerly published as Volume 1 - Scales and Exercises, Volume 2 - Patterns and Solos and Volume 3 - Improvisation Course and Chord Studies. This comprehensive edition covers all of the facets of jazz guitar study including all of the primary scales and arpeggios in five positions. There are several exercises to help increase technical facility including an excellent cross-picking exercise. Also there is a large single line section that includes jazz vocabulary and ideas to be played over certain chords and progressions. Learning and memorizing these single line studies expands the student's improvisational concepts and technique. The chord section includes the primary chord forms found in jazz and contemporary music as well as examples of turn-arounds, variations on twelve bar blues, and modal comping. The harmonized bass line section has four chord studies in a Freddie Green style. The Improvisation Course is a unique systematic approach to teaching improvisation. It consists of four lessons that has the student write out solos (with out an instrument) utilizing certain rules. The material in this book will provide a solid foundation for the aspiring jazz guitar student and has been used as the primary text for the jazz guitar programs at Portland State University and Wichita State University. / Niveau : Intermédiaire / Jazz - Methods / Méthode / Guitare

Par GROSSMAN STEFAN. In this book, six of Rev. Davis' Holy Blues are presented-- gospel songs with a taste of the blues. The online audio recordings teach these arrangements phrase by phrase as well as presenting the original recordings. These lessons are for the intermediate to advanced fingerstyle guitarist. All of the music is in notation and tablature. LESSON ONE: Rev. Davis played many gospel songs with a blues feel. These are referred to as 'Holy Blues.' Death Don't Have No Mercy is an excellent example of a Holy Blues in the key of Em. Let Us Get Together follows, and is played in the key of G. This is a difficult arrangement illustrating Rev. Davis's control over his right hand. LESSON TWO: Rev.Gary Davis's religious arrangements in the key of C: I Belong to the Band and Tryin' to Get Home. LESSON THREE: For ragtime playing Rev. Davis would approach his guitar as if it were a piano. For gospel songs the guitar takes on the role of a full Baptist church! In this lesson we study two gospel arrangements, Pure Religion and I Am the Light of the World. Both are played in the key of C and have become popular in today's pop world. Includes access to online audio. / Niveau : Intermédiaire / Tablatures / Guitare

Par BAY WILLIAM. C'est facile à comprendre la méthode encore très complet. Vous apprendrez à jouer de la guitare classique dans toutes les clés de la base. En outre, vous jouerez un très large assortiment de solos, allant de la Renaissance à des compositions du XXe siècle. Aussi, vous on enseignera à jouer beaucoup des chefs-d'oeuvre grand étudiant par des compositeurs tels que DORS, Carcassi, Carulli, Diabelli, Giuliani, Bach, Haendel et Dowland. Enfin, les études sont contenus pour jouer sur les positions de 2e, 3e, 4e et 5e. Certainement une ' hands on ' méthode qui obtient vous jouer la littérature merveilleuse guitare classique. Le DVD inclus offre une vue rapprochée de la guitare pour vous aider à comprendre les leçons. CD inclus également. / Niveau : Débutant / Classic - Methods / Méthode / Guitare Classique

Par BAY WILLIAM. C'est facile à comprendre la méthode encore très complet. Vous apprendrez à jouer de la guitare classique dans toutes les clés de la base. En outre, vous jouerez un très large assortiment de solos, allant de la Renaissance à des compositions du XXe siècle. Aussi, vous on enseignera à jouer beaucoup des chefs-d'oeuvre grand étudiant par des compositeurs tels que DORS, Carcassi, Carulli, Diabelli, Giuliani, Bach, Haendel et Dowland. Enfin, les études sont contenus pour jouer sur les positions de 2e, 3e, 4e et 5e. Certainement une ' hands on ' méthode qui obtient vous jouer la littérature merveilleuse guitare classique. / Niveau : Débutant / Classic - Methods / Méthode / Guitare Classique

The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement - additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs./ Recueil / Guitare

Par WORLEY PETER. This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barré chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. “It’s an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian. “These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition.” Gerald Garcia/ Recueil / Guitare