Par GRIGGS JOHN. Brazilian guitar virtuoso Carlos Barbosa-Lima and guitarist/ instructor John Griggs present this collection of short pieces by various Classical composers, plus a few of their own original compositions. Beginning to intermediate in difficulty, each piece has been meticulously set for solo guitar in standard notation and tablature. Selections include works by Handel, Purcell, Jeremiah Clark, Corelli, Scarlatti, Pachelbel, Zipoli, Mozart, Telemann, and J.S. Bach. The attached CD offers performances of all 30 pieces by Carlos Barbosa-Lima. A fine addition to any classic guitarist's library! / Niveau : Débutant à Intermédiaire / Classic - Solos / Tablatures / Guitare Tablatures

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Learn the Guitar in a creative new way. Par PELLS TIM / FRANKE JENS. Learn the Guitar in a creative new way: Playing music that makes you feel good, right from the outset. Passport to Play Guitar is a tutor series which is focused on learning to play the guitar through listening, reading and playing together, and is suitable for both classical and acoustic guitarists. The sheet music includes TAB alongside the standard notation. The books use music drawn from styles and cultures from all around the world, including Blues and Jazz from North America; Folk and Traditional music from Europe, Africa and Latin America; and pieces inspired by the people and places that the authors have encountered on their travels. Audio files and clear illustrations: Because musicians everywhere learn by listening and playing together, our authors have also included audio for every piece. This allows you to play along with other musicians, while learning at the same time. Tim and Jens (the authors) believe in keeping it simple, which is why they have included clear illustrations and kept the explanatory texts to a minimum. The focus will always be on playing music that makes you feel good, right from the outset. Passport to Play Guitar is great for Beginners, includes TAB alongside the standard notation, and also includes accompaniments for ensemble playing./ Tablatures / Guitare

Par GILEWITZ RICHARD. Direct from the master of guitar clinics, this 96-page book contains a plethora of topics based on Richard Gilewitz\'s experience of conducting fingerstyle guitar and sound seminars for nearly a decade in a variety of settings worldwide. Sections are built around the most frequently asked questions from players of all ages and skill level, with topics supported by written explanations, exercises, original music tablature and notation pieces, charts, and photographs. Recommended for players and teachers of both 6 and 12-string guitar, this book provides encouragement and new avenues for growth for all students wishing to improve upon their life-long craft. The companion CD and 83-minute DVD provide a guide to discussion on learning slide, how to select a guitar, capos, metronomes, tuners, strings, composition, hand positions, practice methods, touring and recording tips, standard and open tunings, picking patterns, and more. Original compositions offered in tablature and notation include \'Dirt To Dust\' with the new \'Gypsy Minor\' introduction, \'Bilingual Fantasy\', \'Jamaicalina\', \'Pre Dawn Mourning\', \'Echoing Gilewitz\', \'Mrs. Firecracker\'s Place\', and \'The Maison Blanche Exit Song\' . - 96-page book contains topics based on author\'s experience of conducting fingerstyle guitar seminars for nearly a decade - Sections are built around the most frequently asked questions from students - Topics supported by companion CD, DVD, written explanations, exercises, original music tablature and notation pieces, and charts / Niveau : Débutant à Intermédiaire / Acoustic Music - Technic / Tablatures / Guitare Tablatures

Three Solos By The Legendary Flamenco Guitarist - Mata Juan (De La) (Trans). Par MATA JUAN DE LA. This book presents three challenging extended flamenco guitar solos by the legendary Agustín Castellón Campos, best known as Sabicas (1912-1990). The selections are: Bronce Gitano, Campiña andaluza, and Duelo de campanas. Brief explanations of digitation symbols, flamenco tremolo technique, notation/tab conventions and use of the cejilla or capo are included. All of the music in this book appears in both standard notation and tablature. Juan de la Mata, the transcriber of the pieces in this book, enjoyed a 30-year professional relationship with Sabicas and is a seasoned performer in the flamenco style. He has preserved not only the notes, but the spirit and nuance of this music as Sabicas played it. / Niveau : Intermédiaire à Avancé / Flamenco - Solos / Tablatures / Guitare Tablatures Classique

Par BACH JOHANN CHRISTIAN. Easy to intermediate guitar transcriptions for some of J. S. Bach's most popular pieces including Jesu, Joy Of Man's Desiring, the famous Bourree In E Minor and pieces from Anna Magdelena Bach's Notebook. Musical and technical information accompany each piece and helpful fingering suggestions are also included. Each piece is clearly clearly written in standard music notation and easy-to-read tablature showing exactly where each note should be played on the guitar./ Tablatures / Guitare Tablatures

