By Pete Kershaw. For electric guitar. Instructional book and CD. 64 pages. Published by Boston Music.

(75 Hymns and Choruses). By David Winkler. String ensemble. For medium voice, guitar. Easy. Published by Lillenas Publishing Company

Guitar - Intermediate

SKU: MB.31060M

Perfect binding. Jazz. Book and online audio. 180 pages. Mel Bay Publications, Inc #31060M. Published by Mel Bay Publications, Inc (MB.31060M).

ISBN 9781513468051. 8.75x11.75 inches.

As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation.

The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry.

Titles include: Oh, You Beautiful Doll, I’ve Got The Blues, High Society, St. Louis Blues, Davenport Blues, Poor Butterfly, Dixie Jass Band One-Step, Memphis Blues, Big Foot Ham, Grandpa’s Spells, The Original Jelly Roll Blues, Midnight Mama, Milenberg Joys, Fizz Water, Back Home in Indiana, Sweet Georgia Brown, Red Wing (An Indian Intermezzo), There’ll Be Some Changes Made, Way Down Yonder In New Orleans, Charleston, Where The Morning Glories Grow, Limehouse Blues, Susie (of the Islands), I Need Some Pettin’, Weather Bird, Cornet Chop Suey, Kansas City Stomps, King Porter Stomp, Jubilee Stomp, Take It Easy, If I Had You, Moonlight Serenade

(The Most Popular Series for Learning How to Play). By Ron Manus, L. C. Harnsberger, and Nathaniel Gunod. For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. Alfred's Basic Guitar Library. Rock. 64 pages. Published by Alfred Music (AP.4

A Complete Course for the Beginner Guitarist!. Performed by Keith Wyatt. Dvd. DVD (Digital Video Disc). Size 5.25x7.5 inches. Published by Hudson Music And Hal Leonard.

Guitar solo - Intermediate

SKU: DZ.DZ-4313

Composed by Michel Dalle Ave. Score. Les Productions d'OZ #DZ 4313. Published by Les Productions d'OZ (DZ.DZ-4313).

ISBN 9782898522307.

Lake s Road is a piece for solo guitar.
Composed in a style very popular with many guitarists of the 70s: Finger-picking. This is distinguished by an often joyful melody built on alternating bass, thus creating a sustained and dynamic rhythm.
This composition is in line with this style,
reminiscent of Ragtime, a musical genre originating
from Louisiana originally written for piano.

«Lak es Road» est une pièce pour guitare seule.
Composée dans un style très prisé par de nombreux guitaristes des années 70 : Le Finger-picking. Celui-ci se distingue par une mélodie souvent joyeuse construite sur des basses
alternée s, créant ainsi un rythme soutenu et dynamique.
Cette composition s'inscrit dans la lignée de ce style,
rappelant le Ragtime, un genre musical originaire
de la Louisiane initialement écrit pour piano.

For Guitar. Guitar Educational. Softcover Audio Online. 64 pages. Published by Hal Leonard

Composed by Andrew D. Gordon. Saddle stitch. Rock/Guitar Instruction. Book and Downloadable audio. Duration 75 minutes. Published by ADG Productions

Performed by B.B. King. Edited by Tim Landers. DVD video. Published by Alfred Publishing.

Performed by Various. Guitar. Size 9x12 inches. 168 pages. Published by Centerstream Publications.

Light Classics Arrangements for Guitar. Composed by Scott Joplin (1868-1917). Book; Classical Guitar Folio; Masterworks. Alfred Classical Guitar Masterworks. Form: Transcription. Acoustic; Masterwork Arrangement; Romantic. 32 pages. Published by Alfred Music (AP.43654).

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

A Complete Course for the Beginner Guitarist!. Performed by Keith Wyatt. Dvd. Size 5.25x7.5 inches. Published by Hudson Music And Hal Leonard.

By Green Day. For Guitar. Guitar Chord Songbook. Softcover. 96 pages. Published by Hal Leonard

Guitar

SKU: HL.14047681

CARISCH - MUSIC SALES. Tuition. General Merchandise. Play Music Italy #ML3778. Published by Play Music Italy (HL.14047681).

ISBN 9788850730124. Italian.

This book presents a series of accompaniments and Guitar solos in the slow blues style. You will discover major and minor chords and rhythms, including 12/8, to be played with a pick or your fingers, evoking the great standards of this style as well as the blues 'roots'. There are then beautiful solos for you to play, built on a slow time, starting from the main harmonic progressions typical of this style, which open the door to controlled virtuosity and feeling. Accompagnamenti & Assoli Slow Blues features pieces in the style of BB King, Stevie Ray Vaughan, Eric Clapton, Buddy Guy, Eric Rodgers, Popa Cubby, Lightnin' Hopkins and many more. For each accompaniment or solo featured,you will find five different recordings on the CD MP3 attachment, allowing everyone to play at their own pace, according to their level and abilities. Includes more than 4 hours of music in total.

Guitar

SKU: BT.MUSBM11462

Composed by Michael McCartney. A New Tune A Day. Method. Book with CD. 64 pages. Boston Music #MUSBM11462. Published by Boston Music (BT.MUSBM11462).

ISBN 9781846090356. English.

C. Paul Herfurth's classic series of tutor books have now been completely revised and updated with a host of innovations to suit a new generation of musicians. A New Tune A Day features the same logical, gentle pace and keen attention to detail that made earlier editions so hugely popular and successful. Clear explanatory diagrams and photographs help guide you through the lessons and achieve the very best in tone, technique and posture. The selection of music is fresh and exciting, including duets and rounds to inspire the student and ensure that those vital practice hours are never boring! The book includes: Advice on your instrument and the equipment you will needInstructions for effective technique and comfortable playing Explanatory pages on reading and understanding music Tests to check your own progress and comprehension The accompanying audio CD features a virtuoso performance and backing track for each pieces, as well as recorded examples to support the lessons.

About A New Tune A Day

Since it first appeared in the 1930s, the concise, clear content of the best-selling A Tune A Day series has revolutionized music-making in the classroom and the home. Now, for the first time, C. Paul Herfurth's original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The A New Tune A Day books have the same logical, gentle pace and keen attention to detail, but with a host of innovations: the inclusion of an audio CD-with actual performances and backing tracks-will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. This book contains: easy-to-follow lessons on clear, uncluttered pages; tips for technique; improvising hints; audio CD with a virtuoso performance, backing tracks, and audio examples; great music, including duets and ensemble pieces; useful pull-out fingering chart

Guitar - very easy

SKU: BT.RSK200110

Exam Material. Book with Online Audio. Composed 2019. Rockschool #RSK200110. Published by Rockschool (BT.RSK200110).

ISBN 9781789360851. English.

Rocksch ool Acoustic Debut is for candidates who have been learning a short time and have learnt the basic skills.

The 2019 Acoustic syllabus is a refreshed approach to acoustic guitar. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade two of the pieces ask the students to perform without backing track, exploring the sound and resonance of their instrument. The remaining tracks are session style backing tracks that include vocal accompaniment. We've also included the vocal melody lines in the grade books for students who sing and play at the same time.

• 6 newarrangements of iconic rock, pop, and contemporary music tracks from classic and contemporary artists
• A diverse selection of contemporary music ever seen in a syllabus making the Grades accessible to everyone without precluding any musical tastes
• Fact Files: band and artist background information with recommended listening
• Walkthroughs: in-depth guidance on every track
• Downloadable audio: easily access audio content online
• All the essential music theory and technique you need to pass your exams

by William Bay and Mike Christiansen. For all guitars. Mastering Guitar. All styles, solos and exercises. Level: Beginning-Intermediate. Book/CD Set. Method. Size 8.75x11.75. 144 pages. Published by Mel Bay Pub., Inc.

(You Can Play the Guitar Now! Acoustic Guitar Vol. 3). Taught by Rogelio Maya. For Guitar (All). method. Acoustic Music. Level: Beginning-Intermediate. DVD. Size 5.38x7.50. 60 pages. Published by Mayas Music.

Teach Yourself Fingerpicking Guitar with CD arranged by Jared Walker. For guitar. This edition: Paperback. Instructional. Method. Book and CD. Text Language: English. 96 pages. Published by Santorella Publications

Guitar - intermediate

SKU: BT.RSK200115

Exam Material. Book with Online Audio. Composed 2019. Rockschool #RSK200115. Published by Rockschool (BT.RSK200115).

ISBN 9781789360905. English.

Rocksch ool Acoustic Grade 5 is for students who have acquired the intermediate skills and techniques and have developed an increasing sense of stylistic conviction. This is demonstrated through instrumental techniques, increasing rhythmic complexity and convincing solo and improvisation work.

The 2019 Acoustic syllabus is a refreshed approach to acoustic guitar. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade two of the pieces ask the students to perform without backing track, exploring the sound and resonance of their instrument. The remaining tracks aresession style backing tracks that include vocal accompaniment. We've also included the vocal melody lines in the grade books for students who sing and play at the same time.

• 6 new arrangements of iconic rock, pop, and contemporary music tracks from classic and contemporary artists
• A diverse selection of contemporary music ever seen in a syllabus making the Grades accessible to everyone without precluding any musical tastes
• Fact Files: band and artist background information with recommended listening
• Walkthroughs: in-depth guidance on every track
• Downloadable audio: easily access audio content online
• All the essential music theory and technique you need to pass your exams

Music Sales America. Instruction. Softcover with CD. 64 pages. Music Sales #BMC12221. Published by Music Sales

Guitar - advanced

SKU: BT.RSK200118

Exam Material. Book with Online Audio. Composed 2019. Rockschool #RSK200118. Published by Rockschool (BT.RSK200118).

ISBN 9781789360936. English.

Rocksch ool Acoustic Grade 8 is for students who have mastered advanced technical control and have a thorough grasp of extended stylistic techniques. At Grade 8 this is shown through mature stylistic conviction, consummate execution of rhythmic complexity, mature and creative stylistic solo and improvisation work as well as a commanding sense of communication and performance.

The 2019 Acoustic syllabus is a refreshed approach to acoustic guitar. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade two of the pieces ask the students to perform without backing track,exploring the sound and resonance of their instrument. The remaining tracks are session style backing tracks that include vocal accompaniment. We've also included the vocal melody lines in the grade books for students who sing and play at the same time.

• 6 new arrangements of iconic rock, pop, and contemporary music tracks from classic and contemporary artists
• A diverse selection of contemporary music ever seen in a syllabus making the Grades accessible to everyone without precluding any musical tastes
• Fact Files: band and artist background information with recommended listening
• Walkthroughs: in-depth guidance on every track
• Downloadable audio: easily access audio content online
• All the essential music theory and technique you need to pass your exams

(Guitar)

SKU: HL.14062610

Composed by John Blackwell. Guitar. General Merchandise. Duration 240 seconds. Music Sales #BM12023. Published by Music Sales (HL.14062610).

About A New Tune A Day

Since it first appeared in the 1930s, the concise, clear content of the best-selling A Tune A Day series has revolutionized music-making in the classroom and the home. Now, for the first time, C. Paul Herfurth's original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The A New Tune A Day books have the same logical, gentle pace and keen attention to detail, but with a host of innovations: the inclusion of an audio CD-with actual performances and backing tracks-will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. This book contains: easy-to-follow lessons on clear, uncluttered pages; tips for technique; improvising hints; audio CD with a virtuoso performance, backing tracks, and audio examples; great music, including duets and ensemble pieces; useful pull-out fingering chart

Guitar - late intermediate

SKU: BT.RSK200116

Exam Material. Book with Online Audio. Composed 2019. Rockschool #RSK200116. Published by Rockschool (BT.RSK200116).

ISBN 9781789360912. English.

Rocksch ool Acoustic Grade 6 is for students who have begun to develop advanced technical control and a competent grasp of stylistic techniques. At Grade 6 this is shown through mature stylistic conviction, execution of rhythmic complexity, creative and stylistic solo and improvisation work as well as a secure sense of communication and performance.

The 2019 Acoustic syllabus is a refreshed approach to acoustic guitar. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade two of the pieces ask the students to perform without backing track, exploring the soundand resonance of their instrument. The remaining tracks are session style backing tracks that include vocal accompaniment. We've also included the vocal melody lines in the grade books for students who sing and play at the same time.

• 6 new arrangements of iconic rock, pop, and contemporary music tracks from classic and contemporary artists
• A diverse selection of contemporary music ever seen in a syllabus making the Grades accessible to everyone without precluding any musical tastes
• Fact Files: band and artist background information with recommended listening
• Walkthroughs: in-depth guidance on every track
• Downloadable audio: easily access audio content online
• All the essential music theory and technique you need to pass your exams