Guitar SKU: UT.CH-395 Composed by Giorgio Signorile. Classical. Score. Ut...(+)
Guitar
SKU:
UT.CH-395
Composed by
Giorgio Signorile.
Classical. Score. Ut
Orpheus #CH 395.
Published by Ut Orpheus
(UT.CH-395).
ISBN
9790215328587. 9 x 12
inches.
Il
grande larice rosso;
Piccole vite; Requiem per
un bosco
Never
before have I felt the
urgency within myself to
communicate with my
instrument something
which goes beyond just
the notes, a desire to
embrace with music parts
of the world which I see
as being so neglected and
abandoned, as if man were
no longer able to see
beyond the narrow
confines of his home and
work spaces. The
environment which
surrounds us, free and
pure, seems to bow more
and more to the base
instincts of abuse which
man brings into play...
the destruction of
centuries-old forests and
glaciers, the
construction of harmful
and disturbing, useless
and polluting elements...
and I wonder what we can
do, what I, as a
musician, can do, at
least to show my
disapproval of these
situations. I have no
straight answer but I
know that writing the
music I love to play,
often born in natural and
wild environments can
help to dream of, or
imagine a present time
which is more on a human
scale, thanks to the
strong evocative power
which music possesses and
emanates. This is the
meaning of these
compositions, dedicated
to a tree, a 700-year-old
specimen of the Stura
Valley, Lu Merze Gros
(The Big Larch), to the
small beings which
inhabit it, in the bark,
among its foliage, in the
surrounding soil and to
my sense of frustration
at seeing a forest of fir
trees razed to the ground
to allow the construction
of a bobsleigh
run. This action of
mine has been useless and
nostalgic perhaps, but it
has given me intense
moments of emotion in the
writing and moves me
enormously during its
performance.
Itâ
s a beautiful journey
through the tones that I
offer you with these two
pieces.
The first
The Stations of the Cross
express the 14 scenes of
the Passion of Christ
through a simple arpeggio
and 14 different tones.
The 12 minor keys which
begin the work in a
perfectly natural way (D,
A, E, B, F#, C#, G#, D#,
Bb, F, C, G) are followed
by two major keys (D and
the) who come conclude
the work as a triumphant
deliverance.
The
second piece Labyrinthe
uses the same principle,
but in a different way.
With another arpeggio and
major and minor tones
which follow one another
alternating in a natural
way through a slight
mutation, leading us
astray in the meanders of
the tones, to finally
find ourselves in the
original tone, we thus
delivering from this
great labyrinth (do, lam,
re, sim, mi, do#m, fa#,
re#m, ab, fam and
do).
I hope that
the discoverers of these
pieces will have the same
pleasure that I had in
composing them for
them.
Following
the successful
publication of
Homenaje a Rodrigo
(2015), containing four
pieces by Alessandro
Spazzoli – one of
which was performed in
the presence of the
composer’s
daughter, Cecilia
Rodrigo, during her visit
to the International
Convention in Alessandria
–, here is the
second volume. It
contains more tributes to
Rodrigo written on my
input by five well-known
Italian and Spanish
composers, two of whom
are also guitarists and
have therefore written
the fingering for their
own pieces. Giovanni
Podera plunges us into a
typically Rodrigo-like
atmosphere with his
evocative
Fantasia, while
the following three
compositions are full of
direct quotations from
pieces also for guitar by
the great composer from
Valencia. Thus, Marco
Simoni, in his expressive
Junto a Rodrigo
– which also
provides the title to the
volume – plays
with themes taken from
Junto al
Generalife and from
Dos piezas
caballerescas for a
cello ensemble as well as
hinting at reminiscences
of Tiento antiguo.
As for Marco Smaili, in
his impressionistic
Fronda de la
tarde, he evokes
quite evidently
Zarabanda lejana
and Invocación y
Danza, but there are
more hidden references to
Caminos de
Santiago and even to
the very famous
Concierto de
Aranjuez. Marco
Reghezza builds his
heart-breaking Nana
estrellada on a
sequence of chords used
by Rodrigo in the
fantasia ¡Que buen
caminito!. On the
other hand, there are no
direct quotations and
echoes of
Rodrigo’s way of
writing in the Fuga a
quattro voci by Paolo
Ugoletti. However it was
Rodrigo himself who
constructed four-part
imitative passages for
guitar in
Pasacalle and in
the Ricercare of the
Fantasia para un
Gentilhombre. The
close polyphony of the
piece by Ugoletti may be
considered as a tribute
to this kind of craft
shown by Rodrigo who,
like Ugoletti, was able
to write such dense and
idiomatic counterpoint
without being a
guitar-player. I am
pleased that this volume
comes out in the
imminence of the 20th
anniversary of the
disappearance of the
illustrious Spanish
composer who gave so much
to the musicians –
and not only to
them. (Piero
Bonaguri)
Guitar solo SKU: GH.GE-11547 Composed by Bo Hansson. Educational. Gehrman...(+)
Guitar solo
SKU:
GH.GE-11547
Composed
by Bo Hansson.
Educational. Gehrmans
Musikforlag #GE 11547.
Published by Gehrmans
Musikforlag
(GH.GE-11547).
ISBN
979-0-070-11547-6. A4
inches.
Drawing
from the same tradition
of Concert etudes as
Brouwer, Diego-Pujol and
Villa-Lobos - and perhaps
even Sor, Bo Hanssons's 5
etudes are a fine example
a compositions that blend
both musical perfection
and technical ambitions.
5 beautiful etudes meant
for performances both on
and off the concert stage
.
Voices about
5
Etudes
The
five etudes by Bo Hansson
are of the same dignity
and tradition as the
studies by Fernando Sor.
As did his predecessor,
he successfully achieved
these studies to suggest
a complete sense of
harmony and structure,
completely in accordance
with contemporary music.
The musical and technical
aims are clearly
presented to the
classical guitarist and
offer great opportunity
to develop ones own
ability. I warmly
recommend these beautiful
pieces to any
guitarist. Eric
Lammers, MSC,
Guitarist
B
o Hansson's 5 etudes is
a welcome contribution to
the guitar repertoire.
These well-composed
etudes are not only
technical etudes in a
traditional sense - they
are beautiful, idiomatic
pieces which incorporates
many ingenious and
exciting exercises. I am
confident they will be
regularly played - both
for practising and in
concerts. Warmly
recommended! Ja
n-Olof
Eriksson Professor in
Guitar Department of
Music and Media Lulea
University of Technology,
Sweden
Guitar SKU: LM.27634 Composed by Patrice Jania. Michel Leclerc. Pop, jazz...(+)
Guitar
SKU:
LM.27634
Composed by
Patrice Jania. Michel
Leclerc. Pop, jazz. Score
and CD. Editions Henry
Lemoine #27634. Published
by Editions Henry Lemoine
(LM.27634).
ISBN
9790230976343.
Nobo
dy knows the trouble I've
seen - Oh happy day - I
shall not be rnoved - Go
down Moses - How great t
ho u art - Down by the
riversside - Will the
circle be unbroken -
Battle hymn of the
republic - Wade in the
water - Amazing grace -
This litle light of mine
- When the saints go
marching in.
Guitar SKU: BT.MUSAM975359 Tuition. Book with CD. Wise Publications #MUSA...(+)
Guitar
SKU:
BT.MUSAM975359
Tuition. Book with CD.
Wise Publications
#MUSAM975359. Published
by Wise Publications
(BT.MUSAM975359).
ISBN
9780711996618.
English.
This is
the book for you if you
always wanted to learn
but somehow kept putting
it off, if you’ve
played guitar before and
given up or if
you’re determined
to crack it this
time.
The no-nonsense
guide that will soon
haveyouplaying great
chords, riffs and even
solos with as little pain
as possible!
Some basic
musical knowledge is
handy, but the 2 CDs
included feature a
demonstration and backing
tracks for each exercise.
Chord boxes
andhow-to-playphotos make
the tricky stuff
easy.
Arranged by Matt
Scharfglass who is a New
York-based songwriter,
bassist and
multi-instrumentalist. He
does session work, leads
his own band and performs
extensively in the New
YorkCity area.
By Don Latarski. For Guitar. Guitar Method or Supplement. The Ultimate Guitar Ch...(+)
By Don Latarski. For
Guitar. Guitar Method or
Supplement. The Ultimate
Guitar Chord Book Series.
Jazz/Fusion. Book. 52
pages. Published by
Alfred Publishing.
Songbook for voice and easy guitar. With lyrics, chord names, strum and pick pat...(+)
Songbook for voice and
easy guitar. With lyrics,
chord names, strum and
pick patterns and
standard notation.
Series: Strum It
(Guitar). 64 pages.
Published by Hal Leonard.
Guitar SKU: BT.MUSAM950862 Composed by Eric Clapton. Play Guitar With. Po...(+)
Guitar
SKU:
BT.MUSAM950862
Composed by Eric Clapton.
Play Guitar With. Pop &
Rock. Book with CD. Wise
Publications
#MUSAM950862. Published
by Wise Publications
(BT.MUSAM950862).
ISBN
9780711933125.
Play
guitar and sing along
with the specially
recorded CD backing
tracks of eight great
songs. The matching music
book features both
standard and guitar tab
notation of each song,
plus chord symbols and
complete
lyricsforvocalists.
Published by Alfred Publishing. This amazing video is now available on DVD. Jazz...(+)
Published by Alfred
Publishing. This amazing
video is now available on
DVD. Jazz guitar legend
Tal Farlow sits down with
best-selling author and
great guitarist Jody
Fisher in a candid,
entertaining and
instructional interview.
Topics of discussion
include chord/melody
arranging, flat-five
substitutions, soloing
over ii-V-I and more. Tal
also talks about his
influences and the great
players that he's
performed and recorded
with. Running time: 1
hour 5 minutes.
Guitar (classical and lute) SKU: MB.30105M Composed by Tom Bills. Saddle-...(+)
Guitar (classical and
lute)
SKU:
MB.30105M
Composed by
Tom Bills.
Saddle-stitched,
Contemporary, Technique,
Theory and Reference.
Style. Book and online
video. 56 pages. Mel Bay
Publications, Inc
#30105M. Published by Mel
Bay Publications, Inc
(MB.30105M).
ISBN
9780786691692. 8.75 x
11.75 inches.
The
Art Of Lutherie offers a
glimpse into the mind and
craft of luthier Tom
Bills, whom many consider
to be one of the most
talented luthiers today.
In this beautifully
written and enjoyable
read, Tom elegantly and
clearly shares his
best-kept secrets and
methods of custom guitar
making - those which make
his guitars favorites
among top collectors and
players. Toms unique
approach to The Art Of
Lutherie will empower and
inspire you to create
more than just a guitar,
but a truly unique work
of art. The information
that is generously shared
within this insightful
and timeless work is both
practical and applicable.
It contains the same
hard-won wisdom that only
comes from years of
experience and
experimentation that Tom
uses in creating his
inspiring instruments.
Over the years, he has
produced instruments
considered to be some of
the best sounding guitars
ever made. Learning the
steps of how to build a
guitar is important, but
understanding why master
luthiers take those steps
and make those decisions
can empower you to make
your own educated
choices. This will allow
you to create unique
guitars, and the world
needs your art, your
guitars - your important
contribution. The Art Of
Lutherie, a truly unique
and inspiring guide, can
prepare you to reach new
heights when designing
and creating unique
guitars.It is not often I
heap such lavish praise
on people; however, Tom
is in this case more than
deserving: I know of no
other luthier whose work
I respect more. Tom knows
his craft inside and out;
he pours his soul into
every guitar he makes; he
uses cutting-edge science
to guide his work, and it
shows...as head of Artist
Relations and Product
Development at Mel Bay,
it gives me great
pleasure to publish Toms
work, which will no doubt
take the art of lutherie
to a new level. I hope
youll spend some time
soaking in this book - it
will certainly augment
your musicality - Collin
Bay. Includes access to
online video.
Gospel/Sacred, Perfect
binding, Christian.
Classics.
Book/online audio/pdf. 36
pages. Mel Bay
Publications,
Inc #30948M. Published by
Mel
Bay Publications, Inc
Suite No. 1 Guitare Guitare classique - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4308
Composed by Giorgio
Mirto. Score. Les
Productions d'OZ #DZ
4308. Published by Les
Productions d'OZ
(DZ.DZ-4308).
ISBN
9782898522253.
Foll
owing a recent experience
on the jury of a guitar
competition, I noted with
great pleasure that
Giorgio Mirto, with whom
I had shared the role of
juror, wanted to
celebrate the experience
of the competition -
during from which we
discovered that we had
had a great affinity of
thought - with something
which could endure over
time and not evaporate as
often happens in short
and occasional meetings
between musicians. He did
it as a true composer,
which he is, and
dedicated to me a very
beautifully crafted Suite
to which I allowed myself
to collaborate at least
formally, by suggesting
titles for the four
movements. This is how
Suite n.1 was born, a
piece that does not
strictly respect the
formal rules of the
Baroque era, but
reinterprets and reuses
them in a new key. The
work's obvious late
Baroque inspiration led
me to find titles that
invited the performer to
delve deeper into the
work's aesthetic
inspiration. So I
suggested to Giorgio that
he title the four
movements with something
that linked their content
to four greats of the
18th century. German
masters. The prelude has
thus become from Eisenach
because of its sometimes
improvised Bach-like
atmosphere, the second
movement, vaguely
toccata, speaks an organ
language in the manner of
Buxtehude (who lived in
Lübeck), the slow
movement has a Handelian
quality - and Handel was
born in Halle - and the
last movement, far from
being a true Chaconne,
undoubtedly has the
latter's taste for
variation and ostinato,
typical traits of
Telemann who lived in
Magdeburg. The cities
that appear in the titles
are therefore indelible
to the authors cited.
Furthermore, one should
not think that the style
of the work is in any way
German, given that
Giorgio Mirto expresses
himself in a very joyful
language that synthesizes
modality with minimalism,
all seasoned with a a nod
to Pink's progressive
rock Floyd. or a Mike
Oldfield... The result of
this mixture of ideas,
inspirations and styles
is a work that personally
I never tire of reading
and rereading, for the
freshness that emanates
from it and for the
climate expressive which
rises, nourishing itself
with full efficiency. We
ultimately cannot ignore
that the note B, the one
which marks in a minor
way some of the most
expressive works of the
guitar repertoire, from
the study of Sor which
made generations of
students fall in love
with the guitar, until to
that of Frank Martin's
Four Pieces via La
Catedral di Barrios, is
the modal fulcrum of the
entire Suite: it is true
that the Prelude begins
with a clear chord in E
minor and lingers on an
open ending in A minor ,
but it almost seems that
the initial E serves as a
launching pad for a
continuation of the work
in which the dominant,
that is to say the B, is
the true musical North,
the pole star which
guides us in the other
three movements until the
end of the Chaconne de
Magdebourg. I wish
Giorgio and our Suite
great longevity and a
favorable destiny in the
complex and complex world
of contemporary guitar
composition. And I thank
him again, flattered by
his very kind
dedication.
Guitar SKU: GI.G-9740 Composed by Tony Alonso S.J. Sacred. Collection. 14...(+)
Guitar
SKU:
GI.G-9740
Composed by
Tony Alonso S.J. Sacred.
Collection. 142 pages.
GIA Publications #9740.
Published by GIA
Publications (GI.G-9740).
UPC: 785147974017.
English.
In Endless
Song is a compilation of
some of Tony’s
finest works gathered
into one collection for
the express purpose of
facilitating personal
prayer and reflection.
These are some of
Tony’s most
beloved
pieces—songs that
reflect most deeply his
spirituality and his
voice as a songwriter.
This is the music
collection in a
spiral-bound format with
all choral parts and the
complete keyboard
accompaniment. Guitar
chords are also included
in this edition. This
format works well for
pianists as it lays flat
and make pages turns
easy. CONTENTS: How Can I
Keep from Singing?
• What You Have
Done for Me •
Emmaus • In the
Arms of God • From
the Cradle to the Cross
• Were I the
Perfect Child of God
• Here I Am •
Castle of the Soul
• And Jesus Said
• I Will Arise
• Will the Circle
Be Unbroken? •
Fresh as the Morning
• The Greater Glory
of God • I Will
Lift My Eyes.
Guitar - Intermediate SKU: MB.31008M Perfect binding. Blues. Book and onl...(+)
Guitar - Intermediate
SKU: MB.31008M
Perfect binding. Blues.
Book and online audio.
160 pages. Mel Bay
Publications, Inc
#31008M. Published by Mel
Bay Publications, Inc
(MB.31008M).
ISBN
9781513467016. 8.75x11.75
inches.
Blind Lemon
Jefferson was a trail
blazer, both as a singer
and guitarist, but also
as a commercial
phenomenon, for he was
the first blues musician
to establish the
tremendous appeal that
blues, as played and sung
by rural African American
folk, had for the
record-buying public. It
is no exaggeration to say
that the sales of
Lemon’s records
paved the way for a host
of other solo rural blues
musicians to record in
his wake and made the
record companies more
willing to give other
musicians a chance, in
the hopes of achieving
similar
success.Â
Lemon
’s record sales
weren’t what made
him a great musician,
though - that could only
be attributed to his
startlingly virtuosic
guitar - playing and
soulful singing,
developed over years of
busking, building on his
natural gifts with a
great deal of practice
and work. In the Guitar
of Blind Lemon Jefferson
author John Miller
presents transcriptions,
in standard notation and
tablature, of 22 of
Lemon’s greatest
performances, with an
additional essay
examining Lemon’s
senses of time and
phrasing and his picking
techniques. Also included
is a download link to all
the original
recordings.Â
To
present a picture of
Lemon the man, noted
blues researchers Alan
Governar and Kip Lornell
have contributed an essay
focusing on
Lemon’s early
life, the origins of his
music, and his time spent
in a musical partnership
with Lead Belly. Links
are provided to
downloadable performances
of the songs in the book
from which the
transcriptions were made,
so that you can have
Lemon’s sound in
your head as you learn to
play his
songs.
Blind Lemon
Jefferson was remarkable,
even in a style that
abounded in great
musicians, and some
measure of his influence
can be seen in the fact
that musicians recorded
in the 1960s, more than
thirty years after his
death, were still
covering his songs and
stealing guitar licks
from him. The Guitar of
Blind Lemon Jefferson
gives you the resources
needed to learn what was
so special about
Lemon’s music, and
to experience his musical
excellence from inside
the music
itself.
Titles
include: One Dime Blues,
Got The Blues, Dry
Southern Blues, Big Night
Blues, Rabbit Foot Blues,
Shuckin' Sugar Blues,
Where Shall I Be, Wartime
Blues, Black Horse Blues,
Prison Cell Blues, Piney
Woods Money Mama, See
That My Grave Is Kept
Clean, He Arose From The
Dead, Beggin' Back, Broke
And Hungry, Bad Luck
Blues, Matchbox Blues,
Lemon's Worried Blues,
That Crawlin' Baby Blues,
Easy Rider Blues,
Stocking Feet Blues and
Right of Way
Blues
Level 2/3
• 160 pages •
Direct download link to
audio
files.Â
Essential Christmas Standards for Easy Guitar composed by Various. Arranged by J...(+)
Essential Christmas
Standards for Easy Guitar
composed by Various.
Arranged by Jonathon
Robbins. For guitar. This
edition: Paperback.
Collection. Christmas.
Book. Text Language:
English. 48 pages.
Published by Santorella
Publications
First Sonata on Shakespearean Characters Solo Guitar. Composed by Hans Werner ...(+)
First Sonata on
Shakespearean
Characters Solo Guitar.
Composed by Hans Werner
Henze
(1926-). Edited by Marco
Minà.
Guitar. Classical.
Softcover.
48 pages. Duration 1500
seconds. Schott Music
#GA580.
Published by Schott Music
(Mastering Jazz Guitar). By Jody Fisher. For Guitar. This edition: Standard Nota...(+)
(Mastering Jazz Guitar).
By Jody Fisher. For
Guitar. This edition:
Standard Notation Only.
Book; CD; Guitar Method
or Supplement;
Method/Instruction;
Technique Musicianship.
Complete Method. Jazz.
Advanced. 96 pages.
Published by Alfred Music
DVD, Method.
Fingerpicking. DVD. 112
pages. Mel Bay
Publications, Inc
#GW1074. Published by Mel
Bay Publications, Inc
(MB.GW1074).
5.75X4
inches.
This lesson
is intended for players
who are seeking a greater
understanding of how to
get beyond basic open
chords, or first
position, use the full
fretboard. We will do so
by understanding the
concept of a movable
shape. The tunes selected
will slowly introduce you
to a variety of shapes
commonly used by the
old-time masters to
unlock the neck. In
addition to learning
these examples, I?ll talk
about the logic that
makes movable shapes
work, empowering you to
create your own uses for
them. You will learn
tunes that have become
standards in the
fingerstyle repertoire by
Sam McGee, Big Bill
Broonzy and Maybelle
Carter. As well, I teach
two arrangements I have
put together of an
old-time fiddle tune and
a Jelly Roll Morton piano
blues. Titles include:
Angeline the Baker,
Franklin Blues, Railroad
Blues, Saturday Night
Rub, Amos Johnson Rag,
Victory Rag and Buddy
Bolden?s Blues Detailed
tab/music PDF file on the
DVD. 112 minutes. DVD is
region 0, playable
worldwide.