Par GANGEL WILLIAM. A collection of tunes in the Celtic style arranged by some of today's best-known Fingerstyle guitarists. Several of O'Carolan's pieces are included, along with a number of traditional favorites. Both standard guitar notation and tablature are provided throughout for the convenience of those who are more comfortable reading in one style or the other. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Solos / Tablatures / Guitare Tablatures

10 Duette im Stil von Romantik, Blues, Bossa Nova, samba, Pop und Folklore. Par JUERGEN KUMLEHN. This book is for all guitarists who are looking for something new to play and who don't want to limit themselves exclusively to the more traditional type of duet music that's available. Stylistically, the pieces range from romantic, blues and bossa nova to samba, pop and folklore. The included CD contains every piece in two different versions as well as a preparatory exercise. First, there's a complete version for listening with an expanded and properly mixed arrangement. In this version, supporting instruments such as percussion, electric piano, strings, or acoustic bass are added in an appropriate manner for the style and mixed in softly without distracting the focus from the two guitars. After every listening version, a 'picking pattern' follows: the rhythm guitar performs and stays with this picking pattern throughout the entire piece and it forms the common thread that represents the actual core of each composition. This pattern is also presented on the CD in a slow version of a representative section of each song which you can analyze and play along with. Finally, you'll find the play-along version. This version has been reduced to only the two guitars, with one guitar on the left channel and the other on the right. Written in notation and tablature. Text in English and German. / Niveau : Débutant à Intermédiaire / All Styles - Duets / Tablatures / Guitare Tablatures

Musical Postcards From New Mexico For Fingerstyle Guitar. Par CHAPDELAINE MICHAEL. A transcription of GFA and Winfield Fingerstyle winner Michael Chapdelaine's fourth CD. These 10 pieces are classical in technique, although not totally classical in style, featuring blues, rock, and contemporary idioms. Chapdelaine's original recording is included on CD. Written in standard notation and tablature. Intermediate level. / Niveau : Intermédiaire / Acoustic Music - Transcribed Solos / Tablatures / Guitare Tablatures

Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting, but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland. Stefan produced Ton's first solo album, Famous Ragtime Guitar Solos, in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975, Ton's second solo album, Guitar Instrumentals To Tickle Your Fingers, was released containing transcriptions and arrangements of novelty rags, early jazz and popular tunes of the 1930s and 1940s. In 1980, Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar, this time with a repertoire covering jazz, blues, contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town, Hot Guitar Solos. Ton also participated in several anthology projects, i.e. Novelty Guitar Instrumentals, I Got Rhythm, Masters of Ragtime Guitar, The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop, (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This second volume presents Ton Van Bergeyk's renditions of Duke Ellington's Jubilee Stomp and Take It Easy, Thelonious Monk's classic Blue Monk and the George Gershwin standard I Got Rhythm. / Niveau : Facile / Tablatures / Guitare Tablatures

First Lessons Fingerstyle Guitar, with accompanying audio, is a perfect introduction to fingerstyle guitar. National Board Certified educator Steve Eckels has carefully designed each lesson to allow for smooth progression. Each of the ten lessons contains the four pillars of practice: scales, reading, progressions and repertoire. Developed in the classroom, this book provides arrangements of beautiful guitar pieces in a basic form, and instructions for how to embellish them in your own way. Included are shortcuts for learning to read music, and fingerstyle accompaniment patterns such as the famous 'Travis' pattern. Those seeking further study will also enjoy Eckels' 'Modern Fingerstyle Guitar Method Grade 1' (MLB21496BCD) and other acclaimed folios. / Niveau : Débutant / Tablatures / Guitare Tablatures

Par FLEMING TOM. The latest in the successful Ultimate Guitar Tutor series, featuring classic songs by legendary artists Nirvana, Green Day, Blur, Black Sabbath, The Who and AC/DC, along with original pieces by author Tom Fleming. All songs and pieces are arranged progressively, in a thorough introduction to TAB, standard notation and chord songbook formats. Includes hits and tips to aid learning, and an accompanying CD of high-quality backing tracks./ Méthode / Guitare

Rockschool is about playing the styles of music you enjoy.The specially written tunes develop the key skills, styles and techniques you need so you can play the hits of yesterday, today and tomorrow.The Rockschool packs include full notation and TAB plus backing tracks on a CD featuring top musicians. Students are encouraged to be creative with the Rockschool tunes - so feel free to improvise and adapt them to suit your playing style and musical approach!Rockschool's grade exams are made up of the following elements: * Performance pieces * Technical exercises * Sight reading or Improvisation And Interpretation * Quick Study Piece * Ear Tests * General Musicianship / Guitare

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY